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All Journal Humaniora Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya DIKSI LITERASI: Jurnal Ilmu-Ilmu Humaniora JURNAL PESONA Jurnal Sosioteknologi ATAVISME JURNAL ILMIAH KAJIAN SASTRA FKIP e-PROCEEDING Journal of Language and Literature Panggung Patanjala : Jurnal Penelitian Sejarah dan Budaya METASASTRA: Jurnal Penelitian Sastra Jurnal Invensi (Jurnal Penciptaan dan Pengkajian Seni) Kandai Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Deiksis SALINGKA Arkhais - Jurnal Ilmu Bahasa dan Sastra Indonesia Suar Betang Metahumaniora Journal Albion : Journal of English Literature, Language, and Culture UNDAS: Jurnal Hasil Penelitian Bahasa dan Sastra MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan Jurnal Ide Bahasa Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Studies in English Language and Education Paradigma: Jurnal Kajian Budaya PROSIDING SEMINAR NASIONAL DAN INTERNASIONAL HIMPUNAN SARJANA-KESUSASTRAAN INDONESIA Panggung Majalah Ilmiah Bahasa dan Sastra

Lina Meilinawati Rahayu

Universitas Padjadjaran

Author-ID : 541122

Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

Published : 62 Documents Claim Missing Document

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Aktualisasi Mitos “Sangkuriang” dan “Lutung Kasarung” dalam Novel “Déng” Karya Godi Suwarna Deri Hudaya; Lina Meilinawati Rahayu; Hazbini Hazbini Hazbini
PANGGUNG Vol 25 No 4 (2015): Representasi, Transformasi, Identitas dan Tanda Dalam Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v25i4.44

ABSTRACTMyth and novel are two kinds of literatures which are different. Myth arised from oral tradition, spiritual art, and primordial of human belief. While novel arised from written tradition that grows from modern culture which identifies the rasio. This research is conducted to see the relationship between myth and Sundanesses novel, and also to know the actualization of myth Sangkuriang and Lutung Kasarung which are retold by Déng’s novel from Godi Suwarna.Keyword: lutung kasarung, sangkuriang, déng, myth, novel ABSTRAKMitos dan novel merupakan dua bentuk karya sastra yang berbeda. Mitos berangkat dari tradisi lisan, seni spiritual, dan kepercayaan masyarakat primordial. Sementara Novel berangkat dari tradisi tulis, berakar pada kebudayaan modern yang bercirikan rasio. Penelitian ini dilakukan untuk melihat pertemuan antara mitos dan novel Sunda, aktualisasi mitos Sangkuriang dan Lutung Kasarung yang diartikulasikan melalui novel Déng karya Godi Suwarna.Kata kunci: lutung kasarung, sangkuriang, déng, mitos, novel

HOMEIRA QADRI’S DANCING IN THE MOSQUE (2020): REPRESENTING CULTURAL NORMS IN CONSTRUCTING GENDER STEREOTYPES Mohammadi, Noria; Rahayu, Lina Meilinawati; Saleha, Amaliatun
Metahumaniora Vol 14, No 3 (2024): METAHUMANIORA, DESEMBER 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v14i3.58658

Homeira Qaderi’s memoir, Dancing in the Mosque (2020), portrays how cultural norms construct gender expectations and perpetuate stereotypes. Using a dual narrative structure that intertwines Shah Pesar’s magical adventures with Qaderi’s poignant reflections illustrates how Qaderi skillfully employs focalization to shed light on the cultural limitations imposed on Afghan women, blending realistic storytelling elements. This study utilizes Bal’s theory of focalization alongside Genette’s concept of zero focalization to analyze the narrative shift from an omniscient narrator to a first-person perspective. By applying these theories, we examine how the shift in perspective highlights emotional intricacies and sharp feminist critique, while also revealing the narrative control and the lens through which the characters’ experiences are portrayed. We investigate the marginalization of women through the issues of constrained mobility, loss of identity, and legal disenfranchisement. By centering on Qaderi’s perspective, the text critiques societal and legal structures that diminish women’s value while foregrounding their struggle for agency and self-definition in a patriarchal society. This study underscores the broader ramifications of gender narratives in Afghanistan, highlighting the resilience of women as they resist cultural suppression.

Is the throne still for the people? A sociocultural linguistic analysis of Menanam adalah Melawan Safrina, Raden; Novianti, Nita; Rahayu, Lina Meilinawati
Studies in English Language and Education Vol 11, No 3 (2024)
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/siele.v11i3.40890

Tahta untuk Rakyat Throne for the People, which is the principle that the highly respected Hamengkubuwono IX lived by as a democratic and nationalist King of Kesultanan Ngayogyakarta Hadiningrat, embodies the concept of the people, by the people, for the people. Under his rule, Kesultanan Ngayogyakarta Hadiningrat (Yogyakarta Sultanate in Indonesia) was committed to placing the people first. Nevertheless, the book Menanam adalah Melawan, or Planting is Resisting, challenges the very principle and questions the commitment of the present-day sultanate. The article explores the activist book, which contains the notes of an activist farmer who reflected on and wrote about his journeys and experiences as a farmer-turned-activist after the village where he farmed was claimed by the authorities, including the sultanate, and was planned to be made into a mining site. Faircloughs sociocultural linguistics frames the analysis, and more specifically through Critical Discourse Analysis (CDA). The results indicate that at the micro level, Widodos writing uses emotive and technical language to construct a collective identity of marginalized farmers, opposing powerful entities like the sultanate and corporations. At the meso-level, the text challenges dominant power structures and neoliberal policies, advocating for social justice and a responsive monarchy, while emphasizing the need for transparency and genuine community partnership. The article indicates that the concern about the marginalized should take into account non-mainstream texts such as those produced by the marginalized so that social injustice can be minimized.

KONSTRUKSI IBU DALAM SERIAL TELEVISI DRAMA KOREA BIRTHCARE CENTER Amalia, Sira Kamila Dewanti; Priyatna, Aquarini; Rahayu, Lina Meilinawati
PANGGUNG Vol 35 No 2 (2025): Representasi, Transformasi, dan Negosiasi Budaya dalam Media, Seni, dan Ruang So
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i2.3910

Birthcare Center merupakan serial televisi drama korea yang mendiskusikan beragam tokoh ibu, yakni ibu bekerja, ibu rumah tangga, ibu dengan usia tua, dan ibu dengan usia muda. Para tokoh ibu menarasikan gagasan mengenai peran, identitas, serta ruang bagi ibu. Penelitian ini bertujuan untuk menguraikan cara Birthcare Center mempermasalahkan pengategorian ibu berdasarkan konstruksi ibu normatif dan konstruksi ibu nonnormatif melalui sudut pandang konstruksi gender. Penelitian ini menggunakan teori struktur narasi film dan teori konstruksi ibu. Metode penelitian ini adalah metode interpretatif. Serial televisi drama Korea Birthcare Center menarasikan konstruksi ibu normatif, konstruksi ibu nonnormatif, dan gagasan alternatif dalam konstruksi ibu. Melalui sudut pandang tokoh, Birthcare Center menentang gagasan biner antara standar ibu yang baik dan ibu yang buruk. Birthcare Center menawarkan gagasan alternatif dalam konstruksi ibu yang dapat memberikan kuasa kepada tokoh ibu untuk mengambil keputusan atas dirinya sendiri. Serial televisi ini memberikan ruang bagi ekspresi ibu dengan mengakui adanya perbedaan pengalaman tokoh ibu.

SEKSUALITAS DAN RELASI LAKI-LAKI PEREMPUAN DALAM SAJAK "PERSETUBUHAN KUNTHI" KARYA GOENAWAN MOHAMAD Banita, Baban; Rahayu, Lina Meilinawati; Adipurwawidjana, Ari J.
Diksi Vol. 28 No. 1: DIKSI MARET 2020
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

(Title: Sexuality and Relation Man's and Woman's in the Poem "Persetubuhan Bumi" by Goenawan Mohamad). Inequality between woman and man in asexual relationship appear many time in Indonesia's poetry. Women are often being put in a second position even though they have the same competence and power with men. It also happens in relationship on daily activities, both at public space or at home. Women are often connected to a domestic work and have to do many things as away to prove her devotion to men. This affected even to the most private relation between men and women. Women often positioned as a tool to satisfy men's sexual desire. In Goenawan Mohamad's poems, he displays sexuality and relation between men and women in a unique and beautiful way. In this relationship, women are still put in second position, althought the woman genuinely enjoy and satisfied from the sexual activity. Women are shown as a passive body in the hand of men's power. This research is using theory of intertextual and gender. This research shows that there are many factors that created inequality between men and women in a subject of sexual relationship. Keywords: sexuality, relation, intertextual, feminist.

IDENTITAS KEINDONESIAAN DALAM DRAMA NYANYI SUNYI REVOLUSI KARYA AMIR HAMZAH Rahayu, Lina Meilinawati
Diksi Vol. 28 No. 2: DIKSI SEPTEMBER 2020
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v28i2.33104

(Title: Indonesian Identity in Drama's Nyanyi Sunyi Revolusi by Amir Hamzah).This paper will examine the beginning period of Indonesia which is represented in the drama. The past events which occurred more than seventy years ago are now retold, not only to re-establish who Amir Hamzah was, but also to explain the Indonesian identity and the roles he played in building a nationality. Amir Hamzah, one of the great authors of Indonesia who also contributed in formulating the archipelago as Indonesia, who advocated Malay language as the language of unity of Indonesia, should be killed by several young men because he was a sultan's nephew. Those young men considered the Sultans and their families as Dutch henchmen. The tragic story of Amir Hamzah's life was staged in a drama titled "Nyanyi Sunyi Revolusi" (trans. The Quiet Singing of Revolution)which with the scripts was written by Ahda Imran. Socio-political conditions give rise to the need to define "˜self'. This requires serious rethinking. This drama also illustrates the identity of Indonesia after independence. In other words, literature describes history from a different view. By using the principle of New Historicism, this paper will explain the complex problem that occurred in Indonesia after independence until the 50s. Besides, it also will describe "Indonesian Identity" in the drama "Nyanyi Sunyi Revolusi". In this context, Indonesian literary texts which reflect Indonesian history can be positioned as historical reading from a different version.Keywords: identity, Indonesian, revolution, new historicism.

Representasi Perempuan, Patriarki, dan Konflik Sosial Ekonomi dalam Drama Geschichten Aus Dem Wiener Wald Rostianti, Feni; Rahayu, Lina Meilinawati; Adipurwawidjana, Ari Jogaiswara
Deiksis Vol 17, No 2 (2025): Deiksis
Publisher : Universitas Indraprasta PGRI, Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/deiksis.v17i2.27685

Penelitian ini menganalisis representasi perempuan sebagai subjek dalam drama bergenre Volksstück, Geschichten aus dem Wiener Wald (1931) karya Ödön von Horváth. Kajian ini menyoroti bagaimana patriarki dan dinamika sosial ekonomi pada era Republik Weimar memengaruhi kehidupan tokoh perempuan. Pendekatan feminisme kekuasaan Naomi Wolf digunakan untuk mengeksplorasi upaya perempuan dalam merebut ruang dan mengklaim identitas mereka di tengah sistem patriarkal. Dengan metode analisis tekstual dan pendekatan New Historicism. Hasil penelitian menunjukkan bahwa melalui tokoh Marianne, Horváth memberikan kritik mendalam terhadap subordinasi perempuan. Dialog Marianne, perubahan nasibnya, dan hubungannya dengan karakter lain mencerminkan realitas kompleks perempuan dalam sistem patriarki. Sementara itu, tokoh Valerie menghadirkan perspektif perempuan modern yang mandiri. Valerie, sebagai janda yang memiliki kios tembakau, merepresentasikan perempuan yang mampu menavigasi tekanan sosial dan ekonomi meskipun menghadapi stigma dan hambatan dari masyarakat patriarkal. Keberadaan Valerie menunjukkan bahwa perempuan dapat mengambil peran aktif dalam ekonomi dan ruang publik, menjadi simbol ketahanan di tengah tantangan sosial-ekonomi.

Self-Otherings and Reimaginings of Postcolonial African Women in Chimamanda Ngozi Adichie’s Americanah (2013) Mumtazah, Jauza Maryam; Rahayu, Lina Meilinawati; Adipurwawidjana, Ari Jogaiswara
Journal of Language and Literature Vol 25, No 1 (2025): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i1.10545

Chimamanda Ngozi Adichie’s Americanah (2013) presents a narrative that shifts between different temporalities and spaces, a movement that is particularly experienced by its main character, Ifemelu, as she navigates through her Nigerian, American, and her newly found black identity. Similarly, the novel’s narrative attempts to showcase other postcolonial African women like Ifemelu, as well as their ambiguous identities and othered representations. Through this article, we examine the workings of Ifemelu’s narration as it shifts from one space to another, specifically from Nigeria to America and vice versa, through a narratological method. We will then focus on how these specific spaces occupied by Ifemelu and other African women, or what Ogundipe-Leslie calls “women’s spaces and modes, " work with the bodily experiences of the women and the black Atlantic world at large. Throughout the novel, the hair salon is the women’s space that the narration keeps returning to, serving as a bridge between the story’s past and present. However, a more constant form of women’s spaces also occurs through the narrative body itself, specifically through the narrative form of online blogs that showcase Ifemelu’s attempt to find familiarities with other black people of the diaspora. From this article’s analysis, we argue that the hair salon and the narration of the online blogs, as “micro-African” spaces, serve as mediums to reclaim and re-write the contingent and negotiated identities of postcolonial African in the new black Atlantic world.

UNSUR BUDAYA DALAM KUMPULAN CERPEN MELINTASI MALAM KARYA KORRIE LAYUN RAMPAN Kamilah, Aflaz Maosul; Rahayu, Lina Meilinawati; Banita, Baban
Salingka Vol 19, No 2 (2022): SALINGKA: Edisi Desember 2022
Publisher : Balai Bahasa Sumatra Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/salingka.v19i2.747

Penelitian ini membahas unsur budaya, kearifan lokal, dan dampak pelanggaran nilai-nilai lokalitas dalam kumpulan cerpen Melintasi Malam karya Korrie Layun Rampan dengan metode analisis deskripstif. Penelitian ini menggunakan antropologi sastra sebagai model pendekatan untuk memberikan gambaran terhadap tema-tema yang akan dibahas dalam objek penelitian. Berdasarkan hasil analisis, unsur budaya yang terdapat dalam kumpulan cerpen Melintasi Malam ini yaitu, (1) sistem bahasa berupa kosakata lokal suku Dayak Benuaq; (2) sistem pengetahuan berupa pengetahuan terhadap alam flora, fauna, serta bahan mentah; (3) sistem organisasi sosial berupa sistem kekerabatan dan kepemimpinan; (4) sistem peralatan hidup dan teknologi berupa alat-alat produksi, senjata, wadah, makanan, tempat berlindung, dan alat-alat transportasi; (5) sistem mata pencaharian berupa bercocok tanam di ladang serta berburu dan meramu; (6) sistem religi berupa sistem keyakinan dan upacara; serta (7) sistem kesenian berupa seni patung dan seni musik. Bentuk-bentuk kearifan lokal terdiri dari lou, upacara belian, kegiatan merunti, upacara kematian, sistem pertanian huma, berburu, serta sistem kepemimpinan berupa kepala adat dan petinggi. Adapun dampak pelanggaran nilai-nilai lokalitas terdiri dari kerusakan hutan, kemiskinan, konflik antarkampung, dan kutukan.

Norma dan Negosiasi dalam Fandom Plave Indonesia di X Kencana, Sekar Maryam; Rahayu, Lina Meilinawati; Prabasmoro, Tisna
Jurnal Sosioteknologi Vol. 24 No. 3 (2025): NOVEMBER 2025
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2025.24.3.3

In virtual idol fandoms, fans often follow shared norms that shape how they interact with one another. This research draws on fandom, norms, and negotiation theories to explore how such norms emerge and are negotiated within the Plli fandom on social media X, focusing on the figure of “Terra Plave” as the controlling presence behind Plave’s virtual idol avatar. Based on data from phenomenological interviews with four Indonesian fans, the study identifies two central aspects of these norms: the types of accounts fans use and their responses to provocative posts and doxxing. The findings suggest that the norms surrounding Terra Plave reflect an ongoing process of negotiation among fans, aimed at resolving internal conflicts triggered by official statements from Plave’s label.

Co-Authors Adipurwawidjana, Ari J. Adji, Muhammad Aflaz Maosul Kamilah Aksa, Yati Aksa, Yati Amalia, Sira Kamila Dewanti Amaliatun Saleha Amelia, Nenden Rizky Anastasia Dewi Wulandari Anastasia Dewi Wulandari Aquarini Priyatna Arby, Sella Putri Ari Jogaiswara Adipurwawidjana Asep Yusup Hudayat Baban Banita Banita, Baban Bintang Purwaramdhona, Ananda Dade Mahzuni Deri - Hudaya, Deri - Dessyratna Putry Dewi Kuraesin Dhena Maysar Aslam Fajar Hanif Mubarok Friandini, Asri Rizki Hawa, Andina Meutia Hazbini Hazbini Heri Isnaini Hidayatullah, M. Irfan Ida Farida Sachmadi Kamilah, Aflaz Maosul Kathryn, Kezia Kencana, Sekar Maryam Luqman, Arief Maryanti, Sri Mayasari, Gilang Hanita Mochamad Irfan Hidayatullah Mohammadi, Noria Muhamad Adji Mulyadi, R M Mulyawati, Netari Mumtazah, Jauza Maryam N Rinaju Purnomowulan Naflah Fakhira Maulida Nita Novianti, Nita Nurhayati, Nita Nurullah, Maria Fiducia Permata, Denti Rasus Budhyono Resa Restu Pauji Ripki, Mochamad Ritma Fakhrunnisa Rojak, Mohamad Abdul Rostianti, Feni Safrina Noorman Safrina, Raden Saidi, Acep Iwan Sisilia, Nurul Maria syukur, andi abd khaliq Teddi Muhtadin Tisna Prabasmoro Zulfikar Alamsyah

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