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All Journal Serupa : The Journal of Art Education Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Imajinasi Jurnal Penelitian Pendidikan Catharsis Educational Management Innovative Journal of Curriculum and Educational Technology The Journal of Educational Development Jurnal Basicedu Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Journal of Primary Education Journal of Physical Education and Sports JSM (Jurnal Seni Musik) Tonika: Jurnal Penelitian dan Pengkajian Seni Visual Heritage: Jurnal Kreasi Seni dan Budaya Journal of Research and Educational Research Evaluation Varia Humanika Jurnal Basicedu Proceeding of International Conference on Science, Education, and Technology Riwayat: Educational Journal of History and Humanities Catharsis Buletin Pengembangan Perangkat Pembelajaran (JSM) Jurnal Seni Musik
Udi Utomo
Music Department, Semarang State University, Kampus Sekaran Semarang 50229, Indonesia
Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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The Process and Function of Rebana Music Gendukan Jawan As A Communication of Kelompok Informasi Masyarakat (Kim) Dalori, Dalori; Sumaryanto, Toto; Utomo, Udi
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.34166

Abstract

The art of rebana traditional music Gendukan Jawan is one of religious-ethnic music styles used as communication media of Kelompok Informasi Masyarakat (KIM). The observed problem was how the process and function of rebana music Gendukan Jawan as a communication media of Kelompok Informasi Masyarakat (KIM) to the community of Kraton Kidul Pekalongan. The purpose of this research is to describe the process and function of rebana music of Gendukan Jawan as a communication media. The benefit of this research is to give contribution to all parties about rebana music Gendukan Jawan theoretically and practically. This study used qualitative method with interdisciplinary approach. The data collecting technique was observation, interview, and document study. The data validity used data triangulation technique. The data analysis used data reduction, data presentation, and conclusion drawing. The results show that the communication process of rebana music Gendukan Jawan of Kelompok Informasi Masyarakat (KIM) with Kraton Kidul community includes five elements as a respond from the five questions: ·1) Who : communicator 2) Say What : sent messages 3) In Which Channel : channel or media used to deliver the communication messages. 4) To Whom : receiver of the messages 5) With what Effect : the changes happened. The communication process involves primary communication process using verbal symbols namely messages that sent through song lyrics. Then, the secondary communication process using tools as the second media after using symbols as the first media. The function of rebana music Gendukan Jawan in Kelompok Informasi Masyarakat includes the function of telling, educating, changing the perception, and entertaining.
Music Learning Strategies Through the Beyond Center and Circle Time (BCCT) Approach at Bosowa Natural School Makassar (SABM) M. Marauna, Vikran; Utomo, Udi; Wadiyo, Wadiyo
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.35104

Abstract

Music learning at the Bosowa Natural School Makassar (SABM) uses the Beyond Center and Circle Time (BCCT) learning model as a strategy for achieving the expected learning objectives of music. Besides learning music in SABM is an intra-curricular subject that must be taught to students because SABM refers to one of multiple intelligences, namely musical intelligence. Therefore, this study aims to analyze music learning through the BCCT approach. The method used in this research is interpretative qualitative with an interdisciplinary approach. Data was collected through observation, interviews, and documentation studies with interactive model analysis. The results showed (1) the environmental footing gave rise to learning activities in the making of learning media which were implemented by the demonstration method, (2) the footing before learning, singing could build the mood of students, and embed the value of knowledge through song lyrics, (3) the footing during learning, the lecture method, question and answer, and drill practice are very effective for students to better understand theory and practice, (4) footing after learning, train students to speak according to what has been passed from the beginning to the end of learning while practicing memory, patience, and respect.
Keroncong : The Creativity Process of Pesona Gabuse Music Group in Pati Regency Wismandanu, Hanur; Wadiyo, Wadiyo; Utomo, Udi
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.36916

Abstract

The Keroncong Pesona Gabuse Group is one group that uses the Keroncong genre in every performance. To maintain its existence, Pesona Gabuse always presents new and contemporary works in every performance. This research analyzes the process of creativity in realizing new works as an effort to preserve keroncong music in the country. Thus the purpose of this study is to analyze how the processes of artists in creativity, especially the personnel of the Pesona Gabuse group, using qualitative research methods. Data collection techniques using observation techniques, interviews, and document studies. The data validity technique is by using data and source triangulation, while the data analysis procedure is by data reduction, data presentation, and drawing conclusions. The theory used to analyze the data that is the theory of Creativity according to Utami Munandar. It is defined into four types of dimensions as "four points creativity" namely (1) personal dimensions (person), (2) dimensions of the process (process), (3) dimensions of pressure (press), and product dimensions. The general result found is that there is a culture which is the result of a form of community gratitude because of the abundant of natural resources, or art that is only intended as mere entertainment. The art and culture tours in general are the Gong Theater, Widyas Budoyo dance studio, shadow puppet shows, puppet shows, barongsai pagoda, alms earth, and the Gabus market festival. One of them is music tour, there are 2 music tours in the village of Gabus namely Gagego music village and Pesona Gabuse. The Pesona Gabuse Keroncong Group is one of the existing keroncong groups in Pati Regency. Specific research results found relating to the creativity process are the result of the creative process of the Keroncong Pesona Gabuse music group. Keroncong Pesona Gabuse group makes the keroncong music sound different from the original keroncong music that has been legendary since the Indonesian colonial era, such as the original keroncong and extra keroncong which are almost all rhythmic 4/4 music. The new genre created by the Pesona Gabuse group is pop keroncong, congdut (dangdut keroncong), congrock (rock keroncong, congska (ska keroncong), reggae keroncong, and congjazz (jazz keroncong).
Religious Messages in Rapa’i Tuha Aceh Song Lyrics Ayu Agustya, Kembang; Utomo, Udi; Triyanto, Triyanto
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.37199

Abstract

Rapa’i Tuha music comes from Aceh, there are many religious messages conveyed through song lyrics. The purpose of this study was to analyze the religious messages contained in the lyrics of the Rapa’i Tuha Aceh music song. This research used a communication approach using qualitative research methods. Data collection techniques were using observation, interviews and documentation. Data analysis procedures were carried out through data reduction, presentation and verification. Data validity used triangulation of data sources, methods and theories. Analysis of religious messages in song lyrics in Rapa’i Tuha music used communication analysis by Effendy, namely the presence of messages and communicators, recipients of messages and the presence of media. The results of this study indicated that the Rapa’i Tuha contains religious messages namely the message of faith and the message of morals. Specifically, the findings in this study were that there was a message of faith which means everything that should be trusted, believed and faithful as a Muslim. As well as moral messages which are reflected in the behavior patterns of our fellow human beings where all of these religious messages are contained in song lyrics in Rapa’i Tuha Aceh music.
Social Changes on Basisombow in The Community of Kampar Riau Regency Putri, Osmawinda; Hartono, Hartono; Utomo, Udi
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.37256

Abstract

Basisombow is a literature that develops in the North Kampar of Kampar District. In antiquity Basisombow was used for traditional event, wedding, and circumcision event. The research aims to describe and analyze the social change of Basisombow in the community of Kampar Riau Regency. This study used qualitative research, with a sociological approach. Observation technology, interviews and documentation are used as instruments of the research in collecting the data. The data analysis procedures used data reduction, data presentation and data verification. The validity of the data in this study used Triangulation source that was performed for the inspection process by examining data from multiple sources. The results of the study that Basisombow experienced social change as follows: 1). Changes on Kampar community structure; 2). new findings and other cultural contacts; 3). Differences of opinion amongst generations. In particular, the findings in social change are influenced by 2 (two) factors such as; external and internal factors which are related to the social environment of the Kampar community.
The Values of Jaranan Pogogan Art Teguh Rahayu at Sugihwaras Village, Prambon Sub-District, Nganjuk Regency. Bekti, Wahyu Prasetyo; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.37936

Abstract

Jaranan Pogogan art Teguh Rahayu have its own uniqueness. The uniqueness lies in the presentation performed on stage, and is presented by two male dancers who dress up like a pretty woman. A dancer is as a Sasra and another dancer is as Pogog. The purpose of this research is to analyse the values of the art performance of Jaranan Pogogan Teguh Rahayu. This study used a descriptive qualitative approach with a case study model at the art performance of Jaranan Pogogan Teguh Rahayu. This research was conducted in Sugihwaras village, Prambon Sub-district, Nganjuk Regency. The data in this research is classified as two, namely primary data and secondary data. The data collection techniques in this study are field observations, interviews, documents, and library studies. The triangulation is used as the process in the validity of the data of this study. Technique of analysis data used data reduction, data presentation and conclusion and verification. The results showed that there are four values contained in the Pogogan Teguh Rahayu Arts Museum, they are as follows; the value of deity, the value of goodness, the value of righteousness, and the value of beauty. This analysis uses some value on the Pogogan Teguh Rahayu Art which the values reflected in daily activities.
Creativity of Cengklungan Artists in Podho Rukun Temanggung Community Puspita, Nisa Rahma; Utomo, Udi; Florentinus, Totok Sumaryanto
Catharsis Vol 9 No 2 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Cengklungan art is a native traditional art of Temanggung Regency which has several additional electrical components. This study aims to provide an overview of the creativity of Paguyuban Podho Rukun artists and the factors that influence their creativity. The study was conducted by using qualitative analysis research methods with the research location in Temanggung Regency. The instruments and data collection techniques used observation, interviews and document study. The data validity technique used data triangulation technique. Meanwhile, the data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The creativity of the Cengklungan artist in Podho Rukun is the addition of several components to the curved instrument namely cables, spulls, tunning pegs, boards, and guitar strings. In addition, the Cengklungan artist also produced several songs with a pentatonic nuance. The work process of cengklungan artists has also been discussed from several 4P factors including person, process, press, and product.
An Acculturation in The Composition and Creative Process of Dengklung Music in Bandar Village, Batang Regency Wulandari, Eky Olivia; Utomo, Udi; Florentinus, Totok Sumaryanto
Catharsis Vol 9 No 2 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i2.43386

Abstract

Dengklung Al Kafi art is one of the traditional performing arts which is a combination of two cultures, namely Javanese and Arabic or Islamic from Bandar village, Batang regency. The purpose of this study was to analyze and describe the acculturation and creative process of the Dengklung Al Kafi art in Bandar village, Batang Regency. The method used was qualitative with ethnomusicology and anthropology approaches. The data collection techniques used were observation, interviews, and document study. The data validity technique used was the source triangulation technique. The analysis process started from the data collection, data reduction and clarification, drawing conclusions and interpretation. The results showed that cultural acculturation was found in aspects of Dengklung art performances namely musical instruments, lyrics, dance and costume. In addition, creativity in Dengklung art can be seen by the creative process of notation change from pentatonic to diatonic, then added with aspects of dance and costume that combine Javanese and Arabic elements. The combination of culture which is manifested in the form of Dengklung art has been accepted and even appreciated by the surrounding community, it caused this art to stands until now.
An Implementation of Reflective Pedagogy in Hybrid Music Learning of Gamelan Soepra Pamungkas, Benidiktus Candra; Utomo, Udi; Sumaryanto Florentinus, Totok
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.44612

Abstract

Gamelan Soepra is a gamelan instrument that has been changed in tonality to diatonic and has a higher wadhah. With its diatonic tonality, Gamelan Soepra is able to be combined with today's modern instruments and it is able to play many song. The uniqueness of the Gamelan Soepra was used by Pater van Deinse as a music education at SMA Kolese Loyola. Gamelan Soepra is a tool for educating thar is combined with reflective pedagogy as an educational method. Reflective pedagogy has several elements, namely: context, experience, reflection, action, and evaluation. This study aims to understand the implementation of the reflective pedagogy elements in the learning process of Gamelan Soepra. The methods used by the author in collecting data were observation, interview, and document study. Gamelan Soepra Learning through reflective pedagogy not only develops students' abilities in playing music (Competence), but students also are trained to hone and develop their conscience (Compassion), conscience and their commitment and responsibility to what they have chosen (Commitment). This s is study expected to be a reference for developing learning methods, especially music learning
Musical Creativity and Character Education Values in Performing Arts Activities at SMA Negeri 1 Kedungwuni Afwa, Mughny El.; Utomo, Udi; Cahyono, Agus
Catharsis Vol 10 No 1 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i1.44810

Abstract

This study aims to analyze the process of students' musical creativity and the value of character education through performing arts activities at SMA Negeri 1 Kedungwuni. This study uses a qualitative method. The data were collected by using observation, interview, and document study techniques. The data analysis procedures used data reduction, data presentation, and data verification. The validity of the data used is triangulation, data sources, and theory. The results showed that the process of musical creativity in performing arts activities at SMA Negeri 1 Kedungwuni was carried out in 4 stages. In the first stage, namely preparation, students chose songs and determined what musical arrangements that matched to the theme determined by the teacher. In the second stage, namely incubation, students determined the solution to the problem of music, drama, and dance collaboration arrangements to the teacher through discussion. In the third stage, students determined the musical instruments used, arranged arrangements, and practiced. The last stage was verification of the work of musical creativity which was carried out through the pre-general rehearsal and general rehearsal. Character education values that were formed during the preparation process and performing arts activities are: (1) the value of discipline, (2) the value of creative, (3) the value of cooperation, and (4) the value of responsibility.
Co-Authors A.A. Ketut Agung Cahyawan W Abdul Rachman Afwa, Mughny El. Agus Cahyono Alhail, Hadi Andhika Kurniawan Annisa Furi, Giza Abel Arbi, Bahtiar Arbi, Bahtiar Arqam, Muh. Azmi, Ulya Zakaria Bekti, Wahyu Prasetyo Beniarso, Mundin Bidang, Aris Bima Pradipta, Nareswara Cahyono, Indrawan Nur Cinta Salim, Clarrisa Vicky Fidela Dalori, Dalori Dedy Firduansyah Dewantara, Pitrang Dewi, Nurul Kemala Dini, Tria Ayu Effendi, Widia Eka Titi Andaryani Eko Raharjo Fakhruddin Fakhruddin Falah, Ade Fajrul Farid Ahmadi Faruq Alfianto, Faruq Fathur Rokhman Fauzi, Muhamad Irfan Febrianto, Aji Sofian Glenie Latuni Guntaris, Endik Handayani, Setyati Dyah Hariono, Slamet Hartono Hartono Haryadi - I Ketut Suada Ida Zulaeha Imam Ghozali Indariyana, Raditya Wahyu Irfanda Rizki Harmono Sejati Joko Wiyoso Juanita Theresia Adimurti Julta, Arbi Kartikasari, Farida Nur Kautzar, Awang Kembang Ayu Agustya Korsini, Perseveranda Putra Krido Bangun Nugroho, Dwi Kodrat Krisbiyanti, Billa Kurnia, Yoga Pria Kwidura, Nugroho Laili Rahmawati, Laili Lestari, Yunia Murdi M. Marauna, Vikran Mahardhika, Hendy Malarsih Malarsih Manuel Pratama, Ritchie Margono, Agusta Muchsin, Ibnu Amar Muhammad Jazuli Muhammad Rifki Mujadid, Ahmad Zahry Natalia, Violinna Wynsa Natonis, Rolfi Junyanto Is Nirbaya, Eryaya Nirbaya, Eryaya nirwanto, bagus Oriana Tio Parahita Nainggolan Pamungkas, Benidiktus Candra Perdana, Firdaus Perdana, Firdaus Prabowo, Anik Pramudhita, Chatarina Ria Pratama, Ritchie Manuel Prayekti, Hesty Puput Meinis Narselina Puspita, Nisa Rahma Putri, Farah Kamelia Ali Putri, Osmawinda Renaldus Afoan Elu, Agustinus Richard Junior Kapoyos Riyatmoko, Joko Rosikhatul Ilmiyah, Rosikhatul Ruata, Isabella Christy Ryandana, Mylza Nova Sabillah, Masayu Selly Sabillah, Masayu Selly Safitri, Setiorini Rahma Safitri, Setiorini Rahma Santi Pratiwi, Santi Saputra, Dani Nur Saputra, Oktafian Harys Sari, Reza Nepilia Shobirin, Ma’as Siwi, Laras Grahita Slamet Haryono Soegiyanto Soegiyanto, Soegiyanto Soesanto Soesanto Sri Susilogati Sumarti Suardi, Rofiandri Sugiyo Sugiyo, Sugiyo Suharto Suharto Sumaryanto F, Totok Sumaryanto F, Totok Sumaryanto, Toto Sunarto Sunarto Syah Sinaga, Fajry Sub'haan Syahrul Syah Sinaga Tampubolon, Rina Anggita Taqi, Ahmad Yazid Teguh Supriyanto Theo Ardiyarta Tilova, Eshia Monica Tina Mati, Reneldis Tjetjep Rohendi Rohidi, Tjetjep Rohendi Totok Sumaryanto F., Totok Totok Sumaryanto Florentinus, Totok Sumaryanto Tri Joko Raharjo Udju, Makdalena Yuniati Hege Ulfah, Zulfia Wadiyo Wadiyo wafa, mochammad usman Wahyu Lestari Wasino Wasino wicaksono, refi yunanda Widodo Widodo Wiharyanti, Theresia Ratna Wijaya, Barkah Bangkit Willy Lontoh Willy Lontoh, Willy Winata, Dean Arda Wismandanu, Hanur Wisnugraha, Azhardi Woro Sumarni Wulandari, Eky Olivia Zairin, Achmad