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Journal : Literature and Literacy

REPRESENTATION OF THE FATHER FIGURE IN PARENTING IN THE LATEST INDONESIAN NOVEL: A STUDY OF FATHER'S MASCULINITY Nadia Sutra Lismi; Anwar Efendi
Literature and Literacy Vol. 1 No. 1: April 2023
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/litlit.v1i1.24

Abstract

Discussions about masculinity, in general, will be associated with certain stereotypes of masculinity. This study aimed to describe the representation of masculinity-fatherhood in the latest Indonesian novels. This research was descriptive qualitative research using the fatherhood theory by Asy'ari and Ariyanto. Data sources were several novels entitled My Father (Not) a Liar (Tere Liye), Ayah (Andrea Hirata), Saturday with Father (Adhitya Mulya), and Father Loves Without End (Kirana Kejora). The steps of data analysis in this study used the technique stated by Miles, et al (2014: 10-12) which included collecting data by means of repeated reading of the novel manuscript and then marking/coding the data found, condensation, and categorizing, analyzing, and drawing a conclusion. The results of the research showed that there was a male role as a son, husband, or father who participated in the domestic sphere while still making or showing his masculine side who show with communication, responsibility, interaction with children, teaching methods, and supervisory roles. The conclusion was father's involvement in the parenting role was a manifestation of emotional closeness, the father's accessibility, and responsibility in various aspects. This was a form of support for men who are more pro-feminist where men can share roles in various aspects. This paternal role was also shown as a form of crossing over between masculine and feminine gender roles, which was a reaction to the hegemony of masculinity as a form of effort to eradicate the dominant father's role in a family.
MYTHOLOGICAL TRANSFORMATION IN MODERN INDONESIAN NOVELS Nurgiyantoro, Burhan; Anwar Efendi; Maman Suryaman; Anis Maslihatin
Literature and Literacy Vol. 2 No. 1: April 2024
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/litlit.v2i1.268

Abstract

In the factuality, there are many fictional works that raise myth elements and use as reference in writing. Literary works inevitably exist in communities that have cultures and this is well acknowledged by writers who eventually receive them actively-productively. The present study is aimed at identifying these matters in modern Indonesian literature including myth sources, author’s attitudes that are hypogrammed, and myth functions. The study is conducted on five novels produced in the 2000s. Various myth stories contain life values that can be used as inspirations and culturel references in the writing of modern Indonesian novels and, simultaneously, as allegories and metaphors of life in the present time. The novels are partly set as they are in the myth stories, while partly are transformed into the life background of the present time. Even though the novels are set in the time background of the myth stories, the personalities and life philosophy of the characters reflect the life situations of the present time. The writers’ attitudes towards myths are partly continuing and augmenting the myth conventions although through the transformations of plots and characters (myth of concern), and, on the contrary, partly freeing, deviating, and rebelling (myth of freedom). In the case of rebellion to the myth conventions (Roro Jonggrang), it seems that it is due to the influences of the feminist ideas that emphasize the importance of life equalities between men and women. Women need not be always defeated or dominated by men.
FROM CLOSE TO DISTANT READING: DIGITAL HUMANITIES IN LITERARY STUDIES Puspitasari, Febi; Efendi, Anwar; Pratama, Rony Kurniawan; Chairu, Trida
Literature and Literacy Vol. 3 No. 1: April 2025
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/litlit.v3i1.1949

Abstract

Digital humanities offers a novel approach to comprehensively understand, analyze, and interpret literary texts. This study aims to elucidate the various digital humanities methods and their implications for advancing literary studies. A systematic literature review with a descriptive-analytical approach was employed to examine digital humanities methods and analytical tools within Indonesian literature. Four primary approaches were identified: (a) digital text analysis, (b) data visualization, (c) sentiment analysis and text classification, and (d) geographic mapping. Software such as Voyant Tools and AntCont facilitate textual analysis, while Tableau and Gephi open new dimensions in visualizing narrative structures and interrelations between literary elements. Machine learning methods and natural language processing libraries enable more sophisticated sentiment analysis and text classification. In contrast, ArcGIS and Neatline expand the exploration of spatial dimensions in literary works. Digital humanities methods allow for the integration of quantitative and qualitative analyses, yielding novel insights into literary text analysis. The implementation of digital humanities methods should be studied rigidly and critically, always considering the cultural and historical contexts of Indonesian literature. Digital humanities methods should also be viewed as a complement, rather than a replacement, for established conventional approaches. The integration of digital humanities methods enriches the body of knowledge in Indonesian literary studies.
COLLECTIVE TRAUMA OF COLONIALISM IN SOUTHEAST ASIAN SHORT STORIES: A COMPARATIVE STUDY Triono, Eko; Efendi, Anwar
Literature and Literacy Vol. 3 No. 2: October 2025
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/litlit.v3i2.2257

Abstract

Although colonial rule in Southeast Asia has formally ended, sociocultural and psychological wounds persist. If left unaddressed, this trauma can hinder efforts toward regional cohesion, cultural resilience, and sustainable development. This study examines the representation of collective trauma caused by colonialism in Southeast Asian short stories. It draws on Kai Erikson’s concept of collective trauma, postcolonial theory, and Claudio Guillén’s theory of comparative literature. The method employed is systematic content analysis with context-based inference. The primary texts analyzed include: Recuerdos de Patay by Caroline S. Hau (Philippines), Variola by Iksaka Banu (Indonesia), Victoria and Her Kimono by M. Shanmughalingam (Malaysia), and The Interview by Gopal Baratham (Singapore). Data collection was carried out through close reading, note-taking, and analytical observation. The data were analyzed qualitatively using content analysis. The findings reveal various dimensions of postcolonial collective trauma portrayed in the stories, including social disintegration, psychological dislocation, the erosion of communal bonds, intergenerational transmission of trauma, collective identity as victims, and transformations of meaning systems. These findings suggest that literature serves not only as a witness to historical wounds but also as a cultural space for negotiating memory, identity, and healing. In the Southeast Asian context, social healing is essential in shaping regional identity through the understanding of literature and culture.