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Perencanaan Naskah Naratif Video Dokumenter “Bisakah Aku Kembali?” tentang Rehabilitasi Kukang Jawa Anggita Nuringtyas; Siti Arifa Rosa; Encang Saepudin; FX. Ari Agung Prastowo
Ekspresi : Publikasi Kegiatan Pengabdian Indonesia Vol. 3 No. 2 (2026): April: Ekspresi : Publikasi Kegiatan Pengabdian Indonesia
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/ekspresi.v3i2.1086

Abstract

A scriptwriter is the individual responsible for organizing and designing the storyline as the foundation for the documentary video production process. In the production of the documentary video “Bisakah Aku Kembali?”, the scriptwriter plays a crucial role in processing facts and research data into a structured narrative, thereby delivering messages informatively while building emotional resonance with the audience. The purpose of this report is to explain the narrative script planning process and describe the application of the three-act structure as the primary approach in building the storyline. The writing method used is descriptive through the stages of research, observation, and interviews, processing field facts into a structured narrative. Synthesis of the work was carried out by applying the three-act structure, consisting of Act I (setup) to introduce the issue and context of rehabilitation, Act II (confrontation) to develop conflict through medical realities and animal behavior during rehabilitation, and Act III (resolution) to present the conclusion and reflection on the relationship between humans and nature. In conclusion, documentary script planning using a narrative approach and a three-act structure is capable of producing a coherent, informative, and reflective storyline in conveying conservation messages regarding the rehabilitation of the Javan Slow Loris as a protected species.
Implementasi Teknik Pengambilan Gambar pada Produksi Video Dokumenter “Bisakah Aku Kembali?” Siti Arifa Rosa; Anggita Nuringtyas; Encang Saepudin; FX. Ari Agung Prastowo
Ekspresi : Publikasi Kegiatan Pengabdian Indonesia Vol. 3 No. 2 (2026): April: Ekspresi : Publikasi Kegiatan Pengabdian Indonesia
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/ekspresi.v3i2.1087

Abstract

The Director of Photography (DOP) is responsible for the visual aspects of documentary video production, covering the pre-production, production, and post-production stages. The DOP plays a crucial role in translating concepts and messages into visual form through the arrangement of composition, lighting, camera angles, and camera movement to produce visuals that are both aesthetically appealing and meaningful. The purpose of this final project report is to explain the role of the DOP in the production process of a documentary video that focuses on the rehabilitation of the Javan slow loris. The method used is a descriptive approach to systematically and comprehensively identify the object of study. In the pre-production stage, the DOP designs the visual concept, prepares the shot list, creates the storyboard, and coordinates with the director. During the production stage, the DOP is responsible for capturing footage by applying cinematographic techniques. In the post-production stage, the DOP conducts visual evaluation and provides input during the editing process. In conclusion, the Director of Photography has effectively fulfilled their role in producing visual quality that supports message delivery in the documentary Bisakah Aku Kembali? about Javan slow loris rehabilitation.
Program Komunitas Bergerak sebagai Upaya Penguatan Employee Engagement PT Pertamina (Persero) Arini Nurul Fajrin; FX. Ari Agung Prastowo
JPNM Jurnal Pustaka Nusantara Multidisiplin Vol. 4 No. 3 (2026): July : Jurnal Pustaka Nusantara Multidisiplin (ACCEPTED)
Publisher : SM Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59945/jpnm.v4i3.1351

Abstract

Penelitian ini bertujuan menganalisis pengelolaan komunikasi internal pada Program Komunitas Bergerak sebagai upaya penguatan employee engagement Perwira PT Pertamina (Persero). Penelitian menggunakan pendekatan kualitatif deskriptif dengan teknik pengumpulan data melalui observasi, wawancara informal, studi dokumentasi, dan studi pustaka. Hasil penelitian menunjukkan bahwa fungsi Internal Communications menerapkan empat tahapan public relations, yaitu defining public relations problems, planning and programming, taking action and communicating, serta evaluating. Pada tahap identifikasi masalah, ditemukan kesenjangan antara kesadaran dan pemahaman Perwira terhadap isu keberlanjutan. Strategi komunikasi kemudian dirancang melalui kampanye multikanal, publikasi inspiratif, storytelling, dan internalisasi nilai AKHLAK. Pelaksanaan program mendorong partisipasi Perwira dalam kegiatan sosial, lingkungan, pendidikan, kesehatan, dan pemberdayaan masyarakat. Evaluasi menunjukkan peningkatan jumlah komunitas, keterlibatan Perwira, efektivitas komunikasi internal, nilai donasi, serta jumlah penerima manfaat. Dengan demikian, Program Komunitas Bergerak tidak hanya berfungsi sebagai CSR internal, tetapi juga menjadi praktik komunikasi strategis yang memperkuat budaya perusahaan, rasa memiliki, dan dampak sosial berkelanjutan.
Reporting Indonesia’s New E-Cigarette/Tobacco Regulation (PP 28/2024): Public-Health vs Industry Frames Amir, Andi Subhan; Pangkam, Moti; Joohs, Markus; Prastowo, FX Ari Agung
Jurnal Kajian Jurnalisme Vol 9, No 2 (2026): KAJIAN JURNALISME
Publisher : Journalism Study Program, Faculty of Communication Sciences, Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkj.v9i2.67927

Abstract

Background: Indonesia’s PP 28/2024 reshapes controls on tobacco and e-cigarette products, making news coverage a crucial venue where policy meaning is constructed. Prior research on media framing and health communication indicates competition between public-health frames (risk, youth protection, efficacy) and industry frames (jobs, costs, consumer choice), motivating hypotheses about outlet differences, headline–body congruence, source–frame coupling, and timing shifts. Purpose: To describe the balance of public-health versus industry frames in Indonesian online news on PP 28/2024 and assess headline–body alignment, sourcing patterns, and early temporal trends. Methods: Quantitative content analysis (unit: article) across five major outlets, August 2024–August 2025; codebook for dominant frame, headline frame, tone, source mix, and evidence cues; 15% double-coding planned (target κ ≥ 0.70); χ² with Cramér’s V, McNemar tests, descriptive tables, and a monthly trend line as primary outcomes. Results: A 10-item pilot (five outlets) found industry frames 6/10 (60%) and public-health frames 4/10 (40%); headline–body agreement was 10/10 (100%). Outlet × frame association was χ² = 10.000, p = .075, Cramér’s V = .707. Public-health–framed pieces more often referenced primary law; later coverage tilted toward economic and compliance narratives, consistent with framing theory and efficacy-timing expectations. No adverse events apply. Conclusion: Early coverage shows competitive framing with strong headline integrity but uneven verification of economic claims. Full-sample analysis will test outlet differences and source–frame coupling and inform practice on mirroring legal specifics, balancing sources, and sustaining risk-and-efficacy context. Implications: Newsrooms should strengthen verification by linking rule-based stories to relevant PP 28/2024 provisions, adding minimal context for numerical claims using official data, and diversifying expert sources to support evidence-based public understanding.
Co-Authors Abdul Hanis Embong Agus Rahmat Almira, Sherica Rafa Andi Subhan Amir, Andi Subhan Anggita Nuringtyas Annisa Aulia Yusuf Anwar Sani Arien Afriesta Arini Nurul Fajrin Atikah Nabilah Sari Bakry, Gema Nusantara Berry Olan Fikri Centurion Chandratama Priyatna Centurion Chandratama Priyatna, Centurion Chandratama Dadang Rahmat Hidayat Damayanto, Trie Davi Sofyan Diana Septy Dwi Lestari Difla Difla Firdaus Dwi Masrina Encang Saepudin Evi Novianti Fajar Syuderajat Fauzi Ahmad Warimin Feliza Zubair Fikri, Berry Olan Firdaus, Difla Difla Gema Nusantara Bakry Gema Nusantara Bakry Ghassani, Alvenia Azzah Hadi Suprapto Arifin Hanny Hafiar Hanny Hafiar Herladiati, Anggita Heru Ryanto Budiana Irfani Nurul Azizah Jamaluddin Hos Joohs, Markus Khaliaphnie, Anisah Khoirunisa Fitriani Kholidil Amin Kokom Komariah Lestari, Diana Septy Dwi Marroli Jeni Indarto Maryani, Eni Meria Octavianti Nanda Mutiara Ulfah Natasha Putri Tumakaka Nuryah Asri Sjafirah Nuryah Asri Sjafirah, Nuryah Asri Pangkam, Moti Paramitha Wydaswari Pertiwi, Dinda Ayu Pratama, Abisha Akmal Priyo Subekti Priyo Subekti Priyo Subekti Putri Limilia Putri, Nur Mizaniyah Rafiqoh Fitriani Rahmavika, Ella Fatasya Nur Rahul Chauhan Ramdani, Adisti Citra Ratnasari, Eny Renata Anisa Salsabilla, Syifa Ayu Shafira Putri Citra Utami Siti Arifa Rosa Sultan Kemal Piagio Susanne Dida Susie Perbawasari Suwandi Sumartias Syauqy Lukman Syauqy Lukman Syifa Ayu Salsabilla Teddy K. Wirakusumah Teddy Kurnia Wirakusumah Trie Damayanti Utami, Shafira Putri Citra Wan Mohd Khairul Firdaus Wan Khairuldin Warimin, Fauzi Ahmad Weny Widyowati Yanti Setianti Yasmin Yasmin Yustikasari