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All Journal MediaTor: Jurnal Komunikasi Jurnal Komunikasi ThufuLA: Jurnal Inovasi Pendidikan Guru Raudhatul Athfal ANDHARUPA JURNAL PENGABDIAN KEPADA MASYARAKAT Kanal : Jurnal Ilmu Komunikasi Nomosleca Komuniti : Jurnal Komunikasi dan Teknologi Informasi Communicatus: Jurnal Ilmu Komunikasi Komunikasi : Jurnal Komunikasi SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial dan Humaniora Abdimas Dewantara SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan JURNAL EDUCATION AND DEVELOPMENT Abditani : Jurnal Pengabdian Masyarakat Journal of Education, Humaniora and Social Sciences (JEHSS) Jurnal Komunikasi Profesional Satwika : Kajian Ilmu Budaya dan Perubahan Sosial PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat Jurnal Riset Komunikasi To Maega: Jurnal Pengabdian Masyarakat Avant Garde Jurnal Abdimas Madani dan Lestari (JAMALI) The Journal of Society and Media PERSPEKTIF Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Jurnal Pengabdian Masyarakat Bumi Raflesia KAIBON ABHINAYA : JURNAL PENGABDIAN MASYARAKAT Jurnal ABDINUS : Jurnal Pengabdian Nusantara Ekspresi dan Persepsi : Jurnal Ilmu Komunikasi Jurnal Abdi Insani Abdimas Galuh: Jurnal Pengabdian Kepada Masyarakat JPKMI (Jurnal Pengabdian Kepada Masyarakat Indonesia) Ihsan: Jurnal Pengabdian Masyarakat Jurnal Ranah Komunikasi Academia Open Indonesian Journal of Cultural and Community Development Jurnal Abdimas Ilmiah Citra Bakti (JAICB) Jurnal AbdiMas Nusa Mandiri Komunika: Jurnal Ilmu Komunikasi Indonesian Community Empowerment Journal Jurnal Bina Bangsa Ekonomika Indonesian Journal of Innovation Studies Jurnal Abdimas Prakasa Dakara Abdimas Altruis: Jurnal Pengabdian Kepada Masyarakat Komunika: Jurnal Dakwah dan Komunikasi Jurnal Ilmu Komunikasi Dan Media Procedia of Social Sciences and Humanities Proceeding ISETH (International Summit on Science, Technology, and Humanity) JAPI: Jurnal Akses Pengabdian Indonesia Jurnal AKAL: Abdimas dan Kearifan Lokal J-ABDIPAMAS (Jurnal Pengabdian Kepada Masyarakat) Jurnal Komunikasi Global Warta LPM Jurnal Ilmu Komunikasi UHO : Jurnal Penelitian Kajian Ilmu Komunikasi dan Informasi Academicia Globe: Inderscience Research PORTAL ABDIMAS Jurnal Spektrum Komunikasi Fokus Abdimas Jurnal Bahasa Daerah Indonesia Indonesian Culture and Religion Issues Jurnal Inovasi Daerah INTERACTION Communication Studies Journal Jurnal Desain Komunikasi Visual Journal for Technology and Science CONVERSE Journal Communication Science House of Wisdom: Journal on Library and Information Sciences Komunikatif : Jurnal Ilmiah Komunikasi Proceeding of International Conference on Social Science and Humanity

Poppy Febriana

Universitas Muhammadiyah Sidoarjo

Author-ID : 3042223

Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Mechanical Engineering Medicine & Pharmacology Nursing Physics Public Health Social Sciences Transportation Other

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Analisis Semiotik Iklan Mars Perindo Muhammad Dhaldiri Zain; Poppy Febriana
Kanal: Jurnal Ilmu Komunikasi Vol 6 No 2 (2018): March
Publisher : Universitas Muhammadiyah Sidoarjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21070/kanal.v6i2.1935

This study aims to see what the meaning of Perindo Marching adverstiment is. This study used qualitative approach and semiotics method especially television codes proposed by John Fiske that divided into three levels. They are reality, representation, and ideology levels. The result showed that the meaning of Perindo marching tune is an effort of forming its identity to the society. Perindo marching advertisement showed the realization of people prosperity by Hary Tanoesoedibyo and looked at him as the candidate who will make Indonesia to be better. Perindo advertisement was a campaign media to introduce Hary Tanoesoedibyo to the society. The positive perception in this advertisement was making Perindo and Hary Tanoesoedibjo to be known and accepted and supported by society when the political season will come.

Hyperreality dan Self Disclosure Kaum Homoseksual di Twitter Dhavy Raga Siwi; Poppy Febriana
Jurnal Nomosleca Vol 8, No 1 (2022): April, 2022
Publisher : Universitas Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/nomosleca.v8i1.7325

Homosexuals who use the Twitter platform is a hyperreality phenomenon. The media is used to express oneself and gain recognition from society. The purpose of this study is to reveal the hyperreality and self-disclosure of homosexuals through alter accounts on Twitter. The research method uses a qualitative approach with a phenomenological study. The data collection technique is purposive sampling. Data collection techniques through observation, in-depth interviews, literature study, and documentation. The results of the study found thathyperreality that occurs in altering accounts is a simulation of identity on Twitter and the level of self-disclosure which is measured through the dimensions of duration, frequency, valence, honesty, purpose and intent, and intimately, it is found that the openness of altering account users is said to be in a good level and the reason is because of a sense of belonging comfortable and relieved after self-disclosure. Keywords: Hyperreality, Self Disclosure, Twitter

Representasi Pelecehan Seksual Perempuan dalam Film Galih Kenyo Asti; Poppy Febriana; Nur Maghfirah Aesthetika
Komuniti: Jurnal Komunikasi dan Teknologi Informasi Volume 13, No. 1, Maret 2021
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/komuniti.v13i1.14472

Penelitian ini bertujuan mengetahui representasi pelecehan seksual yang ada di series KZL episode 7 - 8. Metode penelitian yang digunakan dalam penelitian ini adalah deskriptif kualitatif yang mana pengumpulan data dilakukan dengan tiga cara yaitu: observasi yang dilakukan dengan menonton serta mengamati series KZL episode 7-8 untuk memahami isi dari series KZL, dokumentasi dengan memotong beberapa gambar adegan series yang mewakili representasi pelecehan seksual, studi kepustakaan yaitu mengumpulkan skripsi atau jurnal terdahulu, website, internet, buku yang berkaitan dengan penelitian ini. Kemudian data diolah dengan analisis tekstual milik Alan Mckee. Hasil dari penelitian ini menunjukkan bahwa representasi pelecehan seksual terlihat bahwa series KZL VIU Original episode 7-8 merepresentasikan pelecehan seksual yang dialami oleh para perempuan di kehidupan sehari-hari. Bentuk pelecehan yang umum ditemui yaitu catcalling yang mengarah pada pelecehan fisik. Catcalling datang dalam berbagai bentuk seperti nasihat, pujian hingga menggoda korban secara terang-terangan.

Foucault Dan Diskursus Media Siber Poppy Febriana; Ratih Puspa
MediaTor (Jurnal Komunikasi) Vol 14, No 2 (2021): (Accredited Sinta 2)
Publisher : Pusat Penerbitan Universitas (P2U) LPPM Unisba

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/mediator.v14i2.7713

The availability of cybermedia offers many options that vary for discovering and consuming information similar to the ability to generate it. Cybermedia has also given rise to new methods for people to interact and build relationships in society, posing problems for researchers in the communication study field, particularly in dissecting new kinds of multi-modal communication. The research objective is to learn more about how Michel Foucault's discourse analysis applies to the cybermedia discourse. The findings of this study show that Foucault's notions, as found in The Birth of the Clinic, The Archeology of Knowledge, and Technology of the Self, are still relevant in addressing the difficulties of cybermedia research. The Foucaultian approach to social media focuses on sharing processes, which are the foundation of social media. Another aspect of Foucault's media philosophy is "constant awareness and visibility."

Femvertising Discourse in The Body Shop Indonesia Campaign . Discourse Analysis Study of The Body Shop Indonesia Campaign Stop Sexual Violence #TBSFightForSisterhood Agnes Devita Yuli; Poppy Febriana
Academia Open Vol 4 (2021): June
Publisher : Universitas Muhammadiyah Sidoarjo

This study aims to describe femvertising in The Body Shop Indonesia Stop Sexual Violence #TBSFightForSisterhood Campaign. This research method uses qualitative, data collection is carried out by observation, namely observing uploads on Instagram @thebodyshopindo.impact. The data analysis technique uses a critical discourse analysis model of Norman Fairclough. The results of this study indicate that, most of the uploads in femvertising in The Body Shop Indonesia Campaign entitled Stop Sexual Violence use words that form public awareness of the urgency of sexual violence cases, describe women's dominance as objects of sexual violence, campaigns that are wrapped with sexual violence education so that they reap the benefits of sexual violence. public response, and gain public attention for the achievement of the campaign's objectives.

PEMANFAATAN NEW MEDIA DALAM BISNIS COFFE SHOP “JO KOPI’ DI SURABAYA” Pandhu Pratama Wicaksono; Poppy Febriana
Jurnal Education and Development Vol 10 No 2 (2022): Vol. 10 No. 2. 2022
Publisher : Institut Pendidikan Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (504.504 KB)

Perkembangan yang terjadi di dunia bisnis semakin cepat, setiap bisnis memiliki strategi tersendiri untuk bersaing di dunia bisnis. Demikian pula yang terjadi pada bisnis kedai kopi, salah satunya kedai kopi “JO KOPI”. Turunnya omset penjualan sealam masa pandemi membuat kedai kopi “JO KOPI” harus memutar otak untuk menciptakan strategi pemasaran baru. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana penerapan strategi AISAS untuk meningkatkan jumlah pelanggan “JO KOPI“ berdasarkan penggunaan akun media sosial Instagram. Penelitian ini merupakan penelitian deskriptif kualitatif dengan menggunakan sumber data sekunder dan primer. Teori yang digunakan dalam penelitian ini adalah teori model AISAS dan teori bauran pemasaran. Metode pengumpulan data dilakukan dengan menggunakan metode wawancara, observasi dan angket. Data yang diperoleh kemudian dianalisis menggunakan metode analisis deskriptif. Hasil dari penelitian ini menunjukan bahwa pemanfaatan new media sebagai bagian dari strategi pemasaran oleh kedai kopi“JO KOPI” telah berjalan sangat baik. Hal tersebut dibuktikan dengan diterapkannya indikator AISAS yang meliputi Attention (perhatian), Interest (ketertarikan), Search (pencarian), Action (aksi), dan Share (berbagi) sehingga menjadikan bisnis kedai kopi ini semakin luas pasarnya di tengah pandemi Covid-19 yang masih melanda.

Narrative Analysis of Female Leadership in Novel Asiyah The Rose of Pharaoh Desert By Sibel Eraslan Wimeta Islam Sabila; Poppy Febriana
Indonesian Journal of Cultural and Community Development Vol 9 (2021): June
Publisher : Universitas Muhammadiyah Sidoarjo

This study aims to describe how the depiction of female leadership, namely Queen Aisyah in the era of the Egyptian kingdom in the novel with the same title by Sibel Eraslan. This research uses analisis narrative theory by Algirdas Greimas, three structural that focuse on relations theories, and gender theory by Backman and D’Amico. Data collection was used by reading every page of text in Asiyah's novels completely, and assisted by literature from book sources, previous research, scientific journals, and several articles from the internet. The method used is qualitative with a descriptive approach. The results showed that Asiyah, who is the main character in the novel, is not always in the subject position. Queen Asiyah's character, character, attitude, and reaction to something that is seen directly are more dynamic in nature. Based on the stereotypes of Gender Beckman and D'Amico, Asiyah’s leadership during her time as queen of the Egyptian empire showed traits and behaviors that were more towards a feminine who was gentle, wise and more oriented to build very noble relationships. The research explanation that shows the good and noble portrayal of Ratu Aisyah's leadership is also supported by the narrative and dialogue between Asiyah and several characters in the novel's story.

Mystical Kejawen in Satu Suro Film Dewi Agustina Pratiwi; Poppy Febriana
Indonesian Journal of Cultural and Community Development Vol 10 (2021): September
Publisher : Universitas Muhammadiyah Sidoarjo

Film is one of the electronic mass communication media in the form of audio-visual and mass in nature. Films are able to have a significant effect in conveying messages so that they affect people's mindsets. Film as a form of representation of social reality is packaged with various kinds of symbols and signs through each scene that can indirectly manipulate reality or commonly known as hyperreality. This study uses the film Satu Suro as the object of research. The purpose of this research is to describe and explain the mystical form of kejawen in Satu Suro film. Satu Suro film was chosen because it has a horror genre that carries the form of Javanese mysticism and is presented with a picture that exceeds the actual reality. This study uses a qualitative-descriptive approach. The method of data analysis in this study uses the mystical theory of kejawen which is associated with the semiotic theory of Charles Sanders Peirce. The results of this study indicate that the Satu Suro film contains elements of Javanese mysticism which are presented through six scenes. In this study, it is also concluded that the results of the analysis of the forms of Sign, Object, and Interpretant from Charles Sanders Peirce's semiotic model give rise to a form of kejawen mystical hyperreality which is very clearly depicted, how the reality of kejawen mysticism in real life is manipulated and constructed through signs and symbols that go beyond the real reality shown in this film.

Gender Role Analysis of Mulan and Bori Khan in Mulan 2020 Film Surya Citra; Poppy Febriana
Indonesian Journal of Cultural and Community Development Vol 11 (2022): March
Publisher : Universitas Muhammadiyah Sidoarjo

Gender is an access in determining our choices regarding education, health, life expectancy, and freedom of movement. These biological differences provide indications and implications that the two sexes have different roles and tasks. These stereotypes also make the film world gave birth to feminist films. The film Mulan 2020 is the result of that stereotype. The purpose of this study was to determine the depiction of the gender roles of men and women in the characters of Mulan and Bori Khan in the film Mulan 2020. This research is a descriptive qualitative type of research using the semiotic analysis method of Charles S. Peirce. semiotic analysis of Charles S. Peirce To explain the icon (icon), index (index) and symbols (symbol) in the film Mulan 2020. The results of this study indicate that the gender roles of men and women in the film Mulan 2020 still refer to the socio-cultural structure that There are, such as men who can provide a living for the family, while women as wives are in charge of taking care of children and taking care of the household.

The Kuntilanak Image in Mangkujiwo Movie: Roland Barthes Semiotics Analysis Sania Safira Luniar; Poppy Febriana
Indonesian Journal of Cultural and Community Development Vol 11 (2022): March
Publisher : Universitas Muhammadiyah Sidoarjo

Many of Indonesia's horror films raise myths that are very strong among the public, such as the myth about the Kuntilanak ghost. Kuntilanak, the ghost of a woman who is pregnant is often featured in films, this ghost is often described as a ghost who has a lot of grudges and is usually abused by irresponsible people such as being used for pesugihan. By researching the film Mangkujiwo, which tells how the Kuntilanak ghost was born. This study also aims to describe how Kuntilanak is portrayed in the film both during his life and after becoming a Kuntilanak ghost figure. The type of research used in this research is descriptive qualitative, this research uses Roland Barthes' semiotic research methods, markers, signifiers that exist at the denotative and connotative levels. In addition, data collection was carried out by means of observation and documentation. The results showed that the image of Kuntilanak in the film Mangkujiwo shows the existence of violence both physically, mentally and sexually, spiritually, besides that it also shows that during his life he was described as a comfort woman and even used as a sacrifice for knowledge. black. Where the violence is mostly done by the figure of Kuntilanak both before and after death.

Co-Authors Abidin, Irsyad Agnes Devita Yuli Agustin , Anggi Tri Agustin, Tri Putri Ahmad Gilang Permata Ainur Rochmania Ainur Rochmaniyah Akbar Sulistyo Al Faruqi, Muhammad Anwar Mussaddad Alfin Imam Mahsus Amelia, Nike Firnanda Dwi Amerta, Jasmin Nabila Amin, M. Waladan Amiruddin, Muchammad Dicky Ammirudin, Adam Angger Siswanto Arba Choirul Umam Ardana, Retno Anggraini Tri Arifin, Alif Muzaki Nur Arifin, Muchammad Dhani Ariko, Muhammad Firmansyah Alana Marsa Artamevia, Delly Puspita Asthetika, Nur Maghfirah At-Thaariq, Muhammad Nauval Aulia Maharani Aulia Rahmawati, Aulia Az Zahra, Amelia Putri Azharul Hakim Baswedan, Fauzi Bilmukharom, Ahmad Faza Bisri, Muhammad Hasan Bocca Della Verita Caliesta Tiara Z Chairunnisa Trisna Febryanasari Cholidatul Lifia Cholifah, Cholifah Chusna, Rahma defliana, shinta nur Desyam Tri Wahyuni Dewi Agustina Pratiwi Dewi, Audry Shintya Dhavy Raga Siwi Diniar, Syafiya Puspa Dwi Saputri, Maydiana Dyah, Hapsari Effendi, Alfya Octovi Azzahra Enanti, Dea Syafrina Erfina Monica Putri Evie Destiana Faizin, Moch. Nur Fajar, Dian Arif Fajarudin, Muhammad Guntur Satrio Faqihuddin, M Syafri Faris Tri Hidayat Fauzan Aziz Febriyanti, Syafrida N. Fibisono, Pandu Bagus Fibriana, Adinda Herna Fidari, Sala Salsabila Fikri, Andi Fikrianto, Icho Ade Firda Sania , Alivia Monicha Firman Kurniawan, Firman Firmansyah Putra, Muhmmad Fahrus Firmansyah, Yoga Dwi Fitraeni, Shafa Ardesta Fitrianingsih, Intan Frigiyanto, Kharisma Galih Kenyo Asti Gilang Aryogy Surya Prayoga Hafidloh, Nurul Halimi, Halimi Heri Yanto Hidayah, Muhammad Bilal Nur Hidayat, Azamul Hidayati, Felia Ivana Ilmi Usrotin Choiriyah Imania Melati Putri Intan Insanni Johansyach, Muhammad Wildan Jona, Bryan Mahendra Putra Khafi, Akhmad Abi Dafiq Lestarysca Lestarysca Listianto, Abdul Yudha Fahrezha Loveitha, Devi M Rigel Putra R M. Andi Fikri Mahaputra, Muhamad Bagas Martinez, Lea Maslichatus Sholichah Maulana, Muhammad Iqbal Melati, Imania Miftachul Jannah, Miftachul Mirza Pramudiasih Nirwana Mochamad Rizal Yulianto Mohammad R, Alfaro Muchammad Royyanul Wahabi Mufadhilatul Hidayah Muhammad Dhaldiri Zain Muhammad Fajrur Muhammad Rizal Firdaus Muhammad Yani, Muhammad Mukhamad Bagas Pramono Mulyanto, Kharisma Putri Nabila Ayu Bakta NABILA, SALMA Nabillah Amira Firdausi Nasya Avrilia Herista Nikmah, Hadiyatun Nirvana Abdillah Sandi Nur Fadhilah, Sevia Nur Maghfirah Aesthetika Nur Maghfirah Asthetika Nurisna, Aisya Brilianty Nursadapu, Dhea Novita Nur’aini, Khuzaima Dwi Orvella Clara Chiquita Osa Wuriyanti Pandhu Pratama Wicaksono Prakoso, Satriya Agung Prameswari Widya Ningrum Pramono, Mukhamad Bagas Prastyo, Muhammad Fajar Dicky Pratiwi, Riza Khirey Tri Pristalisa, Mendi Endritha Pudjasetia, Faraby Al- Alirsyad Putra, Andre Astana Putra, Trie Marchenggar Putra, Wahyu Ferdiansyah Putri Ermanu , Khodriatul Rizeta Putri, Fayza Maulina Putri, Sectiari Elya Rachmadita, Kartika Alfi Rachman, Silviyana Radiyan, Wildan Bisma Raharjo, Rico Widoseno Rahma, Silva Tarrysa Rahmawati, Devi Irda Rahmawati, Milla Raihan, Muhammad Fajar Ramadhani, Mochammad Gilang Ramadhani, Nafianto Rashid Ridha Ratih Puspa Refisca, Syania Fidya restyadiana, Agmi Rhefale, Muhammad Izahan Maulana Ridwan, Elent Praditya Ridwanti, Adella Eka Rifhan, Syafrilla Ainayatul Ririn Puspita Tutiasri Rizma Ayu Angeli Rizq Iskandar, Rayhan Rochmania, Ainur Rochmaniah, Ainur Rohani , Dewi Lita Rohman, M. Alim Syafiur Romadhona Safitri Rustanti, Delia Putri Sala Salsabila Fidari Salma Aisya Samudra, Nick Sani, Zara Aprilia Sania Safira Luniar Sari, Dea Puspita Sari, Dessy Nanda Satrio Wicaksono Septian, Yusuf Shinta Dwi Andriani Budiartho Sobirov, Bobur Sri Wahyuni Subrata, Isa Darwisy Sukma, Devita Candra Sulistyo, Akbar Sundari, Ismi Putri Surya Citra Syafira, Aulia Firda Syifa Nabila Al Kautsar Thifaal Kautsar Roosyidah Totok Wahyu Abadi Tze Wui, Kenneth Lee Ubaidirrohman, Wildan Ubay, Nisrina Nur Ubeidillah, Himawan Alfan Umroh, Lily Amelia Utomo, Zulkifli Arizalu Satrio Wahyu, Ana Sofiana Wardhana, Bagas Kusuma Wendyana, Dinda Wicaksono, Pulung Adi Wijayanti, Novita Fitri Wimeta Islam Sabila Wisnu Arief Fatulloh Yuni Khoirul Fatimah Zakiyan Fadlillah , M Ghulam

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