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All Journal MediaTor: Jurnal Komunikasi Jurnal Komunikasi Khizanah al-Hikmah : Jurnal Ilmu Perpustakaan, Informasi, dan Kearsipan ANDHARUPA JURNAL PENGABDIAN KEPADA MASYARAKAT Kanal : Jurnal Ilmu Komunikasi Nomosleca Komuniti : Jurnal Komunikasi dan Teknologi Informasi Communicatus: Jurnal Ilmu Komunikasi Jurnal Studi Komunikasi Komunikasi : Jurnal Komunikasi SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial dan Humaniora Abdimas Dewantara SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan JURNAL EDUCATION AND DEVELOPMENT Abditani : Jurnal Pengabdian Masyarakat Journal of Education, Humaniora and Social Sciences (JEHSS) Jurnal Komunikasi Profesional Abdimas Umtas : Jurnal Pengabdian kepada Masyarakat Satwika : Kajian Ilmu Budaya dan Perubahan Sosial PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat Jurnal Riset Komunikasi To Maega: Jurnal Pengabdian Masyarakat Avant Garde Jurnal Abdimas Madani dan Lestari (JAMALI) The Journal of Society and Media PERSPEKTIF Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Jurnal Pengabdian Masyarakat Bumi Raflesia KAIBON ABHINAYA : JURNAL PENGABDIAN MASYARAKAT Jurnal ABDINUS : Jurnal Pengabdian Nusantara Ekspresi dan Persepsi : Jurnal Ilmu Komunikasi Jurnal Abdi Insani Abdimas Galuh: Jurnal Pengabdian Kepada Masyarakat JPKMI (Jurnal Pengabdian Kepada Masyarakat Indonesia) Ihsan: Jurnal Pengabdian Masyarakat Jurnal Ranah Komunikasi Indonesian Journal of Cultural and Community Development Jurnal Abdimas Ilmiah Citra Bakti (JAICB) Jurnal AbdiMas Nusa Mandiri Komunika: Jurnal Ilmu Komunikasi Indonesian Community Empowerment Journal Jurnal PIKMA : Publikasi Ilmu komunikasi Media dan Cinema Jurnal Bina Bangsa Ekonomika Indonesian Journal of Innovation Studies Jurnal Abdimas Prakasa Dakara Abdimas Altruis: Jurnal Pengabdian Kepada Masyarakat Komunika: Jurnal Dakwah dan Komunikasi Jurnal Ilmu Komunikasi Dan Media Procedia of Social Sciences and Humanities Proceeding ISETH (International Summit on Science, Technology, and Humanity) JAPI: Jurnal Akses Pengabdian Indonesia Jurnal AKAL: Abdimas dan Kearifan Lokal J-ABDIPAMAS (Jurnal Pengabdian Kepada Masyarakat) Jurnal Komunikasi Global Warta LPM Jurnal Ilmu Komunikasi UHO : Jurnal Penelitian Kajian Ilmu Komunikasi dan Informasi Academicia Globe: Inderscience Research PORTAL ABDIMAS Jurnal Spektrum Komunikasi Fokus Abdimas Jurnal Bahasa Daerah Indonesia Indonesian Culture and Religion Issues Jurnal Inovasi Daerah INTERACTION Communication Studies Journal Jurnal Desain Komunikasi Visual Journal for Technology and Science CONVERSE Journal Communication Science House of Wisdom: Journal on Library and Information Sciences Komunikatif : Jurnal Ilmiah Komunikasi Proceedings of Jogjakarta Communication Conference (JCC) Proceeding of International Conference on Social Science and Humanity Komunikasi : Jurnal Komunikasi Academia Open ThufuLA: Jurnal Inovasi Pendidikan Guru Raudhatul Athfal
Poppy Febriana
Program Studi Ilmu Komunikasi, Fakultas Bisnis Hukum Dan Ilmu Sosial, Universitas Muhammadiyah Sidoarjo, Jawa Timur, Indonesia
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Mechanical Engineering Medicine & Pharmacology Nursing Physics Public Health Social Sciences Transportation Other

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LGBT self-identity management on Instagram Wahyu Abadi, Totok; Dewi, Novita Purnama; Febriana, Poppy Febriana; Asy'ari, Nur Aini Shofiya; Nygymanova, Nurbany
Jurnal Studi Komunikasi Vol. 9 No. 2 (2025)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v9i2.9586

Abstract

To express their identity on social media, the LGBT community needs to manage their self-presentation so that it can be accepted by the wider community. Building on this, the study aims to explain how LGBT individuals manage their identities through social media and the challenges they have encountered. This study employed a qualitative method by analysing four (4) Instagram accounts of LGBT members as data sources. The Instagram accounts are the following: @mimi. peri, @joviadhiguna, @lucintaluna_manjalita, and @ablaolevera which were chosen based on previously determined criteria through purposive sampling techniques. The units of analysis used are phrases, clauses, sentences and images in Instagram accounts that have been compared with identity management theory, CMC and queer theory. The results of the study show that LGBT individuals in representing their identity are more open through Instagram accounts to build interpersonal communication with fellow LGBT, making them feel safe, comfortable and can be accepted by other groups. Second, LGBT individuals are representing their new identity in the form of fashion clothing, body gestures, and makeup. Third, there is a renegotiation of the face for LGBT individuals in representing their identity on Instagram media. The novelty in this study is that face renegotiation can enhance the development of interpersonal relationships on social media. Self-identity management can be done through the exploration, struggle, and renegotiation phases.
Representation of Women's Struggles in the Film Gadis Kretek Using Semiotic Analysis: Representasi Perjuangan Perempuan dalam Film Gadis Kretek Menggunakan Analisis Semiotik Sari, Dea Puspita; Febriana, Poppy
House of Wisdom: Journal on Library and Information Sciences Vol. 2 No. 4: Desember
Publisher : Universitas Muhammadiyah Sidoarjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21070/how.v2i3.246

Abstract

General Background: Film, as a powerful mass medium, shapes public views by conveying messages through audio and visual elements. The representation of women in media is a crucial area of study, reflecting societal norms and power dynamics. Specific Background: The Indonesian film "Gadis Kretek" offers a narrative rich with the struggles of women within the traditional kretek industry, addressing pervasive issues of gender inequality and patriarchal ideology. Knowledge Gap: While the film has received significant attention, a detailed semiotic analysis of its portrayal of women's struggles against patriarchal structures remains underexplored. Aims: This study aims to analyze the representation of women in "Gadis Kretek" using John Fiske's semiotic framework, examining the levels of reality, representation, and ideology. Results: The analysis reveals that the film represents women's fight against patriarchal domination, evidenced by their limited roles and exclusion from key decision-making processes. Novelty: This research provides a unique and in-depth semiotic reading of the film, illuminating its ideological message on female empowerment and resilience. Implications: The findings underscore the film's role as a medium for social commentary, emphasizing the importance of women's self-awareness and empowerment to overcome inequality and achieve their ambitions within male-dominated industries. Highlights : The study analyzes the representation of women's struggles using John Fiske's semiotic analysis. The film depicts gender inequality through women's limited roles and male-dominated decision-making. The research highlights the film's ideological message on the importance of women's empowerment in the face of patriarchy. Keywords: Semiotics, Female Representation, Gadis Kretek, Patriarchy, Kretek Industry
Selling Honey and Making Money: An Instagram Marketing Strategy and Basic Photography Training for Women of Kemlagi Village, Mojokerto, East Java Rahmawati, Aulia; Tutiasri, Ririn Puspita; Febriana, Poppy; Febriyanti, Syafrida N.
Indonesian Community Empowerment Journal Vol. 3 No. 1 (2023): Indonesian Community Empowerment Journal
Publisher : HM Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37275/icejournal.v3i1.26

Abstract

Kemlagi village is one of honey-producing village in Mojokerto, East Java, that has not been paid much attention to by the local government, both in terms of potential and marketing strategy. The involvement of housewives in the marketing sector of the Kemlagi village honey business has not been seen. This community service aims to increase women's empowerment in the social media marketing sector so that business development and community income occur. This community service has two focus activities, namely Instagram marketing training and basic photography training. The presenters of this event were a team from the Communication Science study program of the Universitas Pembangunan Nasional (UPN) "Veteran" and the Universitas Muhammadiyah Sidoarjo. The target participants for this event are women in Kemlagi village, Mojokerto who run a business selling honey and its products. A total of 30 mothers participated in this training event. The training event consisted of opening, opening remarks, Instagram marketing and basic photography materials, questions and answers and closing. After the event, an evaluation of the benefits and participants' understanding of this training material was carried out. The long-term goal of this training is that the home business of the Kemlagi village is getting more advanced and its potential is getting more and more optimized. It is hoped that this home business will develop so that in the future Kemlagi village can develop into a honey edutourism area in East Java.
Media Usage Motivations and Netflix Video Viewer Satisfaction in East Java Abadi, Totok Wahyu; Refisca, Syania Fidya; Febriana, Poppy; Sobirov, Bobur
The Journal of Society and Media Vol. 9 No. 2 (2025): Digital Expression and Solidarity Media
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v9n2.p504-538

Abstract

Netflix is a subscription-based video streaming platform that offers a selection of films and documentaries each month. During the COVID-19 pandemic, streaming services experienced significant growth. This study examines the influence of Netflix media usage motivation on viewer satisfaction in East Java. It applies Guo and Chan-Olmsted’s Video Streaming Platform Representation Theory, McQuail’s Media Usage Motivation Theory, Blumer and Katz’s Uses and Gratification Theory, McMillan’s Interactivity Perception Theory, and Satisfaction Theory. Using a quantitative explanatory method, data were collected through an online questionnaire from 190 respondents and analysed using SPSS 26 and AMOS 22 with Structural Equation Modelling (SEM). The results indicate that Video Streaming Platform Representation, Media Usage Motivation, and Perception of Interactivity significantly influence viewer satisfaction, both simultaneously and partially. Media usage motivation—covering information seeking, personal identity, social integration, and entertainment—shows the most substantial effect. Viewers are satisfied because Netflix provides engaging information about new films and opportunities for interaction among users. The novelty of this study lies in distinguishing new media like Netflix from mainstream media, emphasising how streaming platforms enable users to access entertainment and exchange film- related information within online communities.
ANALYSIS OF BOBON SANTOSOSO'S SEMIOTICS AS A CHEF INDONESIAN PEOPLE ON TIKTOK Wijayanti, Novita Fitri; Febriana, Poppy
Proceeding of International Conference on Social Science and Humanity Vol. 2 No. 2 (2025): Proceeding of International Conference on Social Science and Humanity
Publisher : PT ANTIS INTERNATIONAL PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61796/icossh.v2i2.451

Abstract

Objective: This study aims to analyze the visual signs in Bobonsantoso’s TikTok content that construct his image as the “Indonesian People’s Chef” using Charles Sanders Peirce’s visual semiotics framework, which consists of the elements Sign, Object, and Interpretant. Method: A qualitative approach was employed with visual semiotics analysis, focusing on three selected TikTok videos from 2024 categorized as Cooking with Politicians, Cooking While Sharing, and Cooking in the Archipelago, each chosen based on the highest number of views and likes. Results: The findings reveal that Bobonsantoso consistently employs visual symbols such as traditional clothing, local cultural attributes, and socially meaningful interactions. These elements not only strengthen his personal branding but also construct his image as a caring, approachable figure who values cultural heritage. Novelty: This study contributes to the understanding of how digital culinary content transcends aesthetic appeal, demonstrating the power of social media in shaping public perception, fostering solidarity, and reinforcing cultural representation, thereby legitimizing Bobonsantoso’s recognition as the “Indonesian People’s Chef.”
DECONSTRUCTION OF GENDER STEREOTYPES THROUGH HUMOR: A QUALITATIVE STUDY ON TIKTOK ACCOUNTS @FAKBOIBERKELAS8 Faizin, Moch. Nur; Febriana, Poppy
Proceeding of International Conference on Social Science and Humanity Vol. 2 No. 2 (2025): Proceeding of International Conference on Social Science and Humanity
Publisher : PT ANTIS INTERNATIONAL PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61796/icossh.v2i2.454

Abstract

Objective: This study analyzes how the TikTok account @fakboiberkelas8 employs humor and satire to deconstruct gender stereotypes and reshape public perceptions of gender identity. Method: Utilizing Jacques Derrida’s deconstruction framework, data were collected from video content and selected comments on the account, focusing on how humorous narratives engage with dominant gender discourses. Results: The findings reveal that @fakboiberkelas8 consistently subverts conventional gender stereotypes through parody and satire, particularly by challenging narratives that position men in subordinate roles within digital social interactions. The account reconstructs male identity as critical of gender inequality while maintaining an entertaining and relatable tone. Everyday scenarios are frequently used to highlight the absurdity of entrenched stereotypes, making the critique accessible to a broad audience. Novelty: This research contributes to media and gender studies by demonstrating the role of humorous digital content as a persuasive tool for dismantling gender norms. It underscores the unique potential of TikTok as a platform where entertainment and critical discourse intersect, positioning humor not merely as entertainment but as an effective medium for fostering critical reflection on gender identity.
ANALYSIS OF PERSONAL BRANDING STRATEGIES THROUGH DIGITAL STORY TELLING ON TIKTOK @ONEBITEBIGBITE ACCOUNTS Rahmawati, Devi Irda; Febriana, Poppy
Proceeding of International Conference on Social Science and Humanity Vol. 2 No. 2 (2025): Proceeding of International Conference on Social Science and Humanity
Publisher : PT ANTIS INTERNATIONAL PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61796/icossh.v2i2.459

Abstract

Objective: This study aims to analyze the formation of personal branding through digital storytelling on the TikTok account @onebitebigbite, using McNally and Speak’s (2012) Personal Branding Theory to examine how creators establish a unique, relevant, and consistent self-image on social media. Method: Employing a qualitative approach with content analysis, data were collected from 50 TikTok videos uploaded between June and December 2024, with further analysis focused on the 10 videos receiving the highest engagement in the form of likes. Results: The findings reveal that @onebitebigbite successfully constructs personal branding by integrating distinctive visual styles (e.g., flashy lipsticks, glamorous outfits, dramatic expressions), relevant content themes (e.g., viral food trends, popular restaurants, extreme food portions), and consistent storytelling patterns, including strategic use of Call-to-Action features. This combination creates an authentic and recognizable brand identity, effectively enhancing audience engagement. Novelty: The study contributes to the refinement of personal branding theory in the context of digital media, highlighting the role of TikTok as a powerful platform for narrative-driven branding while offering practical insights for individuals and organizations seeking to leverage digital storytelling in branding strategies.
REPRESENTATION OF LGBT STRUGGLE IN THE FILM BOHEMIAN RHAPSODY Radiyan, Wildan Bisma; Febriana, Poppy
Proceeding of International Conference on Social Science and Humanity Vol. 2 No. 2 (2025): Proceeding of International Conference on Social Science and Humanity
Publisher : PT ANTIS INTERNATIONAL PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61796/icossh.v2i2.460

Abstract

Objective: This study aims to examine the representation of Freddie Mercury’s struggle to embrace and defend his LGBT identity as depicted in the film Bohemian Rhapsody, highlighting how cinema can serve as a medium for addressing issues of sexuality and identity. Method: Employing a qualitative approach, the research utilizes John Fiske’s semiotic theory of “television codes,” which operates at the levels of reality, representation, and ideology, to analyze key scenes. Data were collected through in-depth viewing of the film and systematic documentation of scenes that illustrate Mercury’s negotiation of his bisexual identity. Results: The findings indicate that the film portrays Mercury’s personal journey as both an internal and external struggle, reflecting broader societal tensions surrounding LGBT identity. Through narrative structure, character interactions, and symbolic cinematic codes, Bohemian Rhapsody presents Mercury’s challenges and resilience in asserting his identity. Novelty: This study contributes to film and cultural studies by applying semiotic analysis to demonstrate how mainstream cinema represents LGBT struggles, offering new insights into the intersection of identity, media representation, and social discourse.
REPRESENTATION OF FEAR OF MARRIAGE IN TIKTOK SOCIAL MEDIA WITH #MARRIAGEISSCARY Sundari, Ismi Putri; Febriana, Poppy
Proceeding of International Conference on Social Science and Humanity Vol. 2 No. 2 (2025): Proceeding of International Conference on Social Science and Humanity
Publisher : PT ANTIS INTERNATIONAL PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61796/icossh.v2i2.461

Abstract

Objective: This study examines the phenomenon of fear of marriage expressed through TikTok content with the hashtag #MarriageIsScary, which reflects the changing views of the Indonesian young generation towards the institution of marriage. Method: Using Stuart Hall’s qualitative approach and media representation theory, this study analyzes how narratives, visuals, and elements in TikTok videos shape representations of fear of marriage. Results: The results showed that creators, the majority of Gen Z and millennials, expressed concerns related to gender role inequality, socio-cultural pressures, the burden of expectations, fears of marital failure, changes in the couple’s nature, and past bad experiences that affected their perception of long-term commitments. Social media, particularly TikTok, plays a significant role in reinforcing this view through algorithms that personalize content and provide a space for creative expression for younger generations. The audience’s response to this content is diverse, ranging from full acceptance, a negotiated interpretation, to a rejection of the pessimistic narrative. Novelty: This study confirms that fear of marriage is not only influenced by external factors, but also by deep emotional and relational experiences, and marks a shift in the values and perceptions of younger generations who are more critical and skeptical of marriage as institution social at era digital.
AN ANALYSIS OF ARISTOTLE'S RHETORIC IN THE KOMPAS TV PROGRAM "GOENAWAN MOHAMAD'S TEARS: DO THE PEOPLE BELIEVE JOKOWI, THE CHIEF JUSTICE OF THE CONSTITUTIONAL COURT, OR GIBRAN?" Hafidloh, Nurul; Febriana, Poppy
Proceeding of International Conference on Social Science and Humanity Vol. 2 No. 2 (2025): Proceeding of International Conference on Social Science and Humanity
Publisher : PT ANTIS INTERNATIONAL PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61796/icossh.v2i2.462

Abstract

Objective: This study aims to analyze the persuasive strategies of Goenawan Mohamad in an interview on the ROSI talk show broadcast on KOMPAS TV’s YouTube channel, using Aristotle’s rhetorical theory as the analytical framework. The focus is on how logic (logos), credibility (ethos), and emotion (pathos) are balanced to influence public perception, particularly regarding political stance and democratic discourse. Method: A qualitative research design was employed through in-depth observation and screenshot documentation of the interview, enabling systematic analysis of verbal and non-verbal communication elements such as gestures, facial expressions, and lexical choices. Results: The findings reveal a significant shift in Goenawan Mohamad’s political orientation, transitioning from a strong supporter of Jokowi to a more critical observer. This change is reflected in the rhetorical strategies he employs, which emphasize nuanced credibility and emotional resonance to frame his evolving stance. Novelty: The study contributes to rhetorical and political communication scholarship by contextualizing Aristotle’s classical theory within contemporary Indonesian media, demonstrating how rhetorical analysis can uncover shifts in political alignment and deepen understanding of persuasion in public discourse.
Co-Authors Abda Abda Abdul Yudha Fahrezha Listianto Abidin, Irsyad Adella Eka Ridwanti Adinda Rachmanillah Agnes Devita Yuli Agustin , Anggi Tri Agustin, Tri Putri Ahmad Gilang Permata Ainur Rochmaniah Ainur Rochmaniyah Akbar Sulistyo Al Faruqi, Muhammad Anwar Mussaddad Alfin Imam Mahsus Alfya Octovi Azzahra Effendi Amelia, Nike Firnanda Dwi Amerta, Jasmin Nabila Amin, M. Waladan Amiruddin, Muchammad Dicky Ammirudin, Adam Angger Siswanto Arba Choirul Umam Ardana, Retno Anggraini Tri Arifin, Alif Muzaki Nur Arifin, Muchammad Dhani Ariko, Muhammad Firmansyah Alana Marsa Artamevia, Delly Puspita Asthetika, Nur Maghfirah Asy'ari, Nur Aini Shofiya At-Thaariq, Muhammad Nauval Aulia Maharani Aulia Rahmawati, Aulia Az Zahra, Amelia Putri Azharul Hakim Baswedan, Fauzi Bilmukharom, Ahmad Faza Bisri, Muhammad Hasan Bocca Della Verita Bryan Mahendra Putra Jona Caliesta Tiara Z Chairunnisa Trisna Febryanasari Cholidatul Lifia Cholifah, Cholifah Chusna, Rahma defliana, shinta nur Desyam Tri Wahyuni Desyam Tri Wahyuni Devi Loveitha Dewi Agustina Pratiwi Dewi, Audry Shintya Dewi, Novita Purnama Dhavy Raga Siwi Diniar, Syafiya Puspa Dwi Saputri, Maydiana Dyah, Hapsari Enanti, Dea Syafrina Erfina Monica Putri Evie Destiana Faizin, Moch. Nur Fajar, Dian Arif Fajarudin, Muhammad Guntur Satrio Fajrur, Muhammad Faqihuddin, M Syafri Faris Tri Hidayat Fauzan Aziz Fauziah Hassan Febriyanti, Syafrida N. Fibisono, Pandu Bagus Fibriana, Adinda Herna Fidari, Sala Salsabila Fikri, Andi Fikrianto, Icho Ade Firda Sania , Alivia Monicha Firman Kurniawan, Firman Firmansyah Putra, Muhmmad Fahrus Firmansyah, Yoga Dwi Fitraeni, Shafa Ardesta Fitrianingsih, Intan Frigiyanto, Kharisma Galih Kenyo Asti Gilang Aryogy Surya Prayoga Hafidloh, Nurul Halimi, Halimi Hapsari Dyah Heri Yanto Hidayah, Muhammad Bilal Nur Hidayat, Azamul Hidayati, Felia Ivana Ilmi Usrotin Choiriyah Imania Melati Imania Melati Putri Intan Insanni Johansyach, Muhammad Wildan Kenneth Lee Tze Wui Khafi, Akhmad Abi Dafiq Khuzaima Dwi Nur'aini Lestarysca Lestarysca Listianto, Abdul Yudha Fahrezha Loveitha, Devi M Rigel Putra R M. Andi Fikri Mahaputra, Muhamad Bagas Martinez, Lea Maslichatus Sholichah Maulana, Muhammad Iqbal Miftachul Jannah Miftachul Jannah, Miftachul Mirza Pramudiasih Nirwana Mochamad Rizal Yulianto Mochammad Gilang Ramadhani Mochammad Rigel Putra Moh Ar Raafi Ahsa Febian Mohammad R, Alfaro Muchammad Royyanul Wahabi Mufadhilatul Hidayah Muhamamd Khafid Al-Furqon Muhammad Afif Muhammad Dhaldiri Zain muhammad dicky Muhammad Fajrur Muhammad Rafli Sadar Darmawan Siahaan Muhammad Raqib Mohd Sofian Muhammad Rizal Firdaus Muhammad Yani Muhammad Yani, Muhammad Mukhamad Bagas Pramono Mulyanto, Kharisma Putri Nabila Ayu Bakhta Nabila Ayu Bakta NABILA, SALMA Nabillah Amira Firdausi Nasya Avrilia Herista Nefrida Jandini Nick Samudra Nikmah, Hadiyatun Nirvana Abdillah Sandi Nur Fadhilah, Sevia Nur Maghfira Aesthetika Nur Maghfirah Aesthetika Nur Maghfirah Asthetika Nurisna, Aisya Brilianty Nursadapu, Dhea Novita Nurul Aziza Nurul Fathihin Mohd Noor Shah Nur’aini, Khuzaima Dwi Nygymanova, Nurbany Orvella Clara Chiquita Osa Wuriyanti Pandhu Pratama Wicaksono Prakoso, Satriya Agung Prameswari Widya Ningrum Pramono, Mukhamad Bagas Prastyo, Muhammad Fajar Dicky Pratiwi, Riza Khirey Tri Pristalisa, Mendi Endritha Pudjasetia, Faraby Al- Alirsyad Putra, Andre Astana Putra, Trie Marchenggar Putra, Wahyu Ferdiansyah Putri Ermanu , Khodriatul Rizeta Putri, Fayza Maulina Putri, Sectiari Elya Rachmadita, Kartika Alfi Rachman, Silviyana Radiyan, Wildan Bisma Raharjo, Rico Widoseno Rahma, Silva Tarrysa Rahmawati, Devi Irda Rahmawati, Milla Raihan, Muhammad Fajar Ramadhani Putra Ramadhani, Nafianto Rashid Ridha Ratih Puspa Refisca, Syania Fidya restyadiana, Agmi Rhefale, Muhammad Izahan Maulana Ridwan, Elent Praditya Ridwanti, Adella Eka Rifhan, Syafrilla Ainayatul Ririn Puspita Tutiasri Rizma Ayu Angeli Rizq Iskandar, Rayhan Rochmania, Ainur Rohani , Dewi Lita Rohman, M. Alim Syafiur Romadhona Safitri Rustanti, Delia Putri Sala Salsabila Fidari Salma Aisya Samudra, Nick Sani, Zara Aprilia Sania Safira Luniar Sari, Dea Puspita Sari, Dessy Nanda Satrio Wicaksono Septian, Yusuf Shinta Anastasya Putri Shinta Dwi Andriani Budiartho Sobirov, Bobur Sofia Hayati Yusoff Sri Wahyuni Subrata, Isa Darwisy Sukma, Devita Candra Sulistyo, Akbar Sundari, Ismi Putri Surya Citra Syafira, Aulia Firda Syafrilla Ainayatul Rifhan Syifa Nabila Al Kautsar Thifaal Kautsar Roosyidah Totok Wahyu Abadi Tze Wui, Kenneth Lee Ubaidirrohman, Wildan Ubay, Nisrina Nur Ubeidillah, Himawan Alfan Umroh, Lily Amelia Utomo, Zulkifli Arizalu Satrio Wahyu, Ana Sofiana Wardhana, Bagas Kusuma Wendyana, Dinda Wicaksono, Pulung Adi Wijayanti, Novita Fitri Wimeta Islam Sabila Wisnu Arief Fatulloh Yuni Khoirul Fatimah Zakiyan Fadlillah , M Ghulam Zara Aprilia Sani