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Women’s Exploitation under Capitalism: A Marxist-Feminist Analysis of Rena Asyari’s Perempuan dan Mentalitas Br. Saragih, Revi; Zuhriah, Lailatul; Purwarno, Purwarno
Saree: Research in Gender Studies Vol. 7 No. 2 (2025): Saree: Research in Gender Studies
Publisher : Pusat Studi Gender dan Anak - PSGA (Center for Gender and Child Studies) Institut Agama Islam Negeri Lhokseumawe, Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47766/saree.v7i2.6599

Abstract

ABSTRACT ENGLISHThis research analyzes the exploitation of women in the short story Perempuan dan Mentalitas by Rena Asyari using a Marxist-Feminist approach. The background of this research departs from the phenomenon of exploitation of women in rural Indonesia who are trapped in the structure of capitalism and patriarchal culture, where women are used as cheap labour without equal access to education and self-development. This short story displays the reality of how young women are conditioned from the start to accept factory work as their only way of life, which reflects a form of systemic exploitation that is ideological and material in nature. This research uses a descriptive qualitative method with a close reading technique of literary texts. Marxist-Feminist theory is used to reveal the relationship between economic power, patriarchal culture, and false consciousness formed through consumption and normalization of domestic roles. The analysis shows four main forms of exploitation: the commodification of women's labour, patriarchal ideology and structural submission, consumerism as a distraction of consciousness, and women and the double burden. The short story illustrates how the capitalist system not only drains women physically, but also limits their consciousness and freedom through the internalization of social norms. The conclusion of this study confirms that literature can be an effective medium of social criticism to expose the structured exploitation of women. This study also emphasizes the importance of critical consciousness, access to education, and systemic change as absolute conditions towards women's liberation in a capitalist-patriarchal society. ABSTRACT INDONESIANPenelitian ini menganalisis eksploitasi perempuan dalam cerpen Perempuan dan Mentalitas karya Rena Asyari menggunakan pendekatan Marxis-Feminis. Latar belakang penelitian ini berangkat dari fenomena eksploitasi perempuan di pedesaan Indonesia yang terjebak dalam struktur kapitalisme dan budaya patriarki, di mana perempuan digunakan sebagai tenaga kerja murah tanpa akses yang setara terhadap pendidikan dan pengembangan diri. Cerpen ini menggambarkan realitas bagaimana perempuan muda sejak awal dikondisikan untuk menerima pekerjaan pabrik sebagai satu-satunya cara hidup mereka, yang mencerminkan bentuk eksploitasi sistemik yang bersifat ideologis dan material. Penelitian ini menggunakan metode kualitatif deskriptif dengan teknik pembacaan mendalam teks sastra. Teori Marxist-Feminist digunakan untuk mengungkap hubungan antara kekuasaan ekonomi, budaya patriarki, dan kesadaran palsu yang terbentuk melalui konsumsi dan normalisasi peran domestik. Analisis menunjukkan empat bentuk eksploitasi utama: komodifikasi tenaga kerja perempuan, ideologi patriarki dan penyerahan struktural, konsumerisme sebagai pengalihan kesadaran, dan beban ganda perempuan. Cerpen ini menggambarkan bagaimana sistem kapitalis tidak hanya menguras tenaga perempuan secara fisik, tetapi juga membatasi kesadaran dan kebebasan mereka melalui internalisasi norma-norma sosial. Penelitian ini menegaskan bahwa sastra dapat menjadi medium kritik sosial yang efektif untuk mengungkap eksploitasi terstruktur terhadap perempuan. Penelitian ini juga menekankan pentingnya kesadaran kritis, akses terhadap pendidikan, dan perubahan sistemik sebagai syarat mutlak menuju pembebasan perempuan dalam masyarakat kapitalis-patriarkal.
SOCIAL CRITIQUE IN MERDEKA SHORT STORY BY PUTU WIJAYA: A DYSTOPIAN LITERATURE APPROACH Manugeren, M; Purwarno, Purwarno; Siwi, Purwanto; Ekalestari, Susi; Wulan, Sri
English Review: Journal of English Education Vol. 10 No. 3 (2022)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/erjee.v10i3.6621

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Changes in a society produce social critiques which in turn become a means of communicating new ideas in addition to assessing old ideas for social change, in short as a vehicle for the conservation and reproduction of a social system. Social critique can be conveyed through literary works; this is seen from the short story of Merdeka by Putu Wijaya. Through a dystopian literary approach and supported by related theories and concepts, it is revealed that this short story is full of social critiques as a result of the author's observations of his environment. The flow of dystopia is generally speculative, presenting a catastrophic or chaotic landscape of the future civilization of the world. Dystopian literature is always associated with socio-political discourse. Overall this research is carried out using a qualitative descriptive method with the aim of presenting a complete picture of the social setting and clarification of social phenomena in the short story of Merdeka and then synchronizing it with social reality. The results show that the forms of social critique conveyed by the author is lack of self-introspection, social gap and environmental damage. These three forms of social critique if uncontrolled can cause chaos in the social system because the main result is conflict, the color of dystopian literature.
LEXICOSTATISTICS OF MALAY AND MALAGASY LANGUAGES: COMPARATIVE HISTORICAL LINGUISTIC STUDY Anayati, Wan; Wardana, Muhammad Kiki; Mayasari, Mayasari; Purwarno, Purwarno
English Review: Journal of English Education Vol. 10 No. 3 (2022)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/erjee.v10i3.6690

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This study examines the kinship of the Malay language and the Malagasy language. These two languages come from the same proto language, namely Proto Austronesian (PAN). Departing from the researchers’ assumptions about the linguistic relationship both at the phoneme and morpheme levels, there is a close kinship system or relationship between these two languages. Even though they are geographically and geo-politically separated, preliminary research on these two languages shows several universal features, one of which is that both languages are agglutinative languages. Therefore, this study is an attempt to find empirical evidence about the separation time between Malay and Malagasy by using language grouping methods and lexicostatistical techniques. The first stage, the researchers collect 300 basic vocabularies compiled by Swadesh (1995). The method used in providing the data is the referential method, while the technique used is the note-taking technique. Second, the researchers determine which pairs of the two languages are cognate languages. Third, the researchers calculate the age and separation time of the two languages. Fourth, the researchers calculate the error term to determine a more precise separation time. The result of this research indicates that Malay and Malagasy were a single language at 4223-3951 thousand years ago and began to separate from their proto languages in 2201-1929 BC.
NEGATIVE POLITENESS STRATEGIES IN ANDREA HIRATA’S NOVEL LASKAR PELANGI Khair, Muhammad; Manugeren, M.; Purwarno, Purwarno
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9328

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This research delves into the intricate portrayal of negative politeness strategy in Andrea Hirata's novel Laskar Pelangi. Employing linguistic politeness theory by Brown and Levinson and a structuralism approach, the study aims to elucidate the connection between linguistics and literature within the novel's context. Utilizing a qualitative research methodology, the text is analyzed, focusing on instances of negative politeness strategies employed by characters in various social interactions. Through a descriptive qualitative approach, 53 instances of negative politeness strategies are identified in the novel. The literature review underscores the significance of negative politeness for maintaining rapport and respect in social interactions, particularly in contexts prone to imposition or conflict. Extracted examples from the novel illustrate how characters utilize negative politeness to navigate complex social dynamics and preserve harmonious relationships within their community. The findings reveal cultural nuances embedded in politeness strategies, reflecting Indonesian societal norms and values. Characters in Laskar Pelangi employ indirect speech acts, hedging language, and deferential expressions to mitigate threats to others' autonomy or comfort, contributing to the narrative's tone of warmth and sincerity. Overall, this research highlights the integral role of negative politeness strategies in shaping character interactions and reflecting cultural values in Laskar Pelangi. By employing these strategies, characters negotiate social hierarchies and navigate interpersonal relationships while demonstrating respect and consideration for others.
CHALLENGING PATRIARCHY: LIBERAL FEMINISM IN MULAN (2020) Hasibuan, Debby Melviana; Purwarno, Purwarno
JOURNAL OF LANGUAGE Vol 7, No 1: May 2025
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v7i1.10781

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This study examines gender equality through the lens of liberal feminism in the film Mulan (2020), addressing a significant research gap in existing feminist analyses of the film. While previous studies have examined Mulan's character from various perspectives, this research focuses specifically on how her character development and actions reflect liberal feminist principles, offering a fresh perspective on her challenge to patriarchal norms. Data was collected and analyzed using qualitative textual analysis, which involves a close examination of key dialogues, character interactions, and narrative choices within the film. This method allows for a deeper understanding of how Mulan's journey embodies the ideals of liberal feminism, particularly in its defiance of traditional gender roles and its advocacy of individual agency. This study argues that the character of Mulan represents a meaningful redefinition of female agency through liberal feminist ideals. By portraying a strong female protagonist who challenges societal expectations, the film reinforces feminist discourse and highlights the evolving representation of female empowerment in contemporary cinema.
SUFFERING IN EMILY DICKINSON’S SELECTED POEMS Yusni H., Yusni H.; Suhadi, Jumino; Purwarno, Purwarno
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9327

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This research examines the theme of suffering in Emily Dickinson’s selected poems, focusing on her unique poetic approach and the profound emotional resonance her work evokes. Emily Dickinson, a pivotal figure in 19th-century American literature, frequently explored themes of death, pain, and existential questions. Despite her reclusive life, her poetry is rich with personal imagery and symbols, reflecting her deep preoccupation with mortality and the human condition. The study utilizes a structural analytical approach, combining library research with descriptive qualitative analysis. This method involves a thorough examination of relevant literary critiques and an in-depth textual analysis of Dickinson’s poems. The aim is to uncover how Dickinson’s portrayal of suffering contributes to a deeper understanding of human experience. Findings indicate that Dickinson’s treatment of suffering is multifaceted, often depicting pain as a necessary aspect of the human soul's development and a precursor to joy and peace. Her poems suggest that pain and suffering are integral to personal growth and resilience. Dickinson’s ability to articulate the complexities of suffering through her innovative use of language and metaphor makes her work both timeless and universally relatable. Overall, Emily Dickinson’s exploration of suffering provides a profound insight into the human experience, highlighting the interconnectedness of pain, joy, and personal growth. Her poetry remains a significant contribution to American literature, offering a nuanced perspective on the inevitability of suffering and its role in shaping the human soul.
EMOTIONAL INTIMACY IN DANIELLE STEEL'S NOVEL FINE THINGS Umami, Elvi; Purwarno, Purwarno; Manugeren, M.
JOURNAL OF LANGUAGE Vol 6, No 1: May 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i1.9114

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This qualitative study delves into the portrayal of emotional intimacy in Danielle Steel's novel, Fine Things using Robert Sternberg's Triangular Theory of Love as a theoretical framework. The research method involved textual analysis of excerpts from the novel, focusing on instances of emotional intimacy depicted among characters. The literature review section provides a comprehensive overview of Sternberg's Triangular Theory of Love, emphasizing its three components: intimacy, passion, and decision/commitment. The analysis highlights the importance of emotional intimacy in various types of relationships, emphasizing its role in fostering closeness, understanding, and trust. The discussion section presents findings from the textual analysis, showcasing excerpts that illustrate the complexities of emotional intimacy among characters in the novel. Examples include moments of vulnerability, communication, and affection shared between romantic partners, family members, and friends. Key findings reveal the nuanced portrayal of emotional intimacy, ranging from expressions of love and support to instances of conflict and betrayal. The conclusion drawn from the analysis underscores the profound impact of emotional intimacy on individuals and their relationships, highlighting its role in shaping the dynamics of love, loss, and personal growth depicted in the novel. Implications of this study extend to a deeper understanding of emotional intimacy in fictional narratives and its relevance to real-life relationships. By applying Sternberg's Triangular Theory of Love to literary analysis, this study contributes to the on-going discourse on the complexities of human emotions and intimate connections portrayed in literature.
PROMISCUITY IN EKA KURNIAWAN’S NOVEL LELAKI HARIMAU Nurlaili, Nurlaili; Chairani, Sri; Purwarno, Purwarno; Manugeren, M.
JOURNAL OF LANGUAGE Vol 6, No 1: May 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i1.9257

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Promiscuity, a recurring theme in literature, is examined through various lenses, reflecting the complexities of human relationships, societal norms, and cultural contexts. In Eka Kurniawan's novel Lelaki Harimau, promiscuity serves as a thematic lens through which Kurniawan explores the intricate interplay of desire, power, and societal expectations. This paper aims to delve into the portrayal of promiscuity in Lelaki Harimau, employing a sociology of literature approach combined with a qualitative descriptive method. Through close textual analysis and thematic exploration, the study seeks to unravel the cultural, social, and psychological dimensions of promiscuity as depicted in the novel. The research findings highlight the destructive consequences of unchecked hedonism, as exemplified by characters like Anwar Sadat and his daughter Laila. Furthermore, the study discusses how Kurniawan's narrative challenges entrenched notions of morality and sexuality, urging readers to confront uncomfortable truths about human nature and societal constructs. Ultimately, Lelaki Harimau emerges not only as a compelling work of literature but also as a powerful commentary on the enduring relevance of literature in illuminating social issues and advocating for positive change.
EXPLORING COGNITIVE AND AFFECTIVE WISDOM IN C. S. LEWIS' CHRONICLES OF NARNIA: INSIGHTS INTO THOUGHT AND EMOTION Belangi, Nadia Adinda; Purwarno, Purwarno; Hariati, Puji
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.10091

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This qualitative study offers a comprehensive exploration of the complex wisdom embodied by Aslan, the central figure in C.S. Lewis's celebrated work, The Chronicles of Narnia. Grounded in Sternberg’s balance theory of wisdom, this research investigates both the cognitive and affective dimensions of Aslan's wisdom. Employing Creswell's thematic analysis approach, we closely examine Aslan's character to reveal a range of attributes that underpin his wisdom. Findings indicate that Aslan’s cognitive wisdom encompasses a profound understanding, strategic foresight, empathy, moral discernment, and a balanced response to adversity. These elements underscore his deep insight and the capacity to navigate complex moral landscapes. Moreover, his affective wisdom emerges through his compassion, bravery, and moral leadership, as he guides Narnia’s inhabitants. Through his actions, speech, and interactions, Aslan exemplifies an understanding of emotions, human connection, and the transformative impact of love and forgiveness. This study contributes to a deeper appreciation of wisdom as portrayed in literary narratives, illustrating how Aslan’s character models an integrated, multifaceted concept of wisdom.
VIOLENCE AGAINST WOMAN IN EKA KURNIAWAN’S NOVEL CANTIK ITU LUKA Fhadila, Riska; Manugeren, M.; Purwarno, Purwarno
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9608

Abstract

This study delves into the theme of violence against women in Eka Kurniawan's novel Cantik Itu Luka  based on gender roles and violence experienced by women during and after Japan's periods of pre-independence and post-independence. The study aims to identify and analyze the various forms of violence and the underlying factors contributing to social deviance towards the protagonist, utilizing theoretical framework of cultural forms of violence by means of descriptive qualitative research to uncover the social phenomena of violence against women.  The study concludes that the novel provides a profound exploration of gender-based violence, encompassing direct, structural, and cultural dimensions of violence. The protagonist embodies the trauma of direct violence witnessed during the Japanese occupation, highlighting the gender-based discrimination prevalent against women. Structural violence is evident in societal disparities, while cultural violence permeates the narrative through deeply rooted attitudes and beliefs. The  novel also  delves into various aspects of discrimination faced by female characters in educational, domestic, and professional settings. The intertwining of historical contexts and personal stories within the novel serves as a potent commentary on women's ongoing struggles for justice and the enduring effects of discrimination. Ultimately, Cantik Itu Luka emerges as a poignant exploration of the intricate layers of gender-based violence and the resilience exhibited by women in confronting oppression.
Co-Authors . Zulfan Achmanuddin Berutu Adilla Paradiba Afni Rosalina AK, Wirda Novarika Alda Dwi Afangka Alfarras, Riziq Prio Alice Shanthi Anayati, Wan Andang Suhendi Anjani, Juli Annisa Octaviani Arif Fathurrahman Hutapea Arifah Pertiwi Br Kembaren Balqis, Kesya Aprilia Balqis, Kesya Aprillia Belangi, Nadia Adinda Berutu, Achmanuddin Br Kembaren, Arifah Pertiwi Br. Saragih, Revi Chairani, Sri Cherry Adistya Nasution Dea Jesikha Debby Melviana Hasibuan Dedi Darmadi Dedi Darmadi Dela Pebriani Derlini Derlini, Derlini Dinda Tanjung Dwi Insany, Fitrah Efendi Barus Efendi Barus, Efendi Ekalestari, Susi Evelyn Sharminnie Farhan, Muhammad Daffa Faulandi, Yusuf Feni Aisyah Fhadila, Riska Fitra Andira Wardana Fitrah Dwi Insany Habibi Habibi Haksa Romatua Pohan Hamzah Sya’bani Nasution Handayani, Sri Harahap, Riska Muktia Nur Aminah Hasibuan, Debby Melviana Hayati, Zukhaira Hayatullah Hayatullah Ika Wulandari Ikbal, Muhammar Intan Novia Sari Iswandi Iswandi Jane Xavierine Januar, M. Aidil Juli Anjani Juli Anjani Jumino Suhadi Jumino Suhadi, Jumino Kartika Utami, Windri Kesya Aprillia Balqis Khair, Muhammad Khairun Nisyak Liesna Andriany Lim Teck Heng Lubis, Suci Ramadhani M Manugeren M. Aidil Januar M. Manugeren M. Manugeren M. Manugeren, M. Mahid, Perveen Sonia Mahlina Sariani Harahap Malisa Surayya MS Manugeren, M Mayasari Mayasari Mayasari Mayasari, Mayasari MJ , Nurbasyirah Muhammad Daffa Farhan Muhammad Kemal Habib Muhammad Kemal Habib Muhammad Kiki Wardana Muhammar Ikbal Mustofa Mustofa Nanda Aulia Alfarisi Nasution, Cherry Adistya Naufal Karim Siregar Nita Novianda Tanjung Nur'ain, Syifa Nurbasyirah MJ Nurhalimah Nurhalimah Nurhalimah Nurhalimah Nuril Eka Yuanda Nurlaili Nurlaili Nurmayana Nurmayana, Nurmayana Nurul Amelia Nurul Amelia Nurul Azmi Paradiba, Adilla Pebriani, Dela Perveen Sonia Mahid PUJI HARIATI Puji Hariati Purwanto Siwi Rahma, Risky Kartika Riska Muktia Nur Aminah Harahap Risky Kartika Rahma Riziq Prio Alfarras Rizki Nurhidayah Sitompul Safrizal Safrizal Saiful Anwar Matondang Sari Indah Wahyuni Satiman Satiman Sembiring, M. Indra Arikami Siagian, Tony Sihaloho, Anugrah Syafrizar Siregar, Naufal Karim Siwi, Purwanto Sri Chairani Sri Chairani Sri Wirda Sri Wulan Sri Wulan Sri Wulan, Sri Sumarno Sumarno Supian Supian Surayya MS, Malisa Susi Ekalestari Syafrizal Azzali Syahruddin Said Syarifah Syarifah Syifa Nur'ain Tanjung, Dinda Tanjung, Nita Novianda Tuti Herawati Umami, Elvi Wahyu Fatahilla Wahyuni, Sari Indah Wan Anayati Wanda Prayoga Ilyas Waradana, Fitra Andira Wardana, Fitra Andira Windri Kartika Utami Yuanda, Nuril Eka Yuhandri Pane Yusni H., Yusni H. Yusuf Faulandi Zuhriah, Lailatul Zukhaira Hayati