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All Journal Buletin Udayana Mengabdi Linguistika Indonesian Journal of Applied Linguistics (IJAL) LEKSIKA Jurnal Bahasa Lingua Scientia JURNAL PENDIDIKAN TAMBUSAI Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Jurnal Review Pendidikan dan Pengajaran (JRPP) International Journal of Linguistics and Discourse Analytics (ijolida) Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Mimesis CITIZEN: Jurnal Ilmiah Mulitidisiplin Indonesia English Language Teaching Journal Stilistika: Journal of Indonesian Language and Literature Austronesian: Journal of Language Science & Literature Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities VISA: Journal of Vision and Ideas Dinamika Pembelajaran : Jurnal Pendidikan dan Bahasa Litera : Jurnal Bahasa dan Sastra Ulil Albab Systematic Literature Review Journal Open Access DRIVERset Jurnal Pendidikan dan Sastra Inggris
Sang Ayu Isnu Maharani
English Department, Udayana University
Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Nursing Public Health Social Sciences Other

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THE FEATURES OF WOMEN’S LANGUAGE SPOKEN BY THE FEMALE CHARACTERS IN RAYA AND THE LAST DRAGON MOVIE Lestari, Ni Putu Lia Cahya; Saientisna, Made Detriasmita; Maharani, Sang Ayu Isnu
Jurnal Review Pendidikan dan Pengajaran Vol. 7 No. 4 (2024): Vol. 7 No. 4 Tahun 2024
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jrpp.v7i4.34516

Abstract

The research entitled The Features of Women’s Language Spoken by the Female Characters in Raya and The Last Dragon Movie. It aims to identify the type of women’s language features based on Lakoff's (2004) theory and the social context based on Holmes's (2013) theory. This research studied and reviewed some studies related to women’s language. This research was conducted by using a descriptive qualitative method, for collecting the data was watched the movie several times, read subtitles of the movie, and selected the female character’s utterances that contain the women’s language features. As a result, there are found 63 data women’s language features in this movie. There were seven types of women’s language features found in this movie. There were lexical hedges or fillers, tag questions, intensifiers, rising intonation, empty adjectives, super polite forms, and emphatic stress. Based on the findings of type of women’s language features, there were social contexts such as the participants, the participants in this movie are Sisu, Raya, Boun, Namaari, Dang Hu, Tong, Virana, and Benja. The setting, this movie mostly takes place while sailing in the ocean on a boat. The topics, the topic discussed are mostly about gems and how to save the world from druun and the function.
Duplication, Fragmentation, and Overlapping: Linguistic Landscape Dynamics of Tourist Attractions in Gianyar, Bali Sang Ayu Isnu Maharani; Ketut Artawa; Ida Ayu Made Puspani; Ketut Widya Purnawati
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p14

Abstract

With its rich array of tourist attractions, the Gianyar region in Bali features numerous outdoor signs that contribute to its complex linguistic landscape. This study investigates linguistic landscape patterns and text typologies using a qualitative research method based on observation, note-taking, and photography. The analysis follows the linguistic landscape framework by Landry and Bourhis (1997) and the multilingual text typology by Reh (2004). Findings reveal that the linguistic landscape of Gianyar’s tourist sites falls into cultural, village, museum, nature, and man-made categories. Outdoor signage patterns are classified as top-down and bottom-up. Top-down signs predominantly feature duplicating and fragmentary text typologies, while bottom-up signs incorporate duplicating, fragmentary, and overlapping structures. These findings enhance the understanding of the linguistic landscape in Gianyar, providing insights into its multilingual environment, particularly within public spaces and tourist destinations.
Dissecting Slang Words in the Album of 'Kirk' by DaBaby I Komang Sidny Darma Yadnya; Made Detriasmita Saientisna; Sang Ayu Isnu Maharani
Jurnal Pendidikan dan Sastra Inggris Vol. 6 No. 1 (2026): Jurnal Pendidikan dan Sastra Inggris
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jupensi.v6i1.6573

Abstract

This undergraduate thesis entitled Dissecting Slang Words in the Album of ‘Kirk’ by DaBaby examines the types and functions of slang expressions in DaBaby’s lyrics. Adopting Allan and Burridge’s (2006) sociolinguistic framework, the research identifies and categorizes slang types, for instance Fresh and Creative, Clipping, Imitative, Acronym, and Flippant as well as analyses their communicative functions within hip-hop culture. Data were collected from all 13 songs on the Kirk album using qualitative methods. A total of 52 slang expressions were systematically classified and evaluated to determine their roles in expressing identity, emotion, resistance, humor, and social bonding. The findings reveal the Fresh and Creative slang (e.g., drip, vibez, bop) is the most prevalent (41.6%), highlighting DaBaby’s linguistic innovation. Clipping(e.g., gon’, ‘em,) and Imitative (e.g., finna, wanna) types support rhythmic flow and cultural authenticity, while Flippant terms (e.g., nigga, hoe) convey emotional intensity and in-group solidarity. Functionally, slang primarily reinforces group identity and enables emotional expression, with secondary roles in humor, resistance, and social intimacy. This research underscores slang’s significance in hip-hop as a tool for cultural representation, artistic creativity, and generational discourse. It contributes to sociolinguistic studies of music by demonstrating how informal lexicon shapes artist identity and listener engagement in contemporary rap.  
Verbal And Visual Signs in Burger King’s Advertisement Desilvayanthi, Komang Triska Chandrayuni; Maharani, Sang Ayu Isnu; Saientisna, Made Detriasmita
International Journal of Linguistics and Discourse Analytics Vol 7 No 2 (2026): IJOLIDA Vol. 7 No. 2, March 2026
Publisher : Denpasar Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52232/ijolida.v7i2.194

Abstract

In contemporary digital environments, advertising plays a significant role in how people perceive and behave when it comes to choosing products. Brands use strategically selected verbal and visual elements to influence consumers, often implicitly. Although many researchers have examined how advertising can persuade people, there is still a limited integration between semiotic theory and how meaning is actually created in contemporary fast-food advertising practices. This study aims to identify and explain the verbal and visual signs found in selected Burger King advertisements, focusing on how these signs interact to deliver persuasive messages and strengthen brand identity. This research adopts a qualitative method with a semiotic approach. The data were collected using observation and documentation methods from Burger King’s official Instagram posts. Five advertisements were selected based on their extensive use of verbal and visual elements. The data were analyzed using Chandler’s theory of signs (symbolicity, iconicity, and indexicality) and supported by Clair’s theory of color to examine the emotional impact of visual elements. The analysis reveals that verbal signs in the advertisements are predominantly categorized as symbolicity, using familiar cultural expressions and internet language to attract the audience. Visual primarily function as iconicity by realistically depicting food products to evoke appetite, while color choices enhance emotional appeal and visual focus. The study concludes that Burger King successfully integrates verbal and visual signs to create advertisements that are visually appealing, culturally resonant, and emotionally persuasive. These findings highlight the effectiveness of semiotic principles in advertising practice and contribute to a deeper understanding of how fast-food brands construct meaning and identity in the digital space.
Exploring Jungian Archetypes in Abuela Alma Madrigal’s Behaviour in Disney’s Encanto Widiena Aurellia Saifani; Sang Ayu Isnu Maharani; Putu Wahyu Widiatmika
Systematic Literature Review Journal Vol. 2 No. 2 (2026): April: Systematic Literature Review Journal
Publisher : International Forum of Researchers and Lecturers

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70062/slrj.v2i2.291

Abstract

This study analyzes how Abuela Alma Madrigal's behaviors toward her family in Disney's Encanto (2021) are influenced by Jungian archetypes. The psychological analysis of matriarchal characters in animated films has received little attention, despite the widespread usage of Jungian theory in film analysis. The aim of this study is to identify the Jungian archetypes that Abuela embodies and analyze how they influence her relationships with the Madrigal family. Data was gathered by repeatedly watching the movie using a qualitative, descriptive approach. Jung's archetypal theory (1959) served as the main framework for the analysis of a selection of dialogues that were transcribed and classified based on specific archetypes. The results show that Abuela's behavior is greatly influenced by five archetypes. She is motivated by the persona archetype to maintain a public persona of magical perfection, valuing each family member according to how they contribute to this image. The trauma of losing her husband Pedro is the source of the Shadow archetype, which takes the form of denial and blame projection until Mirabel confronts it. The Great Mother archetype illustrates how her parental love turned into conditional acceptance and overprotection. The Wise Old Woman archetype highlights the difference between her appearance of authority and the personal doubt she carries. Finally, the Self archetype signifies her psychological transformation as she completely accepts the value of each family member and integrates her suppressed fears, completing Jung's individuation process. These results validate that Jungian theory provides a useful framework for analyzing matriarchal characters in animated films and show how universal psychological patterns associated with trauma, authority, and family dynamics can be meaningfully reflected in modern animated films.
Verbal and Non-Verbal Signs in Movie Posters Entitled “The Boss Baby 2: Family Business” Ni Kadek Arie Susanti; Sang Ayu Isnu Maharani; Putu Weddha Savitri
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 15 No. 1 (2026): Februari 2026
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/qy5p5772

Abstract

This research entitled Verbal and Non-Verbal Signs in Movie Posters Entitled “The Boss Baby 2: Family Business” aimed at identifying and conveying the meaning of verbal and non-verbal signs that are found in “The Boss Baby 2: Family Business” movie posters. 4 movie posters from “The Boss Baby 2: Family Business” movie applied as the data source in this undergraduate thesis. The data was taken through a safari application on websites. It was collected based on a documentation method and analyzed with a qualitative method and triangulation technique. Informal method also applied to present the analysis in this undergraduate thesis. The theory of Semiotics proposed by Saussure (1983) and Dyer (2009) applied to find out the verbal and non-verbal signs in movie posters. Furthermore, the theory proposed by Barthes (1977) applied to convey the meaning of verbal and non-verbal signs (that are found in “The Boss Baby 2: Family Business” movie posters). In addition, this undergraduate thesis is supported by the theory of Semantics related to color meaning by Chapman (2010). The data analysis shows that The Boss Baby 2: Family Business movie posters contain 14 Verbal signs with 14 denotative meanings as well as their color’s meaning. There were 12 non-verbal signs consisting of 12 appearances, 12 manners, 4 activities, 1 prop with non-specific setting, and 12 photographs with 12 connotative meanings as well as their color’s meaning found in the movie posters. Keywords: Verbal Signs, Non-Verbal Signs, The Boss Baby 2, Movie Poster
Directive Illocutionary Acts in The Pursuit of Happiness: A Pragmatic Analysis I Dewa Ayu Eva Darmayanti; I Made Rajeg; Sang Ayu Isnu Maharani
English Language Teaching Journal Vol. 6 No. 2 (2026)
Publisher : Universitas Al-Qolam Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35897/eltj.v6i2.1970

Abstract

This study examined the grammatical sentence forms and directive illocutionary acts found in The Pursuit of Happiness. It aimed to identify the grammatical forms used to realize directive utterances and classify the types of directive illocutionary acts found in the film’s dialogues. A qualitative descriptive method was employed, using the film and its script as data sources. Data were collected through documentation and note-taking techniques and analysed based on relevant theories of grammatical sentence forms and directive illocutionary acts. The findings revealed 21 directive utterances, consisting of 13 imperative, 6 interrogative, and 2 declarative forms. The analysis also identified eight types of directive illocutionary acts: ask, order, command, request, beg, invite, permit, and advise. Order occurred most frequently, with five utterances, followed by ask with four, while the other six types each occurred twice. The findings also showed that directive illocutionary acts were mostly realized through imperative forms, followed by interrogative and declarative forms. This study contributes to pragmatic research by demonstrating the relationship between grammatical sentence forms and directive illocutionary functions in film dialogue and provides a reference for analysing speech acts in audiovisual discourse.
Verbal and Visual Signs on Apple Advertisement Video Entitled "Privacy on iPhone" Gusti Ayu Putu Agung Silvia Sari; Ni Wayan Sukarini; Sang Ayu Isnu Maharani
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 15 No. 2 (2026): Agustus 2026
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/cftbzr63

Abstract

This research entitled Verbal and Visual Signs on Apple Advertisement Video Entitled “Privacy on iPhone”. This research focuses on the analysis of the verbal and visual signs and the meaning intended in video scenes. This research aims at finding and analysing the meaning of the verbal and visual signs (signifiers) used in the advertisement video. The data were taken from Apple Advertisement Video entitled “Privacy on iPhone”. This research was using qualitative method. The documentation method and note-taking technique were applied in collecting the data. The data were analyzed by applying the descriptive and qualitative method. To present data analysis by using images of the scenes, tables and explained descriptively. Theory of Semiotics proposed by Saussure, theory of Verbal and Visual Sign from Dyer, and theory of Meaning by Leech were used to analyze the data. The result of this research shows that there are 4 scenes with total 30 images appeared chronologically in the video containing verbal and visual signs (signifiers). The verbal signs found are spoken and written aspect. The visual signs found are appearance, manner, activity, props and setting, and the analyzing photograph. This advertisement has connotative and denotative meanings. Keywords: Advertisement Video, Verbal Signs, Visual Signs
Semantic Analysis of Similes in The Weeknd’s Selected Song Lyrics I Gede Mardika Pujana; Sang Ayu Isnu Maharani; Ni Made Ayu Widiastuti
Dinamika Pembelajaran : Jurnal Pendidikan dan bahasa Vol. 3 No. 3 (2026): Agustus: Dinamika Pembelajaran : Jurnal Pendidikan dan bahasa
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/dilan.v3i3.3379

Abstract

This research examines the role of figurative language, particularly similes, in expressing abstract emotions through vivid imagery in The Weeknd’s selected songs. The study aims to identify explicit similes marked by like and as and analyze how their connotative meanings reflect disappointment, heartbreak, and falling in love. A qualitative descriptive method was employed, using the lyrics of Adaptation, King of the Fall, and Nothing Compares as the main data. The data were collected through documentation and analyzed through identification, classification, interpretation, and explanation based on Leech’s theory of meaning. The results identified nine similes across the three songs. Two similes in Adaptation reflect disappointment and self-regret, particularly concerning the singer’s inability to maintain a pure and sincere relationship. Five similes in King of the Fall express heartbreak through emotional burden, exhaustion, despair, and relational emptiness. Meanwhile, two similes in Nothing Compares represent falling in love through emotional attachment, admiration, and the uniqueness of romantic connection. These findings demonstrate that similes function not merely as decorative literary devices but as important semantic tools that transform abstract emotional experiences into concrete and meaningful imagery, strengthening emotional expression and enabling listeners to better understand the themes conveyed in contemporary song lyrics.
Co-Authors Adriel Elbert Dinata Agnes Br Anak Agung Ngurah Wira Wicaksana Anak Agung Sagung Shanti Sari Dewi Andryani, Gusti Ayu Made Terry Angelika Arif M Byanca Vanessa Suwasdika Desak Putu Ayu Febi Purwani Desilvayanthi, Komang Triska Chandrayuni Gusti Ayu Marcela Dewi Gusti Ayu Putu Agung Silvia Sari I Dewa Ayu Eva Darmayanti I Gede Anugrah Prasetya Dharma Putra I Gede Mardika Pujana I Gede Putu Sudana I Gusti Agung Bagus Santa Putra I Gusti Ngurah Parthama I Kadek Agus Mahendra Putra I Ketut Artawa I Ketut Wandia I Komang Sidny Darma Yadnya I Komang Sumaryana Putra I Made Netra I MADE RAJEG I Made Suastra I Nengah Sudipa I Nyoman Aryawibawa I Nyoman Tri Ediwan I Nyoman Udayana I Putu Hartomi Arya Franata I Wayan Juliadi Sastra I Wayan Mulyawan I Wayan Sukarma Ida Ayu Made Puspani Ida Ayu Rai Nayma Mahadewi Ida Bagus Putra Yadnya Kadek Andriana Dersen Ketut Widya Purnawati Lau Yoseph Anggara Putra Meta Lestari, Ni Putu Lia Cahya Luh Angelique Vironica Wardhana Luh Wulan Astarin Made Detriasmita Saientisna Masyuni, Ni Nyoman Wulan Meyliana Eka Putri Nanang Sutrisno Negara, I Putu Suwita Adi Ni Kadek Arie Susanti Ni Kadek Friandani Ni Ketut Sri Rahayuni Ni Luh Nyoman Seri Malini Ni Luh Sutjiati Beratha Ni Made Ayu Widiastuti Ni Nyoman Tri Gitayani Ni Wayan Ratna Dewi Ni Wayan Sukarini Ni Wayan Yunitri Nugraha, I Putu Gede Aditya Peni, Ni Wayan Pramita Tasya, Ni Ketut Ayu Primayani, Ni Putu Rahayu Putu Ayu Asty Senja Pratiwi Putu Dian Restiana Dewi Putu Jesa Putri Yasari Putu Lirishati Soethama Putu Rosalina Adnyani Putu Wahyu Widiatmika Putu Weddha Savitri Rafael, Agnes Maria Srikandiana, Zulvina Jois Tri Ediwan Tri Ediwan Venesia Vergie Vieda Pra Ramadhani Widiena Aurellia Saifani Widyasari, Ketut Monica Yosefina Helenora Jem