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UPAYA PEWARISAN TARI BUAI- BUAI DI NAGARI PAUH IX KELURAHAN KURANJI KECAMATAN KURANJI KOTA PADANG Dede Putri Perdani; Indrayuda Indrayuda; Herlinda Mansyur
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (809.291 KB) | DOI: 10.24036/jsu.v7i1.100575

Abstract

Abstract This article aims to reveal and describe the efforts of the Inheritance of Buai-Buai Dance in Nagari Pauh IX, Kelurahan Kuranji, Kecamatan Kuranji, and Padang City.This type of research was qualitative research, using descriptive methods. This research instrument was the researcher. Techniques of data collection were carried out by using literature study, observation, interview and documentation. Data analysis was carried out by data reduction steps, carrying out data display/data preparation and drawing verification conclusions. The results show that the Buai-Buai Dance is almost extinct due to the number of heirs who were getting old. An effort to inherit the Buai-Buai dance is performed by the Minang Saiyo studio which is by providing training to the community as the next generation. Keywords: Inheritance, Buai-Buai Dance
PEWARISAN TARI GANDANG DI NAGARI PAUH IX KECAMATAN KURANJI KOTA PADANG Indri Mayangsari; Indrayuda Indrayuda; Afifah Asriati
SENDRATASIK UNP Vol 1, No 1 (2012): Seri C
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (258.039 KB) | DOI: 10.24036/jsu.v1i1.303

Abstract

This article aims to reveal and describe Inheritance Gandang Dance in Nagari Pauh District IX Kuranji Padang. This research is descriptive qualitative research method. Object of this study is on the Gandang Dance Pauh IX Kecamatan Kuranji Nagari Padang. Datas were collected through literature study, observation, interview and documentation. Data analysis was performed based on the ethnographic techniques. The findings of the research states that dance is a traditional dance Gandang in District IX Kuranji Pauh Nagari Padang, grow and flourish in the martial arts that exist in Nagari Pauh IX, precisely in the Katapiang area. In the development of dance Gandang had improvement in inheritance aspects. At the beginning of the growth of dance in Nagari Pauh Gandang IX, closed systems are more likely inheritance, through ties of blood and kinship. While the present when entering the 1975’s, has grown inheritance system tend to be closed that system through blood ties and kinship to open systems by learning from teacher to student in traditional self defence arts goals.
TARI NUGAL DI DESA TANJUNG KUPANG KECAMATAN TEBING TINGGI KABUPATEN EMPAT LAWANG: TINJAUAN KOREOGRAFI Ukie Winaranti; Indrayuda Indrayuda; Desfiarni Desfiarni
SENDRATASIK UNP Vol 3, No 1 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (463.574 KB) | DOI: 10.24036/jsu.v3i1.4467

Abstract

ABSTRACT This article aimed at figuring out and describing that the Nugal dance was a creation dance made by using the choreography approach. The desigh of this research was descriptive qualitative research. The object of the research was the Nugal dance at Desa Tanjung Kupang Kecamatan Tebing Tinggi Kabupaten Empat Lawang. Data were obtained from the library study, observation, interview, and documentation. It was found that there were elements of choreography in the Nugal dance. They were the dancers, the movements, the top and floor designs, the group compositions, the costumes, the dance accompaniments, and the ideas and settings of the dance as well as the dance patterns which were seen from the movements and the expressions of the dancers. As a result, the creator of the dance made the dance by using the choreography planning because the dance derived from the farming activities of the society which was also known as Nugal. The dance idea started from the traditional dance called the Kekok dance. New movements were then created into a new form of dance.   Keywords   :  Choreography, and the Nugal Dance.
Tata Cara Penyajian Tari Persembahan Bungo Dalam Acara Penyambutan Tamu Di Kabupaten Bungo Provinsi Jambi Lidya Indrawati; Indrayuda Indrayuda
SENDRATASIK UNP Vol 9, No 2 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (460.939 KB) | DOI: 10.24036/jsu.v9i1.109531

Abstract

This study aims to reveal the procedures for presenting Persembahan Bungo dance in a guest welcoming event in Bungo Regency, Jambi Province. This is a qualitative research resulting descriptive analysis data. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted bycollecting the data, reducing the data, presenting the data, and making conclusion. The results show that Persembahan Bungo dance has parts and sequences in each presentation. They are preparation before performing, initial stage, during the performance, and the end of the performance.Persembahan Bungo dance has 9 movements: Sembah Penghormatan, gerak selamat datang, sembah paduko, lenggang, putri malu, berinai, limbai, zapin bungo, and mambuko pagar ayu. The rules for performing Persembahan Bungo dance are compiled by custom or according to the customary rules in Bungo Regency, are in accordance with the motto of Bungo Regency, and pay attention to the values in a reception. For example, in the rule of washing betel, the betel must be washed first by the queen. This symbolizes cleanliness, purity, and respect for the welcomed guests by people of Bungo regency.
Meningkatkan Minat Belajar Siswa Dalam Pembelajaran Seni Tari Dengan Metode Cooperative Learning Di Kelas VIII.4 SMP N 17 Padang Fuby Candani; Indrayuda Indrayuda
SENDRATASIK UNP Vol 8, No 1 (2019)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (760.518 KB) | DOI: 10.24036/jsu.v8i1.106524

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This research aimed to describe the students' learning interest in dance through the use of cooperative learning method in class VIII 4 of SMP Negeri 17 Padang. This type of research was Classroom Action Research. The research was conducted using 2 cycles, each cycle consisting of planning, implementation, observation, and reflection. The steps for analyzing data were data collection, data reduction, data verification and making conclusions. The results showed that the art of dance in class VIII 4 of SMP Negeri 17 Padang. Padang with the dance material previously decreased after the cooperative learning method of learning interest and the value of experienced students improved following KKM. The research result for student interest per cycle as the first cycle was 32.26% increasing and in the second cycle, there was an increase in interest by 25.8%. Overall, the result of the teacher's action using the cooperative learning method has been increased by 58.06%. It can be seen from 21 students who did not reach the KKM from dancing activities now only 3 students who have not reached the value of the KKM, but the value continues to increase from its initial value. It used to be a cooperative learning method for using arts learning teachers in class VIII 4 of SMP Negeri 17 Padang.
FUNGSI TARI SILAT PAYUNG PADA PESTA PERKAWINAN DI DESA LUBUK AMBACANG KECAMATAN HULU KUANTAN KABUPATEN KUANTAN SINGINGI Rama Dona E; Afifah Asriati; Indrayuda Indrayuda
SENDRATASIK UNP Vol 3, No 2 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (153.573 KB) | DOI: 10.24036/jsu.v2i2.3119

Abstract

Abstract This article aimed at describing the function of “Silat Payung” dance in wedding party found in Lubuk Ambacang which still exists and develops in Lubuk Ambacang, Hulu Kuantan, Kuantan Singingi. The data of this research was descriptive quqlitative. The technique of data done through literature study, observation, interview, and documentation. The findings indicated that “Silat Payung” dance is a traditional custum yhe function of this dance are either to be performed in ritual events or as entertainment. Kata kunci : Fungsi, Pesta, Perkawinan, Tari, Silat
MOTIVASI SISWA LAKI-LAKI DALAM MENGIKUTI PENGEMBANGAN DIRI SENI TARI DI SMA NEGERI 1 BATANG ANAI Putri Yunengsih; Indrayuda Indrayuda; Afifah Asriati
SENDRATASIK UNP Vol 7, No 3 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (895.42 KB) | DOI: 10.24036/jsu.v6i2.102737

Abstract

Abstract This article aims to explain and describe the motivation of male students in following self-development dance in SMA Negeri 1 Batang Anai. This type of research is qualitative research using descriptive method. The object of research is the development of male students themselves dance in class X in the SMA N 1 Shaft Mounds. The main instrument in this study is the researchers themselves and the instruments used such as: logger tool record book, and photo cameras. Engineering data collection done by the library study, observation, interviews, and documentation. Technique of data analysis was performed with data collection measures, the reduction of data, display data and conclusion/verification. The results showed that the cause of the low motivation of male students in learning the art of dance in SMA Negeri 1 Batang Anai was background knowledge of dance, the condition of the environment, and the motivation of teachers or less dance coach effective in self development of the art of dance. As a teacher or coach can motivate must dance, male students so interested in following the activities of the self development of this dance. By way of providing encouragement, care, individual approach to the male students in the form of praise and appear instantly as a model. With the motivation of teachers and the existence of latian exercises then so on male students will be able to perform the dance shamelessly or motivated to learn to dance.Keywords: Motivation, Male Students, Self Development, Dance
DAMPAK METODE EKSPLORATIF TERHADAP PEMBELAJARAN TARI DI SMP NEGERI 1 BANUHAMPU Radisma Suziyanti; Indrayuda Indrayuda; Zora Iriani
SENDRATASIK UNP Vol 2, No 3 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (309.26 KB) | DOI: 10.24036/jsu.v1i3.1539

Abstract

Abstract This article aims to reveal and explain the impact of exploration methods for learning local dance elapsed areas in SMP Negeri 1 Banuhampu. This research is a qualitative descriptive method. Data obtained by direct observation and interviews. Data were analyzed based on the phenomena that occur in learning, to interpret the relationship between the phenomena occurring in the learning. The results showed, exploratory methods in teaching dance at SMP Negeri 1 Banuhampu resulted in increased imagination and creative power and ability of the students in the birth of new motifs from local dance movement. Another impact is that students feel they have freedom of expression, and is able to explore the body with improvisation, so that ideas can create new movement patterns are used for local dance lessons.
Faktor-Faktor Penghambat Minat Siswa Kelas X Pada Pembelajaran Seni Budaya (Tari) Di SMK Negeri 9 Padang Quinta Dianda Voneline; Susmiarti Susmiarti; Indrayuda Indrayuda
SENDRATASIK UNP Vol 10, No 2 (2021)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (910.264 KB) | DOI: 10.24036/jsu.v9i2.110755

Abstract

This study aims to describe the factors inhibiting the interest of class X students in learning cultural arts (dance) at SMK Negeri 9 Padang where students are less inclined in learning cultural arts (dance) and do not have a good response, because this research focuses on the problem of student interest in learning cultural arts (dance). This type of research is qualitative research with descriptive methods. The research objects were students of class X Ph4 and the arts and culture teachers of SMK Negeri 9 Padang. The instruments in this study were the researchers themselves and the researchers were assisted by instruments such as writing instruments, cellphones, and laptops. The technique of collecting data results by means of interviews, observation and documentation. Data were analyzed using steps, namely data reduction, data collection, verification and conclusions. The results of the research in class X Ph4 showed that the inhibiting factors of interest in learning were influenced by students' lack of attention in the learning process, then the attitude of students who were not polite to the teacher when explaining dance learning. Interest in learning is also influenced by the talents of students, in learning dance talent is very supportive of success in imitating dance movements. Students who have talent will tend to listen to the material well then students who have a sense of pleasure in learning will respond to the material optimally. Students' motivation is very lacking in learning dance as a result, students are reluctant to take part in learning dance practices, only some students want to take part in learning.
Bentuk Penyajian Tari Ramo-Ramo Tabang Duo Di Nagari Pasir Talang Widya Novitri; Indrayuda Indrayuda
SENDRATASIK UNP Vol 9, No 2 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (394.07 KB) | DOI: 10.24036/jsu.v9i1.109493

Abstract

This article aims to describe the Presentation Form of the Ramo-ramo Tabang Duo Dance in Nagari Pasir Talang. This research is a qualitative study using descriptive methods. The object of research is the presentation of the Ramo-ramo Tabang Duo dance in Nagari Pasir Talang Solok Selatan. The researcher acts as the main instrument in this study, and is assisted by a recording device, and a means of matching both audio, visual or audio visual. Data collection is done through direct observation, interviews, and documentation, as well as literature studies. Data were analyzed through a procedure referred to from Mile and Huberman, namely data collection, in the form of qualitative data from research areas such as forms of motion, music, costumes, and procedures for performance. In the next stage the data is selected and then the results of the selection are verified and concluded by the researcher. The findings from the research results are concluded that the form of presentation of the Ramo-ramo Tabang Duo dance is an artistic form without a story. This is obtained from the motion data that only presents artistic and aesthetic value, without any symbol of the motion being maneuvered, as well as music that is as a dance accompaniment. Overall both motion, music, and costumes display dynamical, dramatic motion that aims only as a presentation of entertainment, without any intention of the dance performance.
Co-Authors Abdullah, Nagoor Meeara Afiatri Gelurena Afifah Asriati Agustina Ahmad Damhuri Aksara, Anggi Al-Syurgawi, Dahlia Amellia, Marisa Angge Pratiwi Vitri Anugrah Prima Insani Ardipal Ardipal Ariep Bijaksana Aysah Nur Rahma Ayu Nara Sati Ayu Sandika Sadema Aziz, Nur Azizah Abdul Bunga Lovesky Bunga Maharani Bunga Naselia Chelina Dewi Dara Ardilla Darmawati Darmawati Darmawati Darmawati Dede Putri Perdani Della Natasia Gunita Piska Dendi Chairi Desfiarni Desfiarni Dewi Fiolinda Dibba Gazwami Diye Chania Dwi Witri Anggraini Eke Febrianti Elida Endang Nuryani Esy Maestro Eva Pauziah Fadhila Saktia Feby Try Rahmanda Fingki Novi Arsita Fitrah Hayati Frisilia Yulisianti Fuby Candani Fuji Astuti Fuji Astuti Gusnia hadi, Harisnal Hafizatul Ismi Hana Shilfia Iraqi Handayani, Bella Fitri Hasanuddin WS Helfira Helfira Hendri Yusuf Herlinda Mansyur Hestilia, Wina Hidayatunnisa Hidayatunnisa Husna Febri Andika Putri I Made Sukartha Idol Fatria Ildiea Fitri Indah Novita Sari Indri Mayangsari Intan Milanda Intan Sani Ashari Intan Sani Ashari Junita Fitri Kassim, Rezian-na Muhammed Lidya Indrawati Liza Azoni Lola Murnianti Maidilla Siska Putri Mardiana - Marzam Marzam Marzam Marzam Maya Endah Rahayu Meisa Adila Meizul Ofriananda Mia Fahmiati Miftahul Rizka Mohd. Effindi Samsudin Muhammad Afif Nashiwa Natania Salsabilla Nawai, Nasru Syazwan Nela Majesti Nerosti Nia Putri Jelita Nia Rahmadani Niken Ayu Astuti Nindi Aulia Safira Ningsih, Lisa Wahyu Nor, Mohad Anizu Mohd Novelis, Puput Nurhana Nurhana Nurul Annisa Syafwan Nurul Intan Pratiwi Oktania, Rahma Pebrina Sapitri Poppy Lisafri Yolanda Prihan Pangemba Putri Amriana Putri Aulia Rahmawati Putri Novrialni Putri Yunengsih Quinta Dianda Voneline Radisma Suziyanti Rahim, Mohamad Rahizam Abdul Rahmat Adriyanto Rahmat Hidayat Rahmi Ul Fadhilah Raju Gunawan Rama Dona E Rana Arisma Valeves Ranti Lestari Raudhatul Fadillah Regia Amelia Putri Resha Gustina Putri Reza Trinanda Rini Suardi Rita Syofyan Rizka Annisa Rizka Janarsi Samsuddin, Mohd Effindi Samsudin, Hazim Sari, Maya Novita Sari, Nurima Sevi Sovia Shamsuddin, Mohd Effindi Bin Shapie, Muhamad Nizam Mohamad Shinta Jayanti Siti Aisyah Jasmin SITI KHODIJAH Sri Muryenti Suci Okta Rahmadani Susi Evanita Susi Evanita Susmiarti Syafitri, Mahdalena Syahrel Syahrel Syofyan, Rita Tiara Virginia Aulia Tulus Handra Kadir Tuttriana Tuttriana Ukie Winaranti Vincent Parnabas Virginia Aulia, Tiara Viska Nanggita Vuja Syafrianti Alhidayah Wahyuni, Irfi Sri Widya Novitri Wilya Aryana Putri Wina Hestilia Wina Hestilia Windi Novrianti Yeni Yeni Yoni Sesilia Yos Sudarman Yosi Dwi Zulniati Yusman, Ahmad Fauzan Zora Iriani Zul Asri Zul Fahmi