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All Journal HUMANIS Buletin Udayana Mengabdi Linguistika Indonesian Journal of Applied Linguistics (IJAL) LINGUAL: Journal of Language and Culture LEKSIKA Jurnal Bahasa Lingua Scientia JURNAL PENDIDIKAN TAMBUSAI Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Jurnal Review Pendidikan dan Pengajaran (JRPP) International Journal of Linguistics and Discourse Analytics (ijolida) Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Mimesis CITIZEN: Jurnal Ilmiah Mulitidisiplin Indonesia Stilistika: Journal of Indonesian Language and Literature Austronesian: Journal of Language Science & Literature International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities VISA: Journal of Vision and Ideas Litera : Jurnal Bahasa dan Sastra Ulil Albab
Sang Ayu Isnu Maharani
English Department, Udayana University
Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Illocutionary Acts Performed by Meilin in “Turning Red” the Movie Widyasari, Ketut Monica; Sukarini, Ni Wayan; Maharani, Sang Ayu Isnu
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol 13 No 1 (2024): Februari 2024
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v13i1.9675

Abstract

This analysis entitled "Illocutionary Act Performed by Meilin in Turning Red the Movie," aims at determining and analysing the types of illocutionary acts and direct and indirect illocutionary acts performed by Meilin as the main character in "Turning Red." This analysis was based on qualitative research, and data was collected through the documentation method and a note-taking technique. After collecting all relevant data, the data were analysed using the descriptive qualitative method. The data source was the utterances of Meilin, the main character in "Turning Red," the movie. This article analysed the data using the types of illocutionary acts theory proposed by Searle (1979) to categorise and analyse the collected data into five groups: declarations, assertive, expressive, directives, and commissives; and the approach proposed by Yule (1996) to determine and analyse direct and indirect illocutionary acts. Based on the result of the analysis, there were only four types of illocutionary acts used by Meilin in the movie: assertive, directive, commissive, and expressive. Assertive was expressed 17 times, directive was expressed 20 times, commissive appeared 9 times, and expressive appeared 2 times. In this analysis, no declaration acts were found because there were no utterances by Meilin that contained utterances to declare something. Therefore, the analysis also found that direct speech was the type most often expressed by Meilin; it was expressed 25 times, while indirect speech was only expressed 23 times. She mostly expressed her utterances directly because that is the easiest way to communicate with the listener. Keywords: Illocutionary acts, Types of illocutionary acts, Direct and indirect acts
Reduplikasi Bahasa Dawan: Kajian Morfologis Distribusi Rafael, Agnes Maria; Helenora Jem, Yosefina; Maharani, Sang Ayu Isnu
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.8083

Abstract

This article is intended to investigate the reduplication processes of bahasa Dawan spoken by Dawan people in NTT Province by using the morphological distribution theory proposed by Framton in 2004. To complete the study, a qualitative research method had been chosen based on the consideration that the data were in the form of words. Those data were taken from the utterances spoken in Dawan’s traditional ceremony as the main data source. Besides, Tata Bahasa Dawan book played a role as the secondary data source. The data were collected by observation and studying the document. In observation, the researchers observed and recorded the utterances by using an android, however the document study was done by reading documents about Bahasa Dawan. The study result reveals that in bahasa Dawab there are three processes in reduplication, namely 1) full reduplication without affixation process, 2) full reduplication with affixation process, and 3) partial reduplication.
Address Terms Used by The Characters in Barbie: Princess Charm School Movie Gusti Ayu Made Terry Andryani; I Nyoman Udayana; Sang Ayu Isnu Maharani
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini, berjudul Istilah Sapaan yang Digunakan oleh Karakter dalam Film Barbie: Princess Charm School, mengeksplorasi penggunaan istilah sapaan dalam film untuk merujuk pada orang yang diajak bicara. Istilah-istilah ini mencerminkan hubungan sosial antara pembicara dan pendengar, menunjukkan keakraban, rasa hormat, atau perbedaan kekuasaan. Penelitian ini bertujuan untuk mengidentifikasi jenis-jenis istilah sapaan yang digunakan oleh karakter dalam film Barbie: Princess Charm School, dan untuk menganalisis fungsi istilah sapaan yang digunakan oleh karakter dalam film Barbie: Princess Charm School. Pengumpulan data menggunakan dokumentasi, observasi, dan teknik pencatatan, sementara metode kualitatif dan teknik analisis konten digunakan untuk analisis data. Penelitian ini menerapkan teori Wardhaugh tentang jenis-jenis istilah sapaan dan teori Chaika tentang fungsi-fungsinya, yang didukung oleh teori Holmes tentang konteks situasi. Selain itu, metode informal digunakan dalam menyajikan analisis. Hasil penelitian ini menunjukkan bahwa terdapat lima jenis istilah sapaan: Nama Depan (FN), Gelar plus Nama Belakang (TLN), Gelar saja (T), Nama Panggilan (PN), dan yang terakhir adalah Istilah Kekerabatan (KT). Namun, tidak ada data yang menunjukkan penggunaan Nama Belakang (LN). Penelitian ini juga menemukan semua penggunaan fungsi istilah sapaan seperti keakraban, rasa hormat, dan perbedaan kekuasaan. Dapat dilihat bahwa untuk menunjukkan keakraban, karakter menggunakan istilah sapaan FN, PN, dan KT. Untuk menunjukkan perbedaan kekuasaan, karakter menggunakan istilah sapaan FN, TLN, dan T. Untuk menunjukkan rasa hormat, karakter menggunakan istilah sapaan T.
Analyzing the Theme as Intrinsic Elements in Short Story Entitled “Runaway” by Alice Munro I Putu Suwita Adi Negara; I Made Rajeg; Sang Ayu Isnu Maharani
VISA: Journal of Vision and Ideas Vol. 4 No. 3 (2024): VISA: Journal of Vision and Ideas
Publisher : IAI Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/visa.v4i3.3767

Abstract

Short story in literature is a brief work of fiction that usually focused on a single plot, theme, or character. Short story has intrinsic elements like novel, and they are: plot, theme, setting, point of view, character and characterization, and symbol. This research paper aimed to analyze the intrinsic elements specifically the theme in a short story “Runaway” by Alice Munro. In this study, the data source is collected from the short story by Alice Munro entitled “Runaway”. The researcher uses qualitative method and theory of literature by Wellek and Warren to analyze and describe the result of this research. In Alice Munro's "Runaway," Carla, a young woman trapped in an abusive marriage, considers leaving with the help of Sylvia, her neighbor, but she eventually has to deal with the difficulties of fleeing societal norms and her husband's authority. The story examines issues of female friendship, domestic entrapment, and the struggle for independence. The result of this research found three main themes; female friendship, marital struggle, and pursuit of freedom.
The Usage of Slang Words in ‘My Block’ Movie Ni Wayan Sukarini; Sang Ayu Isnu Maharani; Byanca Vanessa Suwasdika
Austronesian: Journal of Language Science & Literature Vol. 3 No. 3 (2024): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.3.3.2024.122-129

Abstract

This study aims to identify the various slang words featured in the movie “On My Block,” with a particular focus on those employed by the main character while also delving into their semantic nuances. This research contributes to a broader understanding of the usage of slang language, enriching the knowledge of listeners and viewers alike. The study employed in this study revolves around documentation. Data collection involved viewing the movie and meticulously documenting dialogues containing slang expressions used by the characters. The subsequent analysis draws upon Partridge’s framework for categorizing slang types, coupled with sourcing slang meanings from Partridge’s dictionary. The study adopts a multifaceted approach, encompassing both formal and informal methods to present the analytical findings. The research findings effectively address two critical facets of the research problem. Firstly, they categorize the slang words featured in the “On My Block” movie into three distinct types: Society slang, Cockney slang, and Public House slang. Secondly, the study elucidates the significance of these slang words in the context of the movie, shedding light on their functional roles within conversational exchanges.
The Exploration Of Directive Illocutionary Act In “The Pursuit Of Happyness” Movie Nugraha, I Putu Gede Aditya; Suastra, I Made; Maharani, Sang Ayu Isnu
International Journal of Linguistics and Discourse Analytics Vol 6 No 1 (2024): IJOLIDA Vol. 6 No. 1, September 2024
Publisher : Denpasar Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52232/ijolida.v6i1.148

Abstract

According to Austin (1962:1) “a statement can only be to describe some state of affairs, or to state some fact, which it must do either truly or falsely. It have been regularly pointed out that not all sentences are used in making statements.” Leech (1983:13) “context deals with relevant aspect of physical or social setting of an utterance. Therefore, social setting in this case comes from the speaker and the listener.” Lyons (1977:34) states that “A clear difference can happen between the listener (the person who receives and interprets the utterance) and the speaker (the person to whom the utterance is delivered).” This research entitled The Exploration of Directive Illocutionary Acts In “The Pursuit of Happyness” Movie is aimed to analyze the context of situation of directive illocutionary act that indicate directive illocutionary act found in “The Pursuit of Happyness” movie script and identify the types of directive illocutionary act found in “The Pursuit of Happyness” movie script. Documentation and observation method were applied in conducting this study. Descriptive qualitative method was applied in analysing the data in this study. Informal method was used in presenting the final result of the analysis. The research findings showed that there were a total of eighteen scenes in the movie “The Pursuit of Happyness” which indicate the directive illocutionary acts. There were six types of directive illocutionary acts in the movie “The Pursuit of Happyness”: Request, Question, Prohibition, Requirement, Permission, and Advice
Positive Politeness Strategies in "The Karate Kid" Movie Peni, Ni Wayan; Maharani, Sang Ayu Isnu; Beratha, Ni Luh Sutjiati
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol 12 No 2 (2023): Agustus 2023
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v12i2.9647

Abstract

This research entitled “Positive Politeness Strategies in The Karate Kid Movie” aims at identifying the types of positive politeness strategies used in The Karate Kid movie and analyzing the response occurred to the realization of positive politeness strategies in The Karate Kid movie. The data of this research were taken from the transcript of the conversation in the movie. The data were in the form of words, phrases, and sentences of the characters. The method and technique to collect the data was documentation and supported by note-taking technique. The method and technique of analyzing the data was qualitative method and supported by triangulation technique. The method and technique of presenting analysis was informal method and supported by descriptive technique. The theory of Brown and Levinson’s (1987) was used to analyze the types of positive politeness strategies and Levinson’s (1983) theory was used to analyze the types of response occurred to the realization of positive politeness strategies. The results found there were 9 types of positive politeness strategies which used by the characters in The Karate Kid movie namely, strategy 1 Notice, attend to H (his/her interests, wants, needs, goods), strategy 2 Exaggerate (interest, approval, sympathy with H), strategy 4 Use in group identity markers, strategy 5 Seek agreement, strategy 9 Asserting/presupposing S’s knowledge of and concern for H’s wants, strategy 10 Offer, promise, strategy 11 Be optimistic, strategy 12 Include both S and H in the activity, and strategy 13 Give (or ask for) reasons. Regarding to the response occurred to the realization of positive politeness strategies both preferred response and dispreferred response were used by the characters to the realization of positive politeness strategies in The Karate Kid movie. Keywords: Positive Politeness Strategies, Politeness Strategies, The Karate Kid
Investigating The Theme Of The Short Story Entitled “A Good Man Is Hard To Find” By Flannery O’Connor Agnes Br; Rajeg, I Made; Maharani, Sang Ayu Isnu
International Journal of Linguistics and Discourse Analytics Vol 6 No 1 (2024): IJOLIDA Vol. 6 No. 1, September 2024
Publisher : Denpasar Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52232/ijolida.v6i1.140

Abstract

This article investigates the complex themes in Flannery O'Connor's "A Good Man is Hard to Find" aiming to reveal the narrative's inherent complexity. The main focus is on the central themes of morality and the elusive nature of goodness. O'Connor's extraordinary literary skills, characterized by a distinctive narrative style and technique, are carefully examined to reveal a wide range of characters. Each of these characters grapples with the balance between virtue and moral compromise during what initially seems like an ordinary family trip. At the forefront of this exploration is the grandmother, who is elevated to protagonist status. His flawed moral beliefs and unwavering sense of righteousness become important forces that shape the events that occur. Using a multidimensional analytical approach, this research integrates elements of Southern Gothic literature and religious symbolism to enrich our understanding of O'Connor's storytelling. The findings and discussions section hones in on key themes, including Violence and Grace, Goodness, Punishment and Forgiveness, Familial Conflict and Familial Love, and Moral Decay. The analysis illuminates how the narrative utilizes violence for transformative effects, navigates the ambiguity of goodness, portrays the power of forgiveness amid harsh realities, depicts familial love emerging amidst conflict, and examines perceptions of moral decline. Through such a comprehensive exploration, this study not only deepens our appreciation of O'Connor's thematic choices but also provides insight into the complexity of human nature. This emphasizes the challenges inherent in the pursuit of goodness and moral integrity. The article concludes by highlighting the enduring relevance of “A Good Man is Hard to Find,” encouraging readers to reflect on the timeless themes of morality and the complexity of the human condition
Language Features of Women in Zoe Sugg’s Vlog a Very Homey Weekend Pramita Tasya, Ni Ketut Ayu; Maharani, Sang Ayu Isnu; Pratiwi, Putu Ayu Asty Senja
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol 14 No 1 (2025): Februari 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v14i1.9904

Abstract

Women’s language in the field of sociolinguistics indicated the women’s behaviour characteristics. The women’s language is women are expected to speak in universal characteristics suggested by Lakoff (1975). The aims of this research are to analyse and describe the features of women’s language in a vlog by Zoe Sugg. The method of this research is qualitative research with a descriptive method with the data in the form of spoken utterances of YouTube vlogs, published on April 22, 2022, which consists of several vlog’s activities for instance: daily routine, fashion, and special events. The findings of this research revealed that from ten features of women’s language all features are in the vlog and also, all of the functions can be found in the vlog. The result of this study research can be applied for reference to teaching material, particularly in sociolinguistics. Keywords: Women’s Language Features, Women’s Language Functions, Vlog
Men’s and Women’s Language Features Used in the Conversation of the Talk Show “The Ellen Show” Adriel Elbert Dinata; Ni Wayan Sukarini; Sang Ayu Isnu Maharani
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 6: Mei 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i6.1637

Abstract

This article is entitled Men’s and Women’s Language Features Used in the Conversation of the Talk Show “The Ellen Show”. This article aims to find the men’s and women’s language features in “The Ellen Show”. The analysis of the article was focused on the utterance of man speakers and woman speakers to find out the features of men’s and woman’s language used in a conversation on a talk show. This article uses Lakoff’s theory about Women’s Language Features and Coates’ theory about Men’s Language Features to analyse the utterances of the talk show’s men and women speakers. This article uses the documentation and observation technique to collect data. As a result, there are ten data and seven language features from woman speakers, namely Lexical Hedges or Filters, ‘Empty’ Adjectives, Rising Intonation on Declarative, Intensifies, ‘Super-polite’ Forms, Avoidance of Strong Swear Words, and Empathic Stress. From the man speaker, there are six data and four language features: Direct Form, Compliment, Swearing, Taboo Language, and Questions. The results indicate any linguistic features, differences, and similarities between men and women in a conversation on the talk show.
Co-Authors Adriel Elbert Dinata Agnes Br Anak Agung Ngurah Wira Wicaksana Anak Agung Sagung Shanti Sari Dewi Angelika Arif M Byanca Vanessa Suwasdika Desak Putu Ayu Febi Purwani Gusti Ayu Made Terry Andryani Gusti Ayu Marcela Dewi I Gede Anugrah Prasetya Dharma Putra I Gede Putu Sudana I Gusti Agung Bagus Santa Putra I Gusti Ngurah Parthama I Kadek Agus Mahendra Putra I Ketut Wandia I Komang Sumaryana Putra I Made Netra I MADE RAJEG I Made Suastra I Nengah Sudipa I Nyoman Aryawibawa I Nyoman Tri Ediwan I Nyoman Udayana I Putu Hartomi Arya Franata I Putu Suwita Adi Negara I Wayan Juliadi Sastra I Wayan Mulyawan I Wayan Sukarma Ida Ayu Rai Nayma Mahadewi Ida Bagus Putra Yadnya Kadek Andriana Dersen Lau Yoseph Anggara Putra Meta Luh Angelique Vironica Wardhana Luh Wulan Astarin Made Detriasmita Saientisna Meyliana Eka Putri Nanang Sutrisno Ni Ketut Sri Rahayuni Ni Luh Nyoman Seri Malini Ni Luh Sutjiati Beratha Ni Made Ayu Widiastuti Ni Nyoman Tri Gitayani Ni Nyoman Wulan Masyuni Ni Putu Lia Cahya Lestari Ni Wayan Ratna Dewi Ni Wayan Sukarini Ni Wayan Yunitri Nugraha, I Putu Gede Aditya Peni, Ni Wayan Pramita Tasya, Ni Ketut Ayu Primayani, Ni Putu Rahayu Putu Ayu Asty Senja Pratiwi Putu Dian Restiana Dewi Putu Jesa Putri Yasari Putu Lirishati Soethama Putu Rosalina Adnyani Putu Weddha Savitri Rafael, Agnes Maria Srikandiana, Zulvina Jois Tri Ediwan Tri Ediwan Venesia Vergie Vieda Pra Ramadhani Widyasari, Ketut Monica Yosefina Helenora Jem