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All Journal HUMANIS E-Journal of Linguistics Linguistika Forum Arkeologi METASASTRA: Jurnal Penelitian Sastra Mimbar Ilmu Kalangwan: Jurnal Pendidikan Agama, Bahasa dan Sastra Udayana Journal of Social Sciences and Humanities (UJoSSH) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal Penelitian Agama Hindu Dharma Sastra Jumantara: Jurnal Manuskrip Nusantara Jurnal Akselerasi Merdeka Belajar dalam Pengabdian Orientasi Masyarakat (Jurnal AMPOEN) West Science Social and Humanities Studies Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris The Eastasouth Journal of Social Science and Humanities Jurnal Intelek Insan Cendikia International Journal of Education, Vocational and Social Science

Ida Bagus Rai Putra

Prodi Sastra Bali Dan Pusat Kajian Lontar Universitas Udayana

Author-ID : 2923550

Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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CITRA WANITA DALAM TEKS GEGURITAN SRI ESWARYADALA Nyoman Pratiwi Utami; I Wayan Suteja; Ida Bagus Rai Putra
Humanis Volume 16. No. 2. Agustus 2016
Publisher : Udayana University

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The research discusses the text Geguritan Sri Eswaryadala with analysis of images of women. The analysis aims to reavel the structure of the building work of literature and image of women contained in Geguritan Sri Eswaryadala. Methods and thechniques used there are three stage. (1) phase of the data providers used methods of reading and translation techniques and notes. (2) phase analysis of data using qualitative methods, deskriptive-analytic technique. (3?) stage presentation of the result of data analysis using formal and informal methods aided by inductive-deductive technique. The result obtained from this research is forma structure composed of literature and language codes, style and variety of language. Narative structure consists of insiden, plot, character and characterzation, setting, theme and mandate. The narrative structure of one of the most important elements in revealing images of woman that may be in Geguritan Sri Eswaryadala. Images of womwn in Geguritan Sri Eswaryadala played by Ni Dyah Tantri can be divided into two parts, namely beautiful from inside and beautiful outside ourselve (phisically). Images of women intellectuals. Intellectuals means being able to use intelligence abtained is according to the situation at hand. Image of women who are ethical. Ethical means being able to behave well and good manners with their older, with their own age and those who are smaller than we are. Images of women suputra. Suputra means a child who is able to serve and do good to parents.

Kidung Tunjung Biru: Analisis Semiotika I Wayan Pande Sumardika; I Wayan Suteja; Ida Bagus Rai Putra
Humanis Vol 20 No 1 (2017)
Publisher : Udayana University

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This study uses Kidung Tunjung Biru as object. The problems raised in this study include structure and the meaning of Kidung Tunjung Biru. Theory which was employed in this study is a structural theory and semiotic theory. Methods and techniques used in this study were divided into three phases, (1) the stage of data collection method is used to read assisted with translation techniques, (2) the stage of data analysis used descriptive analysis method, and (3) the stage of presentation of the results of the analysis used informal and formal methods. The results obtained from this study is structure of Kidung Tunjung Biru consisting of: metrum, use of languages, figure of speech (hyperbole, litotes,tautology,simile, metaphor,personification), and narrative sequence. The meaning contained in Kidung Tunjung Biru, consisting of: flowers in a symbolic;the expression of love; and the unity of God, Human, and Nature.

ORAL MYTH OF BADAWANGNALA IN THE ISLAND OF SERANGAN, SOUTH DENPASAR Novena Ade Fredyarini Soedjiwo; I Nyoman Suarka; I Nyoman Weda Kusuma; Ida Bagus Rai Putra
e-Journal of Linguistics 2016: Vol 10. No. 1 January
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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The myth of Badawanganala believed by the people of Bali is found on Lontar Adiparwa, but in Serangan Island it has its own version, adapted to the present context. With the global influence, the local culture is slowly eroding, as in Serangan Island, namely reclamation. Reclamation occurred in 1994, causing changes in the life cycle both on land and sea; the marine life was damaged, due to the greed of rulers. Badawangnala myth, constructed in Pura Batu Api is believed to neutralize and reconstruct patterns of harmonious and prosperous behavior. The research objective is to understand the meaning and function of Badawanganala oral myth in Serangan Island. The theory used in this research includes the narrative discourse theory, the theory of mythology, transformation theory, and the theory of semiotics. The research method is qualitative with qualitative and interpretative descriptive analysis techniques. The primary data are taken from informants purposively and the secondary data are from the study of documents. The collecting of data is done through observation, interviews and document study. The structural analysis of the text is started from the text of the Bedawangnala myth of Adiparwa then Medang Kemulan, and the text spoken by indigenous leaders, bendesa adat of Serangan. The text is associated with linguistic intrinsic elements that build up the myth of Badawangnala in Serangan Island particularly on its characterizations The research findings are strengthening of the cultural attitudes and behaviors of the Serangan community to defend their rights, and the younger generations are able to promote solidarity through ritual, that is odalan (temple ceremony), and Batu Api Temple is the implementation of strength and confidence in the ritual policy.

Oral Text of Genjek in Karangasem Regency Ida Bagus Nyoman Mantra; I Nyoman Weda Kusuma; I Nyoman Suarka; Ida Bagus Rai Putra
e-Journal of Linguistics Vol 11 No 2 (2017): eJL-July
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

This study examines the oral text of genjek in Karangasem regency with the main focus was analyzing the structure, function and meaning of oral text of genjek by using the theory of structure, theory of function and theory of semiotics. The theory of structure was used to analyze the structure of oral text of genjek. The theory of function was used to analyze the function of the oral text of genjek and the theory of semiotics was used to analyze the meaning of the oral text of genjek.The present study was a qualitative study with systematic study that departs from theory to observation on the availability of data for further analysis and data validation. The approach used in this study was a phenomenological approach that moved from the phenomenon of language used in genjek. The implication of this study is expected to provide benefits to the linguistic approach in studying the structure, function and meaning of the other texts and other literary works. In this study, it was found that oral text of genjek is literary work which has macro structure, super structure and micro structure. The function of genjek includes: entertainment function, education function, function of remembering the past, solidarity function, social control function, social protest and criticism function, and religious function. Meanings of genjek includes: meaning of love, meaning of the collective consciousness, meaning of ritual, existence of social stratification recognition. Creation process of genjek text is done together spontaneously by a group of people who are gathered together. Inheritance process of genjek is done naturally and non-naturally so that genjek can thrive in Karangasem society

Cohesion and Metaphor Aspects in Andabhuana Text Ida Bagus Mahardika; I Nyoman Weda Kusuma; I Nyoman Mulyono; Ida Bagus Rai Putra
e-Journal of Linguistics Vol.7. Januari 2013 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Cohesion and metaphor are the unique and interesting parts of language aspects in Andhabhuan text to research. They are quite dominant aspects in the story in developing its literature aesthetic. This research is based on the arts technical and analytical method. The result of the research on those two aspects shows that traditional aesthetic style in arts, as described in Andabhuana verses emphasize on the reference, meaning, selection and variation of words. The language parts used are aimed at bringing the text ideology to humanity perspective, especially the ?iwatattwa values as parts of Hindu teaching. Hence the cohesion and metaphor in Andabhuana text are semiotic description to transform to Balinese Hindus as most of them follow ?iwatattwa belief.

DHARMAYATRA IN THE DWIJENDRA TATTWA TEXT ANALYSIS OF RECEPTION Ida Bagus Rai Putra; I Nyoman Weda Kesuma; I Wayan Cika; I Made Suastika
e-Journal of Linguistics Vol. 5. Januari 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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The object of the study is Dwijendra Text (hereinafter abbreviated to DT). It containsinteresting narrations and is importantly related to the dharmayatra, the holy religious journeymade by Dang Hyang Nirartha, the charismatic figure, in Bali, Lombok and Sumbawa. Beforethe analysis of reception was conducted, the corpus text of the DT texts completely andstructurally telling the religious journey made by Dang Hyang Nirartha was successfullydetermined. The analysis in this study was made to answer the following questions: what is thenarrative structure of the DT text; what are the enlightenment image entities of the dharmayatraof the DT text; how do people appreciate the dharmayatra of the DT text? The answers to thenarrative structure of the DT text; the image entities and the appreciation provided by people arethe main objectives of this study.The theories adopted in this study are the theory of reception introduced by Jauss, thetheory of semiotics introduced by Pierce and the theory of mythology introduced by Barthes. Asa qualitative study, the data needed were collected by the methods of observation, note taking,documentation and interview supported with a sound recorder and pictures. The results of theanalysis are informally presented, meaning that they are verbally described in the form of wordswhich are systematically composed based on the problems formulated in this study.The analysis of the narrative structure of the DT text contains narrative units which are inthe forms of theme, characters and plots. They all unite to form stories which are mythological,legendary, symbolic, hagiographic and suggestive in nature. Based on the analysis ofenlightenment image entities, it can be concluded that there are three basic entities leading to thecreation of the DT text. They are first enlightenment; second protection of Hinduism; and thirdconstruction of temple institutions. Based on the reception analysis, it can be concluded thatpeople, through their literary works, books, articles and websites, appreciate the discourse of thedharmayatra performed in Bali, Lombok and Sumbawa.The ten essential findings in this study can be described as follows. (1) The corpus text ofthe DT, which is in the form palm-leaf manuscript (lontar) and was obtained from GriyaBaturening Mambal, is kept as a collection at the Perpustakaan Lontar Fakultas SastraUniversitas Udayana (the Library of Palm-leaf Manuscripts of the Faculty of Letters, UdayanaUniversity). It is coded under no. 1514, kropak (box) no. 293. The DT text describes the real journey of Dang Hyang Nirarta, the great holy Hindu teacher, concretely, completely andstructurally. (2) As a literary text of history, the DT text has a highly narrative structure formedby theme, characters and plots which are unified in the forms of mythologies, legends,hagiographies, symbolisms and suggestive. (3) The dharmayatra made by Dang Hyang Nirartha,as described in the DT text, gave enlightenment and welfare to the kingdom and its people. (4)The teacher-learner (guru-sisya) teaching contained in the DT text may inspire a harmonious andethic relationship as far as teaching-learning process and priesthood are concerned. (5) Theconcern about the principle of unity in diversity taught by him may give relevant multiculturalperception of the current and upcoming way of life and Indonesianization. (6) The DT textreveals that those who belong to the Brahmin caste (Brahmana) have been descended from him.However, if viewed from the spiritual and priesthood points of view, he has been the source ofspirituality for Hindus, Buddhists, Moslems and those who do not belong to any religion (kapir).(7) The DT text shows that he is also called Pedanda/Bhatara Sakti Wawu Rawuh as he washighly powerful (sakti) and has symbolized the complete mastery of material and spiritualknowledge. (8) The religious journey (dharmayatra) made by him from Java to Bali, Lombokand Sumbawa aimed at protecting Majapahit Hinduism from being suppressed by Islam whichhad already spread all over the Archipelago. The protection of Hinduism and the construction ofthe temple institutions referred to the religious meaningfulness implemented by him. (9) Thisstudy explains that in Lombok he spread three religious teachings such as Gama Siki GamaThirtha, Gama Kalih Budha Paksa, and Gama Tiga Selame Metu Telu. (10) High appreciation isprovided to the dharmayatra he made in Bali, Lombok and Sumbawa. Such an appreciation orreception highly varies; in other words, it is expressed in the forms of literary works, books,articles and websites.

Hegemonic Ideology in Buruan Novel: A Post-colonial Study Ni Nyoman Kartini; I Nyoman Suarka; I Wayan Cika; Ida Bagus Rai Putra
e-Journal of Linguistics Vol 15 No 2 (2021): e-jl July
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/e-jl.2021.v15.i02.p05

This study aims at finding the ideology of hegemony in the novel Buruan based on post-colonialism studies. There are three elements of post-colonialism, namely hegemony, mimicry and hybridity. In this study, it focuses on the hegemony element because it reflects the hegemonic party and the hegemonic party. The method used in this research is the interview method and the literature method through the recording technique and note-taking technique. The results of the analysis were carried out by analytic descriptive with interpretation method and hermeneutic approach. The results showed that the perpetrators of hegemony in the novel Buruan were Japanese soldiers as invaders of the Indonesian people and skipper of the Misbah boat. Both of these actors treat women as oppressed parties from sexual behaviour and violence. This resulted in a hegemonic ideology that women as a subordinate group and victims of oppression from the attitude of male domination as a powerful group.

Wacana Puja Bhakti Dalam Kakawin Raja Patni Mokta I Nyoman Suwana; I Nyoman Suarka; Ida Bagus Rai Putra
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 23 (2016): March 2016
Publisher : Program Magister Linguistik Universitas Udayana

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This study analyzes the tribute discourse in Kakawin Raja Patni Mokta. The composition of this kakawin is dominated by the theme of tribute for first lady, Tien Soeharto. The focus of this research are to reveal the form of puja bhakti (tribute), its function, and its meaning in Kakawin Raja Patni Mokta. Semiotic theory from Pierce is used to intreprete the text, while sociological theory of literature by Wellek and Werren is used to analyze the function of tribute discourse in Kakawin Raja Patni Mokta. Puja Bhakti in Kakawin Raja Patni Mokta can be considered as a special offering to the nation

Fungsi dan Makna Doa Pemujaan dalam Gendintg Sang Hyang Jaran Ni Nyoman Yuliawati; I Made Suastika; Ida Bagus Rai Putra
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 25 No 1 (2018): Maret
Publisher : Program Magister Linguistik Universitas Udayana

Gending Sang Hyang Jaran merupakan lagu yang mengiringi Tari Sang Hyang Jaran. Pemujaan di dalam Gending Sang Hyang Jaran menarik untuk diteliti, karena berkaitan dengan ritual penolak bala yang dilakukan oleh masyarakat Banjar Bun. Tulisan ini menggunakan teori fungsi milik Bascom untuk mengungkapkan fungsi pemujaan dan teori semiotika Barthes untuk mengungkapkan makna pemujaan. Fungsi pemujaan dalam gending terdiri atas fungsi religi, fungsi estetika, fungsi pendidikan, fungsi sosial, dan fungsi penetralisasi. Makna diungkapkan melalui konotasi yang ada di dalam gending. Konotasi mengacu kepada makna harmoni, yang berkaitan dengan konsep Tri Hita Karana di dalam ajaran Agama Hindu.

MAKNA PUJASMARA DALAM KAKAWIN HANYANG NIRARTHA Ida Ayu Istri Agung Dharmayanti; I Nyoman Suarka; Ida Bagus Rai putra
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 26 No 1 (2019): Maret
Publisher : Program Magister Linguistik Universitas Udayana

Semesta dan manusia memiliki hubungan yang saling berkaitan. Jika antara bhuwana agung dan bhuwana alit tidak seimbang, akan terjadi bencana alam dan kebobrokan mental manusia. Dalam teks Kakawin Hañang Nirartha dituliskan beberapa bait metrum yang menyuratkan keindahan alam sebagai refleksi dari bhuwana agung dan keelokan wanita sebagai refleksi dari bhuwana alit. Pujasmara merupakan sebuah wacana pemujaan yang dipersembahkan kepada Bhatara Smara dan Bhatari Ratih dalam manifestasinya sebagai dewa cinta. Cinta yang dimaksud di sini tidak hanya sekadar cinta terhadap lawan jenis, tetapi juga dapat mencintai diri sendiri dan menyadari keberadaan alam semesta sebagai tempat berinteraksi dengan makhluk hidup lainnya. Pada penelitian ini analisis difokuskan pada makna pujasmara yang bertujuan untuk mengetahui makna wacana pujasmara dalam Kakawin Hañang Nirartha. Teori yang digunakan dalam penelitian ini adalah teori semiotika Roland Barthes mengenai makna pada tataran kedua. Rancangan penelitian ini adalah dengan melakukan persiapan, tugas lapangan, dan tahap analisis. Lokasi penelitian, yaitu di Pusat Kajian Lontar Universitas Udayana. Jenis data penelitian adalah data kualitatif. Sumber data penelitian, yaitu naskah berbentuk lontar yang berada di Pusat Kajian Lontar Universitas. Instrumen penelitian ini adalah kamus sebagai alat bantu menerjemahkan teks yang berbahasa Jawa Kuno ke bahasa sasaran. Metode dan teknik pengumpulan data menggunakan studi kepustakaan. Metode dan teknik analisis data menggunakan metode kualitatif dengan teknik deskriptif analitik. Metode dan teknik penyajian hasil analisis data menggunakan metode formal dan informal. Hasil penelitian terhadap makna Pujasmara, yakni cinta kasih dan cara untuk mengendalikan pikiran, pernapasan (pranayama) menuju kesadaran tertinggi. Ketika sudah mampu menyadari siapa dirinya, berserah diri, dan mulai memusatkan pikiran pada satu tujuan (moksa) barulah manusia dapat menunggal dengan Hyang Pencipta.

Co-Authors Aditya Wardhani Beatus Tambaip Desak Nyoman Alit Sudiarthi Desak Nyoman Alit Sudiarthi Gek Diah Desi Sentana Gusti Ayu Putu Ardiyanti Gusti Nyoman Mastini I Gde Nala Antara I Gede Bagus Wisnu Bayu Temaja I Gusti Agung Bagus Cakra Baskara I Gusti Ayu Armini I Ketut Nama I Made Suastika I Made Sudiana I Made Sukma Manggala I Nyoman Darma Putra I Nyoman Duana Sutika I Nyoman Mulyono I Nyoman Rema I Nyoman Suarka I Nyoman Suwana I Nyoman Udayana I Nyoman Weda Kesuma I Nyoman Weda Kusuma I Wayan Cika I Wayan Mandra I Wayan Mawa I Wayan Mawa I Wayan Pande Sumardika I Wayan Rupa I Wayan Simpen I Wayan Sudiartha I Wayan Sudiartha I Wayan Sudiartha I Wayan Suteja I Wayan Tama I Wayan Teguh I Wayan Teguh Ida Ayu Istri Agung Dharmayanti Ida Ayu Putu Aridawati Ida Ayu Putu Aridawati Ida Ayu Putu Aridawati Ida Ayu Putu Aridawati Ida Ayu Putu Bella Lovita Ida Ayu Putu Ratna Dewi Ida Bagus Mahardika Ida Bagus Nyoman Mantra Luh Putu Puspawati Luh Putu Puspawati Mukhamdanah N. Widarsini, Ni Putu NALA ANTARA Ni Komang Tri Irmayuni Ni Luh Anik Febrianti Ni Luh Gede Eni Laksmi Ni Luh Komang Candrawati Ni Luh Putu Dewi Kartika Sari Ni Made Suryati Ni Nyoman Kartini Ni Nyoman Yuliawati Ni Putu Dian Kartika Yanthi Ni Putu N Widarsini Ni Putu N. Widarsini Ni Putu Noviyanti Wardani Ni Putu Parmini Ni Wayan Aryani Novena Ade Fredyarini Soedjiwo Nyoman Pratiwi Utami Putra, I Gde Agus Dharma Putu Aridawati, Ida Ayu Putu Sutama Ramadhana, Muhamad Rizky Rafli S, Aswandikari Sutjaja, I Gusti Made Teguh, I Wayan Tjok. Istri Agung Mulyawati R, Wardhani, Aditya Yundari, Yundari

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