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All Journal International Journal of Evaluation and Research in Education (IJERE) Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa Proceedings of Annual International Conference Syiah Kuala University - Social Sciences Chapter English Review: Journal of English Education Indonesian EFL Journal Edulitics (Education, Literature, and Linguistics) Journal AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE JOURNAL OF APPLIED LINGUISTICS AND LITERATURE Community Development Journal: Jurnal Pengabdian Masyarakat Prominent : Journal of English Studies JOURNAL OF LANGUAGE Lingua Susastra International Journal of English and Applied Linguistics (IJEAL) SIGEH ELT : Journal of Literature and Linguistics Edulitics (Education, Literature, and Linguistics) Journal Jurnal Pemberdayaan Sosial dan Teknologi Masyarakat Saree : Research in Gender Studies TELL - US JOURNAL
Purwarno, Purwarno
(Scopus ID: 57212349629), Universitas Islam Sumatera Utara, Medan
Arts Humanities Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Physics Public Health Social Sciences Other

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SOCIAL CRITIQUE IN MERDEKA SHORT STORY BY PUTU WIJAYA: A DYSTOPIAN LITERATURE APPROACH Manugeren, M; Purwarno, Purwarno; Siwi, Purwanto; Ekalestari, Susi; Wulan, Sri
English Review: Journal of English Education Vol. 10 No. 3 (2022)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/erjee.v10i3.6621

Abstract

Changes in a society produce social critiques which in turn become a means of communicating new ideas in addition to assessing old ideas for social change, in short as a vehicle for the conservation and reproduction of a social system. Social critique can be conveyed through literary works; this is seen from the short story of Merdeka by Putu Wijaya. Through a dystopian literary approach and supported by related theories and concepts, it is revealed that this short story is full of social critiques as a result of the author's observations of his environment. The flow of dystopia is generally speculative, presenting a catastrophic or chaotic landscape of the future civilization of the world. Dystopian literature is always associated with socio-political discourse. Overall this research is carried out using a qualitative descriptive method with the aim of presenting a complete picture of the social setting and clarification of social phenomena in the short story of Merdeka and then synchronizing it with social reality. The results show that the forms of social critique conveyed by the author is lack of self-introspection, social gap and environmental damage. These three forms of social critique if uncontrolled can cause chaos in the social system because the main result is conflict, the color of dystopian literature.
LEXICOSTATISTICS OF MALAY AND MALAGASY LANGUAGES: COMPARATIVE HISTORICAL LINGUISTIC STUDY Anayati, Wan; Wardana, Muhammad Kiki; Mayasari, Mayasari; Purwarno, Purwarno
English Review: Journal of English Education Vol. 10 No. 3 (2022)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/erjee.v10i3.6690

Abstract

This study examines the kinship of the Malay language and the Malagasy language. These two languages come from the same proto language, namely Proto Austronesian (PAN). Departing from the researchers’ assumptions about the linguistic relationship both at the phoneme and morpheme levels, there is a close kinship system or relationship between these two languages. Even though they are geographically and geo-politically separated, preliminary research on these two languages shows several universal features, one of which is that both languages are agglutinative languages. Therefore, this study is an attempt to find empirical evidence about the separation time between Malay and Malagasy by using language grouping methods and lexicostatistical techniques. The first stage, the researchers collect 300 basic vocabularies compiled by Swadesh (1995). The method used in providing the data is the referential method, while the technique used is the note-taking technique. Second, the researchers determine which pairs of the two languages are cognate languages. Third, the researchers calculate the age and separation time of the two languages. Fourth, the researchers calculate the error term to determine a more precise separation time. The result of this research indicates that Malay and Malagasy were a single language at 4223-3951 thousand years ago and began to separate from their proto languages in 2201-1929 BC.
NEGATIVE POLITENESS STRATEGIES IN ANDREA HIRATA’S NOVEL LASKAR PELANGI Khair, Muhammad; Manugeren, M.; Purwarno, Purwarno
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9328

Abstract

This research delves into the intricate portrayal of negative politeness strategy in Andrea Hirata's novel Laskar Pelangi. Employing linguistic politeness theory by Brown and Levinson and a structuralism approach, the study aims to elucidate the connection between linguistics and literature within the novel's context. Utilizing a qualitative research methodology, the text is analyzed, focusing on instances of negative politeness strategies employed by characters in various social interactions. Through a descriptive qualitative approach, 53 instances of negative politeness strategies are identified in the novel. The literature review underscores the significance of negative politeness for maintaining rapport and respect in social interactions, particularly in contexts prone to imposition or conflict. Extracted examples from the novel illustrate how characters utilize negative politeness to navigate complex social dynamics and preserve harmonious relationships within their community. The findings reveal cultural nuances embedded in politeness strategies, reflecting Indonesian societal norms and values. Characters in Laskar Pelangi employ indirect speech acts, hedging language, and deferential expressions to mitigate threats to others' autonomy or comfort, contributing to the narrative's tone of warmth and sincerity. Overall, this research highlights the integral role of negative politeness strategies in shaping character interactions and reflecting cultural values in Laskar Pelangi. By employing these strategies, characters negotiate social hierarchies and navigate interpersonal relationships while demonstrating respect and consideration for others.
CHALLENGING PATRIARCHY: LIBERAL FEMINISM IN MULAN (2020) Hasibuan, Debby Melviana; Purwarno, Purwarno
JOURNAL OF LANGUAGE Vol 7, No 1: May 2025
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v7i1.10781

Abstract

This study examines gender equality through the lens of liberal feminism in the film Mulan (2020), addressing a significant research gap in existing feminist analyses of the film. While previous studies have examined Mulan's character from various perspectives, this research focuses specifically on how her character development and actions reflect liberal feminist principles, offering a fresh perspective on her challenge to patriarchal norms. Data was collected and analyzed using qualitative textual analysis, which involves a close examination of key dialogues, character interactions, and narrative choices within the film. This method allows for a deeper understanding of how Mulan's journey embodies the ideals of liberal feminism, particularly in its defiance of traditional gender roles and its advocacy of individual agency. This study argues that the character of Mulan represents a meaningful redefinition of female agency through liberal feminist ideals. By portraying a strong female protagonist who challenges societal expectations, the film reinforces feminist discourse and highlights the evolving representation of female empowerment in contemporary cinema.
SUFFERING IN EMILY DICKINSON’S SELECTED POEMS Yusni H., Yusni H.; Suhadi, Jumino; Purwarno, Purwarno
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9327

Abstract

This research examines the theme of suffering in Emily Dickinson’s selected poems, focusing on her unique poetic approach and the profound emotional resonance her work evokes. Emily Dickinson, a pivotal figure in 19th-century American literature, frequently explored themes of death, pain, and existential questions. Despite her reclusive life, her poetry is rich with personal imagery and symbols, reflecting her deep preoccupation with mortality and the human condition. The study utilizes a structural analytical approach, combining library research with descriptive qualitative analysis. This method involves a thorough examination of relevant literary critiques and an in-depth textual analysis of Dickinson’s poems. The aim is to uncover how Dickinson’s portrayal of suffering contributes to a deeper understanding of human experience. Findings indicate that Dickinson’s treatment of suffering is multifaceted, often depicting pain as a necessary aspect of the human soul's development and a precursor to joy and peace. Her poems suggest that pain and suffering are integral to personal growth and resilience. Dickinson’s ability to articulate the complexities of suffering through her innovative use of language and metaphor makes her work both timeless and universally relatable. Overall, Emily Dickinson’s exploration of suffering provides a profound insight into the human experience, highlighting the interconnectedness of pain, joy, and personal growth. Her poetry remains a significant contribution to American literature, offering a nuanced perspective on the inevitability of suffering and its role in shaping the human soul.
EMOTIONAL INTIMACY IN DANIELLE STEEL'S NOVEL FINE THINGS Umami, Elvi; Purwarno, Purwarno; Manugeren, M.
JOURNAL OF LANGUAGE Vol 6, No 1: May 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i1.9114

Abstract

This qualitative study delves into the portrayal of emotional intimacy in Danielle Steel's novel, Fine Things using Robert Sternberg's Triangular Theory of Love as a theoretical framework. The research method involved textual analysis of excerpts from the novel, focusing on instances of emotional intimacy depicted among characters. The literature review section provides a comprehensive overview of Sternberg's Triangular Theory of Love, emphasizing its three components: intimacy, passion, and decision/commitment. The analysis highlights the importance of emotional intimacy in various types of relationships, emphasizing its role in fostering closeness, understanding, and trust. The discussion section presents findings from the textual analysis, showcasing excerpts that illustrate the complexities of emotional intimacy among characters in the novel. Examples include moments of vulnerability, communication, and affection shared between romantic partners, family members, and friends. Key findings reveal the nuanced portrayal of emotional intimacy, ranging from expressions of love and support to instances of conflict and betrayal. The conclusion drawn from the analysis underscores the profound impact of emotional intimacy on individuals and their relationships, highlighting its role in shaping the dynamics of love, loss, and personal growth depicted in the novel. Implications of this study extend to a deeper understanding of emotional intimacy in fictional narratives and its relevance to real-life relationships. By applying Sternberg's Triangular Theory of Love to literary analysis, this study contributes to the on-going discourse on the complexities of human emotions and intimate connections portrayed in literature.
PROMISCUITY IN EKA KURNIAWAN’S NOVEL LELAKI HARIMAU Nurlaili, Nurlaili; Chairani, Sri; Purwarno, Purwarno; Manugeren, M.
JOURNAL OF LANGUAGE Vol 6, No 1: May 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i1.9257

Abstract

Promiscuity, a recurring theme in literature, is examined through various lenses, reflecting the complexities of human relationships, societal norms, and cultural contexts. In Eka Kurniawan's novel Lelaki Harimau, promiscuity serves as a thematic lens through which Kurniawan explores the intricate interplay of desire, power, and societal expectations. This paper aims to delve into the portrayal of promiscuity in Lelaki Harimau, employing a sociology of literature approach combined with a qualitative descriptive method. Through close textual analysis and thematic exploration, the study seeks to unravel the cultural, social, and psychological dimensions of promiscuity as depicted in the novel. The research findings highlight the destructive consequences of unchecked hedonism, as exemplified by characters like Anwar Sadat and his daughter Laila. Furthermore, the study discusses how Kurniawan's narrative challenges entrenched notions of morality and sexuality, urging readers to confront uncomfortable truths about human nature and societal constructs. Ultimately, Lelaki Harimau emerges not only as a compelling work of literature but also as a powerful commentary on the enduring relevance of literature in illuminating social issues and advocating for positive change.
EXPLORING COGNITIVE AND AFFECTIVE WISDOM IN C. S. LEWIS' CHRONICLES OF NARNIA: INSIGHTS INTO THOUGHT AND EMOTION Belangi, Nadia Adinda; Purwarno, Purwarno; Hariati, Puji
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.10091

Abstract

This qualitative study offers a comprehensive exploration of the complex wisdom embodied by Aslan, the central figure in C.S. Lewis's celebrated work, The Chronicles of Narnia. Grounded in Sternberg’s balance theory of wisdom, this research investigates both the cognitive and affective dimensions of Aslan's wisdom. Employing Creswell's thematic analysis approach, we closely examine Aslan's character to reveal a range of attributes that underpin his wisdom. Findings indicate that Aslan’s cognitive wisdom encompasses a profound understanding, strategic foresight, empathy, moral discernment, and a balanced response to adversity. These elements underscore his deep insight and the capacity to navigate complex moral landscapes. Moreover, his affective wisdom emerges through his compassion, bravery, and moral leadership, as he guides Narnia’s inhabitants. Through his actions, speech, and interactions, Aslan exemplifies an understanding of emotions, human connection, and the transformative impact of love and forgiveness. This study contributes to a deeper appreciation of wisdom as portrayed in literary narratives, illustrating how Aslan’s character models an integrated, multifaceted concept of wisdom.
VIOLENCE AGAINST WOMAN IN EKA KURNIAWAN’S NOVEL CANTIK ITU LUKA Fhadila, Riska; Manugeren, M.; Purwarno, Purwarno
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9608

Abstract

This study delves into the theme of violence against women in Eka Kurniawan's novel Cantik Itu Luka  based on gender roles and violence experienced by women during and after Japan's periods of pre-independence and post-independence. The study aims to identify and analyze the various forms of violence and the underlying factors contributing to social deviance towards the protagonist, utilizing theoretical framework of cultural forms of violence by means of descriptive qualitative research to uncover the social phenomena of violence against women.  The study concludes that the novel provides a profound exploration of gender-based violence, encompassing direct, structural, and cultural dimensions of violence. The protagonist embodies the trauma of direct violence witnessed during the Japanese occupation, highlighting the gender-based discrimination prevalent against women. Structural violence is evident in societal disparities, while cultural violence permeates the narrative through deeply rooted attitudes and beliefs. The  novel also  delves into various aspects of discrimination faced by female characters in educational, domestic, and professional settings. The intertwining of historical contexts and personal stories within the novel serves as a potent commentary on women's ongoing struggles for justice and the enduring effects of discrimination. Ultimately, Cantik Itu Luka emerges as a poignant exploration of the intricate layers of gender-based violence and the resilience exhibited by women in confronting oppression.
TABOO WORDS IN STEPHEN KING’S NOVEL THE SHINING Sembiring, M. Indra Arikami; Purwarno, Purwarno; Hariati, Puji
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.10113

Abstract

This study investigates the use of taboo words by characters in Stephen King’s novel The Shining through a sociolinguistic approach, focusing on their types and functions. The novel follows Jack Torrance, his wife Wendy, and their son Danny, whose stay at the Overlook Hotel leads Jack into a spiral of psychological instability and violence. This research categorizes and quantifies the types and functions of taboo words, applying a descriptive qualitative method complemented by quantitative analysis. The primary data source was the novel itself, with the researcher as the primary instrument and a data sheet as a secondary tool. Results indicate four types of taboo words: epithets, profanity, obscenities, and vulgarities, totaling 300 instances. Profanity appears most frequently (123 instances, 41%), with obscenities following at 79 instances (26.33%). Epithets account for 63 instances (21%), while vulgarities occur least often at 35 instances (11.67%). Further, analysis of the functions of taboo words reveals that characters use them in auxiliary (126 instances, 42%), expletive (101 instances, 33.67%), abusive (63 instances, 21%), and humorous (10 instances, 3.33%) capacities. The dominance of the auxiliary function suggests that characters frequently incorporate taboo language into regular speech patterns rather than using it for direct insult. The minimal presence of the humorous function aligns with the novel's intense psychological horror and supernatural atmosphere, which limits comedic expression.
Co-Authors . Zulfan Achmanuddin Berutu Adilla Paradiba Afni Rosalina AK, Wirda Novarika Alda Dwi Afangka Alfarras, Riziq Prio Alice Shanthi Anayati, Wan Andang Suhendi Anjani, Juli Annisa Octaviani Arafah, Burhanuddin Arif Fathurrahman Hutapea Arifah Pertiwi Br Kembaren Balqis, Kesya Aprilia Balqis, Kesya Aprillia Belangi, Nadia Adinda Berutu, Achmanuddin Br Kembaren, Arifah Pertiwi Br. Saragih, Revi Chairani, Sri Cherry Adistya Nasution Dea Jesikha Debby Melviana Hasibuan Dedi Darmadi Dedi Darmadi Dela Pebriani Derlini Derlini, Derlini Dinda Tanjung Dwi Insany, Fitrah Efendi Barus Efendi Barus, Efendi Ekalestari, Susi Erika Br Pa, Nabila Feby Feby Evelyn Sharminnie Farhan, Muhammad Daffa Faulandi, Yusuf Feni Aisyah Fhadila, Riska Fitra Andira Wardana Fitrah Dwi Insany Habibi Habibi Haksa Romatua Pohan Hamzah Sya’bani Nasution Handayani, Sri Harahap, Riska Muktia Nur Aminah Hasibuan, Debby Melviana Hayati, Zukhaira Hayatullah Hayatullah Ika Wulandari Ikbal, Muhammar Intan Novia Sari Iswandi Iswandi Jane Xavierine Januar, M. Aidil Juli Anjani Juli Anjani Jumino Suhadi Jumino Suhadi, Jumino Kartika Utami, Windri Kesya Aprillia Balqis Khair, Muhammad Khairun Nisyak Liesna Andriany Lim Teck Heng Lubis, Suci Ramadhani M Manugeren M. Aidil Januar M. Manugeren M. Manugeren M. Manugeren, M. Mahid, Perveen Sonia Mahlina Sariani Harahap Malisa Surayya MS Manugeren, M Mayasari Mayasari Mayasari Mayasari, Mayasari MJ , Nurbasyirah Muhammad Daffa Farhan Muhammad Kemal Habib Muhammad Kemal Habib Muhammad Kiki Wardana Muhammad, Putroe Kamaliah Muhammar Ikbal Mustofa Mustofa Nadia Ramadhani Nanda Aulia Alfarisi Nasution, Cherry Adistya Naufal Karim Siregar Nita Novianda Tanjung Nur'ain, Syifa Nurbasyirah MJ Nurhalimah Nurhalimah Nurhalimah Nurhalimah Nuril Eka Yuanda Nurlaili Nurlaili Nurmayana Nurmayana, Nurmayana Nurul Amelia Nurul Amelia Nurul Azmi Paradiba, Adilla Pebriani, Dela Perveen Sonia Mahid PUJI HARIATI Puji Hariati Puji Hariati Purwanto Siwi Rahma, Risky Kartika Riska Muktia Nur Aminah Harahap Risky Kartika Rahma Riziq Prio Alfarras Rizki Nurhidayah Sitompul Safrizal Safrizal Saiful Anwar Matondang Sari Indah Wahyuni Satiman Satiman Sembiring, M. Indra Arikami Siagian, Tony Sihaloho, Anugrah Syafrizar Siregar, Naufal Karim Siwi, Purwanto Sri Chairani Sri Chairani Sri Wirda Sri Wulan Sri Wulan Sri Wulan, Sri Sumarno Sumarno Supian Supian Surayya MS, Malisa Susi Ekalestari Syafrizal Azzali Syahruddin Said Syarifah Syarifah Syifa Nur'ain Tanjung, Dinda Tanjung, Nita Novianda Tuti Herawati Umami, Elvi Wahyu Fatahilla Wahyuni, Sari Indah Wan Anayati Wanda Prayoga Ilyas Waradana, Fitra Andira Wardana, Fitra Andira Windri Kartika Utami Yuanda, Nuril Eka Yuhandri Pane Yusni H., Yusni H. Yusuf Faulandi Zarfiana, Raissa Septy Zuhriah, Lailatul Zukhaira Hayati