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Aktivisme, Budaya Populer, Pemuda, dan Media: Analisis Bingkai dan Paradigma Protes terhadap Three Finger Salute dalam Berita Reuters Antara, I Putu Juni; Irawanto, Budi
Jurnal Studi Pemuda Vol 12, No 2 (2023): Pemuda dalam Budaya Populer
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/studipemudaugm.94852

Abstract

This study investigates the framing and presences of the protest paradigm in Reuters' coverage of activism events in Southeast Asia involving The Hunger Games' Three Finger Salute. In recent years, several protests in the region have adopted this salute as a means of expressing dissent against their respective governments. These diverse activisms not only attract media attention as political events but also signify interconnected political phenomena through a gesture inspired by popular narratives such The Hunger Games. Reuters, an international news agency, has shown a heightened interest in this phenomenon compared to other news agencies that focusing solely on political activities. While it is common for news reports to embody the protest paradigm when covering activism, Reuters' coverage specific focus on events involving the Three Finger Salute sets it apart. The protest paradigm highlights the media's tendency to depict social protests with a negative sentiment. Through text and framing analysis, this research delves into how Reuters selectively emphasizes certain aspects of these fan activisms. The findings reveal that Reuters framed the coverage of fan activisms around authoritarian government, youth and student, and royalist. Reuters also has negative sentiment and continues to perpetuate the protest paradigm. 
Why We Should See YouTube From Digital Ecology Perspective Rozi, Romdhi Fatkhur; Ida, Rachmah; Irawanto, Budi
Jurnal Ilmu Komunikasi Vol 22 No 1 (2024): April 2024
Publisher : Univeritas Pembangunan Nasional "Veteran" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/jik.v22i1.9113

Abstract

This study is a critical perspective in exploring changes in social, cultural and political forms related to the development of contemporary communication technology. The main theme of this research is YouTube's digital space with the topic of utilizing the main features of geo-tagging, hashtags and live streaming. Researchers observed three content creators in utilizing the features of the digital platform to carry out social interactions and actions. The purpose of this study is to explain that the character of the users and the current use of digital platforms is a representation of the interaction and socio-cultural situation of contemporary society as a part of the digital ecosystem. This research is qualitative in nature with specific observations on micro phenomena, so the results are not generalizations, but in the form of data findings to support the hypothesis, namely the importance of a critical perspective of digital ecology to explain contemporary digital ecosystem phenomena. This article is supported by comparative descriptions and descriptions of the development of several theoretical models as well as social-technological changes that have occurred before. This research contributes to providing an important perspective that media and technology studies must move from discussions about human and technology interactions, to discussions about human interactions in technology. As a study of ongoing phenomena, the researcher places this research by opening up to the potential for the latest changes that can occur along with technological developments.
ISLAM AND TERRORISM: UNRAVELLING NARRATIVE BIASES IN AN INDONESIAN INDIE FILM Nurmansyah, Mochamad Andhy; Ida, Rachmah; Irawanto, Budi
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 19, No 2 (2024): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v19i2.29534

Abstract

Since the 9/11 attack on the World Trade Center in New York in 2001, terrorism in the name of Islam has become a common occurrence in Indonesia. As a result, violent images of Islam widely circulated in the media. Islam and its minor images have permeated the Indonesian entertainment media landscape, including independent cinema. This study addresses the lack of research on Indonesian independent films with Islamic themes. In its earliest stage, this study studied how an independent movie, Train To Heaven (TTH), examined the language surrounding terrorism in the name of Islam. The analysis in this paper, which was conducted within the context of social semiotics, indicated that the sarcastic tones used in the text were consistent with the film's principal focus, which was rejecting violent acts in the name of Islam. TTH, an independent film that tackles the issue of terrorism committed in the name of Islam, frequently expresses resistance to the act at the outset of its cinematic portrayal. As the scenes develop, the story becomes increasingly ambiguous. TTH's antagonistic stance on alleged Islamic terrorism has not been maintained. The emergence of contradictions after the story, the TTH indie film's position, which has not been fully designed to address a specific alternative "voice," and the Islamic dynamics in Indonesia, which are not well mapped in discourse formation, are some of the particular factors that contributed to the ideological ambiguity of TTH's existence. Lastly, TTH's oppositional positioning or subtleties of resistance are questionable. The linguistic creation appears to be overtaken by ideological ambiguities. There is no doubt that Islamic doctrinal viewpoints will never include the death of God. The ending of the film was incongruous with the subject of criticism from the start, resulting in a confusing discourse about Islam and terrorism. Finally, this study reveals that TTH is ambiguous in defining the extent of its critique, whether it is directed at acts of terrorism in the name of Islam or Islamic beliefs. This study is limited by its focus on a single independent film, TTH, and is constrained by the evolving nature of Indonesian cinema and global perceptions of Islam and terrorism. Future research should examine a broader range of Indonesian indie films, explore the relationship between media representation, religion, and societal values, and consider audience reception studies to deepen the understanding of how such films are interpreted across different cultural and demographic contexts.
Sinyal Bahaya Demokrasi Pascaputusan MK tentang Batas Usia Minimum Capres dan Cawapres (Analisis Perbincangan Warganet di X) Pambudi, Buyung; Prajarto, Nunung; Irawanto, Budi
Jurnal Review Politik Vol. 14 No. 1 (2024): June
Publisher : Fakultas Ushuluddin dan Filsafat UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jrp.2024.14.1.131-150

Abstract

This research stems from Mahkamah Konstitusi’s decision to change the electoral constitution when the election stage was already underway. Netizens then discussed the decision of the Majelis Kehormatan Mahkamah Konstitusi (MKMK) which decided that the chairman of the Constitutional Court violated the code of ethics when hearing the election constitutional lawsuit. The election organizer (KPU RI) also did not escape the discussion of netizens after being decided to violate the code of ethics by Dewan Kehormatan Penyelenggara Pemilu (DKPP). The conversations of netizens on X/Twitter regarding the Chief Justice of the MK, MKMK, and the Chairman of the KPU were collected using NodeXL, then described in the form of tables and descriptions. The communication network analysis method was chosen as a data analysis tool. X/Twitter was used as a means of expressing opinions and disseminating information related to the 2024 elections. Netizens' conversations about the Chief Justice of the MK, MKMK, and the Chairman of the KPU signal the danger of democracy in Indonesia.
ANALISA TINGKAT KERUSAKAN JALAN DENGAN METODE PAVEMENT CONDITION INDEX (PCI) SEBAGAI PENENTU PERBAIKAN JALAN (STUDI KASUS JALAN PEREMPATAN TARIKOLOT MAJALENGKA-JALAN BUNDERAN BARIBIS) Budi Irawanto; Rijaluddin, Arief; Hendrayana, Yayat
SEMINAR TEKNOLOGI MAJALENGKA (STIMA) Vol 7 (2023): STIMA 7.0 "Transformasi Peradaban Akademik Menyongsong Revolusi Industri 5.0"
Publisher : Universitas Majalengka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31949/stima.v7i0.964

Abstract

Jalan merupakan prasarana transportasi yang sangat berperan penting dalam mengalihkan arus lalu lintas. Saat ada ruas jalan yang terhadi kerusakan, maka akan berdampak cukup besar pada arus lalu lintas. Kerusakan jalan dapat dianalisis untuk mengetahui penyebab terjadinya dan altenatif penyelesaiannya. Penelitian ini bertujuan untuk mengetahui jenis-jenis kerusakan jalan dan nilai kondisi jalan sehingga dapat menentukan cara perbaikannya. Metode yang digunakan dalam meneliti ini adalah metode Pavement Condition Index (PCI). Berdasarkan nilai prioritas Direktorat Jenderal Bina Marga dan Manual Pemeliharaan Rutin Jalan. Penelitian dilakukan dengan pengamatan kondisi ruas jalan dengan mengukur luasan masing-masing kerusakan dengan menggunakan mistar. Data sekunder dari Dinas Pekerjaan Umum Penatan Ruang Dan Perumahan Rakyat Kabupaten Majalengka Provinsi Jawa Barat. Berdasarkan hasil evaluasi kondisi perkerasan jalan perempatan Desa tarikolot sampai jalan Bunderan Baribis Majalengka (Sta 3+000 samapai dengan Sta 6+000), untuk sampel/segmen 5 Sta 5+000 – 5+500 nilai Pavement Condition Index sebesar 27 dan ratting dalam kondisi poor (jelek) dan nilai yang ditentukan menurut bina marga sebesar 8 maka dilakukan pemeliharaan rutin, sedangkan untuk Nilai keseluruhan rata-rata pavement condition index maka diperoleh nilai 44,17 dan ratting dalam kondisi fair (sedang), dan nilai yang diteentukan menurut bina marga sebesar 9 maka dilakukan pemeliharaan rutin. Kata Kunci: Kerusakan Jalan, Metode Pavement Condition Index, Penanganan kerusakan
Exploring the Narrative Spaces of Change in Jejak Warna: Cerita tentang Perubahan (2019) Web Series: - Aidatul Chusna; Budi Irawanto; Dian Arymami
k@ta: A Biannual Publication on the Study of Languange and Literature Vol. 25 No. 1 (2023): JUNE 2023
Publisher : The English Department, Faculty of Humanities & Creative Industries, Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/kata.25.1.31-41

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Jejak Warna: Cerita tentang Perubahan (Color Trail: A Story of Change) web series talks about a man named Arya who is stuck with his monotonous life and memory of his ex-girlfriend. His life changes when he meets Kinar – his new colleague. This study explores how the narrative space conveys the idea of change by analysing the mise-en-scène elements of the web series. The result shows the depiction of spaces which change from spaces that bind the protagonist in his dull routine and memory to a space that liberates and offers him new life and adventure. The change is strengthened by the changing nuances of spaces depicted through composition and lighting, sound (dialogue and music), and the character's expression and movement within the spaces.
Dari Terestrial ke Digital: Pergeseran Praktik Siaran Radio di Era Digital Astuti, Budhi Widi; Abrar, Ana Nadhya; Irawanto, Budi
Jurnal Media dan Komunikasi Indonesia Vol 7, No 1 (2026): March
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.110874

Abstract

Digital transformation has brought the internet and social media into today's new media. Their presence has brought changes to the broadcasting industry, including radio broadcasting media, and has impacted media consumption shifts among listeners, as well as a decline in radio advertising. This forces radio operators to take strategic actions for the sustainability of radio. This paper aims to explain the shift in radio media consumption behavior and the strategies adopted by radio operators in facing various changes. Media convergence theory serves as the basis for analyzing these dynamics. To answer the research objectives, the researcher applied two research methods: quantitative and qualitative. Quantitative data collection was carried out by distributing questionnaires to obtain data from respondents from public, local, private, and community radio broadcasters in several regions in Indonesia. Furthermore, a qualitative method was chosen as the approach in the case study. Qualitative data collection was conducted by interviewing five selected radio operators. The results of the study indicate that digital transformation has shifted radio consumption and changed radio broadcasting practices, making media convergence one way to survive in this digital era.
PRECARIOUSNESS OF FREELANCE JOURNALIST DURING COVID-19 PANDEMIC IN INDONESIA Rana Akbari Fitriawan; Budi Irawanto; Oki Rahadianto Sutopo
Interdisciplinary Journal of Advanced Research and Innovation Vol. 1 No. 1 (2023): Interdisciplinary Journal of Advanced Research and Innovation
Publisher : Ravine Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58860/ijari.v1i1.12

Abstract

Freelance journalists in Indonesia have a higher level of precariousness in terms of occupational health and safety, as well as socioeconomic conditions during the COVID-19 (Coronavirus Disease, 2019) pandemic. The vulnerability of exposure to the virus is caused by non-fulfillment of work equipment standards, health protocols when interacting with news sources, and inadequate health facilities. Another issue threatening freelance journalists is the deterioration of global economic conditions during the pandemic, which has had a devastating impact on corporate revenues. As a result, freelance journalists are also threatened with dismissal from work, late payment of wages, or even not paid at all. Referring to the concept of labor precariat from Guy Standing, this study aims to determine the factors that contribute to the vulnerability of freelance journalists in Indonesia and the strategies used to survive amid a pandemic that has not yet ended. This research uses a qualitative approach by observing the practice of journalism physically and in cyberspace and interviewing several key informants. The findings of this study show that internal company factors also adversely affect the condition of freelance journalists. Freelance journalists are often considered not an important part of the company, so some need to be equipped with standard equipment, adequate security equipment, and health insurance. So, to deal with this condition, some freelance journalists try to survive by applying individual tactics such as doing business on the sidelines of their journalistic activities. In addition, they also apply institutional strategies by strengthening networks through associations and professional communities.
"Hai...It's Me, I Am Your Fanboy" : Self-Representation Fanboy K-Pop on Instagram Kusnul Fitria; Budi Irawanto; Wiwik Sushartami
LITERACY : International Scientific Journals of Social, Education, Humanities Vol. 4 No. 1 (2025): April : International Scientific Journals of Social, Education, Humanities
Publisher : Badan Penerbit STIEPARI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56910/literacy.v4i1.2072

Abstract

This study aimed to explore the self-representation of K-Pop fanboys on Instagram by using a qualitative approach with digital ethnography and content analysis methods. Data was collected by investigated the self-representation of K-Pop fanboy Instagram accounts. The results showed that their self-representation involved a complex set of strategies, both visual and collaborative. By examining via the photos, videos and collaborations with some various parties, K-Pop fanboys creatively presented their identity as K-Pop fans. This representation is consciously constructed as an authentic expression of identity, reflecting a unique self-image rather than a mere imitation. Moreover, their creative activities demonstrated an active role in producing new meanings, these were not only as consumers of popular culture but also as contributors in the fandom community. This research provided an in-depth understanding of the dynamics of self-representation in the digital age as well as the role of social media in fan identity construction.
THE ROLE OF MASS MEDIA IN REPORTIG NATURAL DISASTERSN: A MULTIMODAL CRITICAL DISCOURSE ANALYSIS OF GUNTHER-KRESS PHOTOJOURNALISM OF THE GREAT EASTERN JAPAN DISASTER IN <i>THE YOMIURI SHINBUN</i> DAILY 11-13 MARCH 2011 Amanullah, Moh Gandhi; Faruk, Faruk; Irawanto, Budi
International Review of Humanities Studies Vol. 11, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article examines the role of the Japanese newspaper Yomiuri Shinbun in covering the great East Japan disaster on March 11-13, 2011. This study uses a quantitative and qualitative approach, with content analysis methods and Gunther-Kress multimodal critical discourse analysis methods on 98 photos published by the newspaper. The results show that the newspaper published a special edition twice, with photos that did not show photos of the deceased victims, creating a distance between the reader and the subject. Most of the photos were taken from a distance, indicating a lack of interaction and showing that the victims did not need help. The theme highlights physical damage more than mitigation efforts or victims, with an imbalance in regional representation. Qualitative analysis shows that techniques such as aerial photography provide a broad picture of the impact of the disaster, but reduce emotional closeness. The flat facial expressions emphasize the resilience of the community. These findings confirm that the visuals in disaster coverage shape emotional narratives that influence public response, and the importance of coverage strategies in understanding and responding to disasters.