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All Journal HUMANIS Buletin Udayana Mengabdi Linguistika Indonesian Journal of Applied Linguistics (IJAL) LINGUAL: Journal of Language and Culture LEKSIKA Jurnal Bahasa Lingua Scientia JURNAL PENDIDIKAN TAMBUSAI Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Jurnal Review Pendidikan dan Pengajaran (JRPP) International Journal of Linguistics and Discourse Analytics (ijolida) Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Mimesis CITIZEN: Jurnal Ilmiah Mulitidisiplin Indonesia Stilistika: Journal of Indonesian Language and Literature Austronesian: Journal of Language Science & Literature Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities VISA: Journal of Vision and Ideas Litera : Jurnal Bahasa dan Sastra Ulil Albab
Sang Ayu Isnu Maharani
English Department, Udayana University
Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Reduplikasi Bahasa Dawan: Kajian Morfologis Distribusi Rafael, Agnes Maria; Helenora Jem, Yosefina; Maharani, Sang Ayu Isnu
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.8083

Abstract

This article is intended to investigate the reduplication processes of bahasa Dawan spoken by Dawan people in NTT Province by using the morphological distribution theory proposed by Framton in 2004. To complete the study, a qualitative research method had been chosen based on the consideration that the data were in the form of words. Those data were taken from the utterances spoken in Dawan’s traditional ceremony as the main data source. Besides, Tata Bahasa Dawan book played a role as the secondary data source. The data were collected by observation and studying the document. In observation, the researchers observed and recorded the utterances by using an android, however the document study was done by reading documents about Bahasa Dawan. The study result reveals that in bahasa Dawab there are three processes in reduplication, namely 1) full reduplication without affixation process, 2) full reduplication with affixation process, and 3) partial reduplication.
The Usage of Slang Words in ‘My Block’ Movie Ni Wayan Sukarini; Sang Ayu Isnu Maharani; Byanca Vanessa Suwasdika
Austronesian: Journal of Language Science & Literature Vol. 3 No. 3 (2024): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.3.3.2024.122-129

Abstract

This study aims to identify the various slang words featured in the movie “On My Block,” with a particular focus on those employed by the main character while also delving into their semantic nuances. This research contributes to a broader understanding of the usage of slang language, enriching the knowledge of listeners and viewers alike. The study employed in this study revolves around documentation. Data collection involved viewing the movie and meticulously documenting dialogues containing slang expressions used by the characters. The subsequent analysis draws upon Partridge’s framework for categorizing slang types, coupled with sourcing slang meanings from Partridge’s dictionary. The study adopts a multifaceted approach, encompassing both formal and informal methods to present the analytical findings. The research findings effectively address two critical facets of the research problem. Firstly, they categorize the slang words featured in the “On My Block” movie into three distinct types: Society slang, Cockney slang, and Public House slang. Secondly, the study elucidates the significance of these slang words in the context of the movie, shedding light on their functional roles within conversational exchanges.
The Exploration Of Directive Illocutionary Act In “The Pursuit Of Happyness” Movie Nugraha, I Putu Gede Aditya; Suastra, I Made; Maharani, Sang Ayu Isnu
International Journal of Linguistics and Discourse Analytics Vol 6 No 1 (2024): IJOLIDA Vol. 6 No. 1, September 2024
Publisher : Denpasar Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52232/ijolida.v6i1.148

Abstract

According to Austin (1962:1) “a statement can only be to describe some state of affairs, or to state some fact, which it must do either truly or falsely. It have been regularly pointed out that not all sentences are used in making statements.” Leech (1983:13) “context deals with relevant aspect of physical or social setting of an utterance. Therefore, social setting in this case comes from the speaker and the listener.” Lyons (1977:34) states that “A clear difference can happen between the listener (the person who receives and interprets the utterance) and the speaker (the person to whom the utterance is delivered).” This research entitled The Exploration of Directive Illocutionary Acts In “The Pursuit of Happyness” Movie is aimed to analyze the context of situation of directive illocutionary act that indicate directive illocutionary act found in “The Pursuit of Happyness” movie script and identify the types of directive illocutionary act found in “The Pursuit of Happyness” movie script. Documentation and observation method were applied in conducting this study. Descriptive qualitative method was applied in analysing the data in this study. Informal method was used in presenting the final result of the analysis. The research findings showed that there were a total of eighteen scenes in the movie “The Pursuit of Happyness” which indicate the directive illocutionary acts. There were six types of directive illocutionary acts in the movie “The Pursuit of Happyness”: Request, Question, Prohibition, Requirement, Permission, and Advice
Positive Politeness Strategies in "The Karate Kid" Movie Peni, Ni Wayan; Maharani, Sang Ayu Isnu; Beratha, Ni Luh Sutjiati
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 12 No. 2 (2023): Agustus 2023
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v12i2.9647

Abstract

This research entitled “Positive Politeness Strategies in The Karate Kid Movie” aims at identifying the types of positive politeness strategies used in The Karate Kid movie and analyzing the response occurred to the realization of positive politeness strategies in The Karate Kid movie. The data of this research were taken from the transcript of the conversation in the movie. The data were in the form of words, phrases, and sentences of the characters. The method and technique to collect the data was documentation and supported by note-taking technique. The method and technique of analyzing the data was qualitative method and supported by triangulation technique. The method and technique of presenting analysis was informal method and supported by descriptive technique. The theory of Brown and Levinson’s (1987) was used to analyze the types of positive politeness strategies and Levinson’s (1983) theory was used to analyze the types of response occurred to the realization of positive politeness strategies. The results found there were 9 types of positive politeness strategies which used by the characters in The Karate Kid movie namely, strategy 1 Notice, attend to H (his/her interests, wants, needs, goods), strategy 2 Exaggerate (interest, approval, sympathy with H), strategy 4 Use in group identity markers, strategy 5 Seek agreement, strategy 9 Asserting/presupposing S’s knowledge of and concern for H’s wants, strategy 10 Offer, promise, strategy 11 Be optimistic, strategy 12 Include both S and H in the activity, and strategy 13 Give (or ask for) reasons. Regarding to the response occurred to the realization of positive politeness strategies both preferred response and dispreferred response were used by the characters to the realization of positive politeness strategies in The Karate Kid movie. Keywords: Positive Politeness Strategies, Politeness Strategies, The Karate Kid
Investigating The Theme Of The Short Story Entitled “A Good Man Is Hard To Find” By Flannery O’Connor Agnes Br; Rajeg, I Made; Maharani, Sang Ayu Isnu
International Journal of Linguistics and Discourse Analytics Vol 6 No 1 (2024): IJOLIDA Vol. 6 No. 1, September 2024
Publisher : Denpasar Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52232/ijolida.v6i1.140

Abstract

This article investigates the complex themes in Flannery O'Connor's "A Good Man is Hard to Find" aiming to reveal the narrative's inherent complexity. The main focus is on the central themes of morality and the elusive nature of goodness. O'Connor's extraordinary literary skills, characterized by a distinctive narrative style and technique, are carefully examined to reveal a wide range of characters. Each of these characters grapples with the balance between virtue and moral compromise during what initially seems like an ordinary family trip. At the forefront of this exploration is the grandmother, who is elevated to protagonist status. His flawed moral beliefs and unwavering sense of righteousness become important forces that shape the events that occur. Using a multidimensional analytical approach, this research integrates elements of Southern Gothic literature and religious symbolism to enrich our understanding of O'Connor's storytelling. The findings and discussions section hones in on key themes, including Violence and Grace, Goodness, Punishment and Forgiveness, Familial Conflict and Familial Love, and Moral Decay. The analysis illuminates how the narrative utilizes violence for transformative effects, navigates the ambiguity of goodness, portrays the power of forgiveness amid harsh realities, depicts familial love emerging amidst conflict, and examines perceptions of moral decline. Through such a comprehensive exploration, this study not only deepens our appreciation of O'Connor's thematic choices but also provides insight into the complexity of human nature. This emphasizes the challenges inherent in the pursuit of goodness and moral integrity. The article concludes by highlighting the enduring relevance of “A Good Man is Hard to Find,” encouraging readers to reflect on the timeless themes of morality and the complexity of the human condition
Language Features of Women in Zoe Sugg’s Vlog a Very Homey Weekend Pramita Tasya, Ni Ketut Ayu; Maharani, Sang Ayu Isnu; Pratiwi, Putu Ayu Asty Senja
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 1 (2025): Februari 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v14i1.9904

Abstract

Women’s language in the field of sociolinguistics indicated the women’s behaviour characteristics. The women’s language is women are expected to speak in universal characteristics suggested by Lakoff (1975). The aims of this research are to analyse and describe the features of women’s language in a vlog by Zoe Sugg. The method of this research is qualitative research with a descriptive method with the data in the form of spoken utterances of YouTube vlogs, published on April 22, 2022, which consists of several vlog’s activities for instance: daily routine, fashion, and special events. The findings of this research revealed that from ten features of women’s language all features are in the vlog and also, all of the functions can be found in the vlog. The result of this study research can be applied for reference to teaching material, particularly in sociolinguistics. Keywords: Women’s Language Features, Women’s Language Functions, Vlog
Men’s and Women’s Language Features Used in the Conversation of the Talk Show “The Ellen Show” Adriel Elbert Dinata; Ni Wayan Sukarini; Sang Ayu Isnu Maharani
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 6: Mei 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i6.1637

Abstract

This article is entitled Men’s and Women’s Language Features Used in the Conversation of the Talk Show “The Ellen Show”. This article aims to find the men’s and women’s language features in “The Ellen Show”. The analysis of the article was focused on the utterance of man speakers and woman speakers to find out the features of men’s and woman’s language used in a conversation on a talk show. This article uses Lakoff’s theory about Women’s Language Features and Coates’ theory about Men’s Language Features to analyse the utterances of the talk show’s men and women speakers. This article uses the documentation and observation technique to collect data. As a result, there are ten data and seven language features from woman speakers, namely Lexical Hedges or Filters, ‘Empty’ Adjectives, Rising Intonation on Declarative, Intensifies, ‘Super-polite’ Forms, Avoidance of Strong Swear Words, and Empathic Stress. From the man speaker, there are six data and four language features: Direct Form, Compliment, Swearing, Taboo Language, and Questions. The results indicate any linguistic features, differences, and similarities between men and women in a conversation on the talk show.
Slang Expressions in "The Greasy Strangler" Movie Venesia Vergie; Sang Ayu Isnu Maharani; Ni Wayan Sukarini
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 3 No. 8: Juli 2024
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v3i8.4277

Abstract

The research titled "Slang Expressions in 'The Greasy Strangler'" explores the various slang expressions used in the movie. It aims to identify the types and meanings of these slang expressions. The study employs four methodologies: identifying the data source, collecting data from the movie transcript, analyzing the data using descriptive qualitative methods and slang dictionaries, and presenting the findings. Key findings reveal the presence of both primary and secondary slang types, as well as a range of meanings including conceptual, connotative, social, affective, reflected, and collocative meanings. The research concludes with 16 instances of slang expressions, categorized according to Chapman's theory and Leech's types of meaning.
The Meaning of Signs in Shadow and Bone Series Srikandiana, Zulvina Jois; Savitri, Putu Weddha; Maharani, Sang Ayu Isnu
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 2 (2025): Agustus 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/df8t0p37

Abstract

This research entitled “The Meaning of Signs in Shadow and Bone Series” and aimed to identify symbols, icon, and indexes in the series. This research also explained how the visual elements help in representing the meaning of the signs. The data in this research were collected from Shadow and Bone series by using documentation method and note-taking technique. This research applied triadic theory by Peirce and visual elements theory by Dyer to analyze the data. The findings of the research revealed that there were 12 visual signs in the series which in a form of 4 symbols, 1 icon, and 7 indexes. Each of the visual signs is correlated with the series story plot. The most dominant visual elements related to the sign meaning was represented by Alina’s character. It can be concluded that Alina is the main character in the series, and the signs reflected Alina’s journey from discriminated until venerated by people. The signs that related to Mal connects him to Alina, which means he is the supporting character for Alina’s journey. In contrast, the signs that related to General Kirigan indicates that he is the antagonist in Alina’s journey and her character development. According to the signs finding, General Kirigan portrayed as the greedy immortal man who addicted to power. He wanted to use Alina’s power for his purpose. He intended to use the shadow fold as a weapon, so that he could expand his sovereign territory and feared by the enemy of Ravka. Keywords: Icon, Index, Signs, Symbol, Visual Elements
Translation Techniques In Bilingual Beauty Product Advertisements Primayani, Ni Putu Rahayu; Maharani, Sang Ayu Isnu; Udayana, I Nyoman
Citizen : Jurnal Ilmiah Multidisiplin Indonesia Vol. 5 No. 4 (2025): CITIZEN: Jurnal Ilmiah Multidisiplin Indonesia
Publisher : DAS Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53866/jimi.v5i4.932

Abstract

The growth of the beauty industry has led to the increased use of bilingual advertisements to reach a broader audience. However, the differences in cultural and linguistic contexts between the source and target languages of the advertisements often lead to shifts in meaning. In this context, it is the translator's responsibility to act as a bridge to fill this gap. This research aims to identify and analyse the translation techniques used in bilingual beauty product advertisements and to examine how these techniques reflect translation equivalence. This research employs a qualitative method using the theory of translation techniques by Molina and Albir (2002) and the concept of translation equivalence by Nida and Taber (1969). The data were collected from bilingual beauty product advertisements sourced from the official YouTube channel of Maybelline New York. Data were collected through documentation and note-taking techniques and then analysed by comparing English and Indonesian subtitle transcripts to identify the applied translation techniques and the type of equivalence achieved. The results were presented with a formal method through the use of table and informal method to describe the analysis. The findings revealed that eleven out of eighteen translation techniques were used, discursive creation, borrowing, linguistic compression, modulation, amplification, literal translation, linguistic amplification, reduction, transposition, adaptation, and generalization. The application of these techniques primarily achieved dynamic equivalence. Meanwhile, formal equivalence was achieved when the source and target language structures closely aligned.
Co-Authors Adriel Elbert Dinata Agnes Br Anak Agung Ngurah Wira Wicaksana Anak Agung Sagung Shanti Sari Dewi Andryani, Gusti Ayu Made Terry Angelika Arif M Byanca Vanessa Suwasdika Desak Putu Ayu Febi Purwani Gusti Ayu Marcela Dewi I Gede Anugrah Prasetya Dharma Putra I Gede Putu Sudana I Gusti Agung Bagus Santa Putra I Gusti Ngurah Parthama I Kadek Agus Mahendra Putra I Ketut Wandia I Komang Sumaryana Putra I Made Netra I MADE RAJEG I Made Suastra I Nengah Sudipa I Nyoman Aryawibawa I Nyoman Tri Ediwan I Nyoman Udayana I Putu Hartomi Arya Franata I Wayan Juliadi Sastra I Wayan Mulyawan I Wayan Sukarma Ida Ayu Rai Nayma Mahadewi Ida Bagus Putra Yadnya Kadek Andriana Dersen Lau Yoseph Anggara Putra Meta Lestari, Ni Putu Lia Cahya Luh Angelique Vironica Wardhana Luh Wulan Astarin Made Detriasmita Saientisna Masyuni, Ni Nyoman Wulan Meyliana Eka Putri Nanang Sutrisno Negara, I Putu Suwita Adi Ni Kadek Friandani Ni Ketut Sri Rahayuni Ni Luh Nyoman Seri Malini Ni Luh Sutjiati Beratha Ni Made Ayu Widiastuti Ni Nyoman Tri Gitayani Ni Wayan Ratna Dewi Ni Wayan Sukarini Ni Wayan Yunitri Nugraha, I Putu Gede Aditya Peni, Ni Wayan Pramita Tasya, Ni Ketut Ayu Primayani, Ni Putu Rahayu Putu Ayu Asty Senja Pratiwi Putu Dian Restiana Dewi Putu Jesa Putri Yasari Putu Lirishati Soethama Putu Rosalina Adnyani Putu Weddha Savitri Rafael, Agnes Maria Srikandiana, Zulvina Jois Tri Ediwan Tri Ediwan Venesia Vergie Vieda Pra Ramadhani Widyasari, Ketut Monica Yosefina Helenora Jem