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All Journal Jurnal Komunikasi LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Komunikasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban Society´s Arts Jurnal Ketahanan Nasional Jurnal Pemuda Jurnal Ilmu Sosial dan Ilmu Politik IJCAS (International Journal of Creative and Arts Studies) ETTISAL Journal of Communication Policy & Governance Review Jurnal Studi Komunikasi Jurnal Studi Pemuda Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Jurnal Pemikiran Sosiologi k@ta Politik Indonesia: Indonesian Political Science Review Capture : Jurnal Seni Media Rekam Ultimart: Jurnal Komunikasi Visual Jurnal Profetik Kajian Jurnalisme International Journal of Visual and Performing Arts Masyarakat Indonesia International Journal of Business, Economics, and Social Development Jurnal Media dan Komunikasi Indonesia Jurnal Kajian Seni Jurnal Komunikasi Islam Literacy : International Scientific Journals of Social, Education, Humanities Jurnal Penelitian Ilmu-Ilmu Sosial Jurnal Komunikasi Global Jurnal Review Politik International Review of Humanities Studies Jurnal Komunikasi Indonesia Jurnal Kawistara Interdisciplinary Journal of Advanced Research and Innovation SEMINAR TEKNOLOGI MAJALENGKA (STIMA) Multidisciplinary Research Studies in Social Sciences
Budi Irawanto
Departemen Ilmu Komunikasi, Fakultas Ilmu Sosial Dan Politik, Universitas Gadjah Mada
Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mechanical Engineering Public Health Social Sciences Transportation Other

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THE GRAND SYNTAGMATIQUE OF POPULAR GENRE IN INDONESIAN CINEMA Edoardo Irfan; Hermin Indah Wahyuni; Budi Irawanto
Multidisciplinary Research Studies in Social Sciences Vol 2, No 1 (2026): Multidisciplinary Research Studies in Social Sciences
Publisher : Taksasila Edukasi Insani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71312/mrscholar.v2i1.870

Abstract

This study examines the narrative structures of Indonesian popular films using Christian Metz’s Grand Syntagmatique framework. Three selected films—KKN di Desa Penari (2022), Dilan 1990 (2018), and Agak Laen (2024)—represent horror, romance, and comedy genres that achieved millions of admissions and reinforced the dominance of local cinema in the domestic market. The research employs structural textual analysis, consisting of segmentation, classification, and syntagmatic tabulation. Findings reveal that each genre strategically utilizes specific syntagmatic patterns: horror emphasizes suspense through alternation and bracket sequences, romance highlights intimacy via autonomous shots and ordinary sequences, while horror-comedy combines episodic and parallel sequences to generate humor and tension. These results demonstrate that the success of popular films relies not only on thematic resonance but also on the effectiveness of narrative structures in delivering accessible and engaging cinematic experiences. This study contributes to Indonesian film scholarship by underscoring the significance of formal analysis as a complement to thematic approaches, offering insights into how structural “grammars” shape audience appeal and genre conventions.Keywords: Christian Metz, Grand Syntagmatique, Genre, Indonesian popular cinema, narrative structure
Rethinking Participatory Culture through the Case in Mulyana’s “Sea Remembers” Wan Ridwan Husen; Budi Irawanto; GR Lono Lastoro Simatupang
International Journal of Business, Economics, and Social Development Vol. 6 No. 3 (2025): International Journal of Business, Economics, and Social Development (IJBESD)
Publisher : Rescollacom (Research Collaborations Community)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46336/ijbesd.v6i3.963

Abstract

This study discusses the production process carried out in collaboration with the community (especially women's knitting groups) in the field of visual arts, seen through the lens of participatory culture. Using a case study approach, this study re-examines how artists engage with communities to create spaces for communication, build relationships, explore creative processes, exchange ideas, and collectively shape identities. This study examines the collaborative methods applied in Mulyana's artwork 'Sea Remembers', focusing on two main aspects: the collaborative work process and the community empowerment process. The method used is qualitative with a case study approach to a collaborative process. The findings reveal that during its production, 'Sea Remembers' illustrates that the artistic process carried out with many people can be a medium for empowering communities, can positively foster innovation in art making, and increase appreciation for those involved. This study emphasizes the potential of collaboration with a participatory approach in redefining the artistic production process in building social relationships.
Menyoroti Jurnalisme Warga: Lintasan Sejarah, Konflik Kepentingan, dan Keterkaitannya dengan Jurnalisme Profesional Eddyono, Aryo Subarkah; HT, Faruk; Irawanto, Budi
Jurnal Kajian Jurnalisme Vol 3, No 1 (2019): Kajian Jurnalisme
Publisher : Journalism Study Program, Faculty of Communication Sciences, Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (262.888 KB) | DOI: 10.24198/jkj.v3i1.21762

Abstract

Jurnalisme warga, yang praktiknya masih bisa ditemui, adalah proses produksi informasi yang dilakukan warga biasa atas peristiwa yang terjadi di sekitarnya di berbagai media. Meskipun terlihat egaliter dan inklusif, pada kenyataannya praktik jurnalisme warga timpang dan diskriminatif. Artikel ini menunjukkan awal mula perjalanan jurnalisme warga dan hal apa saja yang melatarinya. Tujuannya adalah memberikan alternatif pandangan awal mula kehadiran jurnalisme warga, baik di dunia maupun di Indonesia. Data diperoleh melalui wawancara, observasi, dokumen, serta kepustakaan. Hasil penelitian ini menunjukkan bahwa praktik jurnalisme warga sudah sejak lama ada, bahkan lebih tua dari jurnalisme itu sendiri. Jurnalisme warga muncul karena kritik atas jurnalisme profesional yang partisan dan terlalu berorientasi pada pasar; perkembangan teknologi internet; situasi di mana jurnalisme profesional sejak awal keberadaanya tidak bisa dilepaskan dari warga; dan keinginan mendapatkan keuntungan. Di balik itu semua, kepentingan-kepentingan besar yang membayanginya adalah jurnalisme itu sendiri (jurnalisme profesional), demokrasi (kebebasan berekspresi dan menyampaikan pendapat), serta pasar. Ketiganya saling terkait dalam memotivasi kehadiran jurnalisme warga.
Youtube Independent Music Video Artist: Learning, Production and Exhibition in Digital Space Romdhi Fatkhur Rozi; Rachmah Ida; Budi Irawanto
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4657

Abstract

Music videos by independent musicians represent a new portrait of the music industry in the digital era. This article tries to look at how YouTube has influenced the learning patterns, production patterns, and performance patterns of music content creators in the digital space. A review of the literature in this study connects art, technology, and the media. The research method used is a case study with the object of two independent music channels, Jember on YouTube. The data was obtained through creator interviews and observations of independent music channels, as well as library studies, which were then tested for validity by triangulation of sources. Qualitative data analysis is done descriptively. The findings reveal how content creators start their channels, gain popularity, interact with subscribers, and promote their music careers through YouTube. There was a rather fundamental paradigm shift in the concept of amateur musicians and professional musicians as YouTube became a digital space to be counted on for sharing artwork. Advanced research is recommended to focus on the influence of the YouTube platform on culture, capital economic issues, economy sharing, its exposure to the audience, and its function as a source of learning. Keywords: YouTube; digital learning; production; exhibition; space
Discourse Network Analysis on News of Fuel Price Increases in the Susilo Bambang Yudhoyono Government in 2013 and the Joko Widodo in 2022 Nezar Patria; Budi Irawanto; Ana Nadhya Abrar
Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Vol. 9 No. 2 (2024): December 2024 - Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia
Publisher : Ikatan Sarjana Komunikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25008/jkiski.v9i2.1156

Abstract

The subsidized fuel price increase poses a significant policy challenge in Indonesia, characterized by complexities in decision-making and implementation. This study investigates the mediatization of political discourse surrounding this issue during two distinct periods: 2013, under President Susilo Bambang Yudhoyono (SBY), and 2022, under President Joko Widodo (Jokowi). Employing the Discourse Coalition Framework (DCF) and Discourse Network Analysis (DNA), the research analyzes media narratives on fuel price increases published by Detik.com, one of Indonesia's most prominent digital media outlets. The findings reveal a notable shift in discourse coalitions between the two periods. In 2013, opposition to the policy was primarily voiced by politically affiliated actors, whereas in 2022, civil society figures emerged as the dominant counteractors. Supportive narratives, however, consistently stemmed from government-aligned individuals in both periods. By comparing the actors involved, the arguments presented, and the evolution of discourse over time, this study highlights the changing dynamics of mediatized policy debates. Moreover, Detik.com demonstrated a balanced mediatization of supportive and opposing perspectives, with government-affiliated voices predominating in support, and opposition transitioning from political elites in 2013 to civil society in 2022. These findings underscore the media's evolving role in fostering issue-focused narratives, reducing polarization, and facilitating informed public discourse on contentious policy issues.
Beribadah Daring di Masa Pandemi (Netnografi Praktik Cyber-Spirituality GBI Miracle Service Yogyakarta) Benyamin Imanuel Silalahi; Budi Irawanto
Jurnal Media dan Komunikasi Indonesia Vol 6, No 1 (2025): March
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.88465

Abstract

Pembatasan aktivitas sosial akibat Pandemi Covid-19 membuat praktik pergerejaan, khususnya peribadahan harus dilakukan secara daring. Penelitian ini melihat Bagaimana anggota gereja GBI Miracle Service Yogyakarta, sebuah gereja yang sebelumnya tidak memiliki kesiapan untuk menyelenggarakan ibadah secara daring, beradaptasi dan menggunakan media digital untuk memenuhi kebutuhan spiritual pandemi. Penelitian ini menggunakan metode netnografi, dengan kacamata kajian cyber-spirituality dan teori mediatisasi. Peneliti menemukan bahwa ibadah daring dimaknai sebagai suatu alternatif yang bersifat sementara, yang tidak dapat menggantikan ibadah fisik. Adaptasi dilakukan dengan signifikan melalui fitur-fitur platform yang ada, sehingga pola interaksi anggota gereja dipengaruhi oleh logika media.
Analisis Pesan Propaganda selama Pilpres 2024 di X Pambudi, Buyung; Prajarto, Nunung; Irawanto, Budi
Jurnal Media dan Komunikasi Indonesia Vol 6, No 1 (2025): March
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.99553

Abstract

Propaganda messages disseminated using digital technology are part of the elements of political propaganda as a communication event. On the one hand, propaganda messages are a means of conveying messages aimed at maintaining a good image of the candidate being supported. On the other hand, propaganda messages are directed at bringing down the image of opposing candidates. Digital propaganda messages can be sorted into three categories, namely disinformation, malinformation, and misinformation. Propaganda messages can be seen by observing certain topics related to politics during general elections, especially the 2024 presidential election. Topics that were discussed by netizens on X during the 2024 presidential election became a means to spread propaganda messages either aimed at supporting certain candidates or attacking opposing candidates. During the 2024 presidential election in Indonesia, propaganda messages were widely spread on social media, including on X, which used to be called Twitter. All candidates in the 2024 presidential election could not avoid propaganda attacks with the aim of bringing down their image. The 2024 presidential election shows that netizens in X are not as divided as Cebong and Kampret in the 2019 presidential election. Therefore, propaganda messages are directed more towards the candidates rather than the candidates' supporters. Propaganda messages spread on X can be in the form of narrative sentences, images, videos, and audio. There are even propaganda messages created with the help of artificial intelligence technology. The use of artificial intelligence technology is new in propaganda during the presidential election in Indonesia.
Co-Authors Agung Hujatnika Agung Hujatnika Agustian, Jaka Farih Aidatul Chusna, Aidatul Ana Nadhya Abrar Andreas Sudjud Dartanto Antara, I Putu Juni Anugerah, Anggun Rezky Arief Rijaluddin Arif Ardy Wibowo Aryo Subarkah Eddyono Benyamin Imanuel Silalahi Budhi Widi Astuti Buyung Pambudi, Buyung Deni Kristanto Dian Arymami Edoardo Irfan faruk faruk Faruk HT Faruk, Faruk GR Lono Lastoro Simatupang GR Lono Lastoro Simatupang GR Lono Lastoro Simatupang Hermin Indah Wahyuni Khoiron Khoiron Kusnul Fitria Lucia Ratnaningdyah Setyowati Marbun, Dewi Christina Maruti Asmaul Husna Subagio Mochamad Andhy Nurmansyah Moh Gandhi Amanullah Mohtar Mas’oed Mundayat, Aris Arif Nadiyah Tunnikmah Nezar Patria Nezar Patria Novi Kurnia Nunung Prajarto Nunung Prajarto Nurizky Adhi Hutama Nurul Hidayah Oki Rahadianto Sutopo Pitra Narendra Purwo Santoso Rachmah Ida Rachmah Ida Rahmawati, Handini Rana Akbari Fitriawan Romdhi Fatkhur Rozi Romdhi Fatkhur Rozi Satrio Hari Wicaksono Seno Gumira Ajidarma Seno Gumira Ajidarma, Seno Gumira Silalahi, Benyamin Imanuel Suhartami, Wiwik Terra Bajraghosa Theresia Octastefani Timbul Haryono Timbul Haryono Trisna Pradita Putra Wan Ridwan Husen Wan Ridwan Husen, Wan Ridwan Wisnu Martha Adiputra Wiwik Sushartami Wulan Tri Astuti Yayat Hendrayana, Yayat Yesicha, Chelsy