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All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Gorga : Jurnal Seni Rupa Harmonia: Journal of Research and Education Panggung Gondang: Jurnal Seni dan Budaya Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni JURNAL PENDIDIKAN TAMBUSAI Journal on Education International Journal of Educational Dynamics (IJEDS) Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni International Conference on Languages and Arts Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Jurnal Pendidikan dan Kebudayaan Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Science and Environmental Journals for Postgraduate Jurnal Manajemen Pendidikan dan Ilmu Sosial (JMPIS) Jurnal Ilmiah Wahana Pendidikan Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra YASIN: Jurnal Pendidikan dan Sosial Budaya Proceeding International Conference on Malay Identity Populer: Jurnal Penelitian Mahasiswa Langgam International Journal of Social Science Education, Art and Culture Journal of Creative Student Research Student Scientific Creativity Journal Jurnal Bintang Pendidikan Indonesia Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Seniman: Jurnal Publikasi Desain Komunikasi Visual Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Law and Economics Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Panggung E-JURNAL AKUNTANSI International Martial Arts and Culture Journal.

Indrayuda Indrayuda

Universitas Negeri Padang

Author-ID : 287208

Religion Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Medicine & Pharmacology Public Health Social Sciences Transportation Other

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UPAYA PELESTARIAN TARI SI KAMBANG MANIH DALAM MASYARAKAT DI KECAMATAN BATANG KAPAS KABUPATEN PESISIR SELATAN Idol Fatria; Desfiarni Desfiarni; Indrayuda Indrayuda
SENDRATASIK UNP Vol 4, No 2 (2015)
Publisher : FBS Universitas Negeri Padang

Abstract This article was written for describing the efforts done to preserve Si Kambang Manih dance. This preservation was focused on the learning process or accustoming the young generation to their cultuture. This was a qualitative research which used experimental method. The data was collected through interview, observation, and documentation. The instrument of the research was the researcher herself. The data gotten was analyzed by using Miles and Huberman model. It then was selected, reduced, presented and verivied. The result of research indicated that the efforts done preserve Si Kambang Manih dance was by giving information about the dance and indroducing it to people in Kecamatan Batang Kapas Kabupaten Pesisir Selatan. These were done by teaching the dance to the society. The activity was carried out by the researcher assisted with Tuo Tari. Keyword: Effort, preserve, dance Si Kambang, and Manih

KEMASAN DAN PEMASARAN KELOMPOK ORGEN TUNGGAL “PINK MUSIK”: Suatu Tinjauan Manajemen Seni Pertunjukkan Yoni Sesilia; Indrayuda Indrayuda; Tulus Handra Kadir
SENDRATASIK UNP Vol 2, No 1 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract This article aimed at describing the production management of Pink Music Group and explaining its music shows marketing system. The object of this research was the Pink Music Group. The data were obtained from observation, literature review, interview, and documentation. The data were analyzed by using the phenomenology analysis technique. The data showed that Pink Music Group organized its activities by using the production management and its marketing by using the managerial science approach specializing in music shows Keywords : Pink Music Group’s, Marketing, and Music Show Management.

Bentuk Penyajian Silek Kapak Sebagai Budaya Tradisi Masyarakat Di Kanagarian Padang Laweh Kecamatan Koto Tujuah Kabupaten Sijunjung Chelina Dewi; Indrayuda Indrayuda
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

The research aims to reveal, describe and analyze about the Form of Presentation of Silek Axe as a Culture of Community Tradition in Kanagarian Padang Laweh District Koto Tujuah Sijunjung Regency. This type of research is qualitative research with descriptive methods of analysis. The data type uses primary data and secondary data. The main instruments are the researchers themselves and are assisted with supporting instruments such as stationery and cameras. Data collection techniques are conducted by way of literature, observation, interview and documentation. The steps to analyze data are data collection, data reduction, data presentation, and conclusion drawing. The results of this study show that Silek Kapak is a tradition of Padang Laweh people. Silek Axe was performed by 2 players, which was displayed in the courtyard of Rumah Gadang during the day. The form of presentation of Silek Axe in Kanagarian Padang Laweh Sub-District Koto Tujuah Sijunjung Regency is representative. Elements of Silek Axe Presentation Form as follows: (1) opening greeting motion, amuak kapalo, amuak dado, pata tobu, klotiak and closing greetings. (2) Silek Axe floor pattern uses a straight line pattern or horizontal line. (3) Silek Axe's accompanying music consists of: talempong, drums, gongs. (4) the costume used by the player in Silek Axe taluak balango in black, black pants, asamping and deta. (5) In addition, Silek Axe uses the Original Axe property as supporting silek axe show.

UPAYA PENGGALAKAN RANDAI DAN NAGARI AMPU Rahmat Hidayat; Indrayuda Indrayuda; Syahrel Syahrel
SENDRATASIK UNP Vol 2, No 1 (2013): Seri E
Publisher : FBS Universitas Negeri Padang

Abstract This research was aimed at revealing and explaining the efforts done by the Randai activators to perpetuate Randai in Nagari Ampu. This was a qualitative research which used descriptive method. The data was gotten through observation and interview, and then it was analyzed by using spradley approach. The result of the research indicated that by involving the local government and wali Nagari on the perpetual efforts, Randai was successfully reactivated in Nagari Ampu. The effort done were through qualitative and quantitative development and included Randai as one of the extracurricular activities at school. Kata kunci: Penari Perempuan, Penarilaki-laki, perandan tari Tauh.

PERANAN PENARI PEREMPUAN DAN LAKI-LAKI DALAM PERTUNJUKAN TARI TAUH Ahmad Damhuri; Darmawati Darmawati; Indra Yuda
SENDRATASIK UNP Vol 2, No 1 (2013): Seri B
Publisher : FBS Universitas Negeri Padang

Abstract The article aimed at revealing the roles of female and male dancers in Tauh dance. The research used qualitative method. The data was descriptive obtained from observation, interview, and library research. The data was ethnography. The research showed that the role of female dancers was as the ones who were controlled by the male dancers and as the dancing partners. Moreover, the role of male dancers was as the leaders and as the one who controlled during the dancing. Male dancers moved more compared to that done by the female dancers. It indicated that in Tauh dance male dancers dominated more. Although male dancers were more dominant, the role of female dancers was important still. Therefore, in Tauh dance, male and female dancers could not be separated each other. Kata kunci: PenariPerempuan, Penari laki-laki, peran dan tari Tauh.

Tari Balanse Madam “Faktor-faktor Yang Mempengaruhi Eksisnya Tari Balanse Madam Di Seberang Palinggam” Dwi Witri Anggraini; Indrayuda Indrayuda
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

This study aims to express the factors that influence the existence of Madam balanse dance at Seberang Palinggam. Type of this research was a qualitative study with using descriptive method. The main instrument of this study was the researcher. The additional instruments used were such as stationery, camera and flash disk. Techniques of data collection werecarried out by using literature study, observation, interviews, documentation. The steps in analyzing data were data collection, reduction, data presentation and drawing conclusions of the research. The results show that the dance originated from trading activity which led to cultural encounters, namely Portuguese culture (dance) with Nias culture (maena). The cultural meeting creates a form of art performance namely Madam Balance Dance. The existence of the Madam balanse dance is influenced by several factors such as: customs, religion, community and government environment. This dance has changed its function from dance as a custom to dance as entertainment, this is because of the lack of interest in the community and the government of Padang to preserve and learn the Madam Balanse dance. One of the efforts to keep the Madam Balanse dance alive and sustainable is that the government have to promote or introduce the Madam Balanse dance again to the public.

GAYA TARI PASOMBAHAN KREASI DI KECAMATAN BANGKINANG KOTA KABUPATEN KAMPAR PROVINSI RIAU Meizul Ofriananda; Herlinda Mansyur; Indrayuda Indrayuda
SENDRATASIK UNP Vol 5, No 2 (2016)
Publisher : FBS Universitas Negeri Padang

Abstract This research aims to find out and describe the styles of the Pasombahan Kreasi* dance at Bangkinang Kota Municipality Kampar Regency Riau Province. The design of the research was qualitative by using the descriptive method which included observation, interview, and documentation. First, the researcher did the observation and interview various sources of information. Later, he examined the documents about related data and information in the field. The research was done at Bangkinang Kota Municipality Kampar Regency Riau Province.The result of analysis shows that there are four styles in the Pasombahan* dance. First, the hands, feet, and head are dominantly in motion for each move and the body moves along with the motion of the hands or feet. They can be seen in the moves of sepok*, ulu limpiong*, gletek*, klenjek*, punte tali bowuok*, elo somba*, and sombah*. Second, the moves dominantly go to the front direction such as in the moves of sepok, punte tali bowuok, elo somba and sombah. The moves, later, go along with the body like in the moves of ulu limpiong, gletek, and klenjek. Third, the rhythm of the dance is in count of 1×8 such as in the moves of sepok, ulu limpiong, gletek, klenjek, punte tali bowuok, and elo somba. Meanwhile, the rhythm in the move of sombah is in the count of 2×8. Four, the quality of the moves in the dance is determined by space, time, and power. The space in the moves of sepok, klenjek, elo sombah, and sombah is a direct and big space. Meanwhile, the space in the moves of ulu limpiong, gletek, and punte tali bowuok is an indirect and big space. In term of time, it is done continuously in the moves of sepok, ulu limpiong, and klenjek while it is done suddenly in the moves of gletek, punte tali bowuok, and sombah. In the move of elo sombah, it is done directly. Finally, in term of power, the moves of sepok and gletek are done in big power while the moves of ulu lipiong, klenjek, punte tali bowuok, elo somba, and sombah are done in light power. Those results show that the styles in the Pasombahan dance are the combination of Minangkabau martial art dance and Bangkinang-Malay version.Keywords: Style. Dance. Pasombahan. Creation

Keberadaan Tari Rantak Dalam Masyarakat Pencinta Seni Di Sumatera Barat: Antara Mentradisi Dan Anggapan Sebagai Tari Tradisional Lola Murnianti; Indrayuda Indrayuda; Darmawati Darmawati
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

This article aims to disclose and describe the Minangkabau society about the reasons consider dance dance Rantak as the Minangkabau traditions and looking for answers as to why the Rantak can dance mentradisi in Minangkabau society. This type of research in the study was qualitative research with a descriptive method. The main instrument in the penelitia this is the researcher himself, and assisted with the supporting instruments such as stationery, tape and camera rekorder photos. Types of data using primary data and secondary data. The technique of data collection is done with the study of librarianship, observation observation, interview and documentation. And the steps undertaken to analyze data is grouped data, analyze data, describe the data and create reports. The results showed that among the general public is currently not many know the existence of the dance Rantak dance berakarkan to creations that dance traditions. At the moment it is rare in Rantak dance pull again by society because of the lack of public knowledge about the existence of the dance Rantak, the influence of modern art, education, culture and the lack of demand from the public for showing that Rantak Dance on its own. But the dance Rantak been mentradisi among the Minangkabau people, dance is often bring in at that point in the race events, extracurricular and disekolah-sekolah festival.

MOTIVASI SISWA DALAM PEMBELAJARAN TARI DI SMK NEGERI 7 PADANG: STUDI KASUS Ayu Nara Sati; Indrayuda Indrayuda; Fuji Astuti
SENDRATASIK UNP Vol 6, No 2 (2017)
Publisher : FBS Universitas Negeri Padang

AbstractThis Article aims to1) to find out the reasons which cause the difference of students’ motivation in the knowledge and skill of learning dance, 2) to find out the impacts of the motivation difference toward the dance learning outcomes at class X Tari 1 of SMKN 7 Padang. The design of the research was qualitative using the descriptive analysis method. The primary instrument was the researcher herself while the secondary oneh were stationaries and a camera. There were two types of data in this research: primary and secondary data. They were obtained from library study, observation, and documentation. The data were analyzed qualitatively by observing the symptoms coming from the students’ motivation toward their knowledge and skills in learning dance. The research result shows that there are some differences of the students’ motivation related to the knowledge and skill in learning dance. There was only 1 out of 25 students who had balnce between the knowledge and skills. Meanwhile, 2 of them got higher score for their knowledge rather than their skills with a low range between them. Others tended to have low knowledge and high skills in learning dance. It happens since they alredy own the skills them selves.Keywords: Student Motivation, Dance Learning

TOXIC Vuja Syafrianti Alhidayah; Indrayuda Indrayuda
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

The dance work "Toxic" aims to show that women's rights need to be respected in society because women are part of a social structure that needs to be properly managed and maintained so as not to be undermined by other social structures. The danceToxic is inspired by the phenomenon of social life of young people who have relationships with the opposite gender without following the norms that develop in society. This dance is made using the development of motives based on space, time, energy and developed using composition science. The form of presentation in this work is representational symbolic. "Toxic" is a dance work is inspired by changing patterns of the current life system of society from traditional societies bound by customary and religious rules transformed into a modern life that permeates the structure of the community itself, the culture that enters society today is acculturated and assimilate with existing culture. The dance "Toxic” is a dramatic dance in the form of a representational symbolic presentation that is manifested through motion, stage settings, make-up, fashion, lighting, and music.

Co-Authors Abdullah, Nagoor Meeara Afiatri Gelurena Afifah Asriati Agustina Ahmad Damhuri Aksara, Anggi Al-Syurgawi, Dahlia Amellia, Marisa Angge Pratiwi Vitri Anugrah Prima Insani Ardipal Ardipal Ariep Bijaksana Aysah Nur Rahma Ayu Nara Sati Ayu Sandika Sadema Aziz, Nur Azizah Abdul Bunga Lovesky Bunga Maharani Bunga Naselia Chelina Dewi Dara Ardilla Darmawati Darmawati Darmawati Darmawati Dede Putri Perdani Della Natasia Gunita Piska Dendi Chairi Desfiarni Desfiarni Dewi Fiolinda Dibba Gazwami Diye Chania Dwi Witri Anggraini Eke Febrianti Elida Endang Nuryani Esy Maestro Eva Pauziah Fadhila Saktia Feby Try Rahmanda Fingki Novi Arsita Fitrah Hayati Frisilia Yulisianti Fuby Candani Fuji Astuti Fuji Astuti Gusnia hadi, Harisnal Hafizatul Ismi Hana Shilfia Iraqi Handayani, Bella Fitri Hasanuddin WS Helfira Helfira Hendri Yusuf Herlinda Mansyur Hestilia, Wina Hidayatunnisa Hidayatunnisa Husna Febri Andika Putri I Made Sukartha Idol Fatria Ildiea Fitri Indah Novita Sari Indri Mayangsari Intan Milanda Intan Sani Ashari Intan Sani Ashari Junita Fitri Kassim, Rezian-na Muhammed Lidya Indrawati Liza Azoni Lola Murnianti Maidilla Siska Putri Mardiana - Marzam Marzam Marzam Marzam Maya Endah Rahayu Meisa Adila Meizul Ofriananda Mia Fahmiati Miftahul Rizka Mohd. Effindi Samsudin Muhammad Afif Nashiwa Natania Salsabilla Nawai, Nasru Syazwan Nela Majesti Nerosti Nia Putri Jelita Nia Rahmadani Niken Ayu Astuti Nindi Aulia Safira Ningsih, Lisa Wahyu Nor, Mohad Anizu Mohd Novelis, Puput Nurhana Nurhana Nurul Annisa Syafwan Nurul Intan Pratiwi Oktania, Rahma Pebrina Sapitri Poppy Lisafri Yolanda Prihan Pangemba Putri Amriana Putri Aulia Rahmawati Putri Novrialni Putri Yunengsih Quinta Dianda Voneline Radisma Suziyanti Rahim, Mohamad Rahizam Abdul Rahmat Adriyanto Rahmat Hidayat Rahmi Ul Fadhilah Raju Gunawan Rama Dona E Rana Arisma Valeves Ranti Lestari Raudhatul Fadillah Regia Amelia Putri Resha Gustina Putri Reza Trinanda Rini Suardi Rita Syofyan Rizka Annisa Rizka Janarsi Samsuddin, Mohd Effindi Samsudin, Hazim Sari, Maya Novita Sari, Nurima Sevi Sovia Shamsuddin, Mohd Effindi Bin Shapie, Muhamad Nizam Mohamad Shinta Jayanti Siti Aisyah Jasmin SITI KHODIJAH Sri Muryenti Suci Okta Rahmadani Susi Evanita Susi Evanita Susmiarti Syafitri, Mahdalena Syahrel Syahrel Syofyan, Rita Tiara Virginia Aulia Tulus Handra Kadir Tuttriana Tuttriana Ukie Winaranti Vincent Parnabas Virginia Aulia, Tiara Viska Nanggita Vuja Syafrianti Alhidayah Wahyuni, Irfi Sri Widya Novitri Wilya Aryana Putri Wina Hestilia Wina Hestilia Windi Novrianti Yeni Yeni Yoni Sesilia Yos Sudarman Yosi Dwi Zulniati Yusman, Ahmad Fauzan Zora Iriani Zul Asri Zul Fahmi

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