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All Journal Jurnal Komunikasi LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Komunikasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban Society´s Arts Jurnal Ketahanan Nasional Jurnal Pemuda Jurnal Ilmu Sosial dan Ilmu Politik IJCAS (International Journal of Creative and Arts Studies) ETTISAL Journal of Communication Policy & Governance Review Jurnal Studi Komunikasi Jurnal Studi Pemuda Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Jurnal Pemikiran Sosiologi k@ta Politik Indonesia: Indonesian Political Science Review Capture : Jurnal Seni Media Rekam Ultimart: Jurnal Komunikasi Visual Jurnal Profetik Kajian Jurnalisme International Journal of Visual and Performing Arts Masyarakat Indonesia International Journal of Business, Economics, and Social Development Jurnal Media dan Komunikasi Indonesia Jurnal Kajian Seni Jurnal Komunikasi Islam Literacy : International Scientific Journals of Social, Education, Humanities Jurnal Penelitian Ilmu-Ilmu Sosial Jurnal Komunikasi Global Jurnal Review Politik International Review of Humanities Studies Jurnal Komunikasi Indonesia Jurnal Kawistara Interdisciplinary Journal of Advanced Research and Innovation SEMINAR TEKNOLOGI MAJALENGKA (STIMA) Multidisciplinary Research Studies in Social Sciences
Budi Irawanto
Departemen Ilmu Komunikasi, Fakultas Ilmu Sosial Dan Politik, Universitas Gadjah Mada
Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mechanical Engineering Public Health Social Sciences Transportation Other

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Why We Should See YouTube From Digital Ecology Perspective Romdhi Fatkhur Rozi; Romdhi Fatkhur Rozi; Rachmah Ida; Budi Irawanto
Jurnal Ilmu Komunikasi Vol 22, No 1 (2024): April 2024
Publisher : Univeritas Pembangunan Nasional "Veteran" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/jik.v22i1.9113

Abstract

This study is a critical perspective in exploring changes in social, cultural and political forms related to the development of contemporary communication technology. The main theme of this research is YouTube's digital space with the topic of utilizing the main features of geo-tagging, hashtags and live streaming. Researchers observed three content creators in utilizing the features of the digital platform to carry out social interactions and actions. The purpose of this study is to explain that the character of the users and the current use of digital platforms is a representation of the interaction and socio-cultural situation of contemporary society as a part of the digital ecosystem. This research is qualitative in nature with specific observations on micro phenomena, so the results are not generalizations, but in the form of data findings to support the hypothesis, namely the importance of a critical perspective of digital ecology to explain contemporary digital ecosystem phenomena. This article is supported by comparative descriptions and descriptions of the development of several theoretical models as well as social-technological changes that have occurred before. This research contributes to providing an important perspective that media and technology studies must move from discussions about human and technology interactions, to discussions about human interactions in technology. As a study of ongoing phenomena, the researcher places this research by opening up to the potential for the latest changes that can occur along with technological developments.
Family Photography as Object and Practice in Independent Comics in Indonesia Terra Bajraghosa; Budi Irawanto; Seno Gumira Ajidarma
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 2 (2023): December 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i2.11166

Abstract

One small element that is rarely put in the comics’ scene setting is photographic imagery, commonly a portrait of a person or a family photograph. It is assumed that once a family photograph is presented in a comic, it definitely has a particular function. This study will examine how the family photograph as an object and practice is depicted and present the signification of the story meaning in independent comics. The research object is a drawing that represents a family photograph in a panel, or series of panels – consecutive or non-consecutive -in the independent comic "Pupus Putus Sekolah" (2022) and “Phagia” (2016) as the case study. This research uses a comic studies approach based on qualitative methods. The first analysis process is to pay attention to the presence of family photographic images in comic stories. In the following analysis stage, family photographs are treated as an object defined by social practices based on a semiological/discursive approach, especially the Doing Family Photography approach introduced by Gillian Rose. The study revealed that photographic images in independent comics were shown using the same artistic drawing style as the characters and objects in the story. The inclusion of family photographs in comics aims to present a portrayal of the 'evidence,' 'truth,' and 'indexicality' as the genuine authenticity of the photographed moments in photography while also serving as a symbolic picture in storytelling. The readers' comprehension of the indexical nature of the family photograph is inherently linked to the manner in which the photographic imagery is portrayed and organized with other elements in the sequential composition of comics.Foto Keluarga sebagai Objek dan Praktik dalam Komik Independen di Indonesia Abstrak Salah satu elemen kecil yang jarang dimasukkan ke dalam adegan komik adalah citra fotografi, biasanya potret seseorang atau foto keluarga. Diasumsikan jika foto keluarga disajikan dalam komik, pasti memiliki fungsi tertentu. Penelitian ini akan mengkaji bagaimana foto keluarga sebagai objek dan praktik digambarkan dan menyajikan signifikasi makna cerita dalam komik independen. Objek penelitian adalah gambar yang merepresentasikan foto keluarga dalam sebuah panel, atau rangkaian panel—berurutan atau tidak berurutan—dalam komik independen "Pupus Putus Sekolah" (2022) dan "Phagia" (2016) sebagai studi kasus. Penelitian ini menggunakan pendekatan studi komik berdasarkan metode kualitatif. Tahap analisis pertama adalah memperhatikan citra fotografi keluarga dalam cerita komik. Pada tahap analisis berikutnya, foto keluarga diperlakukan sebagai objek yang didefinisikan oleh praktik sosial, berdasarkan pendekatan semiologis/diskursif, terutama pendekatan Doing Family Photography yang diperkenalkan oleh Gillian Rose. Studi ini mengungkapkan bahwa gambar fotografi dalam komik independen ditampilkan menggunakan gaya gambar yang sama dengan karakter dan objek dalam cerita. Pencantuman foto keluarga dalam komik bertujuan untuk menyajikan penggambaran 'bukti', 'kebenaran', dan 'indeksikal' sebagai keaslian asli dari momen yang difoto dalam fotografi sekaligus berfungsi sebagai gambaran simbolis dalam bercerita. Pemahaman pembaca tentang sifat indeksikal foto keluarga secara inheren terkait dengan cara di mana citra fotografi digambarkan dan diatur dengan unsur-unsur lain dalam komposisi komik yang berurutan.
Multimodal Analysis of the Disabled Character Tyrion Lannister in the Game of Thrones Series (2011-2019) Marbun, Dewi Christina; Irawanto, Budi
Jurnal Penelitian Ilmu-Ilmu Sosial Vol. 4 No. 2 (2023)
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/sosial.v4i2.1120

Abstract

Media, especially films, have an important role in the construction of people with disabilities. This research examines Tyrion Lannister as a person with a disability represented and constructed in the Game of Thrones series. Tyrion Lannister is interesting because he is the only character born with a disability. This condition differs from others with perfect physical conditions in real life. In this series, Tyrion Lannister shows the body as a social sign. He is represented as a realistic and complex character, not inspiring, not evil, or selling mercy, as the portrayal often used by the media in portraying people with disability. This research uses a qualitative approach with a multimodal critical discourse analysis methodology by Gunther Kress and Theo van Leeuwen. The data is based on seasons and episodes of the Game of Thrones, which relate to Tyrion Lannister as people with a disability, literature study, and documentation. The research found that the representation of Tyrion Lannister is realistic and complex, showing the prejudice and social stigma he has received as a person with a dwarf body.
Youtube Independent Music Video Artist: Learning, Production and Exhibition in Digital Space Rozi, Romdhi Fatkhur; Ida, Rachmah; Irawanto, Budi
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4657

Abstract

Music videos by independent musicians represent a new portrait of the music industry in the digital era. This article tries to look at how YouTube has influenced the learning patterns, production patterns, and performance patterns of music content creators in the digital space. A review of the literature in this study connects art, technology, and the media. The research method used is a case study with the object of two independent music channels, Jember on YouTube. The data was obtained through creator interviews and observations of independent music channels, as well as library studies, which were then tested for validity by triangulation of sources. Qualitative data analysis is done descriptively. The findings reveal how content creators start their channels, gain popularity, interact with subscribers, and promote their music careers through YouTube. There was a rather fundamental paradigm shift in the concept of amateur musicians and professional musicians as YouTube became a digital space to be counted on for sharing artwork. Advanced research is recommended to focus on the influence of the YouTube platform on culture, capital economic issues, economy sharing, its exposure to the audience, and its function as a source of learning. Keywords: YouTube; digital learning; production; exhibition; space
MEREGUK KENIKMATAN DI DUNIA MAYA: VIRTUALITAS DAN PENUBUHAN DALAM CYBERSEX Budi Irawanto
Jurnal Kawistara Vol 7, No 1 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.23728

Abstract

Dubbed methaporically as “sex without secretions”, cybersex has transformed the sexual practice and the meaning of erotica. This article seeks to explore the issues of sexuality in cyberspace, particularly its virtuality and embodiment in cybersex.  Many discussions on cybersex revolve around issues of accessibility, affordability and anonymity that draw sharp lines between the real and the virtual. Therefore, in this article I argue that cybersex does not completely distinct from sexuality in the real world due to the interpenetration process between sex in the virtual and real world.
FILM DOKUMENTER SEBAGAI KATALIS PERUBAHAN SOSIAL: STUDI KASUS AMBON, ACEH DAN BALI Budi Irawanto; Theresia Octastefani
Jurnal Kawistara Vol 9, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.40986

Abstract

Since democratization (Reformasi) in 1998, documentary films gradually evolve with their locus of production spreading across the Indonesian archipelago. With the spirit of democratization brought about by digital technology, film communities and civil organizations in outer islands of Java utilize digital documentary film to capture several pertinent socio-political issues and raise public and government attention and responses. Those issues are commonly overlooked by the local media and were never a part of local government’s policies. Based on our fieldwork conducted in three areas outside of the Java Island (Ambon, Aceh and Bali), where digital documentary filmmaking and civil organizations are active and vibrant, our study indicates that rather than simply producing documentaries, film communities or non-governmental organizations disseminated documentaries through public screenings to invite further engagement of audiences by discussing the film with authorities (policy makers) that were often invited in that event.  In this article, we attempt to illuminate how documentary filmmaking allows the unseen and neglected issues to be articulated visually and sonically. Therefore, it would be compelling public or media attention and encouraging further government policy to resolve that matters. In other words, documentary films are a catalyst for social change by taking their roles as witness for the public and demanding responsibilities of the political authority.
A Critical Literature Review of Mediatization of Art on Instagram Tunnikmah, Nadiyah; Irawanto, Budi; Hujatnika, Agung
IJCAS (International Journal of Creative and Arts Studies) Vol 11, No 2 (2024): December 2024
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v11i2.11323

Abstract

A critical review of the literature was conducted to investigate the mediatization of art on Instagram. Finding out about fine art on Instagram through empirical studies, identifying knowledge gaps, and possible future developments can all be done by conducting a critical literature review. To search for the required articles, Boolean operators (AND, OR, NOT) are used by combining and filtering search terms effectively. The main databases were searched using the following terms: (“art” OR “visual arts” OR “contemporary art”) AND (“Instagram” OR “Instagram Art”) AND (“Mediatization” OR “art” OR “Visual Arts”). Databases used include Scopus, JSTOR, Google Scholar. From the search, 198 references were obtained, after checking the relevance it was decided that 24 articles were worthy of being used as references in a critical literature review. Based on observations of previously existing literature, this literature can be categorized into three parts, namely: Instagram as a data source and analyzing the visual form of uploads, Study of arts on Instagram, Study of mediatization of fine arts on Instagram.Tinjauan Pustaka Kritis Mediatisasi Seni di Instagram Abstrak Tinjauan kritis terhadap literatur dilakukan untuk menyelidiki mediatisasi seni di Instagram. Mencari tahu tentang seni rupa di Instagram melalui kajian empiris, mengidentifikasi kesenjangan pengetahuan, dan kemungkinan perkembangan di masa depan, semuanya dapat dilakukan dengan melakukan tinjauan literatur kritis. Untuk mencari artikel yang dibutuhkan, digunakan operator Boolean (AND, OR, NOT) dengan menggabungkan dan memfilter istilah pencarian secara efektif. Basis data utama dicari menggunakan istilah berikut: (“seni” ATAU “seni visual” ATAU “seni kontemporer”) DAN (“Instagram” ATAU “Seni Instagram”) DAN (“Mediatisasi” ATAU “seni” ATAU “Seni Visual” ). Database yang digunakan antara lain : Scopus, JSTOR, Google Scholar. Dari penelusuran diperoleh 198 referensi, setelah dilakukan pengecekan relevansi diputuskan 24 artikel layak dijadikan rujukan dalam tinjauan pustaka kritis. Berdasarkan pengamatan terhadap literatur-literatur yang telah ada sebelumnya, maka literatur ini dapat dikategorikan menjadi tiga bagian, yaitu: Instagram sebagai sumber data dan menganalisis bentuk visual unggahan, Kajian seni rupa di Instagram, Kajian mediatisasi seni rupa di Instagram.
Lessons from comedy group management in Yogyakarta: a case study of organizational management practices of “Double S” group as a microenterprise Putra, Trisna Pradita; Irawanto, Budi; Haryono, Timbul
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1645

Abstract

Performing arts organizations at the micro level often face challenges threatening their sustainability. The big challenge is how good organizational management practices can be done with limited resources, local competition, and changing market dynamics. This research aims to examine and improve the effectiveness of micro-organizational management in the context of performing arts, focusing on a case study of the comedy group “Double S” in Yogyakarta. This research is exploratory, using a qualitative approach and case studies as an analytical framework. Data were collected through in-depth interviews with group members, direct observation of performances, and document analysis related to organizational management. Organizational management concepts, such as strategic planning, organizing, and leadership, were applied in the context of micro-performing arts. The results showed that comedy groups as micro organizations have unique characteristics of organizational management practices, namely, organizational management in the context of a very flexible comedy group and the emergence of the central role of the artist who doubles as the group manager. Although it is done with complete improvisation and tends to be unstructured, the flexibility of organizational management has become a strength for the comedy group. The flexibility of management allows the comedy group to adapt to various uncertainties. Microorganizations need managers who have improvisational skills in organizational management. This research contributes to understanding organizational management at the micro level in the performing arts industry. The practical implication is to guide similar performing arts groups to improve competitiveness and sustainability. This study can also serve as a reference for further research on micro-level performing arts organization management and its influence on the development of local performing arts.
STUDY OF FORMER STREET KID RECEPTION TO MOVIE “ALANGKAH LUCUNYA NEGERI INI” Agustian, Jaka Farih; Irawanto, Budi
Capture : Jurnal Seni Media Rekam Vol. 9 No. 2 (2018)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (335.98 KB) | DOI: 10.33153/capture.v9i2.2106

Abstract

Social problems in the aspect of street children in Indonesia is still difficult to solve. The Data 2017 issued by the Minister of Social Khofifah Indar Parawansa said there are 4.1 million Indonesian children who are displaced and need protection. Thus, various media attempts to provide criticisms about social conditions in Indonesia, especially through the construction of street children's films. Film of Alangkah Lucunya Negeri Ini describes social problems of street children happening in Indonesia. This study aims to explain how the reception of exformer street children in watching the film Alangkah Lucunya Negeri Ini using the method of reception proposed by Stuart Hall, namely the concept of dominant hegemony, negotiation, and opposition. The results show that informant receptions arise due to different social and cultural dimensions in life as street children in the past. The informants also made the film Alangkah Lucunya Negeri Ini as reflection based on life experience. Thus, the presence of the film gives negative stigma of street children in social relations of society. Scene of film also brings the informant to feel the pleasure of watching that is expressed through both entertaining and emotional forms. Meanwhile, audience also responded activelly to the construction of street children films in social, educational, and religious discourse. Informants who are in the dominant code express their interest in film programs motivated by behavior and social experience as street children. While informants who are in a negotiating position try to be adaptive in adjusting the message in the film, but also have an attitude of opposition as a form of rejection. While the informants who placed themselves in the opposition expressed a different attitude to the construction offered in the film program. There is an element of discomfort with the presence of street children movies in their lives. 
Mediamorphosis: the new face of radio broadcasting in the new normal era Budhi Widi Astuti; Ana Nadhya Abrar; Budi Irawanto
Jurnal Studi Komunikasi Vol. 8 No. 2 (2024)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v8i2.8179

Abstract

‘Mediamorphosis’ is a transformation of communication media caused by complex interactions between perceived needs, competitive and political pressures, and social and technological innovation. The digital revolution that gave birth to media digitalisation is one of the causes of mediamorphosis. Another thing that drives mediamorphosis is the impact of the COVID-19 pandemic that hit Indonesia and other countries in the world. Mediamorphosis is a concept used in this study because it refers to the form of radio broadcasts that have changed and adapted due to the novel COVID-19 virus throughout the world and in Indonesia. The main social regulations by the Indonesian Government have implications for radio broadcasting operations. This study aims to see how local private radio– Radio Elisa FM carries out mediamorphosis which is analysed more specifically using the concept of convergence. The research paradigm used is constructivism with a qualitative approach and case study method. The results of the study show that the mediamorphosis carried out by Radio Elisa produces a new face for Radio Elisa broadcasts as a visual radio in the new normal era.
Co-Authors Agung Hujatnika Agung Hujatnika Agustian, Jaka Farih Aidatul Chusna, Aidatul Ana Nadhya Abrar Andreas Sudjud Dartanto Antara, I Putu Juni Anugerah, Anggun Rezky Arief Rijaluddin Arif Ardy Wibowo Aryo Subarkah Eddyono Benyamin Imanuel Silalahi Budhi Widi Astuti Buyung Pambudi, Buyung Deni Kristanto Dian Arymami Edoardo Irfan faruk faruk Faruk HT Faruk, Faruk GR Lono Lastoro Simatupang GR Lono Lastoro Simatupang GR Lono Lastoro Simatupang Hermin Indah Wahyuni Khoiron Khoiron Kusnul Fitria Lucia Ratnaningdyah Setyowati Marbun, Dewi Christina Maruti Asmaul Husna Subagio Mochamad Andhy Nurmansyah Moh Gandhi Amanullah Mohtar Mas’oed Mundayat, Aris Arif Nadiyah Tunnikmah Nezar Patria Nezar Patria Novi Kurnia Nunung Prajarto Nunung Prajarto Nurizky Adhi Hutama Nurul Hidayah Oki Rahadianto Sutopo Pitra Narendra Purwo Santoso Rachmah Ida Rachmah Ida Rahmawati, Handini Rana Akbari Fitriawan Romdhi Fatkhur Rozi Romdhi Fatkhur Rozi Satrio Hari Wicaksono Seno Gumira Ajidarma Seno Gumira Ajidarma, Seno Gumira Silalahi, Benyamin Imanuel Suhartami, Wiwik Terra Bajraghosa Theresia Octastefani Timbul Haryono Timbul Haryono Trisna Pradita Putra Wan Ridwan Husen Wan Ridwan Husen, Wan Ridwan Wisnu Martha Adiputra Wiwik Sushartami Wulan Tri Astuti Yayat Hendrayana, Yayat Yesicha, Chelsy