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All Journal Buletin Udayana Mengabdi Linguistika Indonesian Journal of Applied Linguistics (IJAL) LEKSIKA Jurnal Bahasa Lingua Scientia Culturalistics: Journal of Cultural, Literary, and Linguistic Studies JURNAL PENDIDIKAN TAMBUSAI Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Jurnal Review Pendidikan dan Pengajaran (JRPP) International Journal of Linguistics and Discourse Analytics (ijolida) Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Mimesis CITIZEN: Jurnal Ilmiah Mulitidisiplin Indonesia Stilistika: Journal of Indonesian Language and Literature Austronesian: Journal of Language Science & Literature Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities VISA: Journal of Vision and Ideas Litera : Jurnal Bahasa dan Sastra Ulil Albab Open Access DRIVERset Jurnal Pendidikan dan Sastra Inggris
Sang Ayu Isnu Maharani
English Department, Udayana University
Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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An Analysis of Code Mixing Found in the Indonesian Movie: Cek Toko Sebelah Putu Rosalina Adnyani; Sang Ayu Isnu Maharani; Putu Weddha Savitri
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 30 No 1 (2023): Maret
Publisher : Program Magister Linguistik Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/ling.2023.v30.i01.p01

Abstract

This study aims to 1) describe the types of code-mixing used by actors in the film "Cek Toko Sebelah" and 2) describe the reasons for using the code-mixing. This study uses a qualitative method. The object of this research is code-mixing contained in the film Cek Toko Next. This research data are in words, phrases, and sentences containing mixed codes of English and Indonesian. This study uses the observation method in collecting data. The data were then analyzed using Muysken's theory for the types of code-mixing. Based on the analysis conducted, this study found three code-mixing types: insertion code-mixing, alteration code-mixing, and congruent lexicalization code-mixing. In addition, there are two motives for using code-mixing used in the Indonesian film "Cek Toko Sebelah," namely the motive for filling in needs and the motif for filling in prestige.
Temporal Deictic Expressions in the Song Lyrics of Pale Waves’ My Mind Makes Noises Album Ida Ayu Rai Nayma Mahadewi; Ni Luh Sutjiati Beratha; Sang Ayu Isnu Maharani
Stilistika : Journal of Indonesian Language and Literature Vol 2 No 2 (2023): Volume 2 No 2, April 2023
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/STIL.2023.v02.i02.p14

Abstract

"Temporal Deictic Expressions in the Song Lyrics of Pale Waves’ "My Mind Makes Noises" Album" is the title of this article. This article focused on temporal deictic expressions in "My Mind Makes Noises" song lyrics that have official music videos. This article had two aims: first, to identify the temporal deictic expressions in the album's song lyrics; and second, to explain and analyze the deictic usages of the album's temporal deictic expressions. This article used a qualitative method and content analysis technique to analyze the data, with Huang's pragmatics theory as the grand theory and Halliday's context of situation theory as the supporting theory. The data for this article was gathered through the use of documentation and note-taking method and technique. This article used an informal method and descriptive technique to present the analysis, which means the results were presented in the form of descriptive words and sentences. There were six temporal deictic expressions analyzed in this article, which were then categorized into three categories based on the time of the event using pragmatics method, the context of the situation, and then the deictic usage of each temporal deictic expression. This article demonstrated that gestural deictic usage offers a clearer identification of the time of the event in temporal deictic expression, as well as an easier understanding of the context of situation.
Main Character’s Speech Functions Analysis In The Movie “Turning Red” Luh Angelique Vironica Wardhana; Sang Ayu Isnu Maharani
International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities Vol. 1 No. 1 (2023): February : International Journal of Education, Language, Literature, Arts, Cult
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/ijellacush.v1i1.160

Abstract

The study entitled “An Analysis of The Main Character's Speech Functions in The Movie "Turning Red"”. It aims to identify the types of the speech functions and to find out the most prominent speech functions used by the main character named Meilin Lee. The research method used in this study is the qualitative method with the elaboration in the discussion. Furthermore, the analysis of this study used the theory proposed by Holmes (2013) which is the five of speech functions (expressive, directive, referential, metalinguistic, poetic, and phatic functions). The findings show that there are only three speech functions found in the movie Turning Red. They are the expressive function (17 cases), directive functions (34 cases), and phatic functions (26 cases). In addition, the most prominent speech functions used by the main character are the directive functions which serve thirty-four cases, followed by phatic that has twenty-six, and expressive that has only seventeen cases  
POLITENESS MAXIM OF MAIN CHARACTER IN SECRET FORGIVEN Sang Ayu Isnu Maharani
LITERA : Jurnal Bahasa Dan Sastra Vol. 3 No. 1 (2017): LITERA JURNAL BAHASA DAN SASTRA
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v3i1.278

Abstract

ABSTRACT Maxim of Politeness is an interesting subject to be discussed, since politeness has been taught since our childhood. We are obliques to be polite to anyone either in speaking or behave.Somehow we  manage to show politeness in our spoken expression though our intention mightbe not so polite. For example we must appreciate other’s opinion although we have objection towards the opinion.In this study, the analysis of politeness is based on maxim proposes byLeech. He proposed six types of politeness maxims. The discussion shows that the main character (Kristen and Kami) use all type of maxim in their conversation. The most commonlyuse are approbation maxim and agreement maxim. Key Word : politeness, maxim ABSTRAK Kesantunan dalam komunikasi sangat menarik untuk dikaji, sebab kita telah diajarkan sopan santun sejak kita kecil. Kita diwajibkan untuk senantiasa santun kepada siapa pun baik dalamtuturan maupun tindakan. Seiring dengan waktu, kita mampu menunjukkan kesantunan dalam bertutur walaupun tujuan kita untuk mengkritik. Sebagai contoh, kita diharapkan mampumenghargai pendapat orang lain walaupun kita keberatan dengan pendapat tersebut. Dalam penelitian ini, analisis tentang kesantunan didasarkan atas teori yang dicetuskan oleh Leech.Leech membedakan kesantunan menjadi enam kelompok. Analisis menunjukkan bahwa Kristen dan Kami menggunakan semua bentuk kesopanan yang ada dalam tuturan mereka. Bentukyang paling umum di pergunakan adalah approbation maxim dan agreement maxim. Kata Kunci : kesopanan, tuturan
Illocutionary Acts Performed by Meilin in “Turning Red” the Movie Widyasari, Ketut Monica; Sukarini, Ni Wayan; Maharani, Sang Ayu Isnu
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 13 No. 1 (2024): Februari 2024
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v13i1.9675

Abstract

This analysis entitled "Illocutionary Act Performed by Meilin in Turning Red the Movie," aims at determining and analysing the types of illocutionary acts and direct and indirect illocutionary acts performed by Meilin as the main character in "Turning Red." This analysis was based on qualitative research, and data was collected through the documentation method and a note-taking technique. After collecting all relevant data, the data were analysed using the descriptive qualitative method. The data source was the utterances of Meilin, the main character in "Turning Red," the movie. This article analysed the data using the types of illocutionary acts theory proposed by Searle (1979) to categorise and analyse the collected data into five groups: declarations, assertive, expressive, directives, and commissives; and the approach proposed by Yule (1996) to determine and analyse direct and indirect illocutionary acts. Based on the result of the analysis, there were only four types of illocutionary acts used by Meilin in the movie: assertive, directive, commissive, and expressive. Assertive was expressed 17 times, directive was expressed 20 times, commissive appeared 9 times, and expressive appeared 2 times. In this analysis, no declaration acts were found because there were no utterances by Meilin that contained utterances to declare something. Therefore, the analysis also found that direct speech was the type most often expressed by Meilin; it was expressed 25 times, while indirect speech was only expressed 23 times. She mostly expressed her utterances directly because that is the easiest way to communicate with the listener. Keywords: Illocutionary acts, Types of illocutionary acts, Direct and indirect acts
Reduplikasi Bahasa Dawan: Kajian Morfologis Distribusi Rafael, Agnes Maria; Helenora Jem, Yosefina; Maharani, Sang Ayu Isnu
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.8083

Abstract

This article is intended to investigate the reduplication processes of bahasa Dawan spoken by Dawan people in NTT Province by using the morphological distribution theory proposed by Framton in 2004. To complete the study, a qualitative research method had been chosen based on the consideration that the data were in the form of words. Those data were taken from the utterances spoken in Dawan’s traditional ceremony as the main data source. Besides, Tata Bahasa Dawan book played a role as the secondary data source. The data were collected by observation and studying the document. In observation, the researchers observed and recorded the utterances by using an android, however the document study was done by reading documents about Bahasa Dawan. The study result reveals that in bahasa Dawab there are three processes in reduplication, namely 1) full reduplication without affixation process, 2) full reduplication with affixation process, and 3) partial reduplication.
The Usage of Slang Words in ‘My Block’ Movie Ni Wayan Sukarini; Sang Ayu Isnu Maharani; Byanca Vanessa Suwasdika
Austronesian: Journal of Language Science & Literature Vol. 3 No. 3 (2024): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.3.3.2024.122-129

Abstract

This study aims to identify the various slang words featured in the movie “On My Block,” with a particular focus on those employed by the main character while also delving into their semantic nuances. This research contributes to a broader understanding of the usage of slang language, enriching the knowledge of listeners and viewers alike. The study employed in this study revolves around documentation. Data collection involved viewing the movie and meticulously documenting dialogues containing slang expressions used by the characters. The subsequent analysis draws upon Partridge’s framework for categorizing slang types, coupled with sourcing slang meanings from Partridge’s dictionary. The study adopts a multifaceted approach, encompassing both formal and informal methods to present the analytical findings. The research findings effectively address two critical facets of the research problem. Firstly, they categorize the slang words featured in the “On My Block” movie into three distinct types: Society slang, Cockney slang, and Public House slang. Secondly, the study elucidates the significance of these slang words in the context of the movie, shedding light on their functional roles within conversational exchanges.
The Exploration Of Directive Illocutionary Act In “The Pursuit Of Happyness” Movie Nugraha, I Putu Gede Aditya; Suastra, I Made; Maharani, Sang Ayu Isnu
International Journal of Linguistics and Discourse Analytics Vol 6 No 1 (2024): IJOLIDA Vol. 6 No. 1, September 2024
Publisher : Denpasar Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52232/ijolida.v6i1.148

Abstract

According to Austin (1962:1) “a statement can only be to describe some state of affairs, or to state some fact, which it must do either truly or falsely. It have been regularly pointed out that not all sentences are used in making statements.” Leech (1983:13) “context deals with relevant aspect of physical or social setting of an utterance. Therefore, social setting in this case comes from the speaker and the listener.” Lyons (1977:34) states that “A clear difference can happen between the listener (the person who receives and interprets the utterance) and the speaker (the person to whom the utterance is delivered).” This research entitled The Exploration of Directive Illocutionary Acts In “The Pursuit of Happyness” Movie is aimed to analyze the context of situation of directive illocutionary act that indicate directive illocutionary act found in “The Pursuit of Happyness” movie script and identify the types of directive illocutionary act found in “The Pursuit of Happyness” movie script. Documentation and observation method were applied in conducting this study. Descriptive qualitative method was applied in analysing the data in this study. Informal method was used in presenting the final result of the analysis. The research findings showed that there were a total of eighteen scenes in the movie “The Pursuit of Happyness” which indicate the directive illocutionary acts. There were six types of directive illocutionary acts in the movie “The Pursuit of Happyness”: Request, Question, Prohibition, Requirement, Permission, and Advice
Positive Politeness Strategies in "The Karate Kid" Movie Peni, Ni Wayan; Maharani, Sang Ayu Isnu; Beratha, Ni Luh Sutjiati
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 12 No. 2 (2023): Agustus 2023
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v12i2.9647

Abstract

This research entitled “Positive Politeness Strategies in The Karate Kid Movie” aims at identifying the types of positive politeness strategies used in The Karate Kid movie and analyzing the response occurred to the realization of positive politeness strategies in The Karate Kid movie. The data of this research were taken from the transcript of the conversation in the movie. The data were in the form of words, phrases, and sentences of the characters. The method and technique to collect the data was documentation and supported by note-taking technique. The method and technique of analyzing the data was qualitative method and supported by triangulation technique. The method and technique of presenting analysis was informal method and supported by descriptive technique. The theory of Brown and Levinson’s (1987) was used to analyze the types of positive politeness strategies and Levinson’s (1983) theory was used to analyze the types of response occurred to the realization of positive politeness strategies. The results found there were 9 types of positive politeness strategies which used by the characters in The Karate Kid movie namely, strategy 1 Notice, attend to H (his/her interests, wants, needs, goods), strategy 2 Exaggerate (interest, approval, sympathy with H), strategy 4 Use in group identity markers, strategy 5 Seek agreement, strategy 9 Asserting/presupposing S’s knowledge of and concern for H’s wants, strategy 10 Offer, promise, strategy 11 Be optimistic, strategy 12 Include both S and H in the activity, and strategy 13 Give (or ask for) reasons. Regarding to the response occurred to the realization of positive politeness strategies both preferred response and dispreferred response were used by the characters to the realization of positive politeness strategies in The Karate Kid movie. Keywords: Positive Politeness Strategies, Politeness Strategies, The Karate Kid
Investigating The Theme Of The Short Story Entitled “A Good Man Is Hard To Find” By Flannery O’Connor Agnes Br; Rajeg, I Made; Maharani, Sang Ayu Isnu
International Journal of Linguistics and Discourse Analytics Vol 6 No 1 (2024): IJOLIDA Vol. 6 No. 1, September 2024
Publisher : Denpasar Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52232/ijolida.v6i1.140

Abstract

This article investigates the complex themes in Flannery O'Connor's "A Good Man is Hard to Find" aiming to reveal the narrative's inherent complexity. The main focus is on the central themes of morality and the elusive nature of goodness. O'Connor's extraordinary literary skills, characterized by a distinctive narrative style and technique, are carefully examined to reveal a wide range of characters. Each of these characters grapples with the balance between virtue and moral compromise during what initially seems like an ordinary family trip. At the forefront of this exploration is the grandmother, who is elevated to protagonist status. His flawed moral beliefs and unwavering sense of righteousness become important forces that shape the events that occur. Using a multidimensional analytical approach, this research integrates elements of Southern Gothic literature and religious symbolism to enrich our understanding of O'Connor's storytelling. The findings and discussions section hones in on key themes, including Violence and Grace, Goodness, Punishment and Forgiveness, Familial Conflict and Familial Love, and Moral Decay. The analysis illuminates how the narrative utilizes violence for transformative effects, navigates the ambiguity of goodness, portrays the power of forgiveness amid harsh realities, depicts familial love emerging amidst conflict, and examines perceptions of moral decline. Through such a comprehensive exploration, this study not only deepens our appreciation of O'Connor's thematic choices but also provides insight into the complexity of human nature. This emphasizes the challenges inherent in the pursuit of goodness and moral integrity. The article concludes by highlighting the enduring relevance of “A Good Man is Hard to Find,” encouraging readers to reflect on the timeless themes of morality and the complexity of the human condition
Co-Authors Adriel Elbert Dinata Agnes Br Anak Agung Ngurah Wira Wicaksana Anak Agung Sagung Shanti Sari Dewi Andryani, Gusti Ayu Made Terry Angelika Arif M Arie Susanti, Ni Kadek Budianto, Clarissa Lievany Byanca Vanessa Suwasdika Desak Putu Ayu Febi Purwani Gusti Ayu Marcela Dewi I Gede Anugrah Prasetya Dharma Putra I Gede Putu Sudana I Gusti Agung Bagus Santa Putra I Gusti Ngurah Parthama I Kadek Agus Mahendra Putra I Ketut Artawa I Ketut Wandia I Komang Sidny Darma Yadnya I Komang Sumaryana Putra I Made Netra I MADE RAJEG I Made Suastra I Nengah Sudipa I Nyoman Aryawibawa I Nyoman Tri Ediwan I Nyoman Udayana I Putu Hartomi Arya Franata I Wayan Juliadi Sastra I Wayan Mulyawan I Wayan Sukarma Ida Ayu Made Puspani Ida Ayu Rai Nayma Mahadewi Ida Bagus Putra Yadnya Kadek Andriana Dersen Ketut Widya Purnawati Lau Yoseph Anggara Putra Meta Lestari, Ni Putu Lia Cahya Luh Angelique Vironica Wardhana Luh Wulan Astarin Made Detriasmita Saientisna Masyuni, Ni Nyoman Wulan Meyliana Eka Putri Nanang Sutrisno Negara, I Putu Suwita Adi Ni Kadek Friandani Ni Ketut Sri Rahayuni Ni Luh Nyoman Seri Malini Ni Luh Sutjiati Beratha Ni Made Ayu Widiastuti Ni Nyoman Tri Gitayani Ni Wayan Ratna Dewi Ni Wayan Sukarini Ni Wayan Yunitri Nugraha, I Putu Gede Aditya Peni, Ni Wayan Pramita Tasya, Ni Ketut Ayu Primayani, Ni Putu Rahayu Putu Ayu Asty Senja Pratiwi Putu Dian Restiana Dewi Putu Jesa Putri Yasari Putu Lirishati Soethama Putu Rosalina Adnyani Putu Weddha Savitri Rafael, Agnes Maria Srikandiana, Zulvina Jois Tri Ediwan Tri Ediwan Venesia Vergie Vieda Pra Ramadhani Widyasari, Ketut Monica Yosefina Helenora Jem