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An Analysis of Insertional Code – Mixing Found in Merry Youtube Channel: The Cinta Laura Episode Swandewi, Kadek Ayu; Juniartha , I Wayan
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.7831

Abstract

This study examines the phenomenon of insertional code-mixing in the YouTube podcast conversation between Merry Riana and Cinta Laura, focusing on the forms, functions, and motivations behind its use. Employing a descriptive qualitative method, the research analyzes verbatim transcriptions of the podcast episode “Cantik, Pintar & Sukses, Cinta Laura Merasa Tidak Bahagia Dalam Hidupnya?” (2022), which has a duration of 65 minutes. A total of 15 instances of insertional code-mixing were identified and analyzed using Muysken’s (2000) theoretical framework. The study specifically investigates the insertion of English words and phrases into Indonesian syntactic structures. The findings reveal that Cinta Laura strategically employs code-mixing not merely as a linguistic habit but as a communicative tool. Insertions are used to emphasize ideas, express emotions, and construct her identity as a modern, reflective bilingual speaker. Examples show that English insertions enhance clarity, add philosophical depth, carry prestigious value, and foster emotional intimacy with the audience. In conclusion, Cinta Laura’s use of intra-sentential code-mixing is a dynamic linguistic practice that enriches her communication and shapes her public persona. Her selective use of English terms within Indonesian sentences enables more precise and impactful message delivery. This study underscores the broader significance of code-mixing as a sophisticated strategy for bilingual speakers in digital environments. It highlights how bilingual individuals leverage their linguistic repertoire to navigate complex topics, express vulnerability, and build stronger connections with online audiences.
Unmasking P.T. Barnum: A Character Study of the Greatest Showman Barlian; I Wayan Juniartha
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.7665

Abstract

This study analyzes the character development of P.T. Barnum in The Greatest Showman (2017) using Egri’s (1960) three-dimensional character theory, physiological, sociological, and psychological, and is supported by Kenny’s (1966) narrative coherence framework. Employing a descriptive qualitative method, the study examines nine selected scenes that represent the beginning, middle, and end of the film. The analysis is conducted in a multimodal manner, integrating verbal elements (dialogue, narration) and visual cues (gestures, posture, costumes, facial expressions). Findings indicate that Barnum’s character transformation is balanced across three aspects: physiological (33.3%), sociological (33.3%), and psychological (33.4%). His physical appearance evolves from a playful child to a confident showman and finally to a humble family man. Sociologically, his pursuit of social status leads to internal conflict and distancing from his original community. Psychologically, Barnum's ambition and insecurity drive his decisions until he eventually finds emotional resolution. The study demonstrates how Egri’s and Kenny’s theories can be integrated to provide a comprehensive understanding of character construction in film. These findings offer theoretical contributions to character and narrative analysis, and practical insights for film studies, media education, and applied linguistics.
Signs of Champion: Verbal and Non-Verbal Signs of Liverpool Instagram Post’s Putra, Komang Yoshika; I Wayan Juniartha
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.7854

Abstract

Aiming to examine how meaning is constructed through visual and textual cues, this research focuses on verbal and non-verbal signs used in selected Liverpool Football Club advertisements posted on Instagram. The objective is to analyze how these elements convey identity, emotion, and cultural resonance in digital football marketing. A qualitative descriptive method was employed, with data consisting of two Instagram advertisements from Liverpool FC’s official account. These posts were chosen based on their prominent use of both linguistic and visual features. Observational techniques were used to identify key verbal elements (slogans, captions, hashtags) and non-verbal components (color, gesture, facial expressions, and composition). The analytical framework draws upon Ferdinand de Saussure’s theory of the signifier and signified, Roland Barthes’ concepts of denotation, connotation, and myth, and Cerrato’s approach to color symbolism in communication. Findings indicate that non-verbal signs hold a more dominant semiotic function, with color especially Liverpool’s iconic red serving as a core emotional and cultural sign. Gestures and facial expressions further amplify the club’s message of pride, unity, and inclusivity. Verbal signs, although fewer in number, play a complementary role by anchoring meaning and enhancing brand recall. Through the combination of both sign types, the advertisements function as complex semiotic texts that engage audiences on both emotional and cultural levels, reinforcing global fan connection and brand identity.  
Representation Analysis of Verbal Sexual Violence in “Trust” Movie Kharisma Yulia Mahayani, Ni Ketut; Juniartha, I Wayan
Humanis Vol. 29 No. 3 (2025): Volume 29 No 3, Agustus 2025
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JH.2025.v29.i03.p01

Abstract

Sexual violence against children and adolescents is a critical issue that demands urgent public and academic attention, particularly in how such violence is represented and interpreted in media. This study aims to concrete the meaning of scenes of sexual violence representation in verbal and visual sign. Trust is notable for its bold and explicit portrayal of sexual violence, making it a relevant text for examining audience reception. The objective of this research is to describe the meaning in such scenes, especially those involving child and adolescent victims. Using Stuart Hall’s encoding/decoding model as the theoretical framework and Barthes’s meaning theory, this study employs a qualitative descriptive method, analyzing textual elements through initial-viewing and analysis. The findings show that verbal sexual violence in Trust portrayed through Charlie’s expressions and gestures. This study emphasizing how the multifaceted impact of sexual violence on victims, highlighting both psychological and physiological consequences. Moreover, this study offers insight on the audience’s role as active interpreters of media texts involving sensitive social issues.
Characterization of Megan Twohey Through Feminism Approach in She Said (2022) Movie Ni Made Intan Febriani; I Wayan Juniartha
RETORIKA: Jurnal Ilmu Bahasa Vol. 10 No. 3 (2024)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jr.10.3.2024.873-884

Abstract

This study aims to examine the feminist approach employed in the characterization of Megan Twohey. The data were analyzed using a qualitative method. The data were gathered by using an observation method that was implemented into three approaches: watching the movie on Apple TV, reading the dialogues, and taking notes. The data were noted after watching and analyzing the film and reading the dialogues several times. By applying Murphy's characterization theory, the study identifies key traits such as bravery, intelligence, and unstoppable, which are crucial in depicting a strong, resilient female character. Additionally, using Tong's feminist theory, the research situates these traits within broader feminist discourses, highlighting how the character embodies various aspects of feminist ideologies, including the challenges faced by women in a male-dominated society. This analysis not only underscores the complexity of Megan Twohey's character but also contributes to a deeper understanding of how contemporary films can reflect and promote feminist values by portraying multifaceted female characters.
DISCOVERING THE IMPLIED MEANING OF SIGNS USED IN TOOTHPASTE ADVERTISEMENT VIDEOS I Ketut Kartiawan; Desak Putu Eka Pratiwi; I Wayan Juniartha
Kulturistik: Jurnal Ilmu Bahasa dan Budaya Vol. 6 No. 2 (2022): July 2022
Publisher : Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/kulturistik.6.2.3827

Abstract

Companies use advertisements to promote their products and send particular messages for the target audiences. An advertisement is a piece of text that tells people about something which includes persuading people to buy a product or service. In general, an advertisement is used to introduce a product by a certain company since it has the power to influence and persuade people to do particular action. Signs are commonly used in advertisements so that it is attractive and can convey messages efffectively. This study aimed to analyze the meaning of verbal and non-verbal signs which found in Colgate toothpaste advertisement videos. This study used Colgate toothpaste advertisement videos which taken from YouTube. The theories used in this study are the semiotic theory by Saussure (1983) to determine verbal and non-verbal signs and the theory of meaning by Barthes (1977) to discover the implied meaning of verbal and non-verbal signs found in Colgate toothpaste advertisements. This study uses the descriptive method to analyze the data. As the result, the advertisements show the verbal and visual signs support the company in promoting and informing its product. In this study, connotative meaning occurred dominantly rather that denotative meaning because the advertisements used more hidden meanings rather than literal meaning to convey the messages toward the audiences.
Enola Holmes as a representation of equality in Enola Holmes (2020) movie Ristiawati, Desak Made Juli; Juniartha, I Wayan
Celtic : A Journal of Culture, English Language Teaching, Literature and Linguistics Vol. 13 No. 1 (2026): Vol. 13 No. 1 (2026): June 2026
Publisher : University of Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/celtic.v13i1.43349

Abstract

This study examines the feminist characterization of the main character in Enola Holmes (2020) by applying Joseph M. Boggs’s theory of cinematic characterization alongside Kimberlé Crenshaw’s concept of intersectionality. The analysis concentrates on five selected scenes that illustrate Enola Holmes’s opposition to patriarchal expectations as expressed through dialogue, costume, physical actions, and visual symbolism. The findings indicate that Enola Holmes persistently subverts conventional gender roles by refusing marriage, satirizing male authority through caricature, engaging in physical combat while constrained by traditional feminine attire, and affirming her intellectual and professional abilities in the face of gender-based assumptions. Using Boggs’s framework, Enola Holmes’s internal qualities, outward behavior, and relationships are identified as key indicators of her feminist identity. From an intersectional perspective, the character’s age, gender, and social status intersect to intensify her marginalization; however, she actively negotiates these limitations with resilience and self-determination. Overall, the film offers a nuanced representation of young female empowerment within a patriarchal social structure, demonstrating that resistance may emerge through verbal, visual, physical, and symbolic forms. This study contributes to discussions on feminist representation in contemporary cinema and illustrates how cinematic techniques can effectively construct complex and intersectional female characters.
DISCOVERING THE MEANING OF SIGNS IN PUBLIC SERVICE ADVERTISEMENTS Juniartha, I Wayan; Sulatra, I Komang; Andriyani, AAA Dian
Translation and Linguistics (Transling) Vol 2, No 2 (2022): Translation and Linguistics (Transling)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/transling.v2i2.59970

Abstract

This study concerns in analysing the meaning of verbal and visual signs in four Public Service advertisements. This study aims to find out the verbal and visual sign as tool in discovering the meaning related to important issues occurred in the society recently. The method used in analysing data is qualitative method in order to conduct a clear and well-organized description about the phenomena which is being identified. Furthermore, descriptive study in textual analysis is applied to analyse the signs used in the public service advertisement. This study applied the theory of sign element by Saussure (1983) and theory of meaning by Chandler (2007). The finding shown that there were purposes of warn, reminding people to do positive thing related to the topic of advertisement which is shown by the object, such as: human, buildings, cars, photos or images, colour, smartphones, as well as sentences and coloured word used in the advertisement. The discovered meaning in this study has successfully shown the issues that is occurred in the society which gives the impact for the audiences in emerging the sense of empathy of the issue itself.  
Co-Authors A.A Putu Gede Raditya Pratama Aditana, I Kadek Arya Anak Agung Ayu Istri Kumala Dewi Andriyani, AAA Dian Anggriani, Ni Putu Antari, Ni Made Rini Arcana Putra, Wayan Heka Arita Wastiana Konda Ariyaningsih, Ni Nyoman Deni Arsani, Anggie Ayu Mas Wiliastini Ayu Talia Meranggi Ayu Trisna Dewi Gusti Agung Barlian Barung, Lodovikus Cahyani, Ni Made Diah Darmayanti, Ni Putu Eka Desak Putu Eka Pratiwi Desak Putu Eka Pratiwi Desak Putu Eka Pratiwi Dewa Ayu Devi Maharani Santika Dewi, Ni Komang Chandra Dewi, Ni Made Sinta Dewi, Sang Ayu Kadek Pitria Dicky Perdana Dinata, I Kadek Aditya Dinata, I Putu Indra Febriani, Ni Made Intan Gde Herry Sugiarto Asana Hadisaputra, Andreas Avellino Hardiyanti, Ayu Fitri I Dewa Ayu Devi Maharani Santika I G. B. Wahyu Nugraha Putra I Gede Suta Jaya Ambara I Gusti Agung Sri Rwa Jayantini I Gusti Ayu Agung Sintha Satwika I Gusti Ayu Vina Widiadnya Putri I Gusti Bagus Wahyu Nugraha Putra I Gusti Ngurah Deni Irawan I Gusti Putu Mahardika Putra I Kadek Adi Panaji I Ketut Kartiawan I Komang Sulatra I Komang Sulatra I Made Agus Wibawa Putra I Made Yogi Aditya Wiguna I Nyoman Anom Fajaraditya Setiawan, I Nyoman Anom I Putu Andri Permana I Putu Angga Andika Putra I Putu Deva Pradnyadita I Putu Gita Rusmana I Putu Yoga Jelantik Palguna I Wayan Resen Ida Bagus Gde Nova Winarta Ida Bagus Gde Nova Winarta Jayantini , I G. A. Sri Rwa Jayantini , I Gusti Agung Sri Rwa Juniartini, Ni Luh Putu K.Divyani Karminova Anggela Karya, I Wayan Sidha Kharisma Yulia Mahayani, Ni Ketut Komang Dian Puspita Candra Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita Luh Ayu Trisna Maharani Rika Lusiana, Ni Kadek Elva Made Iwan Indrawan Jendra Maharani, Putu Devi Maku, Serfus Evander Mery Kristiani Mete, Aloysius Andelo Nengah Landra Ni Kadek Parian Dewi Ni Kadek Tita Ni Komang Arie Suwastini Ni Komang Ayu Suardani Ni Komang Eka Maheni Ni Luh Putu Juniartini Ni Luh Sintami Ni Made Arnita Putri Ni Made Intan Febriani Ni Made Verayanti Utami Ni Nyoman Deni Ariyaningsih Ni Putu Mitha Karunita Ni Putu, Ayu Wendiari Septika Ni Wayan Suastini NI WAYAN SUASTINI Ni Wayan Suastini Parayudha, I Gusti Ngurah Gilang Pratama, Sang Ade Satria Putra, I Gusti Ngurah Bagus Wahyu Nugraha Putra, Komang Yoshika Putri , IGA Vina Widiadnya Putu Armitha Widiyanthi Putu Desi Anggerina Hikmaharyanti Putu Gede Budiartha Riky Astina Ristiawati, Desak Made Juli Rolandi, Alexandro Ronald Umbas Ryasmi, Ketut Gita Sang Ayu Kadek Pitria Dewi Santika, I Dw Ayu Devi Maharani Sari, Ni Kadek Purnama Sari, Ni Kadek Sintya Purnama Sari, Ni Putu Milla Supita Sari, Putu Indira Cika Mantika Septiarini , Komang Nindya Dewi Siti Nadila Marsya Somanasih, Kadek Sri Rwa Jayantini, I Gusti Agung Swandewi, Kadek Ayu System, Administrator Tanamal, Gabrielle Sarah Maria Teja, Nova Surya Triariningsih, Luh Putu Utami , Ni Made Verayanti Valentina, Ni Kadek Wibawa, I Gede Adi Guna Widiantari, Ni Pande Putu Erna Wijaya, I Kadek Yoga Winarta, Ida Bagus Gde Nova Wiraningsih, Ni Luh Ayu Yosefa Amung