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All Journal Imaji: Jurnal Seni dan Pendidikan Seni JOGED Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Journal of Urban Society´s Arts ANDHARUPA Jurnal Pendidikan dan Kajian Seni JADECS (Journal of Art, Design, Art Education and Culture Studies) MUDRA Jurnal Seni Budaya Gondang: Jurnal Seni dan Budaya Jurnal Istiqro' Semiotika Jurnal Sitakara CARADDE: Jurnal Pengabdian Kepada Masyarakat Gelar : Jurnal Seni Budaya Greget Journal of Education, Humaniora and Social Sciences (JEHSS) Journal of Leadership in Organizations PERSPEKTIF GETER : Jurnal Seni Drama, Tari dan Musik Journal of Music Science, Technology, and Industry (JOMSTI) Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Varia Humanika Jurnal Nuansa Akademik: Jurnal Pembangunan Masyarakat Jurnal Pendidikan dan Penciptaan Seni Gesture: Jurnal Seni Tari Journal of Language, Literature, and Arts (JoLLA) Abdimas Indonesian Journal Jurnal Antropologi Sumatera Eduvest - Journal of Universal Studies Prosiding Seminar Nasional Pascasarjana International Journal of Performing Arts (IJPA) Jurnal Medika: Medika Gayatri : Jurnal Pengabdian Seni dan Budaya Dinamika Kerajinan dan Batik: Majalah Ilmiah
Robby Hidajat
Universitas Negeri Malang
Religion Aerospace Engineering Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Dentistry Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Medicine & Pharmacology Neuroscience Nursing Public Health Social Sciences Other

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Strategi Integrasi Pendidikan Nilai Budaya Lokal Sandur Manduro di Dusun Gesing, Kabupaten Jombang Jawa Timur Robby Hidajat; Ponimin Ponimin; Wida Rahayuningtyas; Muhammad Sirojul Muniir
PERSPEKTIF Vol. 14 No. 3 (2025): PERSPEKTIF Juli
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v14i3.14502

Abstract

This article describes a strategy for preserving local cultural values through the Sandur Manduro performing art in Gesing Hamlet, Manduro Village, Jombang, East Java. The research subject is the Sandur Panji Arum association, led by Rifain, which consistently strives to preserve and develop this traditional performing art. The study aims to recommend the integration of Sandur Manduro into both formal and informal art education as a sustainable effort to maintain local cultural values. Sandur Manduro holds significant potential as an effective dance art education material to strengthen the identity and local cultural values among students in Jombang. Using a qualitative case study approach, this research analyzes the strategies employed by the Sandur Panji Arum association in transmitting knowledge and practices of Sandur performing art to the community, especially school-aged children and adolescents. Data were collected through participant observation, in-depth interviews with Rifa'in and association members, and analysis of related documents. The findings indicate the active role of the Sandur Manduro performing art's revitalization in instilling noble values, including togetherness, cooperation, and local wisdom, embedded within Sandur Manduro performances.
TEKNOLOGI KINETIK PENGGUNAAN PROPERTI FAN PADA KOMUNITAS MALANG FIRE DANCE Riza Andini; Robby Hidajat
Greget: Jurnal Kreativitas dan Studi Tari Vol. 24 No. 2 (2025): KEBERAGAMAN KARYA TARI SEBAGAI EKSPRESI SIMBOLIK
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v24i2.7889

Abstract

This study explores the application of kinetic technology through the use of fan properties in the Malang Fire Dance Community in Malang City. The purpose of this research is to analyze how body movement energy is applied in fire dance performances and how the integration between the body, space, and props creates performance aesthetics. This study employs a qualitative method with a phenomenological approach, in which the researcher was directly involved in observation, interviews, and documentation in the field. Data analysis was carried out using Laban Movement Analysis (LMA) theory, which consists of four main components: Body, Effort, Shape, and Space. The results show that the fan functions as the main medium to visualize kinetic energy through coordinated body movements, balanced use of force and timing, aesthetic fire visual forms, and the dancers’ spatial awareness within the performance space. Kinetic technology in fire dance serves not only to produce visual beauty but also as a synergy between science (motion energy) and art (body expression), resulting in performances that are safe, dynamic, and aesthetically engaging.
A Mixed Method Content Analysis of Kejhung Madura on Digital Platforms: Cultural Identity through Oral Music Performance Rully Aprilia Zandra; Kusubakti andajani; Robby Hidajat; Adzrool Idzwan Ismail; Hengki Tri Hidayatullah
Resital: Jurnal Seni Pertunjukan Vol 26, No 3 (2025): Desember 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i3.2695

Abstract

This study investigates the representation and preservation of Kejhung Madura, a traditional oral vocal art from Indonesia, within digital media ecosystems. Using a mixed-method content analysis integrating quantitative and qualitative approaches, this research analyzed 119 videos featuring Kejhung Madura across YouTube, TikTok, Facebook, and YouTube Shorts. Quantitative data, such as views, likes, comments, and shares were statistically examined to evaluate audience engagement, while qualitative thematic analysis explored videographic characteristics including duration, lighting, camera movement, and expressive performance. Results show that TikTok generates the highest visibility and engagement, reflecting the adaptability of Kejhung within short-form, algorithm-driven platforms. In contrast, YouTube and Facebook function as digital archives, hosting long-form documentation that maintains cultural integrity. Most videos emphasize individual expression, close-up framing, and natural lighting, indicating a shift from collective performance toward personalized digital reinterpretation. The findings highlight that digital media not only archives but also recontextualizes traditional music into participatory, democratized forms of cultural identity. Therefore, strategic hybridization through creative short clips for engagement and longer formats for preservation can sustain Kejhung Madura’s relevance in the digital era. This study contributes to ethnomusicology and digital heritage studies by demonstrating how oral performance traditions can evolve within global digital culture while retaining their local authenticity.
Resilience of Local Artists in the Kecak Ramayana Performance at Uluwatu, Bali as a Sacred Negotiation Amidst Tourism Commodification Robby Hidajat; Pujiyanto Pujiyanto; Surasak Jamnongsarn
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 9, No 1 (2026): Journal of Education, Humaniora and Social Sciences (JEHSS), August
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jehss.v9i1.3156

Abstract

This study examines the resilience of local artists involved in the Kecak Ramayana performance at Uluwatu, Bali, particularly in negotiating sacred cultural values with the demands of tourism commodification. The study employs an interdisciplinary qualitative approach that integrates perspectives from performing arts, ethnomusicology, and visual communication design. Data were collected through direct observation of Kecak Ramayana performances, audiovisual documentation, and in-depth interviews with local artists and cultural practitioners. The analysis focused on three dimensions of performance: movement structure and dramaturgy, vocal rhythm as a spiritual element, and visual narratives and symbolism. The findings indicate that local artists are not passive recipients of tourism commodification but active cultural agents who selectively adapt performance elements while maintaining core ritual, spiritual, and philosophical values. Adjustments in performance duration, narrative presentation, staging, lighting, and visual communication are made to accommodate tourist audiences, whereas fundamental movement patterns, vocal practices, and spiritual values are retained. This process demonstrates that tourism commodification can become a space for cultural negotiation and adaptive resilience rather than necessarily resulting in cultural degradation. The study concludes that community-centered artistic production enables local artists to maintain cultural identity while simultaneously responding to economic and communicative demands within the tourism industry. Thus, the resilience of Kecak Ramayana artists is reflected in their ability to transform and contextualize traditional performance without abandoning its cultural and spiritual foundations.
Co-Authors A, Allfa Andranica Devya Adinda Nur Ramadhani Haris Adzrool Idzwan Ismail Afaf, Muhammad 'Afaf Hasyimy Agung Suharyanto Agus Cahyono Ahamad Tarmizi Bin Azizan Aini Nurul Allfa Andranica Devya A Allfa Andranica Devya Aprilyawati Amir Razak Andy Pramono Arief Ardiansyah Astuti, Yuyun Nur Baiq Widya Rahmasari Bazur, Rizkyatul Citra Kurniawan Desy Ratna Syahputri Desyandri Desyandri Dewi Jasmine DP. Muhammad Affaf Hasiymy DP., E. W. Suprihatin E. Wara Suprihatin E. Wara Suprihatin DP E.W. Suprihatin Diah Pratamawati Endang Wara Suprihatin EW Suprihatin Gesang Bayu Pamungkas Hadiantika, Reza Adinda Hartono Hartono Hartono Hartono Hasiymy, Muhammad Affaf Hasyimy, Muhammad 'Afaf Hasyimy, Muhammad Afaf Hengki Tri Hidayatullah Heriyati Yatim Heriyati Yatim Ika Ratnawati, Ika ika wahyu widyawati Ike Ratnawati Imam Tri Laksono Iziq Eafifi Bin Ismail Iziq, Iziq Eafifi Ismail Joko Sayono Kusubakti Andajani Martiarto, Janri Setyo Muhammad 'Afaf Hasyimy Muhammad 'Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad afaf hasyimy Muhammad Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad Affaf Hasiymi Muhammad Jazuli Muhammad Sirojul Muniir Muhammad ‘Afaf Hasyimy Muhammad ‘Afaf Hasyimy Muhammad ‘Afaf Hasyimy Muklis Muklis Mutiara Ramadhani Putri Supriadi Ni Wayan Mudiasih Norliza Bt Mohd Isa Ocha Denta Wijaya Pamungkas, Gesang Bayu Panji Suroso Ponimin Pristiati, Tutut Pujiyanto Pujiyanto Pujiyanto Pujiyanto Purwadita, Fika Ardelia Candra Rahman, Amalia Arifah Ratna Tri Maharani Retno Tri Wulandari Riza Andini Rully Aprilia Zandra Setyo Yanuartuti Shaari, Nazlina Siti Kholifatul Umaami Sri Linda Oktavia Sri Wulandari Sri Wulandari Sumarwahyudi Suprihatin DP, EW Suprihatin Dyah Pratamawati, Endang Wara Suprihatin, E. Wara Suprihatin, Endang Wara Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn, Surasak Surasak, Surasak Jamnongsarn Suyono Suyono Swastika Dhesti Anggriani Syamsul Hirdi Bin Muhid Syed Ahmad Iskandar Tharisa Oktanita Tri Wahyuningtyas Tri Wahyuningtyas, Tri Wathanan Srinin Wida Rahayuningtyas Wiflihani Wiflihani Yudha Prihantanto Yunanto Adi Prasetyo Yuyun Nur Astuti Yuyun Nur Astuti Zuhkhriyan Zakaria