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Dadang Rahmat Hidayat
Fakultas Ilmu Komunikasi Universitas Padjadjaran, Bandung, Indonesia
Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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Analisis Wacana Kritis Objektivikasi Anak Perilaku Sharenting di Instagram Risa Saraswati Ramadhanti, Galuh Aulia; Hidayat, Dadang Rahmat; Yudhapramesti, Pandan
Komunikologi: Jurnal Pengembangan Ilmu Komunikasi dan Sosial Vol 7, No 2 (2023)
Publisher : Fakultas Ilmu Sosial UIN Sumatera Utara Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30829/komunikologi.v7i2.16982

Abstract

AbstrakPerilaku sharenting yang mengarah pada objektivikasi anak sering ditemui di media sosial Instagram. Perilaku ini sering dilakukan oleh selebriti Instagram, yaitu selebgram. Selebgram sebagai orang tua yang memiliki anak mengunggah foto, video, dan keterangan teks tentang keseharian anak mereka. Informasi yang dibagikan juga tidak jarang terkait dengan informasi privasi anak mereka. Salah satu selebgram yang melakukan perilaku sharenting di Instagram adalah Risa Saraswati. Penelitian ini menggunakan metode analisis wacana kritis Van Dijk guna untuk membongkar wacana teks yang diproduksi dengan berdasarkan kognisi sosial. Penelitian ini bertujuan untuk mengetahui objektivikasi anak pada perilaku sharenting di Instagram Risa Saraswati. Penelitian ini menemukan empat macam objektivikasi anak yang dilakukan pada perilaku sharenting di Instagram pada analisis teks, yaitu objektivikasi anak pada tumbuh kembang anak, objektivikasi anak sebagai endorsement, objektivikasi anak pada tingkah lucu anak, dan objektivikasi anak menjadi selebgram. Pada analisis kognisi, Risa Saraswati tidak sadar secara penuh tentang dampak yang didapat dari mengunggah konten anak secara visualisasi maupun keterangan teks dimedia sosial. Risa Saraswati berpikir bahwa membagikan foto dan video anak di Instagram merupakan cara yang baik untuk berkomunikasi dengan keluarga dan kerabat dekat lainnya. Pada analisis konteks sosial, penelitian ini menemukan banyak masyarakat, khususnya pengguna Instagram yang mendukung perilaku sharenting yang mengarah pada objektivikasi sharenting dengan komentar yang dominan positif terhadap unggahan Risa Saraswati tentang anaknya di Instagram. Hak privasi anak dikesampingkan oleh orang tua mereka. Hak anak dianggap menjadi bias karena usia anak yang belum dapat menentukan pilihannya. AbstractSharenting behavior that leads to objectification of children is often found on Instagram social media. This behavior is often carried out by Instagram celebrities, namely celebrities. Celebgrams as parents who have children upload photos, videos, and text descriptions about their children's daily lives. The information shared is also often related to the privacy information of their children. One of the celebrities who does sharenting behavior on Instagram is Risa Saraswati. This research uses Van Dijk's critical discourse analysis method in order to dismantle the discourse of texts produced based on social cognition. This study aims to determine the objectification of children in sharing behavior on Risa Saraswati's Instagram. This study found four kinds of objectification of children carried out on sharenting behavior on Instagram in text analysis, namely objectification of children to child development, objectification of children as endorsements, objectification of children to funny behavior of children, and objectification of children to celebrities. In the cognitive analysis, Risa Saraswati is not fully aware of the impact that can be obtained from uploading children's content through visualization and textual information on social media. Risa Saraswati thinks that sharing photos and videos of children on Instagram is a good way to communicate with family and other close relatives. In analyzing the social context, this study found that many people, especially Instagram users, support sharenting behavior which leads to the objectification of sharenting with predominantly positive comments on Risa Saraswati's uploads about her child on Instagram. Children's right to privacy is overridden by their parents. Children's rights are considered to be biased because the child's age has not been able to determine his choice.
Regional film in the dynamics of the national film industry Puspitasari, Lilis; Bajari, Atwar; Hidayat, Dadang Rahmat; Cho, Sung Kyum
ProTVF Vol 8, No 2 (2024): September 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i2.54275

Abstract

Background: In the last ten years, the Indonesian film industry has experienced significant growth. The national film industry and the regional film industry, one of which is indie films produced in the city of Makassar. The development of films in Makassar began to receive national public attention with the explosion of the film Uang Panai in 2016. Also, in 2017, the success of the movie Silariang received an audience of 183.340 people. Purpose: Examining the impact of Makassar-produced films on the dynamics of Indonesia's domestic film industry is the main objective of this study, including examining its impact on cultural identity, economic variables, and its role in enhancing the uniqueness of national film. Methods: This study employs a qualitative methodology and gathers data through content analysis, observation, and interviews. Results: According to the study's findings, regional films—like those made in Makassar—are essential to the growth and advancement of the country's film industry. This demonstrates how crucial it is to acknowledge and encourage filmmaking outside of the major industrial hubs. Conclusion: Research shows that regional films have the potential to positively impact economic growth, especially in the regions where they are produced. It encourages the creative economy, creates local employment opportunities, and offers direct and indirect financial benefits. Implications: There is a need to recognize and promote regional films to encourage the diversity of Indonesian films; this study is also expected to provide a comprehensive understanding of the relationship between regional films and the dynamics of Indonesian films.
Strategi Komunikasi Krisis DPR RI Menggunakan Instagram Menghadapi Penolakan RUU Cipta Kerja Iskandar, Indra; Hidayat, Dadang Rahmat; Priyatna, Centurion Chandratama
Jurnal Aspirasi Vol 12, No 2 (2021)
Publisher : Pusat Analisis Keparlemenan Badan Keahlian Sekretariat Jenderal DPR RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46807/aspirasi.v12i2.2413

Abstract

The following study analyzes the social media strategy of the DPR RI’s Instagram facing the rejection of the Job Creation Bill on social media. The rejection on social media using hashtags #TolakOmnibusLaw Job Creation. The study uses Coombs situational crisis communication theory (SCCT) model as a framework for understanding and suggesting future crisis communication strategies using social media selections. The result from this research shows that the DPR RI’s Instagram is an effective tool for monitoring and engaging public discourse during the #TolakOmnibusLaw Job Creation crisis. This study explores the ideas presented by the DPR RI’s Instagram on 14 April 2020, the first time the Job Creation Bill was discussed until President Joko “Jokowi” Widodo officially signed the Job Creation Bill into Law No. 11 of 2020 on November 2, 2020. From the data collected, this research found 17 posts related to the Job Creation Bill. From the analysis of 17 posts, this study concludes that the dominant strategy from the DPR RI Instagram is denial. Denial strategy with denial tactics based on the SCCT Coombs theory is an effective strategy in facing many hoaxes in the Job Creation Bill’s crisis.Abstrak:Studi ini menganalisis strategi media sosial pada masa krisis yang harus dihadapi DPR RI akibat adanya penolakan pengesahan Rancangan Undang-Undang (RUU) Cipta Kerja menjadi Undang-Undang (UU) yang terjadi di media sosial. Penolakan tersebut dilancarkan dengan menggunakan #TolakOmnibusLaw. Studi ini menggunakan situational crisis communication theory (SCCT), model yang digagas oleh Coombs sebagai kerangka berpikir untuk memahami dan merekomendasikan strategi komunikasi krisis menggunakan media sosial dengan studi kasus terhadap akun Instagram DPR RI. Hasil dari penelitian menunjukkan bahwa akun Instagram DPR RI menjadi alat yang efektif untuk memonitor dan meng-engage perbincangan publik pada masa krisis #TolakOmnibusLaw. Studi ini menganalisis gagasan yang ada pada unggahan akun Instagram DPR RI mulai 14 April 2020 yang merupakan tanggal RUU Cipta Kerja pertama kali dibahas di DPR RI hingga saat Presiden Joko “Jokowi” Widodo menandatangani UU No.11 Tahun 2020 pada 2 November 2020. Berdasarkan pengumpulan data diperoleh 17 unggahan terkait dengan RUU Cipta Kerja. Dari hasil analisis terhadap ke-17 unggahan disimpulkan bahwa strategi dominan dari akun  resmi Instagram DPR RI dalam menghadapi penolakan terhadap RUU Cipta Kerja adalah denial. Strategi denial dengan taktik denial berdasarkan teori SCCT Coombs merupakan strategi yang efektif menghadapi banyaknya hoaks dalam krisis yang disebabkan penolakan pengesahan RUU Cipta Kerja menjadi UU.
Distribution system and promotion of Makassar films Puspitasari, Lilis; Bajari, Atwar; Hidayat, Dadang Rahmat; Cho, Sung Kyum
PRofesi Humas Vol 9, No 1 (2024): August 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/prh.v9i1.54456

Abstract

Background: In the film industry, producers and distributors are responsible for producing quality films and ensuring they are effectively accessible to audiences. Therefore, the right distribution strategy is crucial to a film’s success in the market. Effective film distribution contributes to increased visibility of film works, revenue for producers and distributors, and awareness of film culture and stories. The same also applies to film production in Makassar. Local filmmakers often experience many obstacles in distributing films, ranging from limited budgets to the need for more screens due to a lack of audience enthusiasm. Therefore, marketing public relations is needed to reach the audience. Purpose: Therefore, analysing the barriers to distribution and promotion undertaken by filmmakers in Makassar is important to determine the proper distribution and promotion. Methods: This research uses qualitative research methods and uses a case study approach. Results: The research found that cinema remains the primary distribution channel for Makassar films despite limited screens and monopolistic practices. Filmmakers face challenges like unfavourable screening times and locations. Conclusion: Despite the rapid development of technology, cinema is still the most significant distribution and promotion dynamic. Even so, filmmakers can use alternative channels so that the right audience can consume films. In conducting the promotion, it is appropriate for Filmakker Makassar to use online media, offline media, and word of mouth. Through social media, promotion can reach a broader and faster audience; then, through offline media, such as roadshows, the filmmaker is able to attract support from various groups and local officials; the last is word of mouth. Community engagement can also attract potential audiences.
PENGABAIAN KONSERVASI TERUMBU KARANG DALAM KURIKULUM SEKOLAH MENENGAH KEJURUAN PARIWISATA DI PANGANDARAN Agustin, Herlina; Hidayat, Dadang Rahmat; Supriadi, Dandi; Sirait, Rinda Aunillah
Jurnal Common Vol. 3 No. 2 (2019): Common
Publisher : Program Studi Ilmu Komunikasi Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (454.383 KB) | DOI: 10.34010/common.v3i2.2595

Abstract

Kesadaran tentang konservasi dan kegiatan ramah lingkungan perlu dipelajari secara komprehensif di semua tingkat pendidikan formal, terutama di sekolah menengah kejuruan yang terkait dengan industri pariwisata. Salah satu daerah potensial untuk mengembangkan pariwisata cerdas adalah Pangandaran, pantai populer di selatan Jawa Barat. Wilayah ini memiliki beberapa sekolah menengah kejuruan dengan program khusus dalam studi pariwisata. Sayangnya, pemerintah daerah Pangandaran tidak memiliki program khusus untuk menetapkan kurikulum yang memadai mengenai pengembangan pariwisata melalui pengembangan sumber daya manusianya. Penelitian ini melihat fenomena tersebut dengan melakukan studi kasus spesifik tentang konservasi terumbu karang di Pangandaran untuk menguraikan tentang tidak adanya konten spesifik tentang konservasi dalam kurikulum program pariwisata. Menerapkan studi kasus eksploratif yang dikembangkan oleh Robert K. Yin, penelitian ini mendistribusikan 37 kuesioner kepada siswa Sekolah Menengah Kejuruan Tunas Brilliant di Pangandaran, bersama dengan tinjauan dokumentasi tentang kebijakan yang dibuat oleh lembaga dan pemangku kepentingan terkait. Hasilnya menunjukkan bahwa orang-orang di Pangandaran, termasuk mereka yang khususnya belajar studi pariwisata, memiliki kesadaran yang rendah tentang keselamatan terumbu karang sebagai bagian dari pelestarian lingkungan. Situasi ini diperparah dengan tidak adanya bahan konservasi dalam kurikulum sekolah menengah kejuruan pariwisata yang berbicara tentang terumbu karang. Kurangnya pemahaman dalam konservasi telah mengancam keberlanjutan lingkungan Pangandaran, yang pada gilirannya akan menghambat pengembangan pariwisata di Pangandaran
Technological innovation and social construction of Makassar film industry’s production and distribution Puspitasari, Lilis; Bajari, Atwar; Hidayat, Dadang Rahmat; Cho, Sung Kyum
Jurnal Kajian Komunikasi Vol 12, No 2 (2024): December 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkk.v12i2.57773

Abstract

Background: Cinematography has evolved significantly with technological advancements. In Makassar, Indonesia, film distribution faced challenges due to limited cinemas and competition with imported films. The research explores how technology has transformed film production, distribution, and promotion in Makassar. It addresses gaps in understanding regional cinema’s adaptation to technological changes. Purpose: This research aimed to examine the role of technology in transforming film production and distribution around Makassar. Methods: The study employed qualitative research methods with a case study approach. Data was collected through interviews and observation with key figures in Makassar’s film industry, including producers, directors, and editors. The research applied the Social Construction of Technology (SCoT) theory to analyze how social factors shaped and influenced technology. Results: In pre-production, technology helps with audience research and visual concept design; In the production stage, digital cameras increase image quality and flexibility. In post-production, advanced software allows for better editing and visual effects despite limited local experts; In distribution, it expanded from theaters to streaming platforms, reaching a wider audience. All stages benefit from better collaboration through digital tools. Conclusion: This study found that technology has significantly impacted all stages of filmmaking in Makassar. At the pre-production stage, digital tools facilitate collaboration and audience research. During production, advanced cameras and equipment enhance visual quality and creative possibilities. Post-production benefits from sophisticated editing software, although some processes still require expertise outside the region. Film distribution does not rely on movie theatres; it is distributed through platforms like Netflix, Disney+, Hulu, and Prime Video. Implications: Specifically, findings suggest that regional filmmakers should invest in digital skills and explore diverse distribution channels. Theoretically, the study contributes to understanding how SCoT applies in regional film contexts. It highlights the importance of considering local social dynamics in technological adoption within creative industries.
Nation brand image and trust level of foreign citizens Damayanti, Trie; Dida, Susanne; Hidayat, Dadang Rahmat; Cho, Sung Kyum
PRofesi Humas Vol 7, No 1 (2022): August 2022
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/prh.v7i1.38540

Abstract

The state is an organization with a power structure and the population as members of the state. The state itself is an entity that interacts with other entities that can consist of other countries and their inhabitants, rules, and products. Because of this, a country needs an identity that can distinguish the country from other countries. The identity of a country is not the same as the identity of a product because a country is bound by history and images attached to foreign citizens’ minds. This inherent image is usually used to form a nation’s brand image. This study aims to discover how Malaysia’s nation brand image contributes to the trust of foreign nationals visiting their country by using a constructivist qualitative approach as a research method. It turns out that the results of the study show that the most powerful thing in determining Malaysia’s brand image is not tourism promotion. As a country with an image of different cultures, Malaysia will use this potential to visualize its tourism promotion to keep those images stronger. However, the experience of Indonesian citizens in interacting with the Malaysian state, with infrastructure, state norms, and citizens, is a determinant of how Indonesian citizens perceive Malaysia. What is inherent in the results of the experience of interacting in Malaysia is what Indonesian citizens will convey to others. Therefore, a comprehensive strategy is needed to build a national brand image of Malaysia because what sticks in mind as an image of Malaysia in foreign nationals will show their trust in the country. 
ANALISIS TIPOLOGI DISINFORMASI DALAM PUBLIKASI CEK FAKTA KOMPAS.COM ISU PEMILU 2024 SELAMA MASA KAMPANYE Imam, Asy Syifa Ramadhani; Hidayat, Dadang Rahmat; Gumilar, Gumgum
Jurnal Common Vol. 9 No. 1 (2025): Common
Publisher : Program Studi Ilmu Komunikasi Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/3v62r915

Abstract

Menjelang Pemilu 2024, terpaan informasi politik meluap, termasuk disinformasi terkait isu Pemilu yang dapat dimanfaatkan sebagai alat propaganda untuk memengaruhi opini publik. Tingginya intensitas disinformasi mampu menyebabkan perpecahan sosial dan membawa kekacauan informasi yang sulit dipulihkan. Penelitian ini memetakan isi publikasi cek fakta pada rubrik “Hoaks atau Fakta” di Kompas.com terkait isu Pemilu 2024 selama periode kampanye (28 November 2023 – 10 Februari 2024). Pemetaan dilakukan berdasarkan tipologi disinformasi dari Wardle yang terbagi atas 7 jenis, tau parodi, konten menyesatkan, konten tiruan, konten buatan, koneksi palsu, konteks keliru, serta konten manipulasi. Penelitian ini turut menganalisa tema serta format yang terdapat didalam setiap tipologi. Penelitian ini bersifat deskriptif dengan pendekatan analisis isi kuantitatif. Dilakukan proses coding menggunakan indikator tipologi disinformasi oleh Wardle, serta indikator tema dan format berdasarkan temuan terdahulu. Penelitian ini menganalisis 98 sampel dengan temuan adanya 6 dari 7 tipologi disinformasi, memuat 11 tema disinformasi dan tersebar dalam 4 format. Hasil dari penelitian ini menunjukkan, disinformasi jenis konfigurasi ulang mendominasi, lebih dari setengah sampel. Tipologi koneksi palsu menjadi jenis tertinggi dalam penyebarannya. Dalam temuan tipologi koneksi palsu, terdapat 9 dari 11 tema, dimana dukungan/pengakuan ke paslon paling dominan dan semuanya tersebar dalam format video. Selain itu, tidak ditemukan tipologi konten tiruan dalam publikasi yang diteliti. Hasil ini menunjukkan bahwa tipologi disinformasi relevan sebagai referensi untuk mengelompokkan jenis disinformasi. Pengelompokkan ini penting untuk meningkatkan pemahaman masyarakat terkait jenis disinformasi seperti apa yang banyak tersebar selama masa kampanye Pemilu, karena semuanya bersifat menipu dan merugikan. Kata Kunci: Cek Fakta, Disinformasi, Kompas.com, Pemilu 2024, Masa Kampanye, Tipologi Disinformasi
PT Pertamina's crisis communication strategy on the oil spill incident in Karawang Husaini, Azis; Hidayat, Dadang Rahmat; Agustin, Herlina
Manajemen Komunikasi Vol 9, No 2 (2025): Accredited by Republic Indonesia Ministry of Research, Technology, and Higher Ed
Publisher : Faculty of Communication Sciences Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jmk.v9i2.55252

Abstract

The oil spill on Karawang Beach has created an urgent need for an effective crisis communication strategy from PT Pertamina. This study describes Pertamina's approach to handling the oil spill incident, emphasizing rapid response, transparency, and open communication with various stakeholders. Through an in-depth analysis of the communication strategies implemented, this research aims to explain the specific steps taken by Pertamina to mitigate the impact of the oil spill on Karawang Beach, restore public trust in Pertamina, and enhance the company’s image. The findings of this study provide valuable insights for other companies facing similar situations and serve as a foundation for improving sustainability in crisis management and corporate communication. This incident had a national impact as the oil spread across three provinces: West Java, DKI Jakarta, and Banten. The research method used is descriptive qualitative with a case study approach, employing in-depth interviews and field observations. The results of this study show that Pertamina has already established standards for handling crisis communication, particularly concerning the government, mass media, and affected communities. Pertamina’s communication team divided tasks in managing information to prevent misinformation from spreading in the media. Additionally, Pertamina recognized that managing stakeholder communication during this incident required continuous adjustments to its communication strategy methods.
The Antagonist Visual Framing of Soekarno in Kompas Daily‘s 1966 Photo Selection Besman, Abie; Hidayat, Dadang Rahmat; Saputra, Sandi Jaya
Jurnal Kajian Jurnalisme Vol 9, No 1 (2025): KAJIAN JURNALISME
Publisher : Journalism Study Program, Faculty of Communication Sciences, Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkj.v9i1.53730

Abstract

This paper examined Kompas Daily’s editorial framing strategy in depicting President Soekarno as an antagonist during Indonesia’s 1966 political turbulence. It investigated how the newspaper used visual framing, photo selection, and headline composition to construct contrasting images of Soekarno and his successor, Soeharto. Employing a qualitative method with visual and contextual analysis, this research analyzed the symbolic representation of leadership transition in Kompas’s front-page layout published on February 23, 1967. The findings revealed that Kompas framed Soekarno as a declining and melancholic figure while Soeharto was presented as confident and resolute. These visual choices were not neutral but tendentious in shifting political power, allowing Kompas to adapt to the rise of the New Order regime. The study introduces the concept of “swinging journalism” to describe the maneuver of media institutions to survive during the changing political climates. This framing positioned Kompas as not only a chronicler of events but also an agent that legitimized the New Order through subtle visual rhetoric. The paper suggested that visual media could shape public memory and political legitimacy during transitional periods. Therefore, it contributes to the growing body of literature on media representation, newsroom dynamics, and the visual construction of political narratives in authoritarian contexts. Furthermore, this study presents a case-specific illustration of editorial decision-making and ideological positioning in Indonesia’s press history, and contributes conceptual perspectives relevant to broader media studies.
Co-Authors Abie Besman Aceng Abdullah Aceng Abdullah Aceng Abdullah Achmad Abdul Basith Adinda Afifah Damayanti Adiputra, Andika Vinianto Agus Rahmat agus rahmat Ainol Mardhiah Angela Merici Andriani Uto Keraf Asep Suryana Atwar Bajari Avian Yuliar Pranantha Centurion Chandratama Priyatna Centurion Chandratama Priyatna, Centurion Chandratama Cerysa Nur Insani Cho, Sung Kyum Damayanti, Adinda Afifah Dandi Supriadi Deddy Mulyana FX. Ari Agung Prastowo Galuh Aulia Ramadhanti Gema Nusantara Bakry Gumgum Gumilar Henny Sri Mulyani Rohayati Herlina Agustin Hersintus Suwenda Syahsuyoso Hudi, Nurul Husaini, Azis Imam, Asy Syifa Ramadhani Ipit Zulfan Iskandar, Indra Ivana Pascalia Sooai Jamal, Muchamad Fauzi Jasmin Jannatania Jenny Ratna Suminar Kun Wazis Lilis Puspitasari Maisaroh - Maisaroh - Mariani Mariani Mariani Mariani Mariani Mas’Amah Mas’Amah Miftah Farid Mohammad Fariansyah Muhammad Fajar Rivaldi Muhammad Zen Al-Faqih MULYANI R, HENNY SRI Musfialdy Musfialdy Musfialdy Musfialdy Ninis Agustini Damayani Nuryah Asri Sjafirah Nurzaman, R. Adi Pandan Yudhapramesti Ramadhanti, Galuh Aulia Riesma Winora Rinda Aunillah Sirait S. Kunto Adi Wibowo Saputra, Sandi Jaya Selma Kirana Haryadi Siti Aisah Nurhalida Siti Karlinah Sri Seti Indriani Sunandar, Ronal Sung Kyum Cho Suryanto, Btari Gaia Kaila Susanne Dida Teddy Kurnia Wirakusumah Tine Silvana Rachmawati Trie Damayanti Uud Wahyudin Uud Wahyudin Viranda, Lisa