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Journal : INTERNATIONAL JOURNAL OF CULTURAL AND SOCIAL SCIENCE

Women's Representation In The Korea Drama "It's Okay, That's Love" (Semiotics Analysis Study) Oktavia, Lia; Sumanti, Solihah Titin; Rozi, Fakhrur
International Journal of Cultural and Social Science Vol. 3 No. 2 (2022): June
Publisher : Pena Cendekia Insani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53806/ijcss.v3i2.576

Abstract

The purpose of this study is to find out how the representation of women in the Korean drama it's okay thats loved and find the meanings and signs used to solve this research is the theory of semiotics. The object of the research is the Korean drama it's okay thats love, which is a drama produced by South Korea and aired in 2014 consisting of 16 episodes with a duration of 59-60 minutes. The method used in this study is a qualitative method with the semiotic analysis technique of the Roland Barthes model. The results of the study show that there are several scenes that depict the representation of women in the Korean drama it's okay thats love. The representation of women can be seen from the signs and meanings studied through Roland Barthes' semiotic theory.
Representation of Self Healing in the Song Lyrics "Self" by Muhammad Tulus Rusydi Rholand Barthes' Semiotic Analysis Study Adelia; Rozi, Fakhrur; Abidin, Syahrul
International Journal of Cultural and Social Science Vol. 4 No. 2 (2023): June
Publisher : Pena Cendekia Insani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53806/ijcss.v4i2.816

Abstract

This study discusses the meaning of the self-healing symbol contained in the lyrics of the song "Self" in the album Manusia by Muhammad Tulus Rusydi in Roland Barthes' semiotic perspective. The symbol of self-healing in the lyrics of the song "Self" in the album Manusia by Muhammad Tulus Rusydi in the semiotic perspective of Roland Barthes who explains how to analyze the meaning of signs. In the song "Self" represents the symbol of Self Healing, namely forgivness which discusses about making peace with the past, gratitude discusses appreciation of oneself, positive self talk discusses expressing gratitude to oneself, expressive writing and mindfulness which discusses efforts or methods in self-reflection.
SEMIOTIC ANALYSIS OF THE MEANING OF FATHERLESS IN THE LYRICS OF THE SONG “NINA” BY .FEAST Sinaga, Siti Azzahra; Rozi, Fakhrur
International Journal of Cultural and Social Science Vol. 6 No. 2 (2025): International Journal of Cultural and Social Science
Publisher : Pena Cendekia Insani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53806/ijcss.v6i2.1087

Abstract

This study aims to examine the representation of the meaning of “fatherless” in the lyrics of the song “Nina” by the Indonesian music group .Feast using Roland Barthes’ semiotic analysis approach. The focus of this study is to identify linguistic and symbolic signs that reflect the experience of losing a father figure, both physically and emotionally. The method used is descriptive qualitative analysis with a three-level semiotic approach: denotation, connotation, and myth. The primary data in the form of the lyrics of the song “Nina” are analyzed based on Barthes’ sign system to reveal the social construction and ideology contained in the musical text. The results of the analysis show that the song lyrics convey the reality of fatherlessness as a complex personal experience and imply a critique of patriarchal norms and modern family structures. These findings enrich the body of cultural communication studies, particularly in understanding how popular music functions as a representational space for sensitive social issues. This study contributes to connecting semiotic studies with contemporary social issues in the context of Indonesian music culture.
Co-Authors Abidin, Syahrul acum wijaya ADELIA Afandi, Muhammad Rizki Agus Setiawan Alamsyah, Muhammad Royhan Alfina Zsazsa Naqiya Algusri, Jeki Aliansyah, Aliansyah Aliffa Izzara, Widi Ambiyar, Ambiyar Amin, Ahmad Aldi Anas Azhar, Anang Anggita, Rizki Anum, Adelina Apriza, Tiyas Ardhin Primadewi Arief Rahman Arif Budiman Artika, Sindi Arwizet Arwizet, Arwizet Aryasandy, Nensy Azhar, Anang Anas Bella, Sinta Cahyanto, Sigit Bayu Deni, Indira Fatra Eka Puspitawati Ema Wulansari, Rizky Fernos, Jhon Fitrah, Yunanda Ghasani, Thahira Hafizhah, Syafira Noer Heni Pujiastuti Ibrahim, Anton Maulana Intan Tursina Kesuma, Rafifa Luqyana Khairul Amri Mahendra, Romi Manurung, Lira Dzikri Rahmadani Maria Magdalena Masditok, Tokit Matondang, Abdul Rahman Mohammad Ahsanuddin Monang, Sori MUHAMMAD FAHMI Muklisin, Sanitra Muliyani, Sari Nasution, Farah Mutiara Zahra Nasution, Irina Kemala Nasution, Kevin Rasyid Sabili Nathanael, Austin Novemyanto, Alfin Dwi Nurmansyah Nurmansyah, Nurmansyah Nurwijayanti Oktavia, Lia Pamekas, Arya Firman Pane, Endi Hadian Shabar Pitri, Laila Pristika, Febie Juma Pujiastuti, Eka Putri, Anggi Juninda Putri, Risa Haruman Rahmawati, Catur Rosidah Rosidah Salisah, Fadiah Anggi Sari Nasution, Bida Sigit Apriyanto Sinaga, Siti Azzahra Siregar, Fitrah Alfisyah Siregar, Sarifah Aini Siti Mundari Solihah Titin Sumanti, Solihah Titin Sopyan, Ence Sry Lestari Samosir Sukardi Sukardi Sulastri, Rukma Supriyanto Supriyanto Surbakti, Khairul Putra Syafitri, Nanda Lestari Syofria Meidona Tomy, Chairian Uswatul Hasanah, Uswatul Wiratno, Esa Prasetyo Yusniar Lubis Zeeda, Ghuvira Zusmawati Zusmawati