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All Journal Gondang: Jurnal Seni dan Budaya Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Jurnal Ilmiah Mandala Education (JIME) Pancasila: Jurnal Keindonesiaan Prima Magistra: Jurnal Ilmiah Kependidikan Indonesian Research Journal on Education Jurnal Multidisiplin Sahombu Jurnal Ilmiah Multidisiplin Indonesia Cantata Deo: Jurnal Musik dan Seni Journal of Education and Social Science Global Journal of Social Learning TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya Jurnal Pengabdian Pada Masyarakat IPTEKS Journal of Linguistics and Language Teaching International Journal of Social Sciences and Humanities Journal of Modern Social and Humanities
Suryadmaja, Galih
Universitas Nahdlatul Ulama Nusa Tenggara Barat
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Physics Social Sciences Other

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Potensi Seni Gendang Beleq Dalam Penguatan Pariwisata di Lombok, Provinsi Nusa Tenggara Barat Suryadmaja, Galih
Journal of Modern Social and Humanities Vol. 1 No. 1: Journal of Modern Social and Humanities, January 2025
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/jmsh.v1i1.42

Abstract

Gendang Beleq memiliki karakteristik yang unik, melalui ritme yang membangkitkan semangat dengan rampak bunyi yang disajikan. Bagi masyarakat pemiliknya, seni tradisi tampak dianggap sebagai hal biasa dan mungkin kurang menarik. Tidak demikian halnya dengan wisatawan, yang senantiasa hadir untuk menemukan pengalaman baru. Menyelami kebudayaan daerah tujuan wisata, dan hal itu salah satunya dapat dilakukan melalui keberadaan seni tradisi sebagaimana Gendang Beleq. Oleh karena itu, penelitian ini dibatasi pada persoalan tentang bagaimana potensi yang dimiliki Gendang Beleq dalam penguatan pariwisata di Lombok, Nusa Tenggara Barat (NTB). Tujuan utama dari penelitian ini adalah untuk menganalisis kontribusi Gendang Beleq dalam pengembangan pariwisata di Lombok. Penelitian ini menggunakan pendekatan kualitatif untuk menggali potensi seni Gendang Beleq dalam memperkuat pariwisata di Lombok. Melalui pendekatan ini memungkinkan untuk memahami aspek budaya, sosial, dan ekonomi yang terkandung dalam seni Gendang Beleq. Penggalian data dilakukan dengan observasi, wawancara, dan studi pustaka. Analisis deskriptif digunakan untuk menyajikan temuan secara sistematis, dengan fokus pada bagaimana Gendang Beleq dapat menjadi alat promosi pariwisata dan dampaknya terhadap masyarakat lokal. Hasil penelitian menunjukkan bahwa Gendang Beleq berpotensi untuk meningkatkan kunjungan wisatawan. Sebagai bagian dari pengembangan pariwisata berbasis budaya, Gendang Beleq tidak hanya memperkaya pengalaman wisatawan, tetapi juga memberi dampak positif terhadap pelestarian budaya lokal.
Local Wisdom, Aesthetic Transformations, and Creative Pedagogy: A Qualitative Synthesis of Indonesian Performing Arts as Cultural–Educational Ecosystems Putranto, Muhammad Fajar; Sukoco, Antonius; Suryadmaja, Galih
Global Journal of Social Learning Vol. 2 No. 1 (2025): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v2i1.257

Abstract

This study synthesises interdisciplinary perspectives to examine how Indonesian performing arts function as dynamic cultural–educational ecosystems shaped by aesthetic expression, local wisdom, and creative pedagogical practices. Performing arts serve not only as artistic media but also as cultural spaces where identity, morality, symbolism, and social values are transmitted across generations. Local wisdom embedded in traditional arts strengthens their role in character formation and contextual learning, while contemporary forces such as modernisation, digitalisation, and global cultural flows increasingly influence how these traditions adapt and transform. Using a qualitative thematic-synthesis approach, the study reviews concepts from aesthetics, ethnography, cultural pedagogy, creative studies, and ethnomathematics to map the interconnected functions of performing arts. Four major thematic patterns emerge: aesthetic systems that evolve through symbolic structures and hybrid forms; the presence of moral, spiritual, and communal values; creative processes that mediate innovation while maintaining cultural continuity; and pedagogical potentials that support character development, cultural literacy, and creative reasoning. Overall, the study highlights Indonesian performing arts as an integrated ecosystem that bridges cultural transmission, creativity, and educational transformation. This synthesis provides a conceptual foundation for advancing future research and informing cultural and educational policy aimed at strengthening the sustainability and relevance of traditional performing-arts practices in contemporary contexts.
Pancasila Ideology in Practice: Ethnographic Study of Integration in Amaq Abir Theater West Nusa Tenggara Renda, Rapi; Putrajip, Mohamad Yudisa; Suryadmaja, Galih; Biagi, I Wayan Kusuma Di; Buana, Daffa Satya Jaya
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.69469

Abstract

This study examines the integration of Pancasila values in the traditional theater performance of Amaq Abir, a cultural heritage preserved by Sanggar Pustaka Budaya in Central Lombok, West Nusa Tenggara. The urgency of this research arises from the impact of globalization, which often generates cultural dislocation, identity crises, and moral shifts. These conditions emphasize the importance of developing character education models grounded in local wisdom while reinforcing Pancasila as the nation’s ideological foundation. Using a qualitative design with an ethnographic approach, data were obtained through systematic observation, in-depth interviews, and documentation. The findings show that Amaq Abir performances embody the five principles of Pancasila through dialogic narratives, symbolic costumes, traditional music, and social interaction. Values of religiosity, humanity, unity, deliberation, and social justice are not only represented artistically but also lived communally by performers and audiences. The study positions Amaq Abir as more than folk entertainment; it serves as a medium for contextualized character education and ideological transmission. Its novelty lies in mapping how Pancasila values are integrated into traditional performance arts, framing them as cultural strategies and pedagogical tools. Broader implications highlight the revitalization of traditional arts, the strengthening of cultural identity, and the collaboration of local governments, educational institutions, and art communities to embed these practices into national character education agendas.
Tradition Adaptation: Creativity and Innovation in the Sasak Community's Kecimol Performance by the Merpati Nusantara Ensemble in Mataram Suryadmaja, Galih; Biagi, I Wayan Kusuma Di; Renda, Rapi; Saearani, Muhammad Fazli Taib; Halil, Nandi Arfian; Ningsih, Dewi Puspita
Jurnal Ilmiah Multidisiplin Indonesia (JIM-ID) Vol. 4 No. 12 (2025): Jim-id, December 2025
Publisher : Sean Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines how tradition is adapted through creativity and innovation in the Sasak community’s Kecimol performance, with a focus on the Merpati Nusantara ensemble in Mataram. The research aims to identify how Kecimol, originally a traditional ensemble rooted in Cilokaq, has evolved into a performance that integrates modern instruments, cross-genre repertoires, portable stage designs, and the use of digital media. Using an ethnographic approach involving participatory observation, in-depth interviews, and documentation, the study highlights how the creativity of the artists and the active participation of the community as both audience and co-creators drive collective innovation. This innovation successfully preserves local identity while engaging with global trends. The adaptation demonstrates cultural resilience, sustaining the vitality of tradition amid modernization, despite intergenerational value tensions and negative stigmas. From a socio-economic perspective, Kecimol functions as an alternative income source, a social interaction platform, and a form of public entertainment. This research contributes theoretically by enriching studies on creativity and cultural adaptation, while providing practical insights for cultural preservation strategies, creative economy development, and community-based tourism. Overall, Kecimol exemplifies the Sasak community’s identity and the sustainability of traditional arts within the context of globalization.
Co-Authors -, Baiq Larre Ginggit Sekar Wangi Agus Mega Saputra, Gde Anggraini , Erna Apriawan, Andika Arsyad, Abdur Ashar Banyu Lazuardi Biagi, I Wayan Kusuma Di Buana, Daffa Satya Jaya christofer satria Dewi Puspita Ningsih Dewi Puspita Ningsih Di Biagi, I Wayan Kusuma Djuita Hidayati Duwi Purwati Hakiki, Ihsan Halil, Nandi Arfian Haryono Haryono Hilmi , Muhammad Zoher I Nyoman Miyarta Yasa I Wayan Kusuma Di Biagi Irfan Hidayat, Irfan Irhas Irhas, Irhas Kukuh, Lalu Guruh Virgiawan Dwi Kurnia, Wahyu Lalu Dwi Satria Ardiansyah Mawardi, Taufik Mukminah Nahdlatuzzainiyah, Nahdlatuzzainiyah Nurtikawati Puspita Ningsih, Dewi Putrajip, Mohamad Yudisa Putranto, Muhammad Fajar Qatrunnada, Qatrunnada Rahmadi, Didin Septa Renda, Rapi Rizkika, Andhika Saearani, Muhammad Fazli Taib Safitri, Karisma Sakbanai, Rosdiana Salniwati Sukoco, Antonius Utari, Retno