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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora LiNGUA: Jurnal Ilmu Bahasa dan Sastra BAHASTRA The Indonesian Accounting Review LingTera PUJANGGA: Jurnal Bahasa dan Sastra KEMBARA RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Ranah: Jurnal Kajian Bahasa JURNAL BAHASA, SASTRA DAN PEMBELAJARANNYA METASASTRA: Jurnal Penelitian Sastra Deiksis Jurnal Inovasi Pendidikan Dasar Jurnal Desain Jurnal Mandala Pharmacon Indonesia Imajeri: Jurnal Pendidikan Bahasa dan Sastra Indonesia El Banar: Jurnal Pendidikan dan Pengajaran Visual Heritage: Jurnal Kreasi Seni dan Budaya Rangkiang: Jurnal Pengabdian Pada Masyarakat Community Development Journal: Jurnal Pengabdian Masyarakat Jurnal PkM (Pengabdian kepada Masyarakat) Golden Ratio of Auditing Research REFEREN PharmaCine : Journal of Pharmacy, Medical and Health Science Hortatori : Jurnal Pendidikan Bahasa dan Sastra Indonesia RANGKIANG: Jurnal Pengabdian Pada Masyarakat Surya : Jurnal Pengabdian Kepada Masyarakat Darma Cendekia Nitisara: Jurnal Ilmu Bahasa Musyawarah: Jurnal Pengabdian Masyarakat Jurnal Pendidikan Progresif Nitisara: Jurnal Ilmu Bahasa
Rahman, Fauzi
Universitas Indraprasta PGRI
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Journal : BAHASTRA

 1 
KEARIFAN LOKAL DAN BENTURAN BUDAYA ORANG INDONESIA DI NEGARA LUAR DALAM NOVEL EDENSOR KARYA ANDREA HIRATA Rahman, Fauzi; Hidayat, Ryan
BAHASTRA Vol 38, No 1 (2018): Bahastra
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (265.263 KB) | DOI: 10.26555/bahastra.v38i1.8261

Abstract

 This study aims to find out the image of the values of local wisdom and cultural clash of Indonesian people who bring the mission of nationalism in the country outside, in the novel Edensor by Andrea Hirata. The method used in this research is qualitative descriptive with content analysis technique. Content analysis technique means textually searching for words, sentences, or ideas related to the research topic to then the data obtained are presented, verified, and drawn conclusions. The results obtained from this study indicate that the aspects of local culture appear more prominent or more dominant than other aspects, followed by aspects of religion, custom, and social. The dominant aspect of local culture is that of the characters in the novel because the clearly described figures still have an awareness to defend their culture despite the onslaught of Western cultures. If this is analogous to the representation of the people of Indonesia, then this awareness that carried Edensor. The success of the characters won the bets visiting as many countries as possible to foster self-confidence and pride as the nation of Indonesia. The realization that even though Indonesia is still a moratorium, still lagging behind in science and technology, has grown awareness to dare to advance and forge itself in global competition. It is possible for this nation to change for the better, not only in the mastery of science, but also in the improvement of attitudes in maintaining local wisdom, even if it was abroad.
KEARIFAN LOKAL DAN BENTURAN BUDAYA ORANG INDONESIA DI NEGARA LUAR DALAM NOVEL EDENSOR KARYA ANDREA HIRATA Fauzi Rahman; Ryan Hidayat
BAHASTRA Vol 38, No 1 (2018): Bahastra
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (265.263 KB) | DOI: 10.26555/bahastra.v38i1.8261

Abstract

 This study aims to find out the image of the values of local wisdom and cultural clash of Indonesian people who bring the mission of nationalism in the country outside, in the novel Edensor by Andrea Hirata. The method used in this research is qualitative descriptive with content analysis technique. Content analysis technique means textually searching for words, sentences, or ideas related to the research topic to then the data obtained are presented, verified, and drawn conclusions. The results obtained from this study indicate that the aspects of local culture appear more prominent or more dominant than other aspects, followed by aspects of religion, custom, and social. The dominant aspect of local culture is that of the characters in the novel because the clearly described figures still have an awareness to defend their culture despite the onslaught of Western cultures. If this is analogous to the representation of the people of Indonesia, then this awareness that carried Edensor. The success of the characters won the bets visiting as many countries as possible to foster self-confidence and pride as the nation of Indonesia. The realization that even though Indonesia is still a moratorium, still lagging behind in science and technology, has grown awareness to dare to advance and forge itself in global competition. It is possible for this nation to change for the better, not only in the mastery of science, but also in the improvement of attitudes in maintaining local wisdom, even if it was abroad.
Male superiority and famale resistance in Indonesian fairytales themed Seven Nymphs Ryan Hidayat; Fauzi Rahman; Denik Wirawati; Muhammad Sega Sufia Purnama
BAHASTRA Vol 41, No 1 (2021): Bahastra
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bahastra.v41i1.19941

Abstract

Story of Seven Nymphs spread in Indonesia implies many similarities starting from the introduction of stories, conflicts, the peak of conflict, and settlement. Story of seven nymphs always describes them as helpless before men when their shawls stolen. The aim of this study is to show how male superiority and resistance of women represented in folklore stories themed seven nymphs. The method used in this study is the content analysis method with comparative literature and sociological literature technique. The data taken from story titled Jaka Tarub, Telaga Bidadari, Arya Menak, Raja Omas, and Mahligai Keloyang. The story have similar lines, but comes from different regions. The results of the research and analysis show that the superiority of men has begun to seen from the actions in the story that took the nymph’s shawl (wings). With that event, the nymphs figure told in all research data described as having no power to fight, so that without other choices, they must be willing to be the wife of a man who stole their shawl. However, in women (nymphs), there is the potential for strength and endurance in facing their new life in the world. All men who intend to marry nymphs in the story made helpless and obey all kinds of conditions and restrictions proposed by the nymphs if they want to marry them. Finally, in the analysis, the overall story ends in the separation between the man and his wife (the nymphs) because the agreement at the beginning violated by the male character.
Co-Authors Abu Maskur Ahmad Hidayatullah Ahmad Hidayatullah Ahmad Khoiril Anam Ahmad Muzaki Ahmad Muzaki Amalia , Nur Anisah, Ani Aulia , Tiara Rahma Aurellia , Nathasha Azhari Amri Azhari Ikhwati Baadilla, Irwan Badruddin Hsubky Bajuri, Muhammad Zahrul Jihadurrohim Bambang Perkasa Alam Bramantyo , Andreas Celine Nadya Ramadhani Chairani , Aisyah Efriza, Nazriel Fairul Zabadi Fairul Zabadi Fairul Zabadi, Fairul Fatihah , Fairuz Arkan Fauziah Suparman Fitria Iswari Hamidah Apriani Haura, Alyssa Nahwa Herwanti, Rr. Titiek Hidayat, Ryan Hilda Hilaliyah Ibrahim, Nini Ilma, Awla Akbar Junaidi , Febi Kodariah, Siti Lintang M. P., Paulinna M, Rr. Sri Pancawati Mawaidi, Mawaidi Miftahulkhairah Anwar Mukammilatuzzahro, Wanda Muzaki, Ahmad Nini Ibrahim Nini Ibrahim Nur Amalia Oisina , Ilona Vicenovi Perdana , Muhammad Andhika Dwi Pradono, Arif Prameswari, Kania Pratama, Sintia Prawira, Mentari Putrirahayu Prima Gusti Yanti Puji Anto Puri Kurniasih Purnama, Muhammad Sega Sufia Putri, Gina Ramadhani, Aisyah Rita Laksmitasari Rahayu Ryan Hidayat Sahrul Umami Setiyawan, Dwika Bagus Sulis Setiawati Sulistyawati Supatmi Supatmi Syah , Muhamad Akbar Syarif Hidayatullah Trie Utari Dewi, Trie Utari Ulfa, Ana Maria Ummul Qura Wahyu Hidayati, Deasy Wini Tarmini Wirawati, Denik Yuliani , Prima Dwi Zainal Rafli, Zainal Zamzam, Rohimi