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All Journal Humaniora Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya DIKSI LITERASI: Jurnal Ilmu-Ilmu Humaniora JURNAL PESONA Jurnal Sosioteknologi ATAVISME JURNAL ILMIAH KAJIAN SASTRA FKIP e-PROCEEDING Journal of Language and Literature Panggung Patanjala : Jurnal Penelitian Sejarah dan Budaya METASASTRA: Jurnal Penelitian Sastra Jurnal Invensi (Jurnal Penciptaan dan Pengkajian Seni) Kandai Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Deiksis SALINGKA Arkhais - Jurnal Ilmu Bahasa dan Sastra Indonesia Suar Betang Metahumaniora Journal Albion : Journal of English Literature, Language, and Culture UNDAS: Jurnal Hasil Penelitian Bahasa dan Sastra MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan Jurnal Ide Bahasa Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Studies in English Language and Education Paradigma: Jurnal Kajian Budaya Midang PROSIDING SEMINAR NASIONAL DAN INTERNASIONAL HIMPUNAN SARJANA-KESUSASTRAAN INDONESIA Panggung Majalah Ilmiah Bahasa dan Sastra

Lina Meilinawati Rahayu

Universitas Padjadjaran

Author-ID : 541122

Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Aktualisasi Mitos “Sangkuriang” dan “Lutung Kasarung” dalam Novel “Déng” Karya Godi Suwarna Deri Hudaya; Lina Meilinawati Rahayu; Hazbini Hazbini Hazbini
PANGGUNG Vol 25 No 4 (2015): Representasi, Transformasi, Identitas dan Tanda Dalam Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v25i4.44

ABSTRACTMyth and novel are two kinds of literatures which are different. Myth arised from oral tradition, spiritual art, and primordial of human belief. While novel arised from written tradition that grows from modern culture which identifies the rasio. This research is conducted to see the relationship between myth and Sundanesses novel, and also to know the actualization of myth Sangkuriang and Lutung Kasarung which are retold by Déng’s novel from Godi Suwarna.Keyword: lutung kasarung, sangkuriang, déng, myth, novel ABSTRAKMitos dan novel merupakan dua bentuk karya sastra yang berbeda. Mitos berangkat dari tradisi lisan, seni spiritual, dan kepercayaan masyarakat primordial. Sementara Novel berangkat dari tradisi tulis, berakar pada kebudayaan modern yang bercirikan rasio. Penelitian ini dilakukan untuk melihat pertemuan antara mitos dan novel Sunda, aktualisasi mitos Sangkuriang dan Lutung Kasarung yang diartikulasikan melalui novel Déng karya Godi Suwarna.Kata kunci: lutung kasarung, sangkuriang, déng, mitos, novel

HOMEIRA QADRI’S DANCING IN THE MOSQUE (2020): REPRESENTING CULTURAL NORMS IN CONSTRUCTING GENDER STEREOTYPES Mohammadi, Noria; Rahayu, Lina Meilinawati; Saleha, Amaliatun
Metahumaniora Vol 14, No 3 (2024): METAHUMANIORA, DESEMBER 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v14i3.58658

Homeira Qaderi’s memoir, Dancing in the Mosque (2020), portrays how cultural norms construct gender expectations and perpetuate stereotypes. Using a dual narrative structure that intertwines Shah Pesar’s magical adventures with Qaderi’s poignant reflections illustrates how Qaderi skillfully employs focalization to shed light on the cultural limitations imposed on Afghan women, blending realistic storytelling elements. This study utilizes Bal’s theory of focalization alongside Genette’s concept of zero focalization to analyze the narrative shift from an omniscient narrator to a first-person perspective. By applying these theories, we examine how the shift in perspective highlights emotional intricacies and sharp feminist critique, while also revealing the narrative control and the lens through which the characters’ experiences are portrayed. We investigate the marginalization of women through the issues of constrained mobility, loss of identity, and legal disenfranchisement. By centering on Qaderi’s perspective, the text critiques societal and legal structures that diminish women’s value while foregrounding their struggle for agency and self-definition in a patriarchal society. This study underscores the broader ramifications of gender narratives in Afghanistan, highlighting the resilience of women as they resist cultural suppression.

KONSTRUKSI IBU DALAM SERIAL TELEVISI DRAMA KOREA BIRTHCARE CENTER Amalia, Sira Kamila Dewanti; Priyatna, Aquarini; Rahayu, Lina Meilinawati
PANGGUNG Vol 35 No 2 (2025): Representasi, Transformasi, dan Negosiasi Budaya dalam Media, Seni, dan Ruang So
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i2.3910

Birthcare Center merupakan serial televisi drama korea yang mendiskusikan beragam tokoh ibu, yakni ibu bekerja, ibu rumah tangga, ibu dengan usia tua, dan ibu dengan usia muda. Para tokoh ibu menarasikan gagasan mengenai peran, identitas, serta ruang bagi ibu. Penelitian ini bertujuan untuk menguraikan cara Birthcare Center mempermasalahkan pengategorian ibu berdasarkan konstruksi ibu normatif dan konstruksi ibu nonnormatif melalui sudut pandang konstruksi gender. Penelitian ini menggunakan teori struktur narasi film dan teori konstruksi ibu. Metode penelitian ini adalah metode interpretatif. Serial televisi drama Korea Birthcare Center menarasikan konstruksi ibu normatif, konstruksi ibu nonnormatif, dan gagasan alternatif dalam konstruksi ibu. Melalui sudut pandang tokoh, Birthcare Center menentang gagasan biner antara standar ibu yang baik dan ibu yang buruk. Birthcare Center menawarkan gagasan alternatif dalam konstruksi ibu yang dapat memberikan kuasa kepada tokoh ibu untuk mengambil keputusan atas dirinya sendiri. Serial televisi ini memberikan ruang bagi ekspresi ibu dengan mengakui adanya perbedaan pengalaman tokoh ibu.

SEKSUALITAS DAN RELASI LAKI-LAKI PEREMPUAN DALAM SAJAK "PERSETUBUHAN KUNTHI" KARYA GOENAWAN MOHAMAD Banita, Baban; Rahayu, Lina Meilinawati; Adipurwawidjana, Ari J.
Diksi Vol. 28 No. 1: DIKSI MARET 2020
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

(Title: Sexuality and Relation Man's and Woman's in the Poem "Persetubuhan Bumi" by Goenawan Mohamad). Inequality between woman and man in asexual relationship appear many time in Indonesia's poetry. Women are often being put in a second position even though they have the same competence and power with men. It also happens in relationship on daily activities, both at public space or at home. Women are often connected to a domestic work and have to do many things as away to prove her devotion to men. This affected even to the most private relation between men and women. Women often positioned as a tool to satisfy men's sexual desire. In Goenawan Mohamad's poems, he displays sexuality and relation between men and women in a unique and beautiful way. In this relationship, women are still put in second position, althought the woman genuinely enjoy and satisfied from the sexual activity. Women are shown as a passive body in the hand of men's power. This research is using theory of intertextual and gender. This research shows that there are many factors that created inequality between men and women in a subject of sexual relationship. Keywords: sexuality, relation, intertextual, feminist.

IDENTITAS KEINDONESIAAN DALAM DRAMA NYANYI SUNYI REVOLUSI KARYA AMIR HAMZAH Rahayu, Lina Meilinawati
Diksi Vol. 28 No. 2: DIKSI SEPTEMBER 2020
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v28i2.33104

(Title: Indonesian Identity in Drama's Nyanyi Sunyi Revolusi by Amir Hamzah).This paper will examine the beginning period of Indonesia which is represented in the drama. The past events which occurred more than seventy years ago are now retold, not only to re-establish who Amir Hamzah was, but also to explain the Indonesian identity and the roles he played in building a nationality. Amir Hamzah, one of the great authors of Indonesia who also contributed in formulating the archipelago as Indonesia, who advocated Malay language as the language of unity of Indonesia, should be killed by several young men because he was a sultan's nephew. Those young men considered the Sultans and their families as Dutch henchmen. The tragic story of Amir Hamzah's life was staged in a drama titled "Nyanyi Sunyi Revolusi" (trans. The Quiet Singing of Revolution)which with the scripts was written by Ahda Imran. Socio-political conditions give rise to the need to define "˜self'. This requires serious rethinking. This drama also illustrates the identity of Indonesia after independence. In other words, literature describes history from a different view. By using the principle of New Historicism, this paper will explain the complex problem that occurred in Indonesia after independence until the 50s. Besides, it also will describe "Indonesian Identity" in the drama "Nyanyi Sunyi Revolusi". In this context, Indonesian literary texts which reflect Indonesian history can be positioned as historical reading from a different version.Keywords: identity, Indonesian, revolution, new historicism.

Representasi Perempuan, Patriarki, dan Konflik Sosial Ekonomi dalam Drama Geschichten Aus Dem Wiener Wald Rostianti, Feni; Rahayu, Lina Meilinawati; Adipurwawidjana, Ari Jogaiswara
Deiksis Vol 17, No 2 (2025): Deiksis
Publisher : Universitas Indraprasta PGRI, Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/deiksis.v17i2.27685

Penelitian ini menganalisis representasi perempuan sebagai subjek dalam drama bergenre Volksstück, Geschichten aus dem Wiener Wald (1931) karya Ödön von Horváth. Kajian ini menyoroti bagaimana patriarki dan dinamika sosial ekonomi pada era Republik Weimar memengaruhi kehidupan tokoh perempuan. Pendekatan feminisme kekuasaan Naomi Wolf digunakan untuk mengeksplorasi upaya perempuan dalam merebut ruang dan mengklaim identitas mereka di tengah sistem patriarkal. Dengan metode analisis tekstual dan pendekatan New Historicism. Hasil penelitian menunjukkan bahwa melalui tokoh Marianne, Horváth memberikan kritik mendalam terhadap subordinasi perempuan. Dialog Marianne, perubahan nasibnya, dan hubungannya dengan karakter lain mencerminkan realitas kompleks perempuan dalam sistem patriarki. Sementara itu, tokoh Valerie menghadirkan perspektif perempuan modern yang mandiri. Valerie, sebagai janda yang memiliki kios tembakau, merepresentasikan perempuan yang mampu menavigasi tekanan sosial dan ekonomi meskipun menghadapi stigma dan hambatan dari masyarakat patriarkal. Keberadaan Valerie menunjukkan bahwa perempuan dapat mengambil peran aktif dalam ekonomi dan ruang publik, menjadi simbol ketahanan di tengah tantangan sosial-ekonomi.

UNSUR BUDAYA DALAM KUMPULAN CERPEN MELINTASI MALAM KARYA KORRIE LAYUN RAMPAN Kamilah, Aflaz Maosul; Rahayu, Lina Meilinawati; Banita, Baban
Salingka Vol 19, No 2 (2022): SALINGKA: Edisi Desember 2022
Publisher : Balai Bahasa Sumatra Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/salingka.v19i2.747

Penelitian ini membahas unsur budaya, kearifan lokal, dan dampak pelanggaran nilai-nilai lokalitas dalam kumpulan cerpen Melintasi Malam karya Korrie Layun Rampan dengan metode analisis deskripstif. Penelitian ini menggunakan antropologi sastra sebagai model pendekatan untuk memberikan gambaran terhadap tema-tema yang akan dibahas dalam objek penelitian. Berdasarkan hasil analisis, unsur budaya yang terdapat dalam kumpulan cerpen Melintasi Malam ini yaitu, (1) sistem bahasa berupa kosakata lokal suku Dayak Benuaq; (2) sistem pengetahuan berupa pengetahuan terhadap alam flora, fauna, serta bahan mentah; (3) sistem organisasi sosial berupa sistem kekerabatan dan kepemimpinan; (4) sistem peralatan hidup dan teknologi berupa alat-alat produksi, senjata, wadah, makanan, tempat berlindung, dan alat-alat transportasi; (5) sistem mata pencaharian berupa bercocok tanam di ladang serta berburu dan meramu; (6) sistem religi berupa sistem keyakinan dan upacara; serta (7) sistem kesenian berupa seni patung dan seni musik. Bentuk-bentuk kearifan lokal terdiri dari lou, upacara belian, kegiatan merunti, upacara kematian, sistem pertanian huma, berburu, serta sistem kepemimpinan berupa kepala adat dan petinggi. Adapun dampak pelanggaran nilai-nilai lokalitas terdiri dari kerusakan hutan, kemiskinan, konflik antarkampung, dan kutukan.

Norma dan Negosiasi dalam Fandom Plave Indonesia di X Kencana, Sekar Maryam; Rahayu, Lina Meilinawati; Prabasmoro, Tisna
Jurnal Sosioteknologi Vol. 24 No. 3 (2025): NOVEMBER 2025
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2025.24.3.3

In virtual idol fandoms, fans often follow shared norms that shape how they interact with one another. This research draws on fandom, norms, and negotiation theories to explore how such norms emerge and are negotiated within the Plli fandom on social media X, focusing on the figure of “Terra Plave” as the controlling presence behind Plave’s virtual idol avatar. Based on data from phenomenological interviews with four Indonesian fans, the study identifies two central aspects of these norms: the types of accounts fans use and their responses to provocative posts and doxxing. The findings suggest that the norms surrounding Terra Plave reflect an ongoing process of negotiation among fans, aimed at resolving internal conflicts triggered by official statements from Plave’s label.

Negotiation of East–West identities in the German children’s literature Gertrude Grenzenlos Naflah Fakhira Maulida; Lina Meilinawati Rahayu; Ida Farida Sachmadi
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 9 No. 2 (2025): October
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v9i2.41183

Since the 1960s, German children’s and young adult literature has placed strong emphasis on political aspects, presenting both historical and contemporary social depictions. A subgenre of problem-oriented children’s literature has even emerged, specifically focusing on more particular political issues such as social identity, ideology, and fascism. Regarding social identity, German children’s literature tends to highlight the history of the Holocaust and post-war trauma. However, there are still few works that address ideology-based social identity issues with a focus on social discrimination. Gertrude grenzenlos (2018) by Judith Burger presents a story of social discrimination experienced by a child protagonist in the East German community due to ideological differences. This study aims to show how this children’s novel portrays social discrimination channelled by the government as institutional discrimination both directly and indirectly, against families inclined toward Western ideology. The study employs identity theory by Tajfel and Turner along with Foucault's theory of power. Using a narratological approach, the narrative reveals the dynamics of power between communities of differing ideologies, which then form new identities and blur social boundaries because power is not absolute, thus creating ideological gaps that allow for the negotiation of power. Consequently, the novel illustrates the negotiation of Western and Eastern ideologies within the authoritarian and exclusive socio-political structure of East German society. Sejak 1960-an, sastra anak dan remaja Jerman menekankan aspek politik, menyajikan gambaran sosial historis dan kontemporer di dalamnya. Sebuah subgenre sastra anak berorientasi masalah muncul menyoroti isu-isu seperti identitas sosial, konflik ideologi, dan fasisme. Dalam konteks identitas sosial, sastra anak Jerman kerap menyoroti sejarah Holocaust dan trauma pascaperang, namun karya yang membahas identitas berbasis ideologi dengan fokus pada diskriminasi sosial masih relatif sedikit. Kemudian, Gertrude grenzenlos (2018) karya Judith Burger terbit yang menceritakan diskriminasi sosial yang dialami seorang tokoh anak di komunitas Jerman Timur akibat perbedaan ideologis. Penelitian ini memperlihatkan bagaimana novel itu menggambarkan diskriminasi sosial yang disalurkan pemerintah sebagai bentuk diskriminasi institusional, baik secara langsung maupun tidak langsung, terhadap keluarga yang condong ke ideologi Barat. Kajian memakai teori identitas Tajfel dan Turner serta teori kekuasaan Foucault. Dengan pendekatan naratologis, narasi mengungkap dinamika kekuasaan antara komunitas berideologi berbeda yang membentuk identitas baru dan mengaburkan batas sosial karena kekuasaan tidak mutlak, sehingga tercipta celah ideologis yang memungkinkan negosiasi kekuasaan. Akibatnya, novel ini menggambarkan negosiasi antara ideologi Barat dan Timur dalam struktur sosial-politik Jerman Timur yang otoriter dan eksklusif. Kajian ini juga menyoroti dampak pengalaman individual terhadap solidaritas komunitas serta bagaimana praktik sehari-hari, kebijakan, dan wacana resmi saling berinteraksi sehingga memperkuat atau melemahkan posisi sosial kelompok yang menjadi korban diskriminasi. dalam konteks perubahan sejarah dan politik.

Atelir Ceremai: Identity negotiation and artists’ resistance in urban collective space Fajar Hanif Mubarok; Tisna Prabasmoro; Lina Meilinawati Rahayu
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 9 No. 2 (2025): October
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v9i2.41735

This study explores the strategies of urban art collectives in shaping collective identity through collaborative practices within social spaces. Focusing on Atelir Ceremai, an art collective located on the cultural periphery of Jakarta (East Jakarta), the research examines how contemporary artists respond to marginal urban contexts through community-based artistic production. Drawing on social constructionism, collective identity theory, and theories of spatial practice, the study examines how space, language, and group dynamics shape the formation of collective consciousness among artists. This process reflects a shift from individual creativity to a communal artistic ecosystem, from market norms to symbolic autonomy, and from personal identity to a more adaptive collective identity. Based on in-depth interviews, document analysis, and participatory observation, the study finds that this transformation is made possible through various activities, including knowledge-sharing, collective use of space and tools, and the activation of joint projects. The study concludes that art collectives such as Atelir Ceremai play a crucial role in creating spaces for artistic production while simultaneously articulating adaptive forms of identity through dialectical processes. This adaptive identity is expressed through performative language, collective decision-making, and shared labor, symbolically distancing itself from the norms and logic of the art market. Penelitian ini mengeksplorasi strategi kolektif seni urban membentuk identitas kolektif melalui praktik kolaboratif dalam ruang sosial. Dengan menyoroti Atelir Ceremai, sebuah kolektif seni yang berlokasi di pinggiran lanskap budaya Jakarta (Jakarta Timur), riset ini mengkaji bagaimana seniman kontemporer merespons konteks urban-pinggiran melalui produksi artistik berbasis komunitas. Bertolak dari kerangka konstruksionisme sosial dan teori identitas kolektif, serta teori mengenai praktik ruang, studi ini menelusuri bagaimana ruang, bahasa, dan dinamika kelompok membentuk kesadaran kolektif di antara seniman. Hal ini berkontribusi pada pergeseran dari kreativitas individual ke ekosistem artistik komunal, dari norma pasar ke otonomi simbolik, dari identitas individual ke identitas kolektif yang adaptif. Melalui wawancara mendalam, analisis dokumen, dan observasi partisipatif, ditemukan bahwa proses pergeseran tersebut dimungkinkan melalui sejumlah aktivitas yang merentang dari saling berbagi pengetahuan, ruang dan alat, serta serangkaian aktivasi proyek bersama. Penelitian ini menyimpulkan bahwa kolektif seni seperti Atelir Ceremai memainkan peran penting dalam menciptakan ruang produksi artistik sekaligus bentuk-bentuk adaptasi identitas yang terjadi secara dialektis. Identitas adaptif ini terartikulasi melalui bahasa performatif, keputusan bersama, serta kerja kolektif yang secara simbolik mengambil jarak dari norma dan logika pasar seni.

Co-Authors Acep Iwan Saidi Adipurwawidjana, Ari J. Adji, Muhammad Aflaz Maosul Kamilah Aksa, Yati Aksa, Yati Amalia, Sira Kamila Dewanti Amaliatun Saleha Amelia, Nenden Rizky Anastasia Dewi Wulandari Anastasia Dewi Wulandari Aquarini Priyatna Arby, Sella Putri Ari Jogaiswara Adipurwawidjana Asep Yusup Hudayat Baban Banita Banita, Baban Bintang Purwaramdhona, Ananda Dade Mahzuni Deri - Hudaya, Deri - Dessyratna Putry Dewi Kuraesin Dhena Maysar Aslam Fajar Hanif Mubarok Friandini, Asri Rizki Gilang Januarsyah Hawa, Andina Meutia Hazbini Hazbini Heri Isnaini Hidayatullah, M. Irfan Ida Farida Sachmadi Jauza Maryam Mumtazah Kamilah, Aflaz Maosul Kathryn, Kezia Kencana, Sekar Maryam Luqman, Arief Maryanti, Sri Mayasari, Gilang Hanita Mochamad Irfan Hidayatullah Mohammadi, Noria Muhamad Adji Mulyadi, R M Mulyawati, Netari N Rinaju Purnomowulan Naflah Fakhira Maulida Nita Novianti Nurhayati, Nita Nurullah, Maria Fiducia Permata, Denti Purwaramdhona, Ananda Bintang Raden Safrina Rasus Budhyono Resa Restu Pauji Ripki, Mochamad Ritma Fakhrunnisa Rojak, Mohamad Abdul Rostianti, Feni Safrina Noorman Sisilia, Nurul Maria syukur, andi abd khaliq Teddi Muhtadin Tisna Prabasmoro Zulfikar Alamsyah

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