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All Journal JURNAL BAHASA, SASTRA DAN PEMBELAJARANNYA JURNAL TUGAS AKHIR MAHASISWA Jurnal Pengabdian Ilung (Inovasi Lahan Basah Unggul) Pustaka: Jurnal Bahasa dan Pendidikan Wicara Prosiding Seminar Nasional Pascasarjana Jurnal Motivasi Pendidikan dan Bahasa Jurnal Bima: Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra Argopuro: Jurnal Multidisiplin Ilmu Bahasa Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya Perspektif: Jurnal Pendidikan dan Ilmu Bahasa Cendikia Pendidikan Jurnal Nakula: Pusat Ilmu Pendidikan, Bahasa Dan Ilmu Sosial Pragmatik : Jurnal Rumpun Ilmu Bahasa dan Pendidikan Jurnal Pendidikan, Bahasa dan Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Blaze: Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan Argopuro : Jurnal Multidisiplin Ilmu Bahasa Aksara Jurnal Kajian Ilmu Pendidikan, Bahasa dan Komunikasi Integrated Education Journal
Dwi Wahyu Candra Dewi
Universitas Lambung Mangkurat
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Dentistry Economics, Econometrics & Finance Education Energy Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Medicine & Pharmacology Nursing Physics Public Health Social Sciences Other

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Kajian Strukturalisme dalam Puisi “Barangkali” Karya Amir Hamzah RR. Nindya Aurellia Nugroho; Dwi Wahyu Candra Dewi
Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra Vol. 3 No. 2 (2025): Juni : Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/bima.v3i2.1764

Abstract

Literature and life complement each other, where literature serves as an expression of the soul that reflects beauty and cultural values. Poetry, one of the oldest forms of literature, holds meaning and imagination. This research focuses on the poem “Barangkali” by Amir Hamzah, who is famous for his ability to create an atmosphere of romanticism and spirituality. The purpose of the research is to analyze the inner and outer structure of the poem using a structuralism approach, so that readers can understand the relationship between form and meaning in poetry. The method applied is qualitative descriptive analysis, with the main data source of the poem. The results of the analysis show that the physical and inner structures of the poem collaborate to convey the worship of sublime love. Finding the theme, tone, atmosphere, and mandate in this poem underscores the spiritual depth and transcendental meaning contained therein. It is hoped that this research will be able to increase readers' understanding and appreciation of literary works, and encourage readers to be more critical and reflective in enjoying poetry. This analysis can then become a reference for further literary studies, especially related to classical poetry that is full of symbolic meaning.
Representasi Romantisme dalam Puisi “Aku Ingin” Karya Sapardi Djoko Damono Fitria Ika Farizha; Dwi Wahyu Candra Dewi
Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra Vol. 3 No. 2 (2025): Juni : Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/bima.v3i2.1772

Abstract

Literature as a medium to express ideas, emotions, or social problems that occur. This study aims to reveal the representation of romance in the poem "Aku Ingin" by Sapardi Djoko Damono by examining the use of figures of speech that contain romantic values. This poem is known as a work that is simple in structure but full of deep emotional meaning. Using a descriptive qualitative approach and content analysis method, this study analyzes the text of the poem to explore the elements of romance implied through diction, metaphors, and natural symbols. The results of the analysis show that Sapardi presents the concept of love that is calm, sincere, and does not demand explicit reciprocation. The representation of romance in this poem is seen in the simplicity of expressing feelings of love that emphasizes more on proof through actions and symbols rather than direct words. The use of metaphors in this poem strengthens the subtle romantic nuances, making love a form of devotion that is full of sincerity. The poem "Aku Ingin" reflects a unique dimension of romance that is different from classical romance, which is usually full of turmoil.
Stilistika dalam Puisi Karawang-Bekasi Karya Chairil Anwar : Kajian Gaya Bahasa dan Diksi Mei Leani Olfah; Dwi Wahyu Candra Dewi
Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra Vol. 3 No. 2 (2025): Juni : Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/bima.v3i2.1780

Abstract

This study aims to analyze the language style and diction in the poem Karawang-Bekasi by Chairil Anwar using a stylistic approach. This poem is famous for its spirit of struggle that stirs up feelings of nationalism and the sacrifices of heroes. Through the analysis of language style, it was found that the use of figures of speech such as metaphor, personification, and hyperbole strengthen the emotional message of the poem. In addition, the diction chosen by Chairil Anwar has an important role in creating a heroic atmosphere and encouraging readers to absorb the meaning of the struggle. This study also reveals that the choice of words in this poem not only forms aesthetics, but also reflects a strong ideology of struggle. Thus, this finding enriches the understanding of the role of language style and diction in poetry as part of deep literary communication.
Nilai Moral dalam Lirik Lagu “Untuk Perempuan yang Sedang dalam Pelukan” Karya Payung Teduh (Sebuah Kajian Sosiologi Sastra) Annisa Putri Ramadhani; Dwi Wahyu Candra Dewi
Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra Vol. 3 No. 3 (2025): September : Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/bima.v3i3.2063

Abstract

This research aims to examine the moral values ​​contained in the lyrics of the song "For Women Who Are in a Hug" by Payung Teduh using a literary sociology approach. This song was chosen because the lyrics are full of meaning and describe the deep emotional relationship between the male and female characters. Through qualitative analysis, it was found that this song contains the values ​​of affection and sincere love, emotional honesty, simplicity, gratitude, and respect for women. These values ​​not only reflect healthy personal relationships, but also reflect the social conditions of modern society which is experiencing a crisis of emotional closeness due to the dominance of materialistic lifestyles. The results of this study show that song lyrics as part of popular literary works can be an effective medium in conveying moral and social messages in a subtle but profound manner.
Sastra sebagai Kritik Sosial : Ketidakadilan yang Dialami Masyarakat dalam Sajak ‘Orang Kepanansan’ Karya W.S Rendra Dhini Kusuma Lestari; Dwi Wahyu Candra Dewi
Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra Vol. 3 No. 3 (2025): September : Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/bima.v3i3.2176

Abstract

This article examines the role of literature as a medium for social criticism. Literature is not merely a collection of beautiful words; it also functions to convey emotions, ideas, and criticism regarding social issues. Literature can portray societal conditions and various issues veiled in public discourse, fostering debate, reflection, and acting as a catalyst for social change. This article specifically analyzes W.S. Rendra's poem "Orang Kepanasan" (People Overheated) as a clear example of how literature can serve as a medium for social critique.Using a descriptive qualitative approach and documentation method, this study identifies various forms of injustice, including social inequality, legal injustice, and political injustice, as represented in the poem. Rendra employs symbolism and precise language to express public dissatisfaction, even if not explicitly. The per-stanza analysis of the poem reveals sharp criticism that depicts the limited lives of the marginalized confronting luxury and power. Thus, this article affirms that literary works have a cumulative role in shaping public opinion, fostering critical thinking about surrounding circumstances, and disseminating critical ideas, even if change does not occur instantaneously.
Kajian Nilai Moral dan Religius dalam Novel “Cinta dalam Diam” Nurhaliza Nurhaliza; Dwi Wahyu Candra Dewi
Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra Vol. 3 No. 3 (2025): September : Jurnal Bima : Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/bima.v3i3.2186

Abstract

This study examines religious values ​​and the concept of patience and sincerity in the novel "Cinta dalam Diam" by Shineeminka. This fictional novel tells the story of household life and conveys moral messages and values ​​of goodness. With a qualitative descriptive approach and content analysis, this study uses the novel Cinta dalam Diam published in 2017 as a primary data source. The results of the analysis show that the religious values ​​contained in the novel include the relationship between humans and God (belief in Allah, prayer, praying, reading the Qur'an, tawakal), the relationship between humans and parents (devotion), the relationship between humans and others (good and bad morals, helping each other, affection), and the relationship between humans and oneself (patience, sincerity, accepting destiny, gratitude, maintaining honor). The main character, Zahra, is described as a person who has extraordinary patience and a sincere nature and is willing to sacrifice. Overall, this novel is full of religious values ​​and strong moral messages, inviting readers to reflect on the meaning of pure, patient, and sacrificial love according to Islamic law, and to become a better and stronger person spiritually.
Analisis Lirik Lagu Daerah Banjar “Paris Barantai” karya H. Anang Ardiansyah Siti Mutiah; Dwi Wahyu Candra Dewi
BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan Vol. 3 No. 3 (2025): BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan
Publisher : STIKes Ibnu Sina Ajibarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59841/blaze.v3i3.3022

Abstract

This article examines the Banjar folk song entitled "Paris Barantai," which is a work of H. Anang Ardiansyah and has been rearranged by Ken Steven. This song raises the theme of love and deep longing for one's hometown and loved ones, while also depicting the natural beauty of Kotabaru, South Kalimantan. This study applies a qualitative method with a literature study approach, aiming to analyze the social and cultural values contained in the song and their influence on the identity of the Banjar community. The results of the study show that the song "Paris Barantai" contains various life values, such as mutual cooperation, kinship, religiosity, loyalty, and respect for culture and the environment. Furthermore, this song functions as a means of preserving the Banjar language and as a medium for disseminating the moral and cultural values of the Banjar community. As one of the regional musical works, "Paris Barantai" not only serves as entertainment, but also as a symbol of identity and cultural expression that strengthens social solidarity and introduces the richness of local culture to the national level.
Kritik Sosial dalam Lirik Lagu Konsekuens oleh Grup Musik .Feast: Kajian Semiotika Muhammad Asyari; Dwi Wahyu Candra DewI
BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan Vol. 3 No. 3 (2025): BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan
Publisher : STIKes Ibnu Sina Ajibarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59841/blaze.v3i3.3059

Abstract

This writing is motivated by the author's endeavor to understand the meaning within song lyrics. From this meaning, the myths and messages that the songwriter attempts to convey can also be discerned. This research employs a qualitative descriptive method. The data sources obtained are from secondary data and public data sources. In this study, the connotative and denotative meanings in the song 'Konsekuens' by the music group .Feast can be understood by the author, thus enabling the identification of social criticism present in the lyrics of this
Makna Denotasi dan Konotasi dalam Lirik Lagu Garam Dan Madu (Sakit Dadaku) Karya Tenxi, Naykilla, & Jemsii (Kajian Semiotika Roland Barthes) Muhammad Ryan; Dwi Wahyu Candra Dewi
Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya Vol. 3 No. 3 (2025): August: Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/semantik.v3i3.1961

Abstract

This study examines the denotative and connotative meanings contained in the lyrics of the song Garam dan Madu (Sakit Dadaku) by Tenxi, Naykilla, and Jemsii, which raises the theme of doubt and longing for love. The purpose of the study is to reveal the literal meaning and implied meaning in the lyrics. The method used is descriptive qualitative with data in the form of song lyric texts obtained from official sources. The results of the study show that the lyrics of this song contain other complementary meanings, namely the denotative meaning describes doubt, longing, uncertainty, and a promise to give the best in their relationship while the connotative meaning contains deeper emotions and symbolism related to love, hope, and commitment. This study provides an in-depth understanding of the song's message and its contribution to the study of semantics and popular culture.
Analisis Gaya Bahasa dalam Lirik Lagu “Semua Aku dirayakan” Karya Nadin Amizah Kajian Stilstika Nadia Maulina; Dwi Wahyu Candra Dewi
Jurnal Nakula : Pusat Ilmu Pendidikan, Bahasa dan Ilmu Sosial Vol. 3 No. 3 (2025): Mei : Jurnal Nakula : Pusat Ilmu Pendidikan, Bahasa dan Ilmu Sosial
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/nakula.v3i3.1843

Abstract

The aim of this research is to study and analyze the language styles contained in the lyrics of Nadin Amizah's song "All I'm Celebrated" using stylistic studies. Song lyrics are a type of literature that aims to be expressive and beautiful and contain deep emotional messages. In the lyrics, figures of speech such as personification, metaphor, repetition, symbolism and hyperbole are analyzed using qualitative descriptive methods. The research results show that this language style functions to strengthen meaning, create a reflective atmosphere, and create emotional closeness between the singer and the listener. The lyrics of this song show a poetic message about self-acceptance and the unique beauty of language through the stylistic approach used. According to this research, "All of Me is Celebrated" is an example of a musical that is stylistically and can be analyzed like a literary work.
Co-Authors Agus Nuryatin Ahmad Hariyadi Ahsani Taqwiem Aisah Aisah Annisa Putri Ramadhani Arum Murdianingsih M.Pd Atika Zahradia Maulida Aulia Novitasari Aulia Ridhatul Hanifah Aulia Ridhatul Hanifah Aulia, Saidatul Daroe Iswatiningsih Dede Fadilatunisa Dewi Kusumaningsih Dhini Kusuma Lestari Emira Naisya Imani Emira Naisya Imani Fahimah Fara Khoerunnisa Fara Pramuditya Fitria Ika Farizha Fitria Maya Sari Fitria Salsabella Hamnah, Hamnah Hana Khairiyah Hany Nor Azizah Hany Nor Azizah Hany Nur Azizah Henny Futry Ananti Husnul Khatimah Ida Zulaeha Ikrimah Ikrimah Ikrimah, Ikrimah Indah Maharany Indah Maharany Iqram Anwar Ramadhani Iqram Anwar Ramadhani Jumadi Jumadi Jumadi , Jumadi Jumadi Jumadi Jumadi Jumadi Kalila Shahwa Noor Rahman Kalila Shahwa Noor Rahman Khatimah, Husnul Kristina Widya Andini La Ino Leny Marlindawati Leny Marlindawati Mahdiati Mahdiati Mahdiati, Mahdiati Maulana Abdurrasyid Mei Leani Olfah Mohammad Fatah Yasin Muhammad Asyari Muhammad Asyari Muhammad Fikri Arosad Muhammad Fikri Arosad Muhammad Rafiek Muhammad Ryan Muhammad Ryan Muhlis Fajar Wicaksana Nadia Halima Putri Nadia Maulina Nadiya Nadiya Nadiya Nadiya, Nadiya Nadjwa Salshabilla Humayra Neysiana Febrianti Sundusiah Nida Ul Hasanah Nida Ul Hasanah Noor Cahaya Nur Asyifa Rohainy Nur Asyifa Rohainy Nur Hikmatul Rizkiah Nurhaliza Nurhaliza Nurul Huda Nydia Zulfa Hany Nydia Zulfa Hany Putri Ayu Lestari Putri Ayu Lestari Rabiatul Jannah Rahma Sari Rahmadi Rahmadi Raudatul Jannah Restika Wijayanti Rini Rahmawati Rini Rahmawati Rizkina Zahra RR. Nindya Aurellia Nugroho Rusma Noortyani Sahwa Laily Sainul Hermawan Salsabila Amalia Salsabila Amalia Septi Selviati Septi Selviati Siti Hadijah Siti Mutiah Sri Puji Rahayu Sri Puji Rahayu Sulisno Sulisno Teguh Supriyanto Wahdatun Nikmah Wahdatun Nikmah Yuwana Yuwana Zahiya Zahiya Zahra Anisa