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All Journal E-JURNAL LINGUISTIK HUMANIS E-Journal of Linguistics Linguistika RETORIKA: Jurnal Ilmu Bahasa Jurnal Ilmu Sosial dan Humaniora Aksara JURNAL PENDIDIKAN TAMBUSAI International Journal of Language and Literature SOSHUM : Jurnal Sosial dan Humaniora [Journal of Social Sciences and Humanities] Journal of a Sustainable Global South Udayana Journal of Social Sciences and Humanities (UJoSSH) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Kulturistik : Jurnal Bahasa dan Budaya Stilistika: Journal of Indonesian Language and Literature Bhinneka: Jurnal Bintang Pendidikan dan Bahasa Litera : Jurnal Bahasa dan Sastra Ulil Albab Aksara
I Nyoman Sedeng
Fakultas Ilmu Budaya, Udayana University
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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RESTRICTIVE AND NON RESTRICTIVE RELATIVE CLAUSE IN JOHN GRISHAM’S ROGUE LAWYER Ni Putu Yunick Cahyani; I Nyoman Sedeng; I Nyoman Udayana
International Journal of Language and Literature Vol. 5 No. 3 (2021)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/ijll.v5i3.61245

Abstract

This study entitled Restrictive And Non Restrictive Relative Clause In John Grisham’s Rogue Lawyer that focuses on what the types of the relative pronoun and its modify. The data were taken from a novel by John Grisham entitled; Rogue Lawyer. The documentation method was used in order to collect the data. In analyzing data, the descriptive qualitative method applied in this study. The theory that was applied in this study was the theory Quirk et. al. (1985) in his book A Comprehensive Grammar of The English Language. Based on the analysis, all the relative pronoun found in the novel; who, whose, whom, which ,that and zero pronoun. However in the non-restrictive relative clause that found in the novel mostly used the separation marker comma.
Derivational Nominal Suffixes In Selected Speech From Barack Obama Ni Luh Putu Ari Permata Dewi; I Nyoman Sedeng; I Gusti Ngurah Parthama
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 8: Juli 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i8.1850

Abstract

This study aims to analyze derivational nominal suffixes in selected speech from Barack Obama. The official website of the White House President Barack Obama published the speech on 21 January 2009 and 3 October 2002. To determine the functions of the derivational suffixes using the theory proposed by Plag (2002) and the definitions of morpheme, morphological process, root, stem and base, and suffix were identified using the theory by Katamba (1993). This study identified the functions of derivational suffixes, which are Class Maintaining Suffixes and Class Changing Suffixes, and their word structures. The data collected in this study was explained in words using qualitative methods. The findings showed that there are 15 data on the functions of derivational suffixes found in the selected speech from Barack Obama, 5 data classified as a class maintaining derivational suffix and 10 data are kind of class-changing derivational suffixes.
Women’s Language Features Used by Female Main Character in Superhero Movie Ridho Saputra; I Nyoman Udayana; I Nyoman Sedeng
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 8: Juli 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i8.1940

Abstract

This study focused on analyzing women’s linguistic features used by the female main character in “Captain Marvel” movie. The theory used in this study is proposed by Lakoff, in which there are ten linguistic features of women’s speech. The data were collected by using observation and documentation methods. The descriptive qualitative approach is used to interpret the data and describe it in the form of words and sentences. The findings indicated that there were eight women linguistic features used by Carol Danvers as the female main character in the movie, such as rising intonation (10), lexical hedges or fillers (9), hypercorrect grammar (9), emphatic stress (7), tag questions (5), intensifiers (2), empty adjectives (1), and superpolite forms (1). Meanwhile, precise color terms and avoidance of strong swear words were not found in the utterances. The finding shows that the most dominant feature was rising intonations, while the least frequently emerged features were super polite forms and empty adjectives. The dominant use of rising intonation in the movie reflects the character’s personality. Therefore, it can be concluded that Carol Danvers used rising intonation because she is a bold character who is assertive, especially when stating her opinion
The Figurative Languages on Disney Encanto Original Soundtrack Album A’innaya Zahra Chusnul Chotimah; I Nyoman Sedeng; I Gusti Ngurah Parthama
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 8: Juli 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i8.1981

Abstract

This research is entitled "The Figurative Languages on Disney Encanto Original Soundtrack Album." This study presents the lyrics of seven songs in the Encanto album based on how each lyric holds figurative language. The data source of this research was primarily taken from one soundtrack album from the Encanto movie. The documentation method was used to process the research data and analyze it using figurative language types (Abrams, 1999). The results show 17 types of figurative language were found they are an allegory, allusion, alliteration, ambiguity, antithesis, metaphor, pun, paradox, personification, irony, imagery, metonymy, hyperbole, synecdoche, simile, understatement, and onomatopoeia.
Figurative Language Used in Mariah Carey’S Song Lyrics in Butterfly Album Audrey Valeri; I Nyoman Sedeng; I Nyoman Udayana
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 9: Agustus 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i9.2176

Abstract

This undergraduate thesis entitled “Figurative Language Used in Mariah Carey’s Butterfly Album” is appealing to be discussed since figurative language is a relevant topic to the consistency of being used in literary work and song is an applicable object to be analyzed. This undergraduate thesis aimed to identify the types of figurative language and to explain the meaning of figurative language implied in Butterfly Album by Mariah Carey. The data of this thesis were taken from the album named Butterfly by Mariah Carey. The documentation method alongside with note-taking technique was used in this undergraduate thesis to collect the data. The qualitative method was used in this undergraduate thesis to analyze the data that has been collected. The data that have been analyzed were presented in the informal method alongside the descriptive technique. This undergraduate thesis used the theory stated by Knickerbocker and Reninger in the book Interpreting Literature (1963) and Leech in the book entitled Semantics: The Study of Meaning (1981) This undergraduate thesis identified types of figurative language in The Butterfly Album by Mariah Carey, those are simile, metaphor, synecdoche, metonymy, hyperbole, irony, and paradox. Furthermore, the types of meaning found in the album are conceptual, connotative, and affective.
Figurative Language in The Song Lyrics of Billie Eillish “Don’t Smile At Me” Sharon Ladisa Julianto; I Nyoman Sedeng; Novita Mulyana
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 10: September 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i10.2257

Abstract

This study aimed to identify the types and meanings of figurative language applied in the song lyrics of Don’t Smile At Me album by Billie Eillish with the hope that readers can understand more about figurative language in depth. The documentation methods were combined with note-taking techniques to collect the data. To analyse the collected data this study applied descriptive and qualitative methods. Furthermore, the theory of Kennedy (1987)) was used to describe the figurative language expressed in the study. The analysis of this study shows that all types of figurative language are found in the song lyric. They are allusion, metaphor, hyperbole, irony, metonymy, , personification and simile. The most dominant figurative language found in the song lyric is metaphor.. To classify the types of meaning in the song lyric, the theory of Leech (1981) was used as the supporting theory. There are seven types of meaning proposed by the theory, thus this study found two of them namely, conceptual meaning, and connotative meaning. The figurative language used in the song lyric mostly expresses connotative meaning. Only a few of them express conceptual meaning.
Women’s Language Features Used by Female Main Character in Pollyanna Novel Rabita Nabiya; I Nyoman Sedeng
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 10: September 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i10.2270

Abstract

This study focused on analyzing women’s linguistic features used by the female main character in a novel entitled Pollyanna. The theory used in this study is Lakoff’s (2004) theory about women’s language features and the theory of language function proposed by Pearson (1985). Library research method was used to collect the data in this study; the collected data were analyzed by using descriptive qualitative methods based on the women’s language features found in Pollyanna novel. It was done by writing a description of the required data and explaining them in the form of paragraph form. This study used an informal method in presenting the data. In order to provide explanations of the data found, all of the collected data classified according to the sub-chapter which are lexical hedge or filler, intensifier, tag question, rising intonation, empty adjective, precise colour term, hypercorrect grammar, super-polite form, avoidance of strong swear word, and emphatic stress. The finding shows that the novel used all of the women’s language features with various language functions. The most used feature appeared is empty adjective; it reflects that women tended to use empty adjective to express their emotion through an utterance.
INTERFERENSI FONOLOGI PADA PEMBELAJAR BIPA ASAL EROPA DI BALI Ida Ayu Putri Adityarini; I Wayan Pastika; I Nyoman Sedeng
Aksara Vol 32, No 1 (2020): AKSARA, Edisi Juni 2020
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v32i1.409.167-186

Abstract

Penelitian ini bertujuan mengetahui interferensi fonologi yang terjadi pada pemelajar BIPA asal Eropa di Bali dengan analisis interferensi didasarkan pada bahasa Inggris. Data yang digunakan, yaitu data lisan dan data tulisan yang diperoleh dari tuturan dan tulisan pemelajar ketika belajar bahasa Indonesia di kelas. Penelitian ini berpedoman pada teori interferensi menurut Weinreich (1953). Data lisan dikumpulkan dengan teknik simak libat cakap (SLC), teknik simak bebas libat cakap (SBLC), teknik perekaman, dan pencatatan. Data tulisan dikumpulkan dengan metode tes. Data tersebut kemudian dianalisis dan disajikan dalam bentuk formal dan informal. Hasil analisis data menunjukkan bahwa interferensi fonologi yang terjadi pada pemelajar BIPA asal Eropa di Bali, yaitu berupa interferensi bunyi vokal (terjadi pada vokal [a], [u], dan [ə]), interferensi bunyi konsonan (terjadi pada konsonan [r], [ŋ], dan [t]), interferensi berupa penambahan bunyi (terjadi pada bunyi [ŋ] dan [ɲ]), dan interferensi berupa penghilangan bunyi (terjadi pada konsonan [r], deret vokal [e] dan [a], serta konsonan [h]). Interferensi ini terjadi karena adanya perbedaan bunyi vokal dan bunyi konsonan dalam bahasa Indonesia dan bahasa Inggris. Selain itu, interferensi ini juga disebabkan oleh adanya perbedaan pelafalan sebuah bunyi vokal atau bunyi konsonan yang sama pada kedua bahasa tersebut. Kata kunci: Pemelajar BIPA, interferensi, fonologiThis study aimed to determine phonological interference that occurs on BIPA learners from Europe in Bali. Oraland written data are used in this research that were obtained from learners' speeches and writings when learning Indonesian in the class. This research was guided by interference theory according to Weinreich (1953). Oral data were collected using proficient inversion techniques (SLC), skillful in-flight listening techniques (SBLC), recording techniques, and note taking. Writing data were collected by the test method. The data analyzed and presented in formal and informal forms. The results of data analysis showed that phonological interference that occurred in BIPA learners from Europe in Bali, namely in the form of vocal noise interference (occurred in vowels [a], [u], and [ə]), consonant sound interference (occurred in consonants [h] , [r], [g], [ŋ], [t], [g], and [ɲ]), interference in the form of sound addition (occurred in the sounds [ŋ] and [ɲ]), and interference in the form of sound removal ( occurred in consonants [r], vowel series [e] and [a], and consonants [h]). This interference occurred because of differences in vowel and consonant sounds in Indonesian and English. In addition, this interference was also caused by the different pronunciation of a vowel sound or consonant sound in both languages. 
Co-Authors A.A. Putu Putra Anak Agung Putu Putra Anak Agung Putu Putra Aron Meko Mbete Audrey Valeri A’innaya Zahra Chusnul Chotimah Bagus Teresna Binaning Artha Denok Lestari Dwi Aditya Darmawan Dwi Wella Suhartatik, Gusti Agung Ayu Frans I Made Brata Gede Angga Krisma Carya I Gusti Agung Khrisna Narayana I Gusti Bagus Narabhumi I Gusti Ngurah Parthama I Kadek Maesa Dwi Payana Putra I Ketut Artawa I Ketut Suardana I Made Agung Rai Antara I Made Joni Fristyawan I Made Madia I Made Madia, I Made I Made Suastra I Made Winaya I Nengah Sudipa I Nyoman Udayana I Putu Agus Ari Purnama I Putu Wisnu Adi Putra I Wayan Arka I Wayan Arka I WAYAN PASTIKA I Wayan Simpen I Wayan Suardhana Ida Ayu Made Puspani Ida Ayu Putri Adityarini Ida Bagus Janardana Dwipayana Ida Bagus Putra Yadnya Juliarta, Ni Made Kadek Putri Yamayanti Kadek Ris Herwantinus Karen Maria Ekafrain Aring Komang Ayu Rosmala Dewi Lien Darlina Luh Nitya Dewi Rupini Luh Putu Laksminy Luh Putu Ratna Sari Luh Sutjiati Beratha Made Sri Satyawati Muliani, Putu Ayu Ngurah Parthama Ni Kadek Satya Aridewi Ni Kadek Yuni Antari Ni Luh Ketut Mas Indrawati Ni Luh Nyoman Seri Malini Ni Luh Putu Ari Permata Dewi Ni Luh Putu Eka Septiari Ni Putu Devi Septirahyuni Ni Putu Diah Darmayanti Ni Putu Firdayanti Karina Surya Ni Putu Yefta Helen Jayantrina Ni Putu Yunick Cahyani Ni Wayan Dessrimama Ni Wayan Esti Ekarini Rahayu Ni Wayan Nandaliana Indratayana Ni Wayan Pering Muliawati Ni Wayan Sukarini Ni Wayan Yessy Puspitha Yanthi Novita Mulyana Padma Negara, I Putu Agus Putu Ayu Muliani Putu Feby Chintya Dewi Putu Jessica Dewi Anggraeni Putu Lirishati Soethama Putu Owen Purusa Arta Putu Sutama R. Guntur Mahardika Rabita Nabiya Ridho Saputra Salsabila, Unik Hanifah Sayu Surya Intan Lestari Sharon Ladisa Julianto Wardani, Silvia Yana Qomariana