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All Journal Prosodi: Jurnal Ilmu Bahasa dan Sastra Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) Jurnal Ilmiah KORPUS Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Widyabastra : Jurnal Ilmiah Pembelajaran Bahasa dan Sastra Indonesia LINGUISTIK : Jurnal Bahasa dan Sastra Hasta Wiyata Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya Magistra Andalusia : Jurnal Ilmu Sastra SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Salaka : Jurnal Bahasa, Sastra, dan Budaya Indonesia Cakrawala Indonesia SULUK: Jurnal Bahasa, Sastra, dan Budaya SOSCIED Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia Dinamika: Jurnal Bahasa, Sastra, dan Pembelajarannya Indonesia Berdaya Ksatra: Jurnal Kajian Bahasa dan Sastra Abdimas Langkanae Nuances of Indonesian Language Gurindam: Jurnal Bahasa dan Sastra DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Jurnal Diksatrasia : Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia AKSARA: Jurnal Bahasa dan Sastra Seminar Nasional Pengabdian Kepada Masyarakat Alinea: Jurnal Bahasa, Sastra dan Pengajaran Jurnal Bastra (Bahasa dan Sastra) Tamaddun TITIK DUA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Jurnal Sastra Indonesia Jurnal Pengabdian Masyarakat ASMARALOKA : Jurnal Pendidikan, Linguistik dan Sastra Indonesia PEDAMAS (Pengabdian Kepada Masyarakat) Tabasa: Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Sawerigading Edumaspul: Jurnal Pendidikan
Ridwan Ridwan
Universitas Negeri Makassar
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Habitus, Ranah, dan Modal dalam Novel Jemput Terbawa Karya Pinto Anugrah Perspektif Pierre Bourdieu Charla, Yeremia; Abidin, Aslan; Ridwan, Ridwan
Cakrawala Indonesia Vol 10 No 2 (2025): Nopember-April
Publisher : Program Studi Pendidikan Bahasa Indonesia, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Muhammadiyah Sidenreng Rappang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55678/jci.v10i2.2362

Abstract

This study aims to describe and analyze the forms of habitus, realm, and capital in the lives of the characters in the novel entitled Jemput Terbawa by Pinto Anugrah. The study was conducted using the sociology of literature theory from Pierre Bourdieu which is categorized into three concepts: first, habitus which emphasizes how individual habits are formed through social experience, then second, capital as a social resource that plays an important role in maintaining power, and third, realm as an arena of struggle for individuals and groups to gain power. This research is qualitative in nature which aims to describe the forms of habitus, realm, and capital of the characters in the novel. The data sources in this study were obtained through narrative quotations in the novel and analyzed based on the concepts of habitus, realm, and capital. The results of this study indicate that the characters have different forms and roles in habitus, realm, and capital. This is because each individual has their own mindset, habits, and actions in dealing with their social environment. Kalaya's habitus and background are in conflict with the norms and past trauma in the Lembah Pagadih realm, which results in Laya experiencing rejection from society. His efforts to raise capital were hampered by the stigma from the villagers, making his struggle for recognition even more difficult.
Komparasi Karakter Ekstrovert dan Introvert Tokoh Utama dalam Film "200 Pounds Beauty" Versi Korea dan Indonesia: Psikologi Analitik Carl Gustav Jung Nensilianti, Nensilianti; Ridwan, Ridwan; Syafiqah, Nurul
Dinamika: Jurnal Bahasa, Sastra, dan Pembelajarannya Vol 9, No 1 (2026): Bahasa, Sastra, dan Pembelajarannya
Publisher : Universitas Suryakancana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35194/jd.v9i1.5986

Abstract

This article describe the comparison between extroverted and introverted characteristics of the main characters in the Korean version (2006) and the Indonesian version (2023) of the film 200 Pounds Beauty using Carl Gustav Jung’s analytical psychology approach. This approach was chosen because it can reveal personality dynamics through four psychic functions thinking, feeling, sensing, and intuition that shape an individual’s extroverted and introverted orientations. The research employs a qualitative descriptive method with a comparative design, using literature study and documentation techniques on both films. The data, consisting of dialogues, scenes, and expressions of the main characters, were analyzed to identify personality traits based on Jung’s theory.The results show that in the Korean version, the character Hanna/Jenny tends to be extroverted, demonstrated by her courage to appear in public and her pursuit of social recognition, while still harboring inner conflicts that reveal her introverted side. Meanwhile, in the Indonesian version, the character Juwita/Angel displays a balance between the two types, with a dominant introverted nature reflected through self-reflection, guilt, and moral awareness of her identity. Cultural differences also influence the expression of personality and the social values presented. This study concludes that Jung’s analytical psychology theory is effective for analyzing personality in cross-cultural films and understanding the process of self-acceptance.Keywords: analytical psychology; Carl Gustav Jung; extrovert; introvertArtikel ini  memaparkan komparasi karakter ekstrovert dan introvert tokoh utama dalam film 200 Pounds Beauty versi Korea (2006) dan versi Indonesia (2023) menggunakan pendekatan psikologi analitik Carl Gustav Jung. Pendekatan ini dipilih karena mampu mengungkap dinamika kepribadian melalui empat fungsi psikis pikiran, perasaan, pengindraan, dan intuisi yang membentuk orientasi ekstrovert dan introvert individu. Penelitian ini menggunakan metode deskriptif kualitatif dengan desain komparatif dan teknik studi pustaka serta dokumentasi terhadap kedua film. Data berupa dialog, adegan, dan ekspresi tokoh utama dianalisis untuk menemukan ciri kepribadian berdasarkan teori Jung. Hasil penelitian menunjukkan bahwa dalam versi Korea, tokoh Hanna/Jenny cenderung ekstrovert dengan keberanian tampil di ruang publik dan pencarian pengakuan sosial, namun tetap menyimpan konflik batin yang memperlihatkan sisi introvert. Sementara itu, tokoh Juwita/Angel dalam versi Indonesia memperlihatkan keseimbangan antara kedua tipe, dengan dominasi sifat introvert yang tercermin melalui refleksi diri, rasa bersalah, dan kesadaran moral terhadap identitasnya. Tokoh utama dalam kedua versi film menunjukkan ekspresi kepribadian yang berbeda dalam menanggapi konflik batin dan pencarian jati diri. Penelitian ini menegaskan bahwa teori psikologi analitik Jung efektif digunakan untuk menganalisis kepribadian tokoh dalam film dan memahami proses penerimaan diri melalui dinamika fungsi psikis.Kata kunci: Carl Gustav Jung; ekstrovert;  introvert;  psikologi analitik
Mimicry and Resistance in Pramoedya Ananta Toer’s Bumi Manusia: A Postcolonial Reading through Homi K. Bhabha’s Theory Nensilianti, Nensilianti; Ridwan, Ridwan; Sakti M, Reztu Dwi
Gurindam: Jurnal Bahasa dan Sastra Vol 5, No 2 (2025): DECEMBER
Publisher : Universitas Islam Negeri Sultan Syarif Kasim Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24014/gjbs.v5i2.38465

Abstract

This study examines the dynamics of mimicry and indigenous resistance portrayed in Bumi Manusia (This Earth of Mankind) by Pramoedya Ananta Toer through a postcolonial perspective. Grounded in Homi K. Bhabha’s theory of mimicry, the research investigates how colonial subjugation shaped the emergence of cultural resistance among indigenous characters. Employing a qualitative textual analysis with a dialectical approach, the study proceeds through three stages: data reduction, data presentation, and conclusion drawing. The findings reveal that mimicry operates as an ambivalent cultural strategy—simultaneously reproducing and undermining colonial authority. Four distinct forms of resistance emerge as the characters negotiate identity, agency, and autonomy under colonial domination. These forms demonstrate that mimicry functions not merely as imitation but as a subversive act of decolonial affirmation and identity reconstruction. The study contributes to postcolonial literary scholarship by situating Bumi Manusia within the broader discourse of decolonization and cultural hybridity in Southeast Asian literature. It also offers a localized understanding of subaltern resistance that enriches global discussions on the intersections of power, culture, and postcolonial subjectivity.
Dekonstruksi dalam Novel Azab Dan Sengsara Karya Merari Siregar Ridwan; Asriadi
Hasta Wiyata Vol. 8 No. 2 (2025): Jurnal Hasta Wiyata
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.hastawiyata.2025.008.02.13

Abstract

This research discusses Derrida's deconstruction theory which focuses on texts that build new meanings and reinforce existing meanings. The object of this research uses a novel entitled "Azab and Sengsara" by Merari Siregar. The novel "Azab and Sengsara" is studied using Derrida's deconstruction theory with qualitative research methods sourced from literature review. The results of the research obtained are that there are new meanings and confirmation of meaning in the texts of the novel Azab and Sengsara, namely 1) Aminuddin's punishment for helping a friend, 2) Aminuddin's attitude of helping others, 3) Restriction of women's space by Sutan laying on his wife, 4) Strong disclosure of men's identity, 5) Women who were blessed by God to become men through the angel Gabriel, 6) Divorce became a common practice, 7) High belief in shamans, 8) Mariamin refused to have sexual relations with her husband, and 9) Women are bought to fulfill men's desires. This research then obtained results using Post-structuralism theory, namely the theory of deconstruction by Jacques Derrida.
MENANTANG STEREOTIP GENDER DALAM FILM PINK (2016) TENTANG KEKERASAN SEKSUAL: KAJIAN FEMENISME RADIKAL Nensilianti, Nensilianti; Ridwan, Ridwan; Amaliah M, Resky
Diksatrasia : Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Vol 10, No 1 (2026): JURNAL DIKSATRASIA JANUARI 2026
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/diksatrasia.v10i1.21585

Abstract

This study aims to analyze the meaning, message, and representation of women in the film Pink using a radical feminist perspective. Through a qualitative approach with a textual analysis method, the research explores how the film critiques the patriarchal system and gender stereotypes in cases of sexual violence. The film serves not only as entertainment but also as a tool for education and advocacy, promoting awareness of the importance of gender equality and justice for victims of sexual violence. Pink highlights the issue of sexual violence and gender injustice rooted in the patriarchal system. It portrays how women are often blamed in cases of sexual harassment, while male perpetrators receive social protection. Radical feminism is employed to analyze the patriarchal structures presented in the film. The findings of this study reveal how women are frequently blamed in cases of sexual harassment, while male perpetrators are socially protected within the narrative of the film.
Eksistensialisme Sartre dalam Tokoh Perempuan Novel Sputnik Sweetheart Karya Haruki Murakami Ridwan, Ridwan; Nensilianti, Nensilianti; Talib, Arianti
Belajar Bahasa: Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2026): Belajar Bahasa: Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indones
Publisher : Universitas Muhammadiyah Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32528/jbb.v11i1.3690

Abstract

This research aims to analyse the female characters in Haruki Murakami's Sputnik Sweetheart, namely Sumire and Miu, through the lens of Jean-Paul Sartre's existentialism. The main focus is on Sartre's three concepts of existentialism. The method used is a qualitative method with a text analysis approach. Several excerpts from the novel were selected and analysed based on Sartre's concept of existentialism. The analysis includes the identification and interpretation of key moments in the narrative that reflect existence for the self (être-pour-soi), existence in the self (être-en-soi), and bad faith (mauvaise foi or bad faith). The results show that the characters Sumire and Miu illustrate Sartre's existentialism concepts in depth about the existential struggle in dealing with their freedom, identity, and personal responsibility. The findings provide insights that can be applied to understanding the complexity of human relationships and the search for the meaning of life in the context of modern literature.
Pelatihan Penguatan Nilai dan Karakter Budaya Lokal pada Anak Melalui Buku Cerita Bergambar Ridwan, Ridwan; Bungatang, Bungatang; Ita Rosvita
Abdimas Langkanae Vol. 5 No. 2 (2025): September-Desember 2025
Publisher : Pustaka Digital Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53769/jpm.v5i2.515

Abstract

Pelatihan Penguatan Nilai dan Karakter Budaya Lokal pada Anak Melalui Buku Cerita Bergambar yang dilaksanakan di Kampus Lorong Komunitas Anak Pelangi (K-apel) Makassar dihadirkan sebagai upaya untuk menanamkan nilai-nilai kearifan lokal sejak usia dini melalui media yang menyenangkan dan mudah dipahami anak-anak. Kegiatan ini bertujuan menanamkan nilai dan karakter berbasis kearifan lokal kepada anak-anak sejak dini melalui media buku cerita bergambar yang menarik dan mudah dipahami, meningkatkan kecintaan dan kebanggaan terhadap budaya lokal, mengembangkan literasi budaya dan literasi visual melalui kegiatan membaca, mendengar, serta menafsirkan pesan moral yang terkandung dalam cerita bergambar, membentuk karakter positif anak seperti kejujuran, tanggung jawab, kerja sama, serta rasa hormat terhadap orang lain, yang direfleksikan dalam tokoh dan alur cerita, dan menyediakan alternatif metode pembelajaran kreatif bagi pendidik dan komunitas dalam mengajarkan nilai budaya dan karakter melalui pendekatan literasi berbasis budaya. Metode pelaksanaan kegiatan yang dikemas dalam bentuk pelatihan diikuti 50 peserta yang merupakan anak yang aktif belajar di K-apel. Hasil dari kegiatan ini memperlihatkan adanya peningkatan pemahaman anak terhadap cerita rakyat dan kebudayaan lokal yang dimanifestasikan melalui buku cerita bergambar.
Optimalisasi Peran Mahasiswa dalam Mendukung Administrasi Aset Daerah (Studi Kasus: Badan Pengelolaan Keuangan Daerah Kabupaten Gowa) Ridwan, Ridwan; Nensilianti, Nensilianti; Mahmudah, Mahmudah; Tuflih, Muhammad Alfian; Yusuf, Dwi Anggita; F.Z, Miftahuljannah
Abdimas Langkanae Vol. 6 No. 1 (2026)
Publisher : Pustaka Digital Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53769/jpm.v6i1.625

Abstract

Kegiatan ini bertujuan untuk mengoptimalkan peran mahasiswa sastra dalam mendukung administrasi Badan Pengelolaan Keuangan Daerah dalam bidang aset sebagai upaya penerapan kemampuan linguistik dalam praktik kerja pemerintahan. Metode pelaksanaan kegiatan meliputi observasi langsung di tempat magang, keterlibatan aktif dalam penyusunan surat dinas, digitalisasi arsip, penginputan dan verifikasi data aset melalui sistem e-BMD, serta penyuntingan laporan inventaris dan berita acara aset. Selama magang, mahasiswa terlibat secara langsung dalam berbagai kegiatan administrasi yang menuntut ketelitian dan pemahaman terhadap bahasa administratif. Hasil kegiatan menunjukkan bahwa kehadiran mahasiswa sastra mampu membantu mempercepat proses dokumentasi, meningkatkan akurasi bahasa dalam dokumen resmi, dan memperkuat efisiensi kerja birokrasi.
Kontribusi Mahasiswa terhadap Pelayanan Administrasi Publik Bidang pengelolaan Keuangan Nensilianti, Nensilianti; Ridwan, Ridwan; Saguni, Suarni Syam; Filawati, Filawati; Humaira, Annisa Nur Afiat; Hidayanti, Novy; Abd. Kadir T, Nabila
Abdimas Langkanae Vol. 6 No. 1 (2026)
Publisher : Pustaka Digital Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53769/jpm.v6i1.626

Abstract

Kegiatan Magang yang dilakukan dalam pelayanan administrasi publik di bidang pengelolaan keuangan bertujuan untuk meningkatkan pengalaman dan pengetahuan mahasiswa dalam administrasi Badan Pengelolaan Keuangan Daerah Gowa pada bidang Anggaran, Perbendaharaan, dan Akuntansi. Metode pelaksanaan yang digunakan dalam kegiatan meliputi keterlibatan aktif mahasiswa secara langsung dalam tugas-tugas yang diberikan di setiap bidang, mulai dari menulis, memberikan stempel, mengirimkan berkas arsip, serta mengobservasi berkas-berkas yang berhubungan dengan setiap bidang seperti berkas SP2D, SPJ,SKPD, SPP, DAN SPM. Hasil Praktik magang mahasiswa sastra dalam bidang pelayanan administrasi publik dapat disimpulkan relvansi antara mahasiswa dan instansi memiliki relevansi yang signifikan. Kemampuan utama yang dimiliki mahasiswa sastra, seperti kecermatan dalam menulis, ketelitian dalam membaca dan memahami dokumen, serta keahlian dalam berkomunikasi efektif secara tertulis, mampu menjadi modal penting dalam mendukung pekerjaan administratif yang menuntut ketepatan dan kejelasan informasi.
Relasi Kuasa dalam Novel Sunyi adalah Minuman Keras Karya Sapardi Djoko Damono: Analisis Wacana Kritis Michel Foucault Abidin, Aslan; Ridwan, Ridwan; Saputra, Yusril
Belajar Bahasa: Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2026): Belajar Bahasa: Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indones
Publisher : Universitas Muhammadiyah Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32528/bb.v11i1.3716

Abstract

This study analyses Sapardi Djoko Damono's novel Sunyi adalah Minuman Keras (Silence is Alcohol), focusing on power relations over the body and mind, as well as forms of resistance that emerge in the text. This study aims to analyse Sapardi Djoko Damono's novel Sunyi adalah Minuman Keras (Silence is Alcohol), focusing on power relations over the body and mind, as well as forms of resistance that emerge in the text. Using a qualitative approach and Michel Foucault's critical discourse analysis, this study explains how power operates through language and shapes individual subjectivity in the novel. The results show that cognitive control mechanisms such as manipulation, objectification, and stigmatisation reflect power relations over the mind. These mechanisms shape the way characters view themselves and their world. Furthermore, social control that regulates physical actions, lifestyles, and bodily discipline reveals that power relations over the body are often reinforced by cultural and religious norms. The novel also depicts resistance to power through various explicit and implicit means in the characters' storylines. This study shows that Sunyi is Minuman Keras is not merely a work of literature, but also a complex representation of the power dynamics that shape human life. This study helps us understand how literary discourse can both replicate and challenge power structures in society.
Co-Authors Abd. Kadir T, Nabila Adhalia Wanafesyahan, Fahira Adinda Khoirunnisa Ahmadi, Hayana Amaliah M, Resky Apriliya, Dela Ardisa, Ardisa Asia Asia M Asia M Asia M, Asia M Asia*, Asia Aslan Abidin Aslan Abidin, Aslan Asriadi Atika Suri Ramadani Bunga , Vionanda Toding Bungatang Bungatang Charla, Yeremia Damat, Yultriani Davina, Davina Diana, Ririn Sefty Djuanda Djuanda, Djuanda Dwi Rahmi Apriliya F.Z, Miftahuljannah Filawati Filawati Filawati Fitri Ramadhani Galenta, Novita Hamdiah Sudirman Hamid, Reski Aulia Hastab, Nur Amalia Hendra Pratama Putra Hidayanti, Novy Humaira, Annisa Nur Afiat Imelia Kristi Rante Allo Inhilda, Inul Ishak Ishak Istiqamah, Putri Nur Ita Rosvita Jihan Atikah Johar Amir Junaedi, Inayah Maharezki Kurnia Ramadani Latif, Vivi Adriana Lisma Lisma, Lisma Lulyastuti Lulyastuti M, Asia M, Asia, Maharezki, Inayah Mahmudah Mahmudah Muhammad Alfian Tuflih Muhammad Rapi Mustika, Indah Mutiara Sari Ahmad Nensilianti Nensilianti Nensilianti Nensilianti Nensilianti nensilianti Nensilianti Ningrum Amalia Putri Nuna nk, Nurhidayah Aprilia Nur Amalia Hastab Nurul Aini Nurul Syafiqah Nuryuliati, Nuryuliati Pahlevi, Mirza Kamal Pratidina, Nur Ainun Pratiwi Pratiwi Puspa Darwini, Nurul Fadhilah Putra, Hendra Pratama Putra, Pauzan Ramadan Rahmah Indryani Rahmah Indryani Ramadani, Aulia Magfira Ramadhan, Nur Syawaluddin Rante Allo, Imel Kristi Rasding, Reski Fajria ratih ratih Rembon, Earline Griselda Riska Nadia, Riska Nadia Sakti M, Reztu Dwi Saputra, Yusril Shalsabilah Z, Shafira Siti Nurjihan Indasari Srikandi Apriliyani Srikandi Apriliyani Suarni Syam Saguni, Suarni Syam Sumarni Syafiqah*, Nurul Syafiqah, Nurul Syahril, Ainun Sang Fajar Talib, Arianti Tang, Muhammad Rapi Taufik Natsir Tuflih, Muhammad Alfian Umar Thamrin Vanesa, Vanesa Wiastra, Wulandari Wiwik Handayani Wulan Fadillah Wulandari Wulandari, Welda Yuliana Yuliana Yuliana Yuliana Yusuf, Dwi Anggita Zaskia Rahmadhani