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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Sekolah Dasar JOGED Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Journal of Urban Society´s Arts ANDHARUPA Jurnal Pendidikan dan Kajian Seni JADECS (Journal of Art, Design, Art Education and Culture Studies) MUDRA Jurnal Seni Budaya Gondang: Jurnal Seni dan Budaya Jurnal Istiqro' Semiotika Jurnal Sitakara CARADDE: Jurnal Pengabdian Kepada Masyarakat Gelar : Jurnal Seni Budaya Greget Journal of Education, Humaniora and Social Sciences (JEHSS) Journal of Leadership in Organizations PERSPEKTIF GETER : Jurnal Seni Drama, Tari dan Musik Journal of Music Science, Technology, and Industry (JOMSTI) Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Varia Humanika Jurnal Nuansa Akademik: Jurnal Pembangunan Masyarakat ARRUS Journal of Social Sciences and Humanities Jurnal Pendidikan dan Penciptaan Seni Gesture: Jurnal Seni Tari Journal of Language, Literature, and Arts (JoLLA) Abdimas Indonesian Journal Jurnal Antropologi Sumatera Eduvest - Journal of Universal Studies Prosiding Seminar Nasional Pascasarjana International Journal of Performing Arts (IJPA) Jurnal Medika: Medika Gayatri : Jurnal Pengabdian Seni dan Budaya Dinamika Kerajinan dan Batik: Majalah Ilmiah
Robby Hidajat
Universitas Negeri Malang
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A Mixed Method Content Analysis of Kejhung Madura on Digital Platforms: Cultural Identity through Oral Music Performance Rully Aprilia Zandra; Kusubakti andajani; Robby Hidajat; Adzrool Idzwan Ismail; Hengki Tri Hidayatullah
Resital: Jurnal Seni Pertunjukan Vol 26, No 3 (2025): Desember 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i3.2695

Abstract

This study investigates the representation and preservation of Kejhung Madura, a traditional oral vocal art from Indonesia, within digital media ecosystems. Using a mixed-method content analysis integrating quantitative and qualitative approaches, this research analyzed 119 videos featuring Kejhung Madura across YouTube, TikTok, Facebook, and YouTube Shorts. Quantitative data, such as views, likes, comments, and shares were statistically examined to evaluate audience engagement, while qualitative thematic analysis explored videographic characteristics including duration, lighting, camera movement, and expressive performance. Results show that TikTok generates the highest visibility and engagement, reflecting the adaptability of Kejhung within short-form, algorithm-driven platforms. In contrast, YouTube and Facebook function as digital archives, hosting long-form documentation that maintains cultural integrity. Most videos emphasize individual expression, close-up framing, and natural lighting, indicating a shift from collective performance toward personalized digital reinterpretation. The findings highlight that digital media not only archives but also recontextualizes traditional music into participatory, democratized forms of cultural identity. Therefore, strategic hybridization through creative short clips for engagement and longer formats for preservation can sustain Kejhung Madura’s relevance in the digital era. This study contributes to ethnomusicology and digital heritage studies by demonstrating how oral performance traditions can evolve within global digital culture while retaining their local authenticity.
Aesthetic Transformation of Zapin Dance in Malay-Javanese Cultural Perspective Martiara, Rina; Hidajat, Robby; Jamilah; Sahnir, Nurachmy
ARRUS Journal of Social Sciences and Humanities Vol. 6 No. 2 (2026)
Publisher : PT ARRUS Intelektual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35877/soshum4799

Abstract

This study examines the aesthetic transformation of Zapin dance within the perspective of Malay-Javanese culture in the Nusantara region. The research aims to explore how the interaction between Arab, Malay, and Javanese cultural elements shapes the form, meaning, and aesthetic values of Zapin dance. This study employs a qualitative descriptive approach using ethnocoreological methods. Data were collected through in-depth interviews with dance practitioners, direct observation of performances, and literature review. The analysis focuses on movement patterns, costumes, musical elements, and song lyrics, interpreted through a cultural and aesthetic framework. The results reveal that Zapin dance has undergone significant transformation influenced by cultural interactions along maritime trade routes. The dance demonstrates a synthesis of Arab rhythmic structures, Malay aesthetic sensibilities, and Javanese cultural expressions, which are reflected in its movement, costume design, and musical composition. The findings indicate that Zapin dance is not only an artistic performance but also a cultural medium that embodies values of identity, morality, and social harmony. This transformation reflects the dynamic process of cultural adaptation and continuity within Malay-Javanese society.
Strategi Pembelajaran Tari Melalui Improvisasi Gerak untuk Meningkatkan Kreativitas Siswa SMAN 2 Blitar Aprilyawati, Allfa Andranica Devya; Hidajat, Robby
Gesture: Jurnal Seni Tari Vol. 15 No. 1 (2026): Gesture: Jurnal Seni Tari (April)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v15i1.69894

Abstract

The article describes the dance learning strategy at SMAN 2 Blitar. The researcher used a qualitative case study approach with data collected through observation, interviews, and documentation. The data credibility test applied was source and technique triangulation. Data analysis was carried out through data reduction, data presentation, and conclusion drawing. The research findings describe the application of effective dance learning strategies with movement improvisation material in dance extracurricular activities at SMAN 2 Blitar. Movement improvisation helps provide students with movement experiences, fosters movement awareness, and achieves three of the five levels of creativity, namely expressive, technical, and inventive. The contribution of this research provides and adds to a deeper understanding of the effectiveness of dance learning strategies through improvisation material. It is also hoped that it can contribute to the development of more efficient dance learning in the future.
Teknologi Kinetik Penggunaan Properti Fan pada Komunitas Malang Fire Dance Riza Andini; Hidajat, Robby
Gesture: Jurnal Seni Tari Vol. 15 No. 1 (2026): Gesture: Jurnal Seni Tari (April)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v15i1.70557

Abstract

This study explores the application of kinetic technology through the use of fan properties in the Malang Fire Dance Community in Malang City. The purpose of this research is to analyze how body movement energy is applied in fire dance performances and how the integration between the body, space, and props creates performance aesthetics. This study employs a qualitative method with a phenomenological approach, in which the researcher was directly involved in observation, interviews, and documentation in the field. Data analysis was carried out using Laban Movement Analysis (LMA) theory, which consists of four main components: Body, Effort, Shape, and Space. The results show that the fan functions as the main medium to visualize kinetic energy through coordinated body movements, balanced use of force and timing, aesthetic fire visual forms, and the dancers’ spatial awareness within the performance space. Kinetic technology in fire dance serves not only to produce visual beauty but also as a synergy between science (motion energy) and art (body expression), resulting in performances that are safe, dynamic, and aesthetically engaging.
Prosedur dan Pencapaian Kompetensi untuk Dancer pada Komunitas Baby Badazz Kota Malang Oktanita, Tharisa; Hidajat, Robby
Gesture: Jurnal Seni Tari Vol. 15 No. 1 (2026): Gesture: Jurnal Seni Tari (April)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v15i1.71737

Abstract

This study examines the development of modern dance in Indonesia, particularly hip-hop, which attracts young people to explore their creativity through communities like Baby Badazz in Malang City. The purpose of this study is to describe the procedures and competency achievements of dancers in the Baby Badazz Community in Malang City. The method used is a qualitative approach with descriptive methods, involving participatory observation, in-depth interviews, and documentation at the research location. The results show that the training procedures include skill development stages (warm-up, basic movements, dance material), demonstration and drill methods, and evaluation through videos. Competency achievements are reflected in movement skills that include movement techniques, body coordination, and expression, which encourage personal growth and community sustainability. This study provides guidance for other communities to improve the quality of female dancers in hip-hop dance.
Co-Authors A, Allfa Andranica Devya Adinda Nur Ramadhani Haris Adzrool Idzwan Ismail Afaf, Muhammad 'Afaf Hasyimy Agung Suharyanto Agus Cahyono Ahamad Tarmizi Bin Azizan Aini Nurul Allfa Andranica Devya A Allfa Andranica Devya Aprilyawati Amir Razak Andini, Riza Andy Pramono Aprilyawati, Allfa Andranica Devya Arief Ardiansyah Astuti, Yuyun Nur Baiq Widya Rahmasari Bazur, Rizkyatul Citra Kurniawan Desy Ratna Syahputri Desyandri Desyandri Dewi Jasmine DP. Muhammad Affaf Hasiymy DP., E. W. Suprihatin E. Wara Suprihatin DP E.W. Suprihatin Diah Pratamawati Endang Wara Suprihatin EW Suprihatin Gesang Bayu Pamungkas Hadiantika, Reza Adinda Hartono Hartono Hartono Hartono Hasiymy, Muhammad Affaf Hasyimy, Muhammad 'Afaf Hasyimy, Muhammad Afaf Hengki Tri Hidayatullah Heriyati Yatim Heriyati Yatim Ika Ratnawati, Ika ika wahyu widyawati Ike Ratnawati Imam Tri Laksono Iziq Eafifi Bin Ismail Iziq, Iziq Eafifi Ismail JAMILAH Joko Sayono Kusubakti Andajani Martiarto, Janri Setyo Muhammad 'Afaf Hasyimy Muhammad 'Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad afaf hasyimy Muhammad Afaf Hasyimy Muhammad Affaf Hasiymi Muhammad Jazuli Muhammad ‘Afaf Hasyimy Muhammad ‘Afaf Hasyimy Muhammad ‘Afaf Hasyimy Muklis Muklis Muniir, Muhammad Sirojul Mutiara Ramadhani Putri Supriadi Ni Wayan Mudiasih Norliza Bt Mohd Isa Nurachmy Sahnir Ocha Denta Wijaya Oktanita, Tharisa Pamungkas, Gesang Bayu Panji Suroso Ponimin Prasetyo, Yunanto Adi Pristiati, Tutut Pujiyanto Pujiyanto Pujiyanto Pujiyanto Purwadita, Fika Ardelia Candra Rahman, Amalia Arifah Retno Tri Wulandari Rina Martiara Riza Andini Rully Aprilia Zandra Setyo Yanuartuti Shaari, Nazlina Siti Kholifatul Umaami Sri Linda Oktavia Sri Wulandari Sri Wulandari Sumarwahyudi Suprihatin DP, EW Suprihatin Dyah Pratamawati, Endang Wara Suprihatin, E. Wara Suprihatin, Endang Wara Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn, Surasak Surasak, Surasak Jamnongsarn Suyono Suyono Swastika Dhesti Anggriani Syamsul Hirdi Bin Muhid Syed Ahmad Iskandar Tri Maharani, Ratna Tri Wahyuningtyas Tri Wahyuningtyas, Tri Wathanan Srinin Wida Rahayuningtyas Wiflihani Wiflihani Yudha Prihantanto Yuyun Nur Astuti Yuyun Nur Astuti Zuhkhriyan Zakaria