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All Journal Isamic Communication Journal Ranah: Jurnal Kajian Bahasa Empowerment : Jurnal Pengabdian Masyarakat Journal of Language Learning and Research (JOLLAR) Islamic Review : Jurnal Riset dan Kajian Keislaman JUMANJI (JURNAL MANAJEMEN JAMBI) SANGKEP: Jurnal Kajian Sosial Keagamaan Jurnal Ilmu Dakwah Imajeri: Jurnal Pendidikan Bahasa dan Sastra Indonesia El Banar: Jurnal Pendidikan dan Pengajaran Jurnal Ekologi, Masyarakat dan Sains Jurnal At-Taghyir : Jurnal Dakwah dan Pengembangan Masyarakat Desa Journal of Advanced Guidance and Counseling Jurnal Ilmiah Wahana Pendidikan Jurnal Pengabdian dan Pemberdayaan Masyarakat Kepulauan Riau (JPPM KEPRI) Tanjak: Jurnal Sejarah dan Peradaban Islam KOMUNIDA: Media Komunikasi dan Dakwah Jurnal Marital: Kajian Hukum Keluarga Islam Innovative: Journal Of Social Science Research Jurnal bintang manajemen Jurnal Mahasiswa Entrepreneur Jurnal Pengabdian Masyarakat Bangsa Jurnal Kajian Manajemen Dakwah Jurnal Edukasi Biologi HIKMAH: Jurnal Ilmu Dakwah dan Komunikasi Islam Al-Munazzam : Jurnal Pemikiran dan Penelitian Manajemen Dakwah Pubmedia Social Sciences and Humanities Surya : Jurnal Pengabdian Kepada Masyarakat Darma Cendekia Jurnal Dakwah dan Komunikasi Islam Munazzama Journal of Islamic Management and Pilgrimage Indonesian Journal of Electrical Engineering and Electronics
Ahmad Hidayatullah
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Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Medicine & Pharmacology Nursing Physics Public Health Social Sciences Other

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Journal : isamic communication journal

 1 
REDUKSI NILAI-NILAI NON-TAUHID DALAM KONTRUKSI WAYANG KARAKTER BATARA GURU Hidayatullah, Ahmad
Islamic Communication Journal Vol 2, No 1 (2017): Edisi Januari-Juni
Publisher : Islamic Communication Journal

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Javanesse traditional shadow puppet (wayang) if we look through the story we can see that it is adapted from Hinduism. It was taken from great epic story. The ara Ramayana  and  Mahabharata.  It  does  not  wonder  if  we  find  opposite  valuesbeetwen Hinduism and monotheism (tauhid). It was noted by Walisongo at that time. They tried to do some reduction to things that opposite monotheism. They adapted inti Tauhid values so that they can di their mission successfully. In many adapti on, we can take  a  look  into  the  construction  of  Batara  Guru‟s character.  By  using  description analysis,  this article to  dig to  know  how  deep  Walisongo  constructed Batara Guru‟s character to reduct values that opposite tauhid. As a result, the construction idea of Batara Guru -as a representation of Siva- does not hurt anybody. It is all caused by the wisdom and creativity of Walisongo in constructing the character of Batara Guru greatly and smartly.-----------------------------------------------------------------------------------------Kesenian wayang dilihat dari segi cerita merupakan karya adoptif yang berasal dari ajaran Hindu, yakni dua epos besar Ramayana dan Mahabharata. Menjadi tidak mengherankan jika kemudian nilai Hinduisme yang bertentangan dengan nilai tauhid menjadi sesuatu yang begitu diperhatikan oleh Walisongo saat itu. Upaya reduksi terhadap nilai-nilai non-tauhid pada akhirnya dilakukan oleh Walisongo sebagai sebuah penyesuaian terhadap dakwah Islamiah yang mereka lakukan. Satu dari sekian banyak upaya itu terdapat dalam kontruksi penokohan Batara Guru. Menggunakan deskriptif analisis artikel ini mencoba menggali sejauh mana kontruksi terhadap karakter Batara Guru yang dilakukan dalam rangka mereduksi nilai-nilai non-tauhid. Alhasil kontruksi karakter yang  sejatinya  merupakan  representasi  dari  Dewa  Siwa  ini  dilakukan  dengan tanpa melukai siapa pun pada saat itu. Semua itu karena kebijaksanaan dan kreatifitas Walisongo dalam mengkontruksi karakter Batara Guru secara apik dan cerdas.
INKLUSIFITAS DAKWAH AKUN @NUGARISLUCU DI MEDIA SOSIAL Hidayatullah, Ahmad
Islamic Communication Journal Vol 4, No 2 (2019): EDISI JULI - DESEMBER
Publisher : Fakultas Dakwah dan Komunikasi Universitas Islam Negeri Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/icj.2019.4.2.4019

Abstract

The rapid development of technology implies inclusiveness in da'wah not only in real terms in the real world, but also in the virtual world. Some things that become considerations of the da'wah inclusiveness need to be applied, including the growth of radicalism through social media, then in 2015 a funny social media account @NUgaris emerged that intensely and consistently helped to color the virtual world. This type of research is qualitative with a case study approach. The authors explore the implementation of preaching inclusiveness through social media carried out by the above account. The results of the study show that there are three forms of the application of the inclusiveness of the @NUgarislucu account, namely: inclusiveness in doing da?wah to the internal citizens of NU (Nahdhiyin); inclusiveness in da'wah to internal Muslims who differ in manhaj (across mass organizations) in Indonesia; inclusiveness in da'wah to external Muslims, namely to other religions in Indonesia. The three forms of missionary inclusiveness are carried out through dialogue and humor.
INKLUSIFITAS DAKWAH AKUN @NUgarislucu DI MEDIA SOSIAL Hidayatullah, Ahmad
Islamic Communication Journal Vol 4, No 2 (2019): EDISI JULI - DESEMBER
Publisher : Fakultas Dakwah dan Komunikasi Universitas Islam Negeri Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/icj.2019.4.2.4019

Abstract

The rapid development of technology implies inclusiveness in da'wah not only in real terms in the real world, but also in the virtual world. Some things that become considerations of the da'wah inclusiveness need to be applied, including the growth of radicalism through social media, then in 2015 a funny social media account @NUgaris emerged that intensely and consistently helped to color the virtual world. This type of research is qualitative with a case study approach. The authors explore the implementation of preaching inclusiveness through social media carried out by the above account. The results of the study show that there are three forms of the application of the inclusiveness of the @NUgarislucu account, namely: inclusiveness in doing da’wah to the internal citizens of NU (Nahdhiyin); inclusiveness in da'wah to internal Muslims who differ in manhaj (across mass organizations) in Indonesia; inclusiveness in da'wah to external Muslims, namely to other religions in Indonesia. The three forms of missionary inclusiveness are carried out through dialogue and humor.
REDUKSI NILAI-NILAI NON-TAUHID DALAM KONTRUKSI WAYANG KARAKTER BATARA GURU Hidayatullah, Ahmad
Islamic Communication Journal Vol 2, No 1 (2017): Edisi Januari-Juni
Publisher : Fakultas Dakwah dan Komunikasi Universitas Islam Negeri Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/icj.2017.2.1.2114

Abstract

Javanesse traditional shadow puppet (wayang) if we look through the story we can see that it is adapted from Hinduism. It was taken from great epic story. The ara Ramayana  and  Mahabharata.  It  does  not  wonder  if  we  find  opposite  valuesbeetwen Hinduism and monotheism (tauhid). It was noted by Walisongo at that time. They tried to do some reduction to things that opposite monotheism. They adapted inti Tauhid values so that they can di their mission successfully. In many adapti on, we can take  a  look  into  the  construction  of  Batara  Guru‟s character.  By  using  description analysis,  this article to  dig to  know  how  deep  Walisongo  constructed Batara Guru‟s character to reduct values that opposite tauhid. As a result, the construction idea of Batara Guru -as a representation of Siva- does not hurt anybody. It is all caused by the wisdom and creativity of Walisongo in constructing the character of Batara Guru greatly and smartly.-----------------------------------------------------------------------------------------Kesenian wayang dilihat dari segi cerita merupakan karya adoptif yang berasal dari ajaran Hindu, yakni dua epos besar Ramayana dan Mahabharata. Menjadi tidak mengherankan jika kemudian nilai Hinduisme yang bertentangan dengan nilai tauhid menjadi sesuatu yang begitu diperhatikan oleh Walisongo saat itu. Upaya reduksi terhadap nilai-nilai non-tauhid pada akhirnya dilakukan oleh Walisongo sebagai sebuah penyesuaian terhadap dakwah Islamiah yang mereka lakukan. Satu dari sekian banyak upaya itu terdapat dalam kontruksi penokohan Batara Guru. Menggunakan deskriptif analisis artikel ini mencoba menggali sejauh mana kontruksi terhadap karakter Batara Guru yang dilakukan dalam rangka mereduksi nilai-nilai non-tauhid. Alhasil kontruksi karakter yang  sejatinya  merupakan  representasi  dari  Dewa  Siwa  ini  dilakukan  dengan tanpa melukai siapa pun pada saat itu. Semua itu karena kebijaksanaan dan kreatifitas Walisongo dalam mengkontruksi karakter Batara Guru secara apik dan cerdas.
Co-Authors Ahmad Ahmad Ahmad Taufiq Akbar, Ilma Fathan Amalia, Faidatul Aminar, Alin Juni Angelina, Ranti Anggaraeni, Novi Ardyaning, Devyta Aria, Muhammad Gustaf Aulia, Hilyati Aurelie, Zahra Moefti Baadilla, Irwan Benaya, Jeremy Pangihutan Brajamusti, Jati Kinsela Bramantyo, RM. Andreas Dina Aulia Duano, Athallah Abrar Ediyanto Erwin Erwin Evendi Evendi Fadilah, Anisatul Fairuz, Durrotul Fairuz, Muhammad Gustaf Fasya, Adib ‘ Aunillah Fasya, Farah Fikrina, Aliifah Sava Gelar Dwirahayu Haikhal, Fikri Hamdani, Nisa Resya Hamzah, Amanda Fitra Hasan Basri Haykanna Pireno, Farchanza Huda, Genthala Rafik Ibrahim, Nini Irawan, Soni Izza Himawanti Kadarisman, Yuna Puteri Karimah, Nabila Kayus Kayowuan Lewoleba Kiki Helencia Kodariah, Siti Lestari, Adria Wuri Lestari, Hana Kristina Luluk Azizah Manulu, Ronald marwan setiawan Maulana, M. Mirza Miftahul Khoiri Muhamad Riski Mulyadi Mulyadi Mustain Mustain Mustakharoh, Fajriatul nafisah, nur Nasri, Atabik Negara, Yasinta Diva Nini Ibrahim Nur Amalia Nurjaya, Melisa Panigori, Amudi Pramuaji, Haikal Ilhamullah Prima Gusti Yanti Putri, Keisha Rafilah Putry Amanda, Fitrya Qibtiya, Mauladiana R., Mohammad Zakki Thoriq Rahman, Fauzi Rahmania, Arina Ramadhani, Aisyah Riki Gana Suyatna Riziq, Maulana Ridhwan Rokhmani Rokhmani, Rokhmani Safitri, Nur Kholis Eka Saputra, Hari Sukma Satino Satino Satino Setiyono, Andhi Setiyowati, Reny Shabri, Faisal Nur Shadiq SR, Naharuddin Subakdi Subakdi, Subakdi Sucipto Sucipto Sugeng Prayitno Sulistyawati Sulistyawati, Rr. Suprima Suprima Syamsul Bakhri Syfiyah, Shafa Tri Darmaningrum, Khaerunnisa Trianjani, Suci Triatmanto Triatmanto Ulul Azmi Umar, A. Ummul Qura Wahyu Hidayati, Deasy Werdi, Oktaviana Lalita Wini Tarmini Wirayudha Pramana Bhakti Yansa, Ryanza Aufa Yasa, Aryaguna Abi Rafdi Yatri, Ika Yudha Praja, Yudha Yuli, Yuliana Yuliana Yuli Wahyuningsih Yuman, Dara Aulia Yusuf, Rizqi Zamzam, Rohimi