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Address Terms Used by The Characters in Barbie: Princess Charm School Movie Andryani, Gusti Ayu Made Terry; Udayana, I Nyoman; Maharani, Sang Ayu Isnu
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

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Abstract

Penelitian ini, berjudul Istilah Sapaan yang Digunakan oleh Karakter dalam Film Barbie: Princess Charm School, mengeksplorasi penggunaan istilah sapaan dalam film untuk merujuk pada orang yang diajak bicara. Istilah-istilah ini mencerminkan hubungan sosial antara pembicara dan pendengar, menunjukkan keakraban, rasa hormat, atau perbedaan kekuasaan. Penelitian ini bertujuan untuk mengidentifikasi jenis-jenis istilah sapaan yang digunakan oleh karakter dalam film Barbie: Princess Charm School, dan untuk menganalisis fungsi istilah sapaan yang digunakan oleh karakter dalam film Barbie: Princess Charm School. Pengumpulan data menggunakan dokumentasi, observasi, dan teknik pencatatan, sementara metode kualitatif dan teknik analisis konten digunakan untuk analisis data. Penelitian ini menerapkan teori Wardhaugh tentang jenis-jenis istilah sapaan dan teori Chaika tentang fungsi-fungsinya, yang didukung oleh teori Holmes tentang konteks situasi. Selain itu, metode informal digunakan dalam menyajikan analisis. Hasil penelitian ini menunjukkan bahwa terdapat lima jenis istilah sapaan: Nama Depan (FN), Gelar plus Nama Belakang (TLN), Gelar saja (T), Nama Panggilan (PN), dan yang terakhir adalah Istilah Kekerabatan (KT). Namun, tidak ada data yang menunjukkan penggunaan Nama Belakang (LN). Penelitian ini juga menemukan semua penggunaan fungsi istilah sapaan seperti keakraban, rasa hormat, dan perbedaan kekuasaan. Dapat dilihat bahwa untuk menunjukkan keakraban, karakter menggunakan istilah sapaan FN, PN, dan KT. Untuk menunjukkan perbedaan kekuasaan, karakter menggunakan istilah sapaan FN, TLN, dan T. Untuk menunjukkan rasa hormat, karakter menggunakan istilah sapaan T.
The Usage of Slang Words in ‘My Block’ Movie Ni Wayan Sukarini; Sang Ayu Isnu Maharani; Byanca Vanessa Suwasdika
Austronesian: Journal of Language Science & Literature Vol. 3 No. 3 (2024): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.3.3.2024.122-129

Abstract

This study aims to identify the various slang words featured in the movie “On My Block,” with a particular focus on those employed by the main character while also delving into their semantic nuances. This research contributes to a broader understanding of the usage of slang language, enriching the knowledge of listeners and viewers alike. The study employed in this study revolves around documentation. Data collection involved viewing the movie and meticulously documenting dialogues containing slang expressions used by the characters. The subsequent analysis draws upon Partridge’s framework for categorizing slang types, coupled with sourcing slang meanings from Partridge’s dictionary. The study adopts a multifaceted approach, encompassing both formal and informal methods to present the analytical findings. The research findings effectively address two critical facets of the research problem. Firstly, they categorize the slang words featured in the “On My Block” movie into three distinct types: Society slang, Cockney slang, and Public House slang. Secondly, the study elucidates the significance of these slang words in the context of the movie, shedding light on their functional roles within conversational exchanges.
REPAIR IN THE DIALOGUE OF FROZEN MOVIE Masyuni, Ni Nyoman Wulan; Savitri, Putu Weddha; Maharani, Sang Ayu Isnu
LITERA : Jurnal Bahasa Dan Sastra Vol. 10 No. 1 (2024): LITERA: Jurnal Bahasa dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v10i1.3167

Abstract

The title of this article is “Repair in The Dialogue of Frozen Movie”. This article aims to identify and analyze the types of repair and repair operations in the dialogue of Frozen movie. The data was taken from the dialogue in Frozen movie which was downloaded from the internet and the data are in the form of utterances. In the data collection, it used a qualitative method. This article used the theory proposed by Schegloff, Jefferson, and Sacks (1977) to classify the types of repairs and Schegloff (2013) to analyze the repair operations. The result of this research shows that all of the four types of repairs found in the dialogue of Frozen movie, namely self-initiated self-repair, self-initiated other-repair, other-initiated self-repair, and other-initiated other-repair. The result also shows that the repair operations found in this research, namely replacing, inserting, aborting, and recycling.
Analyzing the Theme as Intrinsic Elements in Short Story Entitled “Runaway” by Alice Munro Negara, I Putu Suwita Adi; Rajeg, I Made; Maharani, Sang Ayu Isnu
VISA: Journal of Vision and Ideas Vol. 4 No. 3 (2024): VISA: Journal of Vision and Ideas
Publisher : IAI Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/visa.v4i3.3767

Abstract

Short story in literature is a brief work of fiction that usually focused on a single plot, theme, or character. Short story has intrinsic elements like novel, and they are: plot, theme, setting, point of view, character and characterization, and symbol. This research paper aimed to analyze the intrinsic elements specifically the theme in a short story “Runaway” by Alice Munro. In this study, the data source is collected from the short story by Alice Munro entitled “Runaway”. The researcher uses qualitative method and theory of literature by Wellek and Warren to analyze and describe the result of this research. In Alice Munro's "Runaway," Carla, a young woman trapped in an abusive marriage, considers leaving with the help of Sylvia, her neighbor, but she eventually has to deal with the difficulties of fleeing societal norms and her husband's authority. The story examines issues of female friendship, domestic entrapment, and the struggle for independence. The result of this research found three main themes; female friendship, marital struggle, and pursuit of freedom.
The Function of Primary Slang Used as a Reflection of Friendship in Incoming Movie (2024) Ni Kadek Friandani; Sang Ayu Isnu Maharani; Ni Made Ayu Widiastuti
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5247

Abstract

Slang as an informal language variety has an important role in forming and reflecting the social identity of a group. This study discusses the function of primary slang as a reflection of friendship in an American teen comedy movie entitled Incoming released in 2024. This study aims to identify the form  of primary slangs used in the movie and analyze their functions in reflecting social relations between characters. The method used is descriptive qualitative with documentation techniques. Data are analyzed based on the context of conversations between characters in the movie with an emphasis on the social meaning in the use of primary slang based on the theory of Allan & Burridge (2006). Based on seven functions of slang, there are four functions identified in the analysis, consists of:  to initiate relaxed conversation, to adress, to reveal anger, and to show intimacy. Among the four functions, to initiate relaxed conversation is the most dominant function that appears. This shows that slang is widely used to maintain relaxed, familiar, and humorous interactions between friendly characters. On the other hand, the functions to express impressions, to humuliate, and to form intimate atmosphere were not found in the analyzed data.
THE FEATURES OF WOMEN’S LANGUAGE SPOKEN BY THE FEMALE CHARACTERS IN RAYA AND THE LAST DRAGON MOVIE Lestari, Ni Putu Lia Cahya; Saientisna, Made Detriasmita; Maharani, Sang Ayu Isnu
Jurnal Review Pendidikan dan Pengajaran Vol. 7 No. 4 (2024): Vol. 7 No. 4 Tahun 2024
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jrpp.v7i4.34516

Abstract

The research entitled The Features of Women’s Language Spoken by the Female Characters in Raya and The Last Dragon Movie. It aims to identify the type of women’s language features based on Lakoff's (2004) theory and the social context based on Holmes's (2013) theory. This research studied and reviewed some studies related to women’s language. This research was conducted by using a descriptive qualitative method, for collecting the data was watched the movie several times, read subtitles of the movie, and selected the female character’s utterances that contain the women’s language features. As a result, there are found 63 data women’s language features in this movie. There were seven types of women’s language features found in this movie. There were lexical hedges or fillers, tag questions, intensifiers, rising intonation, empty adjectives, super polite forms, and emphatic stress. Based on the findings of type of women’s language features, there were social contexts such as the participants, the participants in this movie are Sisu, Raya, Boun, Namaari, Dang Hu, Tong, Virana, and Benja. The setting, this movie mostly takes place while sailing in the ocean on a boat. The topics, the topic discussed are mostly about gems and how to save the world from druun and the function.
Face-Threatening Acts Performed by Joe Gardner in Soul Movie Budianto, Clarissa Lievany; Maharani, Sang Ayu Isnu; Saientisna, Made Detriasmita
Culturalistics: Journal of Cultural, Literary, and Linguistic Studies Vol 9, No 2 (2025): Culturalistics: Journal of Cultural, Literary, and Linguistics Studies (December
Publisher : English Literature Study Program, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ca.v9i2.27562

Abstract

Speech acts are actions carried out through language that do more than just share information; they can also affect the listener or change social situations. Sometimes, these spoken interactions may cause the listener to feel uncomfortable or lose respect. The idea of protecting a person’s dignity and social standing in communication is known as ‘face.’ When speech acts threaten this sense of face, they are called face-threatening acts. This study aims at identifying and analyzing the face-threatening acts performed by the character Joe Gardner in Pixar’s animated movie Soul (2020), by applying Brown and Levinson’s (1987) framework. Data were collected using the documentation method and note-taking technique, focusing on Joe Gardner’s utterances throughout the movie. The analysis employs a descriptive qualitative method, involving classification, identification, and verification based on the four types of face-threatening acts. The findings show that Joe Gardner performs all four types of face-threatening acts in 103 utterances: threatening the hearer’s negative face (61.2%), threatening the hearer’s positive face (23.3%), threatening the speaker’s negative face (6.8%), and threatening the speaker’s positive face (8.7%). The most frequently used type is the threat to the hearer’s negative face.
Duplication, Fragmentation, and Overlapping: Linguistic Landscape Dynamics of Tourist Attractions in Gianyar, Bali Sang Ayu Isnu Maharani; Ketut Artawa; Ida Ayu Made Puspani; Ketut Widya Purnawati
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p14

Abstract

With its rich array of tourist attractions, the Gianyar region in Bali features numerous outdoor signs that contribute to its complex linguistic landscape. This study investigates linguistic landscape patterns and text typologies using a qualitative research method based on observation, note-taking, and photography. The analysis follows the linguistic landscape framework by Landry and Bourhis (1997) and the multilingual text typology by Reh (2004). Findings reveal that the linguistic landscape of Gianyar’s tourist sites falls into cultural, village, museum, nature, and man-made categories. Outdoor signage patterns are classified as top-down and bottom-up. Top-down signs predominantly feature duplicating and fragmentary text typologies, while bottom-up signs incorporate duplicating, fragmentary, and overlapping structures. These findings enhance the understanding of the linguistic landscape in Gianyar, providing insights into its multilingual environment, particularly within public spaces and tourist destinations.
Duplication, Fragmentation, and Overlapping: Linguistic Landscape Dynamics of Tourist Attractions in Gianyar, Bali Sang Ayu Isnu Maharani; Ketut Artawa; Ida Ayu Made Puspani; Ketut Widya Purnawati
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p14

Abstract

With its rich array of tourist attractions, the Gianyar region in Bali features numerous outdoor signs that contribute to its complex linguistic landscape. This study investigates linguistic landscape patterns and text typologies using a qualitative research method based on observation, note-taking, and photography. The analysis follows the linguistic landscape framework by Landry and Bourhis (1997) and the multilingual text typology by Reh (2004). Findings reveal that the linguistic landscape of Gianyar’s tourist sites falls into cultural, village, museum, nature, and man-made categories. Outdoor signage patterns are classified as top-down and bottom-up. Top-down signs predominantly feature duplicating and fragmentary text typologies, while bottom-up signs incorporate duplicating, fragmentary, and overlapping structures. These findings enhance the understanding of the linguistic landscape in Gianyar, providing insights into its multilingual environment, particularly within public spaces and tourist destinations.
Co-Authors Adriel Elbert Dinata Agnes Br Anak Agung Ngurah Wira Wicaksana Anak Agung Sagung Shanti Sari Dewi Andryani, Gusti Ayu Made Terry Angelika Arif M Budianto, Clarissa Lievany Byanca Vanessa Suwasdika Desak Putu Ayu Febi Purwani Gusti Ayu Marcela Dewi I Gede Anugrah Prasetya Dharma Putra I Gede Putu Sudana I Gusti Agung Bagus Santa Putra I Gusti Ngurah Parthama I Kadek Agus Mahendra Putra I Ketut Artawa I Ketut Wandia I Komang Sumaryana Putra I Made Netra I MADE RAJEG I Made Suastra I Nengah Sudipa I Nyoman Aryawibawa I Nyoman Tri Ediwan I Nyoman Udayana I Putu Hartomi Arya Franata I Wayan Juliadi Sastra I Wayan Mulyawan I Wayan Sukarma Ida Ayu Made Puspani Ida Ayu Rai Nayma Mahadewi Ida Bagus Putra Yadnya Kadek Andriana Dersen Ketut Widya Purnawati Lau Yoseph Anggara Putra Meta Lestari, Ni Putu Lia Cahya Luh Angelique Vironica Wardhana Luh Wulan Astarin Made Detriasmita Saientisna Masyuni, Ni Nyoman Wulan Meyliana Eka Putri Nanang Sutrisno Negara, I Putu Suwita Adi Ni Kadek Friandani Ni Ketut Sri Rahayuni Ni Luh Nyoman Seri Malini Ni Luh Sutjiati Beratha Ni Made Ayu Widiastuti Ni Nyoman Tri Gitayani Ni Wayan Ratna Dewi Ni Wayan Sukarini Ni Wayan Yunitri Nugraha, I Putu Gede Aditya Peni, Ni Wayan Pramita Tasya, Ni Ketut Ayu Primayani, Ni Putu Rahayu Putu Ayu Asty Senja Pratiwi Putu Dian Restiana Dewi Putu Jesa Putri Yasari Putu Lirishati Soethama Putu Rosalina Adnyani Putu Weddha Savitri Rafael, Agnes Maria Srikandiana, Zulvina Jois Tri Ediwan Tri Ediwan Venesia Vergie Vieda Pra Ramadhani Widyasari, Ketut Monica Yosefina Helenora Jem