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Wacana Penghancuran Diri Perempuan sebagai Bentuk Perlawanan Stereotip dalam Sagra (2023) karya Oka Rusmini Komang Rama Juliartha Komang Rama Juliartha; Juniartha I Wayan; I Gusti Bagus Wahyu Nugraha Putra I Gusti Bagus Wahyu Nugraha Putra; Dewa Gede Bambang Erawan Dewa Gede Bambang Erawan
SPHOTA: Jurnal Linguistik dan Sastra Vol. 18 No. 1 (2026): SPHOTA: Jurnal Linguistik dan Sastra
Publisher : Fakultas Bahasa Asing (FBA) Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/sphota.v18i1.13603

Abstract

This research aims to analyze the discourse and meanings of acts of self-destruction as representations of resistance to oppressive stereotypes imposed on female characters in the short story compilation Sagra. The study employs a social constructivist approach in literary studies to explore the correlation between the discourse and meaning in actions that challenge stereotypes of women. The focus of this research is the discourse of resistance to socially constructed stereotypes of women, particularly those related to women’s bodies. These stereotypes are manifested through acts of self-destruction that are directly connected to women’s bodies. The study adopts a qualitative research design using literary analysis methods. Library research and close reading methods, supported by systematic note-taking techniques, are used to identify the relationship between discourse and the meanings of acts of self-destruction as forms of resistance to stereotypes. The analysis is grounded in Fairclough’s Critical Discourse Analysis and Mead’s theory of Symbolic Interactionism. The findings indicate that acts of self-destruction performed by female characters are not expressions of despair or surrender to oppression, but rather function as coping mechanisms to assert ownership over their bodies. These acts are interpreted both literally and metaphorically, particularly in relation to self-actualization. Ultimately, the contribution of this research is to offer a new perspective on the discourse of women’s self-destruction within the context of patriarchy. Rather than interpreting self-destruction as a form of despair, this act can be understood as a form of resistance that voices women’s rights over the ownership of their own bodies.
How Patriarchy Fails Men: An Analysis of Ken in Barbie (2023) Irgi Fahrezi; I Wayan Juniartha
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 6 No. 1 (2026): Elysian Journal: English Literature, Linguistics, and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/elysian.v6i1.12617

Abstract

This study examines the representation of masculinity and femininity in Barbie (2023) by analyzing how gender identity is constructed and contested within its narrative. The research investigates how patriarchal norms shape male self-conception and how female agency resists and redefines those norms. Using a qualitative approach, the study applies R.W. Connell’s theory of hegemonic masculinity to analyze Ken’s dependence on Barbie’s recognition as a reflection of fragile male identity under patriarchy. In addition, bell hooks’ perspective on love, selfhood, and liberation is employed to highlight Ken’s journey toward acknowledging individuality beyond patriarchal validation. The data are drawn from selected dialogues and scenes that capture the tension between dominance, vulnerability, and the search for authentic identity. The findings reveal that the film critiques traditional masculinity while opening space for more inclusive, self-affirming models of gender relations. This study contributes to contemporary gender discourse by showing how popular culture, particularly cinema, can serve as a medium of critical reflection that bridges feminist theory and cinematic representation.
Characterization of Megan Twohey Through Feminism Approach in She Said (2022) Movie Ni Made Intan Febriani; I Wayan Juniartha
RETORIKA: Jurnal Ilmu Bahasa Vol. 10 No. 3 (2024)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jr.10.3.2024.873-884

Abstract

This study aims to examine the feminist approach employed in the characterization of Megan Twohey. The data were analyzed using a qualitative method. The data were gathered by using an observation method that was implemented into three approaches: watching the movie on Apple TV, reading the dialogues, and taking notes. The data were noted after watching and analyzing the film and reading the dialogues several times. By applying Murphy's characterization theory, the study identifies key traits such as bravery, intelligence, and unstoppable, which are crucial in depicting a strong, resilient female character. Additionally, using Tong's feminist theory, the research situates these traits within broader feminist discourses, highlighting how the character embodies various aspects of feminist ideologies, including the challenges faced by women in a male-dominated society. This analysis not only underscores the complexity of Megan Twohey's character but also contributes to a deeper understanding of how contemporary films can reflect and promote feminist values by portraying multifaceted female characters.
DISCOVERING THE IMPLIED MEANING OF SIGNS USED IN TOOTHPASTE ADVERTISEMENT VIDEOS I Ketut Kartiawan; Desak Putu Eka Pratiwi; I Wayan Juniartha
Kulturistik: Jurnal Ilmu Bahasa dan Budaya Vol. 6 No. 2 (2022): July 2022
Publisher : Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/kulturistik.6.2.3827

Abstract

Companies use advertisements to promote their products and send particular messages for the target audiences. An advertisement is a piece of text that tells people about something which includes persuading people to buy a product or service. In general, an advertisement is used to introduce a product by a certain company since it has the power to influence and persuade people to do particular action. Signs are commonly used in advertisements so that it is attractive and can convey messages efffectively. This study aimed to analyze the meaning of verbal and non-verbal signs which found in Colgate toothpaste advertisement videos. This study used Colgate toothpaste advertisement videos which taken from YouTube. The theories used in this study are the semiotic theory by Saussure (1983) to determine verbal and non-verbal signs and the theory of meaning by Barthes (1977) to discover the implied meaning of verbal and non-verbal signs found in Colgate toothpaste advertisements. This study uses the descriptive method to analyze the data. As the result, the advertisements show the verbal and visual signs support the company in promoting and informing its product. In this study, connotative meaning occurred dominantly rather that denotative meaning because the advertisements used more hidden meanings rather than literal meaning to convey the messages toward the audiences.
PENGUATAN SKILL BERBAHASA INGGRIS STAF HOUSEKEEPING DI KEMBALI LAGI GUEST HOUSE I Wayan Juniartha; Dewa Gede Bambang Erawan; Ni Ketut Mas Ayu Mayuni
LOKATARA SARASWATI Vol 5 No 1 (2026): Lokatara Saraswati: Jurnal Pengabdian kepada Masayarakat
Publisher : Fakultas Bahasa Asing

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This program was held at Kembali Lagi Guest House in Sanur, Bali, to improve the English skills of the housekeeping staff through demonstrations and direct practice methods. Based on observations, the housekeeping staff understood the basics of English but still had difficulty constructing sentences when speaking with guests, leading to misunderstandings. The program lasted for six weeks, with a sequence of programs including a pre-test, material, practice, and post-test. The material provided was relevant to situations often encountered by staff, including greeting and small talk with guests, giving simple directions, asking permission & explaining the cleaning schedule, offering breakfast information & other services, and handling guest complaints & responding to requests. The results of the course show that staff are more proficient in using vocabulary and sentence patterns, resulting in more effective communication with guests. Therefore, this course, with its methodology, has successfully improved the English skills of the housekeeping staff at Kembali Lagi Guest House.
Direct Onomatopoeia Depicted in Comic Entitled Star Wars: Bounty Hunters Agus Wahyu Putra Indrawan; I Wayan Juniartha
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 6 No. 2 (2026): Elysian Journal: English Literature, Linguistics, and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/elysian.v6i2.13430

Abstract

This study aims to determine the occurrence of onomatopoeia in the Star Wars bounty hunters comic. Comic books are currently available in both hardcopy and digital formats, with the majority being purchased online. Onomatopoeia is an important part of comics because they use words to reflect the sounds and movements that occur in a panel. This is important because novels have limited space to explain scenarios with a large number of words. The data obtained from this study used the observation method with the following steps, first by reading, second by taking notes, and third by classifying. This study was analyzed qualitatively by using Bredin's Onomatopoeic Type Theory (1996) and analyzing its meaning using Thomas's theory (1995). Based on the results of the analysis, of onomatopoeia were found in a webcomic entitled Star Wars Bounty Hunters. This type of direct onomatopoeia was found more frequently than the other two forms, which are 85 direct onomatopoeia.
Against the World: Joel's External Conflict in The Last of Us Season 1 I Gusti Ngurah Gilang Parayudha; I Wayan Juniartha
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.7604

Abstract

This research explores the types of external conflicts and conflict management strategies used by the main character, Joel, in The Last of Us Season 1. Using a qualitative descriptive method, the research analyzes all nine episodes by observing, identifying, and classifying Joel’s external conflicts based on Kenney (1966) theory man vs. man, man vs. nature, and man vs. society. It also applies the conflict management strategies from Thomas & Kilmann (2012): competing, avoiding, collaborating, accommodating, and compromising. The findings reveal 17 external conflicts, with man vs. man and man vs. nature each accounting for 35%, and man vs. society 30%. In responding to these conflicts, Joel mostly uses the competing strategy (53%) and avoiding strategy (47%). Competing is seen when he takes direct, forceful action, while avoiding appears in situations that are emotionally overwhelming or where he lacks control. This research is significant for media and literary studies because it shows how conflict in a post-apocalyptic narrative shapes character development and reflects human survival instincts. By focusing on one character across a full season, the research offers a detailed look at how external pressures influence behavior and decision-making in extreme conditions. However, the scope is limited to Joel and does not cover internal conflict or perspectives from other characters. Future studies are encouraged to explore more characters, compare seasons, or examine similar themes in different genres to gain broader insights.
Unmasking P.T. Barnum: A Character Study of the Greatest Showman Barlian; I Wayan Juniartha
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.7665

Abstract

This study analyzes the character development of P.T. Barnum in The Greatest Showman (2017) using Egri’s (1960) three-dimensional character theory, physiological, sociological, and psychological, and is supported by Kenny’s (1966) narrative coherence framework. Employing a descriptive qualitative method, the study examines nine selected scenes that represent the beginning, middle, and end of the film. The analysis is conducted in a multimodal manner, integrating verbal elements (dialogue, narration) and visual cues (gestures, posture, costumes, facial expressions). Findings indicate that Barnum’s character transformation is balanced across three aspects: physiological (33.3%), sociological (33.3%), and psychological (33.4%). His physical appearance evolves from a playful child to a confident showman and finally to a humble family man. Sociologically, his pursuit of social status leads to internal conflict and distancing from his original community. Psychologically, Barnum's ambition and insecurity drive his decisions until he eventually finds emotional resolution. The study demonstrates how Egri’s and Kenny’s theories can be integrated to provide a comprehensive understanding of character construction in film. These findings offer theoretical contributions to character and narrative analysis, and practical insights for film studies, media education, and applied linguistics.
An Analysis of Insertional Code – Mixing Found in Merry Youtube Channel: The Cinta Laura Episode Kadek Ayu Swandewi; I Wayan Juniartha
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.7831

Abstract

This study examines the phenomenon of insertional code-mixing in the YouTube podcast conversation between Merry Riana and Cinta Laura, focusing on the forms, functions, and motivations behind its use. Employing a descriptive qualitative method, the research analyzes verbatim transcriptions of the podcast episode “Cantik, Pintar & Sukses, Cinta Laura Merasa Tidak Bahagia Dalam Hidupnya?” (2022), which has a duration of 65 minutes. A total of 15 instances of insertional code-mixing were identified and analyzed using Muysken’s (2000) theoretical framework. The study specifically investigates the insertion of English words and phrases into Indonesian syntactic structures. The findings reveal that Cinta Laura strategically employs code-mixing not merely as a linguistic habit but as a communicative tool. Insertions are used to emphasize ideas, express emotions, and construct her identity as a modern, reflective bilingual speaker. Examples show that English insertions enhance clarity, add philosophical depth, carry prestigious value, and foster emotional intimacy with the audience. In conclusion, Cinta Laura’s use of intra-sentential code-mixing is a dynamic linguistic practice that enriches her communication and shapes her public persona. Her selective use of English terms within Indonesian sentences enables more precise and impactful message delivery. This study underscores the broader significance of code-mixing as a sophisticated strategy for bilingual speakers in digital environments. It highlights how bilingual individuals leverage their linguistic repertoire to navigate complex topics, express vulnerability, and build stronger connections with online audiences.
Signs of Champion: Verbal and Non-Verbal Signs of Liverpool Instagram Post’s Komang Yoshika Putra; I Wayan Juniartha
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.7854

Abstract

Aiming to examine how meaning is constructed through visual and textual cues, this research focuses on verbal and non-verbal signs used in selected Liverpool Football Club advertisements posted on Instagram. The objective is to analyze how these elements convey identity, emotion, and cultural resonance in digital football marketing. A qualitative descriptive method was employed, with data consisting of two Instagram advertisements from Liverpool FC’s official account. These posts were chosen based on their prominent use of both linguistic and visual features. Observational techniques were used to identify key verbal elements (slogans, captions, hashtags) and non-verbal components (color, gesture, facial expressions, and composition). The analytical framework draws upon Ferdinand de Saussure’s theory of the signifier and signified, Roland Barthes’ concepts of denotation, connotation, and myth, and Cerrato’s approach to color symbolism in communication. Findings indicate that non-verbal signs hold a more dominant semiotic function, with color especially Liverpool’s iconic red serving as a core emotional and cultural sign. Gestures and facial expressions further amplify the club’s message of pride, unity, and inclusivity. Verbal signs, although fewer in number, play a complementary role by anchoring meaning and enhancing brand recall. Through the combination of both sign types, the advertisements function as complex semiotic texts that engage audiences on both emotional and cultural levels, reinforcing global fan connection and brand identity.  
Co-Authors A.A Putu Gede Raditya Pratama AAA Dian Andriyani Aditana, I Kadek Arya Agus Wahyu Putra Indrawan Anak Agung Ayu Istri Kumala Dewi Anggriani, Ni Putu Antari, Ni Made Rini Arcana Putra, Wayan Heka Arita Wastiana Konda Ariyaningsih, Ni Nyoman Deni Arsani, Anggie Ayu Mas Wiliastini Ayu Talia Meranggi Ayu Trisna Dewi Gusti Agung Barlian Barung, Lodovikus Cahyani, Ni Made Diah Darmayanti, Ni Putu Eka Desak Made Juli Ristiawati Desak Putu Eka Pratiwi Dewa Ayu Devi Maharani Santika Dewa Gede Bambang Erawan Dewa Gede Bambang Erawan Dewa Gede Bambang Erawan Dewi, Ni Komang Chandra Dewi, Ni Made Sinta Dewi, Sang Ayu Kadek Pitria Dicky Perdana Dinata, I Kadek Aditya Dinata, I Putu Indra Febriani, Ni Made Intan Gde Herry Sugiarto Asana Hadisaputra, Andreas Avellino Hardiyanti, Ayu Fitri I Dewa Ayu Devi Maharani Santika I G. B. Wahyu Nugraha Putra I Gede Suta Jaya Ambara I Gusti Agung Sri Rwa Jayantini I Gusti Ayu Agung Sintha Satwika I Gusti Ayu Vina Widiadnya Putri I Gusti Bagus Wahyu Nugraha Putra I Gusti Bagus Wahyu Nugraha Putra I Gusti Bagus Wahyu Nugraha Putra I Gusti Ngurah Deni Irawan I Gusti Ngurah Gilang Parayudha I Gusti Putu Mahardika Putra I Kadek Adi Panaji I Ketut Kartiawan I Komang Sulatra I Komang Sulatra I Made Agus Wibawa Putra I Made Yogi Aditya Wiguna I Nyoman Anom Fajaraditya Setiawan, I Nyoman Anom I Putu Andri Permana I Putu Angga Andika Putra I Putu Deva Pradnyadita I Putu Gita Rusmana I Putu Yoga Jelantik Palguna I Wayan Resen Ida Bagus Gde Nova Winarta Ida Bagus Gde Nova Winarta Irgi Fahrezi Jayantini , I G. A. Sri Rwa Juniartini, Ni Luh Putu K.Divyani Kadek Ayu Swandewi Karminova Anggela Karya, I Wayan Sidha Kharisma Yulia Mahayani, Ni Ketut Komang Dian Puspita Candra Komang Rama Juliartha Komang Rama Juliartha Komang Yoshika Putra Luh Ayu Trisna Maharani Rika Lusiana, Ni Kadek Elva Made Iwan Indrawan Jendra Maharani, Putu Devi Maku, Serfus Evander Mery Kristiani Mete, Aloysius Andelo Nengah Landra Ni Kadek Parian Dewi Ni Kadek Tita Ni Ketut Mas Ayu Mayuni Ni Komang Arie Suwastini Ni Komang Ayu Suardani Ni Komang Eka Maheni Ni Luh Putu Juniartini Ni Luh Sintami Ni Made Arnita Putri Ni Made Intan Febriani Ni Made Verayanti Utami Ni Nyoman Deni Ariyaningsih Ni Putu Mitha Karunita Ni Putu, Ayu Wendiari Septika Ni Wayan Suastini Ni Wayan Suastini NI WAYAN SUASTINI Pratama, Sang Ade Satria Putra, I Gusti Ngurah Bagus Wahyu Nugraha Putri , IGA Vina Widiadnya Putu Armitha Widiyanthi Putu Desi Anggerina Hikmaharyanti Putu Gede Budiartha Riky Astina Rolandi, Alexandro Ronald Umbas Ryasmi, Ketut Gita Sang Ayu Kadek Pitria Dewi Santika, I Dw Ayu Devi Maharani Sari, Ni Kadek Purnama Sari, Ni Kadek Sintya Purnama Sari, Ni Putu Milla Supita Sari, Putu Indira Cika Mantika Septiarini , Komang Nindya Dewi Siti Nadila Marsya Somanasih, Kadek System, Administrator Tanamal, Gabrielle Sarah Maria Teja, Nova Surya Triariningsih, Luh Putu Utami , Ni Made Verayanti Valentina, Ni Kadek Wibawa, I Gede Adi Guna Widiantari, Ni Pande Putu Erna Wijaya, I Kadek Yoga Winarta, Ida Bagus Gde Nova Wiraningsih, Ni Luh Ayu Yosefa Amung