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All Journal Jurnal Komunikasi LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Komunikasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban Society´s Arts Jurnal Ketahanan Nasional Jurnal Pemuda Jurnal Ilmu Sosial dan Ilmu Politik IJCAS (International Journal of Creative and Arts Studies) ETTISAL Journal of Communication Policy & Governance Review Jurnal Studi Komunikasi Jurnal Studi Pemuda Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Jurnal Pemikiran Sosiologi k@ta Politik Indonesia: Indonesian Political Science Review Capture : Jurnal Seni Media Rekam Ultimart: Jurnal Komunikasi Visual Jurnal Profetik Kajian Jurnalisme International Journal of Visual and Performing Arts Masyarakat Indonesia International Journal of Business, Economics, and Social Development Jurnal Media dan Komunikasi Indonesia Jurnal Kajian Seni Jurnal Komunikasi Islam Literacy : International Scientific Journals of Social, Education, Humanities Jurnal Penelitian Ilmu-Ilmu Sosial Jurnal Komunikasi Global Jurnal Review Politik International Review of Humanities Studies Jurnal Komunikasi Indonesia Jurnal Kawistara Interdisciplinary Journal of Advanced Research and Innovation SEMINAR TEKNOLOGI MAJALENGKA (STIMA) Multidisciplinary Research Studies in Social Sciences
Budi Irawanto
Departemen Ilmu Komunikasi, Fakultas Ilmu Sosial Dan Politik, Universitas Gadjah Mada
Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mechanical Engineering Public Health Social Sciences Transportation Other

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Beribadah Daring di Masa Pandemi: Netnografi Praktik Cyber-Spirituality GBI Miracle Service Yogyakarta) Silalahi, Benyamin Imanuel; Irawanto, Budi
Jurnal Media dan Komunikasi Indonesia Vol 6, No 1 (2025): MARET 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.88465

Abstract

Pembatasan aktivitas sosial akibat Pandemi Covid-19 membuat praktik pergerejaan, khususnya peribadahan harus dilakukan secara daring. Penelitian ini melihat Bagaimana anggota gereja GBI Miracle Service Yogyakarta, sebuah gereja yang sebelumnya tidak memiliki kesiapan untuk menyelenggarakan ibadah secara daring, beradaptasi dan menggunakan media digital untuk memenuhi kebutuhan spiritual pandemi. Penelitian ini menggunakan metode netnografi, dengan kacamata kajian cyber-spirituality dan teori mediatisasi. Peneliti menemukan bahwa ibadah daring dimaknai sebagai suatu alternatif yang bersifat sementara, yang tidak dapat menggantikan ibadah fisik. Adaptasi dilakukan dengan signifikan melalui fitur-fitur platform yang ada, sehingga pola interaksi anggota gereja dipengaruhi oleh logika media.
Rethinking Participatory Culture through the Case in Mulyana’s “Sea Remembers” Husen, Wan Ridwan; Irawanto, Budi; Simatupang, GR Lono Lastoro
International Journal of Business, Economics, and Social Development Vol 6, No 3 (2025)
Publisher : Research Collaboration Community (RCC)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46336/ijbesd.v6i3.963

Abstract

This study discusses the production process carried out in collaboration with the community (especially women's knitting groups) in the field of visual arts, seen through the lens of participatory culture. Using a case study approach, this study re-examines how artists engage with communities to create spaces for communication, build relationships, explore creative processes, exchange ideas, and collectively shape identities. This study examines the collaborative methods applied in Mulyana's artwork 'Sea Remembers', focusing on two main aspects: the collaborative work process and the community empowerment process. The method used is qualitative with a case study approach to a collaborative process. The findings reveal that during its production, 'Sea Remembers' illustrates that the artistic process carried out with many people can be a medium for empowering communities, can positively foster innovation in art making, and increase appreciation for those involved. This study emphasizes the potential of collaboration with a participatory approach in redefining the artistic production process in building social relationships.
The Dramaturgy of Public Policy on Raising Subsidized Fuel Prices in Indonesia (Policy Comparative Analysis Between 2013 and 2022) Patria, Nezar; Irawanto, Budi; Abrar, Ana Nadhya
JURNAL KOMUNIKASI INDONESIA Vol. 14, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines the policy of raising subsidized fuel prices in Indonesia through a dramaturgical lens, employing discourse analysis as its methodology. Each fuel price increase triggers intense political debates, involving key governmental figures and eliciting diverse public responses. The research contrasts two pivotal periods: the policy decisions during President Susilo Bambang Yudhoyono's administration in 2013 and those under President Joko Widodo in 2022. Using a dramaturgical framework, the study analyzes the dimensions of scripting, setting, staging, and performance in policymaking, highlighting how each administration constructs distinct policy narratives. In 2013, the policy faced significant opposition and robust public discourse. In contrast, by 2022, media strategies were strategically employed to shape the narrative and mitigate dissent. The findings reveal contrasting approaches by the two administrations in managing the political and social consequences of the fuel price increases. These insights contribute to a deeper understanding of the dynamics of public policy in the context of economic and political challenges, emphasizing the critical role of communication strategies in the implementation of contentious policies.
Transforming Curatorial Practices: The Role of AI and Blockchain in Shaping an Ethical Art-Science Paradigm for Public Policy Dartanto, A. Sudjud; Irawanto, Budi; Hujatnika, Agung
IJCAS (International Journal of Creative and Arts Studies) Vol 11, No 2 (2024): December 2024
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v11i2.14388

Abstract

The integration of artificial intelligence (AI) and blockchain technology in curatorial practice offers transformative potential for managing, presenting, and distributing both traditional and digital art. This study explores how AI enhances curatorial processes through advanced data analysis and personalized visitor experiences. AI assists curators in organizing collections and recommending artworks tailored to individual preferences, fostering greater engagement with dynamic, customized exhibitions. Blockchain technology, on the other hand, ensures the provenance of decentralized artworks, guaranteeing authenticity and transparency. It addresses issues like counterfeiting, ownership disputes, and secure transactions, while supporting artists through smart contracts that ensure equitable compensation. However, ethical concerns remain. These include biases in AI algorithms, intellectual property challenges in decentralized NFT platforms, and limited digital access for marginalized artists. Academic studies and case analyses underscore these challenges and advocate for collaboration among curators, artists, technologists, and policymakers. This approach seeks to resolve ethical dilemmas, promote inclusivity, and maintain cultural integrity in implementing these technologies. The study emphasizes the need for public policy frameworks to regulate AI and blockchain, ensuring fair compensation and equitable access to their benefits while safeguarding cultural values. By addressing these concerns, these technologies can unlock new possibilities for the art world. Transformasi Praktik Kuratorial: Peran AI dan Blockchain dalam Membentuk Paradigma Seni-Sains yang Etis untuk Kebijakan Publik Abstrak Integrasi kecerdasan buatan (AI) dan teknologi blockchain dalam praktik kuratorial menawarkan potensi transformatif untuk mengelola, menyajikan, dan mendistribusikan seni baik tradisional maupun digital. Studi ini mengeksplorasi bagaimana AI meningkatkan proses kuratorial melalui analisis data yang mutakhir dan pengalaman pengunjung yang dipersonalisasi. AI membantu kurator dalam mengatur koleksi dan merekomendasikan karya seni yang disesuaikan dengan preferensi individu, mendorong keterlibatan yang lebih besar dengan pameran yang dinamis dan disesuaikan. Di sisi lain, teknologi blockchain memastikan asal-usul karya seni yang terdesentralisasi, menjamin keaslian dan transparansi. Teknologi ini mengatasi masalah seperti pemalsuan, sengketa kepemilikan, dan transaksi yang aman, serta mendukung para seniman melalui kontrak pintar yang memastikan kompensasi yang adil. Akan tetapi, masalah etika tetap ada. Ini termasuk bias dalam algoritma AI, tantangan kekayaan intelektual dalam platform NFT yang terdesentralisasi, dan akses digital yang terbatas untuk seniman yang terpinggirkan. Studi akademis dan analisis kasus menggarisbawahi tantangan-tantangan ini dan mengadvokasi kolaborasi di antara kurator, seniman, ahli teknologi, dan pembuat kebijakan. Pendekatan ini berusaha untuk menyelesaikan dilema etika, mempromosikan inklusivitas, dan menjaga integritas budaya dalam mengimplementasikan teknologi ini. Studi ini menekankan perlunya kerangka kerja kebijakan publik untuk mengatur AI dan blockchain, memastikan kompensasi dan akses yang adil terhadap manfaatnya sambil menjaga nilai-nilai budaya. Dengan mengatasi masalah ini, teknologi ini dapat membuka peluang baru bagi dunia seni.
ANALISIS METAFORA VISUAL ADEGAN PENOBATAN RATU ELIZABETH II DALAM DRAMA BIOPIK 'THE CROWN' Anugerah, Anggun Rezky; Sushartami, Wiwik; Irawanto, Budi
Jurnal Kajian Seni Vol 11, No 2 (2025): Jurnal Kajian Seni Vol 11 No 2 April 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.98522

Abstract

Penelitian ini menganalisis penggunaan metafora visual dalam adegan penobatan Ratu Elizabeth II pada season satu episode 5 dari serial drama biografi The Crown. Tujuannya adalah mengidentifikasi berbagai bentuk metafora visual, seperti pencahayaan, komposisi gambar, dan simbol visual lainnya yang memperkaya narasi dan penggambaran sejarah. Teknik yang dianalisis meliputi Potret/Gambar Gabungan, Konstruksi Gabungan, Fotomontase, Kategori Animasi, dan Superimposisi. Penelitian ini menggunakan metode kualitatif dengan pendekatan analisis tekstual untuk mengevaluasi efektivitas setiap teknik. Hasil menunjukkan bahwa metafora visual dalam The Crown memperkuat narasi visual sekaligus meningkatkan apresiasi terhadap kompleksitas sejarah dan karakter. Fotomontase menggambarkan peristiwa penting secara kompleks, Konstruksi Gabungan menciptakan citra visual yang kaya, sementara Superimposisi dan Potret/Gambar Gabungan menambah kedalaman emosional dan simbolik. Kategori Animasi menghadirkan dinamika dan gerakan dalam cerita. Temuan ini menunjukkan bahwa penggunaan metafora visual dalam film dan drama dapat menjadi strategi efektif untuk menghidupkan kembali peristiwa sejarah secara menarik dan bermakna.
Comic-film-music of “Pendekar Cyborg”: a case study of transmedia storytelling in Indonesian contemporary independent comics Bajraghosa, Terra; Irawanto, Budi; Ajidarma, Seno Gumira
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1723

Abstract

This study explores independently published comics in Indonesia after 2010, which show differences from independent comics in the late 1990s and early 2000s. Contemporary independent comics distinguish themselves by positioning readers as patrons and the application of transmedia storytelling across platforms, especially related to film and music, and not for industrial purposes. The research questions presented are: what are transmedia storytelling practices in contemporary independent comics in Indonesia, and how is the context of creative freedom and control that underlies the production of printed comics presented through cross-media platforms? Using qualitative methodology, this study applies descriptive discourse analysis based on the visual culture framework, following Gillian Rose's methodological approach. The descriptive analysis focuses on the case study of transmedia storytelling "Pendekar Cyborg", an independently published comic series, which intersects with other media such as motion comics, animated music videos, film, and music. The findings show that contemporary Indonesian independent comics engage in canonical transmedia storytelling, in dimensions of spreadability, continuity, and multiplicity, while still reflecting the socio-political context. The work “Pendekar Cyborg” affirms creative freedom within an independent artistic community and expands narrative experiences through innovative, creator-driven transmedia strategies with community support. This research contributes to understanding how independent visual storytelling in Indonesia embraces transmedia formats to negotiate cultural meaning and audience engagement.
Konten Keislaman dalam Aplikasi Edukatif sebagai Media Komunikasi Keluarga Pambudi, Buyung; Nunung Prajarto; Budi Irawanto
Jurnal Komunikasi Islam Vol. 13 No. 2 (2023): December
Publisher : Departement of Islami Comuunication and Broadcasting, Faculty of Da'wah and Communication, State Islamic University of Sunan Ampel (UINSA) Surabaya Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jki.2023.13.2.269-288

Abstract

This research aims to examine the usage of digital applications for educational purposes produced in Indonesia and containing Islamic messages in order to improve family communication. This study used a descriptive qualitative method and considered Educa Studio and Solite Kids applications as research objects. The results of this research state that these two digital applications provide benefits for intensifying communication among family members, between parents and children in particular. In addition, the Islamic content within educational games in both the Educa Studio and Solite Kids applications is a means of spreading Islamic values from an early age. In short, through these digital applications, the intensity of interaction between children and parents can prevent children's accessibility to negative media contents that are not in accordance with Islamic religious values.
Aktivisme, Budaya Populer, Pemuda, dan Media: Analisis Bingkai dan Paradigma Protes terhadap Three Finger Salute dalam Berita Reuters Antara, I Putu Juni; Irawanto, Budi
Jurnal Studi Pemuda Vol 12, No 2 (2023): Pemuda dalam Budaya Populer
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/studipemudaugm.94852

Abstract

This study investigates the framing and presences of the protest paradigm in Reuters' coverage of activism events in Southeast Asia involving The Hunger Games' Three Finger Salute. In recent years, several protests in the region have adopted this salute as a means of expressing dissent against their respective governments. These diverse activisms not only attract media attention as political events but also signify interconnected political phenomena through a gesture inspired by popular narratives such The Hunger Games. Reuters, an international news agency, has shown a heightened interest in this phenomenon compared to other news agencies that focusing solely on political activities. While it is common for news reports to embody the protest paradigm when covering activism, Reuters' coverage specific focus on events involving the Three Finger Salute sets it apart. The protest paradigm highlights the media's tendency to depict social protests with a negative sentiment. Through text and framing analysis, this research delves into how Reuters selectively emphasizes certain aspects of these fan activisms. The findings reveal that Reuters framed the coverage of fan activisms around authoritarian government, youth and student, and royalist. Reuters also has negative sentiment and continues to perpetuate the protest paradigm. 
STUDY OF FORMER STREET KID RECEPTION TO MOVIE “ALANGKAH LUCUNYA NEGERI INI” Agustian, Jaka Farih; Irawanto, Budi
Capture : Jurnal Seni Media Rekam Vol. 9 No. 2 (2018)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v9i2.2106

Abstract

Social problems in the aspect of street children in Indonesia is still difficult to solve. The Data 2017 issued by the Minister of Social Khofifah Indar Parawansa said there are 4.1 million Indonesian children who are displaced and need protection. Thus, various media attempts to provide criticisms about social conditions in Indonesia, especially through the construction of street children's films. Film of Alangkah Lucunya Negeri Ini describes social problems of street children happening in Indonesia. This study aims to explain how the reception of exformer street children in watching the film Alangkah Lucunya Negeri Ini using the method of reception proposed by Stuart Hall, namely the concept of dominant hegemony, negotiation, and opposition. The results show that informant receptions arise due to different social and cultural dimensions in life as street children in the past. The informants also made the film Alangkah Lucunya Negeri Ini as reflection based on life experience. Thus, the presence of the film gives negative stigma of street children in social relations of society. Scene of film also brings the informant to feel the pleasure of watching that is expressed through both entertaining and emotional forms. Meanwhile, audience also responded activelly to the construction of street children films in social, educational, and religious discourse. Informants who are in the dominant code express their interest in film programs motivated by behavior and social experience as street children. While informants who are in a negotiating position try to be adaptive in adjusting the message in the film, but also have an attitude of opposition as a form of rejection. While the informants who placed themselves in the opposition expressed a different attitude to the construction offered in the film program. There is an element of discomfort with the presence of street children movies in their lives. 
Beauty in South Korean TV Drama Series Based on Television Artistic Elements in the Series 'True Beauty’ Rahmawati, Handini; Suhartami, Wiwik; Irawanto, Budi
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.8212

Abstract

South Korean beauty standards have become increasingly globalized,including in Indonesia, largely through the influence of the South Korean entertainment industry, particularly television drama series and K-pop, commonly referred to as the Hallyu industry. Beauty is frequently constructed as a social issue within South Korean television dramas. One drama series that explicitly addresses this issue is True Beauty, which portrays socially accepted beauty standards and their rolein shaping interpersonal interactions. This study aims to examine the representation of beauty in the South Korean television drama series True Beauty by employing television artistic elements as an analytical framework. The findings reveal how these artistic elements are utilized to construct and communicate beauty ideals within then arrative. Furthermore, the study identifies representations of beauty from the perspectives of supporting characters during social interactions with the main character, who is perceived as unattractive without makeup and attractive with makeup. These interactions produce three dominant perspectives: the meaning ofbeauty, self-perception of beauty, and perceptions of beauty toward others. The influence of True Beauty extends beyond South Korea to Indonesia, where South Korean beauty ideals have increasingly become a reference point, as reflected in the emergence of beauty-related content created by Indonesian beauty vloggers following the series' broadcast.
Co-Authors Agung Hujatnika Agung Hujatnika Agustian, Jaka Farih Aidatul Chusna, Aidatul Ana Nadhya Abrar Andreas Sudjud Dartanto Antara, I Putu Juni Anugerah, Anggun Rezky Arief Rijaluddin Arif Ardy Wibowo Aryo Subarkah Eddyono Benyamin Imanuel Silalahi Budhi Widi Astuti Buyung Pambudi, Buyung Deni Kristanto Dian Arymami Edoardo Irfan faruk faruk Faruk HT Faruk, Faruk GR Lono Lastoro Simatupang GR Lono Lastoro Simatupang GR Lono Lastoro Simatupang Hermin Indah Wahyuni Khoiron Khoiron Kusnul Fitria Lucia Ratnaningdyah Setyowati Marbun, Dewi Christina Maruti Asmaul Husna Subagio Mochamad Andhy Nurmansyah Moh Gandhi Amanullah Mohtar Mas’oed Mundayat, Aris Arif Nadiyah Tunnikmah Nezar Patria Nezar Patria Novi Kurnia Nunung Prajarto Nunung Prajarto Nurizky Adhi Hutama Nurul Hidayah Oki Rahadianto Sutopo Pitra Narendra Purwo Santoso Rachmah Ida Rachmah Ida Rahmawati, Handini Rana Akbari Fitriawan Romdhi Fatkhur Rozi Romdhi Fatkhur Rozi Satrio Hari Wicaksono Seno Gumira Ajidarma Seno Gumira Ajidarma, Seno Gumira Silalahi, Benyamin Imanuel Suhartami, Wiwik Terra Bajraghosa Theresia Octastefani Timbul Haryono Timbul Haryono Trisna Pradita Putra Wan Ridwan Husen Wan Ridwan Husen, Wan Ridwan Wisnu Martha Adiputra Wiwik Sushartami Wulan Tri Astuti Yayat Hendrayana, Yayat Yesicha, Chelsy