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All Journal International Journal of Evaluation and Research in Education (IJERE) Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa Proceedings of Annual International Conference Syiah Kuala University - Social Sciences Chapter English Review: Journal of English Education Indonesian EFL Journal AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE JOURNAL OF APPLIED LINGUISTICS AND LITERATURE Community Development Journal: Jurnal Pengabdian Masyarakat Prominent : Journal of English Studies JOURNAL OF LANGUAGE International Journal of English and Applied Linguistics (IJEAL) SIGEH ELT : Journal of Literature and Linguistics Jurnal Pemberdayaan Sosial dan Teknologi Masyarakat Saree : Research in Gender Studies TELL - US JOURNAL

Purwarno, Purwarno

(Scopus ID: 57212349629), Universitas Islam Sumatera Utara, Medan

Author-ID : 2768198

Arts Humanities Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Physics Public Health Social Sciences Other

Published : 85 Documents Claim Missing Document

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Articles

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FIGURATIVE LANGUAGE IN EVANESCENCE’S ALBUM ANYWHERE BUT HOME Sumarno Sumarno; Purwarno Purwarno; M. Manugeren
AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE Vol 1, No 1: AICLL April 2018
Publisher : Universitas Islam Sumatera Utara (UISU)

The research deals with figurative language, aimed to identify the types and interpret the ideas or messages implicitly or explicitly expressed with theoretical based proposed by Kennedy and Giola (2005) that figurative language is an expression of comparison that relies not on its literal meaning, but rather on its connotations. Figurative language is also commonly used in song lyrics and this is referred to as the object of the research, that is the song lyrics taken Evanescence’s album Anywhere but Home. This album consists of five songs: Everybody’s Fool, Going under, Haunted, Taking over Me and Thoughtless. Qualitative content analysis as the use of replicable and valid method for making specific inferences from text to other states or properties of its source under Descriptive Qualitative Approach, pioneered by Krippendorff (2000) is applied here. The results show that Hyperbole, Repetition, Personification, Metaphor, Erotesis, Merism, referring to Kosasih’s category of figurative language are found in the song album with various meanings. (2007)

EMOTION IN IRVING KARCHMANR’S NOVEL MASTER OF THE JIN Dedi Darmadi; Purwarno Purwarno; M. Manugeren
AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE Vol 1, No 1: AICLL April 2018
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/aicll.v1i1.45

The research is about the analysis of the emotion of some characters in Karchman’s novel Master of the Jin. The purpose of this research to describe types of emotion shown by the main characters emotions of the character in the novel Sang Raja Jin. Feelings and emotions are generally dubbed as state existing in the individual or organism at a time. For example, a person feels sad, happy, afraid, angry or other symptoms after seeing, hearing, or feeling something. In other words, feelings and emotions are characterized as a psychological state in organisms or individuals as a result of events or circumstances experienced by the organism. (Izard, 1990). This research used qualitative descriptive method and psychology literature approach. (Moleong,2010) The source of data was derived from the novel Sang Raja Jin. The finding shows that both the positive and the negative emotions are found in the novel. The positive emotions are love and happy emotion. Meanwhile, the negative emotions were anxious, fear, anger, sad emotion.

MORAL VALUES IN MARGONDANG OF ANGKOLA ETHNIC Haksa Romatua Pohan; M. Manugeren; Purwarno Purwarno
AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE Vol 2, No 1: AICLL November 2020
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/aicll.v2i1.75

Margondang belonging to the ethnic of Angkola, becomes an important part of a celebration, especially in a wedding. Traditionally Angkola Ethnic Wedding can be said to be invalid if both families, either from the groom's family or the bride’s do not carry out this Margondang tradition. At the very first glance Margondang is a traditional dance called a tortor having movements as a medium of communication on moral values, intended not only for the bride and groom to live together, but for all the guests and participants present to be more sensitive in carrying out life. Sensitivity here is certainly related to the harmonious relationship among humans and between humans with nature so that prosperous and peaceful life can be obtained. This is the core of the implementation of Margondang tradition. This study aims at analysing the moral values of Margondang, conducted by means of descriptive qualitative research method. Data collection procedures are supported by observation, interview and questionnaire techniques, covering 20 respondents chosen randomly in randomly-selected weddings in Medan. The results show that there are three points of moral value in Margondang: brotherhood, respect and responsibility.

The research is about the analysis of the emotion of some characters in Karchman’s novel Master of the Jin. The purpose of this research to describe types of emotion shown by the main characters emotions of the character in the novel Sang Raja Jin. Feelings and emotions are generally dubbed as state existing in the individual or organism at a time. For example, a person feels sad, happy, afraid, angry or other symptoms after seeing, hearing, or feeling something. In other words, feelings and emotions are characterized as a psychological state in organisms or individuals as a result of events or circumstances experienced by the organism. (Izard, 1990). This research used qualitative descriptive method and psychology literature approach (Moleong, 2010) The source of data was derived from the novel Sang Raja Jin. The finding shows that both the positive and the negative emotions are found in the novel. The positive emotions are love and happy emotion. Meanwhile, the negative emotions were anxious, fear, anger, sad emotion.

PHILOSOPHICAL MEANINGS OF TRADITIONAL CUISINE RENDANG MINANGKABAU AS A CULTURAL HERITAGE OF INDONESIA Nita Novianda Tanjung; M. Manugeren; Purwarno Purwarno
AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE Vol 2, No 1: AICLL November 2020
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/aicll.v2i1.81

This research is related to the philosophical meanings of traditional cuisine Rendang Minangkabau as a cultural heritage of Indonesia. The research is conducted by means qualitative descriptive. The theory used is taken from the philosophy. Philosophy is the mother of all the sciences that have material objects and formal objects, objects the material is the mind while the object formal philosophy of science is truth, goodness and beauty in a manner dialogue. (Syafiie, 2010). This study explained the meanings of the philosophy in Rendang Minangkabau cuisine. Rendang is revered in Minangkabau culture as an embodiment of the philosophy of musyawarah, discussion and consultation with elders. The results show there are four meanings in each of the ingredients Rendang Minangkabau: Meat (dagiang) symbolizes Niniak Mamak (paman) and Bundo Kanduang (ibu) refers to the traditional clan leaders (respect for the parents). The coconut milk (karambia) symbolizes the Cadiak Pandai refers to the intellectuals (learning). The chilli (lado) symbolizes Alim Ulama refers to the religious leaders (uplifting Islamic laws). The spice mixture (pemasak) symbolizes the rest of Minangkabau society refers to the each individual (unity). This philosophy was indeed made to maintain the integrity of the Minang community in West Sumatra and also as a cultural heritage of Indonesia.

CONDUCT DISORDER IN CROWDSTROIA’S NOVEL ARKAIS Mahlina Sariani Harahap; M. Manugeren; Purwarno Purwarno
AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE Vol 2, No 1: AICLL November 2020
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/aicll.v2i2.71

This study aimed to find out and describe the sign of conduct disorder reflected in Crowdstroia’s novel Arkais. Conduct disorder (CD) is a mental disorder diagnosed in childhood or adolescence that presents itself through a repetitive and persistent pattern of behavior in which the basic rights of others or major age-appropriate norms are violated. A person diagnosed with conduct disorder can be cruel to both people and animals with the use of violence. The data analysis technique used is descriptive qualitative analysis. The descriptive research attempts to describe, explain and interpret conditions of the present or descriptive research seeks to provide an accurate description of observations of a phenomenon. The study is based on Psychological approach generally, and specifically on ‘Conduct Disorder’. The result showed the causes, the signs and and the traumatic of conduct disorder covering physical violence, aphatetic, and insecurity.

LOCAL WISDOM IN PINTO ACEH: A SEMIOTIC APPROACH Khairun Nisyak; M. Manugeren; Purwarno Purwarno
AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE Vol 2, No 1: AICLL November 2020
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/aicll.v2i1.76

This study aimed to investigate the cultural symbols and determine the local wisdom of Pinto Acehdescendants in Peunayong, Banda Aceh, Indonesia. In addition, the object of Pinto Aceh Motif and its local wisdom might not be forgotten and should be considered to enrich the horizon of knowledge. This study is descriptive qualitative and its empirical data was obtained from Simpang Lima Monument in Peunayong, Banda Aceh, Indonesia. This study was held in November 2019 up to December 2019 and the comprehensive data was gathered from informants who explained the meanings and values of cultural symbols, interpreted the hidden meanings, and determined the social relationships associated with the existing cultural symbols. The samples were selected from those who were knowledgeable in Pinto Aceh.One of the motives of the musical arrangement in the form of nature is Pinto Aceh motif. There are three local wisdoms that are based on Pinto Aceh's meaning, i.e. social integration, adherence to rules, and unity. Motif Pucok Paku 2 means Social Integration, Straight line motive means adherence to rules, and Curved line Motif means unity.The whole points of local wisdom in Pinto Aceh Motifs are highly needed to maintain the balance of life not only for the Aceh people but also for all the people respectively interconnected in the society, in which people should have a responsibility towards their surroundings. There are three local wisdom that is based on Pinto Aceh's meaning: social integration, adherence to rules, and unity.

SOCIAL VALUES IN TERE LIYE’S NOVEL HUJAN Ika Wulandari; Purwarno Purwarno; M. Manugeren
AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE Vol 1, No 1: AICLL April 2018
Publisher : Universitas Islam Sumatera Utara (UISU)

This research focuses on social values reflected in Tere Liye’s novel entitled Hujan. The research is aimed at revealing the kinds of social values in the novel. Soekanto (1982) states that social value is a concept in a man in a society about what is considered good and bad, beautiful or not and right or wrong. In this reserach, the theory of social values is proposed by Djamaris (1993) who claims that social values can be divided into ten kinds namely Affection, Forgiveness, Obedience, Courtesy, Deliberation, Mutual Cooperation, Sympathy and Empathy, Wisdom, Respecting Others, and Responsibility The method used in this research is descriptive qualitative and structural objective approach developed by Semi (1985). The research result shows that seven kinds of social values are found in the novel: Love, Forgiveness, Obedience, Mutual Cooperation, Wisdom, Respecting Others, and Responsibility. However, the most dominant social value found in the novel is affection; which is reflected mainly from parents and friends.

SOCIAL CRITIQUE IN MERDEKA SHORT STORY BY PUTU WIJAYA: A DYSTOPIAN LITERATURE APPROACH M. Manugeren; Purwarno Purwarno; Purwanto Siwi; Susi Ekalestari; Sri Wulan
English Review: Journal of English Education Vol 10, No 3 (2022)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/erjee.v10i3.7090

Changes in a society produce social critiques which in turn become a means of communicating new ideas in addition to assessing old ideas for social change, in short as a vehicle for the conservation and reproduction of a social system. Social critique can be conveyed through literary works; this is seen from the short story of Merdeka by Putu Wijaya. Through a dystopian literary approach and supported by related theories and concepts, it is revealed that this short story is full of social critiques as a result of the author's observations of his environment. The flow of dystopia is generally speculative, presenting a catastrophic or chaotic landscape of the future civilization of the world. Dystopian literature is always associated with socio-political discourse. Overall this research is carried out using a qualitative descriptive method with the aim of presenting a complete picture of the social setting and clarification of social phenomena in the short story of Merdeka and then synchronizing it with social reality. The results show that the forms of social critique conveyed by the author is lack of self-introspection, social gap and environmental damage. These three forms of social critique if uncontrolled can cause chaos in the social system because the main result is conflict, the color of dystopian literature.

LEXICOSTATISTICS OF MALAY AND MALAGASY LANGUAGES: COMPARATIVE HISTORICAL LINGUISTIC STUDY Wan Anayati; Muhammad Kiki Wardana; Mayasari Mayasari; Purwarno Purwarno
English Review: Journal of English Education Vol 10, No 3 (2022)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/erjee.v10i3.7106

This study examines the kinship of the Malay language and the Malagasy language. These two languages come from the same proto language, namely Proto Austronesian (PAN). Departing from the researchers’ assumptions about the linguistic relationship both at the phoneme and morpheme levels, there is a close kinship system or relationship between these two languages. Even though they are geographically and geo-politically separated, preliminary research on these two languages shows several universal features, one of which is that both languages are agglutinative languages. Therefore, this study is an attempt to find empirical evidence about the separation time between Malay and Malagasy by using language grouping methods and lexicostatistical techniques. The first stage, the researchers collect 300 basic vocabularies compiled by Swadesh (1995). The method used in providing the data is the referential method, while the technique used is the note-taking technique. Second, the researchers determine which pairs of the two languages are cognate languages. Third, the researchers calculate the age and separation time of the two languages. Fourth, the researchers calculate the error term to determine a more precise separation time. The result of this research indicates that Malay and Malagasy were a single language at 4223-3951 thousand years ago and began to separate from their proto languages in 2201-1929 BC.

Co-Authors . Zulfan Achmanuddin Berutu Adilla Paradiba Afni Rosalina AK, Wirda Novarika Alda Dwi Afangka Alfarras, Riziq Prio Alice Shanthi Anayati, Wan Andang Suhendi Anjani, Juli Annisa Octaviani Arif Fathurrahman Hutapea Arifah Pertiwi Br Kembaren Balqis, Kesya Aprilia Balqis, Kesya Aprillia Belangi, Nadia Adinda Berutu, Achmanuddin Br Kembaren, Arifah Pertiwi Br. Saragih, Revi Chairani, Sri Cherry Adistya Nasution Dea Jesikha Debby Melviana Hasibuan Dedi Darmadi Dedi Darmadi Dela Pebriani Derlini Derlini, Derlini Dinda Tanjung Dwi Insany, Fitrah Efendi Barus Efendi Barus, Efendi Ekalestari, Susi Evelyn Sharminnie Farhan, Muhammad Daffa Faulandi, Yusuf Feni Aisyah Fhadila, Riska Fitra Andira Wardana Fitrah Dwi Insany Habibi Habibi Haksa Romatua Pohan Hamzah Sya’bani Nasution Handayani, Sri Harahap, Riska Muktia Nur Aminah Hasibuan, Debby Melviana Hayati, Zukhaira Hayatullah Hayatullah Ika Wulandari Ikbal, Muhammar Intan Novia Sari Iswandi Iswandi Jane Xavierine Januar, M. Aidil Juli Anjani Juli Anjani Jumino Suhadi Jumino Suhadi, Jumino Kartika Utami, Windri Kesya Aprillia Balqis Khair, Muhammad Khairun Nisyak Liesna Andriany Lim Teck Heng Lubis, Suci Ramadhani M Manugeren M. Aidil Januar M. Manugeren M. Manugeren M. Manugeren, M. Mahid, Perveen Sonia Mahlina Sariani Harahap Malisa Surayya MS Manugeren, M Mayasari Mayasari Mayasari Mayasari, Mayasari MJ , Nurbasyirah Muhammad Daffa Farhan Muhammad Kemal Habib Muhammad Kemal Habib Muhammad Kiki Wardana Muhammar Ikbal Mustofa Mustofa Nanda Aulia Alfarisi Nasution, Cherry Adistya Naufal Karim Siregar Nita Novianda Tanjung Nur'ain, Syifa Nurbasyirah MJ Nurhalimah Nurhalimah Nurhalimah Nurhalimah Nuril Eka Yuanda Nurlaili Nurlaili Nurmayana Nurmayana, Nurmayana Nurul Amelia Nurul Amelia Nurul Azmi Paradiba, Adilla Pebriani, Dela Perveen Sonia Mahid PUJI HARIATI Puji Hariati Purwanto Siwi Rahma, Risky Kartika Riska Muktia Nur Aminah Harahap Risky Kartika Rahma Riziq Prio Alfarras Rizki Nurhidayah Sitompul Safrizal Safrizal Saiful Anwar Matondang Sari Indah Wahyuni Satiman Satiman Sembiring, M. Indra Arikami Siagian, Tony Sihaloho, Anugrah Syafrizar Siregar, Naufal Karim Siwi, Purwanto Sri Chairani Sri Chairani Sri Wirda Sri Wulan Sri Wulan Sri Wulan, Sri Sumarno Sumarno Supian Supian Surayya MS, Malisa Susi Ekalestari Syafrizal Azzali Syahruddin Said Syarifah Syarifah Syifa Nur'ain Tanjung, Dinda Tanjung, Nita Novianda Tuti Herawati Umami, Elvi Wahyu Fatahilla Wahyuni, Sari Indah Wan Anayati Wanda Prayoga Ilyas Waradana, Fitra Andira Wardana, Fitra Andira Windri Kartika Utami Yuanda, Nuril Eka Yuhandri Pane Yusni H., Yusni H. Yusuf Faulandi Zuhriah, Lailatul Zukhaira Hayati

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