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Strategi Guru Bahasa Indonesia pada pembelajaran berbasis teks sebagai pengembangan kemampuan berpikir Siswa SMA Negeri Di Kota Pontianak Syam, Christanto; Olendo, Yudhistira Oscar; Putra, Zakarias Aria Widyatama
Academy of Education Journal Vol. 15 No. 1 (2024): Academy of Education Journal
Publisher : Fakultas Keguruan dan Ilmu Pendidikan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47200/aoej.v15i1.2219

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Text as a means of learning Indonesian may be developed and conditioned in such a manner that it can be a successful technique for Indonesian language teachers. Understanding text-based Indonesian learning materials takes extensive preparation and conditioning on the part of students. Purpose of this study is to analyse, comprehend, and characterise the process of text-based Indonesian language acquisition as it is implemented by instructors at public high schools in Pontianak City. This study, which used a descriptive approach with a qualitative form, also targeted Indonesian language instructors by selecting five public high schools in Pontianak as a representative sample. Direct observation and interview approaches were utilised to collect data, with data collecting devices in the form of observation sheets and interview lists. Furthermore, triangulation techniques were used in the last step of the data analysis process to test the validity of new data utilising data collecting, data condensation, data presentation, and conclusion drawing. Based on the findings of observations and interviews, it was discovered that Indonesian instructors' text-based learning methodologies may more effectively and efficiently establish an environment conducive to Indonesian language acquisition. Because students may undertake a detailed examination and analysis of a text, their comprehension of its structure and linguistic qualities is more in-depth and thorough. This research can also provide studies and has for the Merdeka Belajar curriculum to continue to provide recommendations for text-based Indonesian language learning strategies so that learning indicators and objectives can be achieved.
POLA TABUHAN DALAM KESENIAN RADDAT KOKO DI DESA SEKUDUK KECAMATAN SEJANGKUNG KABUPATEN SAMBAS Muazidin, Muhammad Zainul; Olendo, Yudhistira Oscar; Silaban, Chiristianly Yeri
TACET Jurnal Pendidikan dan Kajian Seni Vol 3, No 1 (2024): April 2024
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/tacet.v3i1.76003

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Kata Kunci:Pola Tabuhan, Raddat KokoPenelitian ini membahas mengenai pola tabuhan dan teknik memainkan alat musik Tahar dan Kedumba dalam kesenian Raddat Koko di Desa Sekuduk Kecamatan Sejangkung Kabupaten Sambas. Masalah dalam penelitian yaitu bagaimana pola tabuhan dan Teknik memainkan alat musik Tahar dan Kedumba dalam kesenian Raddat Koko di Desa Sekuduk Kecamatan Sejangkung Kabupaten Sambas. Metode dalam penelitian ini adalah deskriptif analisis dengan bentuk penelitian kualitaitf. Pendekatan yang digunakan dalam penelitian ini yaitu pendekatan musikologi. Sumber data dalam penelitian ini adalah hasil wawancara dengan Narasumber dan pelaku di kesenian Raddat Koko yaitu Kusnadi, Ramlan, dan Muhammad Syafiq. Hasil dari penelitian ini yaitu pola tabuhan dalam kesenian Raddat Koko menggunakan birama 4/4. Instrument yang digunakan dalam kesenian ini adalah tahar/tar dan kedumba. Tahar mempunyai tiga motif tabuhan yaitu induk, anak dan ningkah. Sikap memainkan alat musik tahar dan kedumba yaitu dengan berdiri dan duduk yang disesuaikan oleh situasi dan kondisi.
Eksistensi Grup Musik Tanjidor Kijang Berantai Desa Penakalan Kecamatan Sejangkung Kabupaten Sambas Dermawan, Arif; Olendo, Yudhistira Oscar; Muniir, Asfar
TACET Jurnal Pendidikan dan Kajian Seni Vol 1, No 2 (2022): Oktober 2022
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/tacet.v1i2.60551

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The background of this research is how the development of the existence of the Tanjidor Kijang Berantai Music Group from when it was first established until now and the factors that have influenced the existence of this music group. The problems in this study were influenced by two factors, namely internal and external factors experienced by the Tanjidor Kijang Berantai Music Group from when it was first established until now. This research aims to describe the existence of the Kijang Berantai Tanjidor Music Group which has been able to maintain its existence to date, describe developments, factors that influence existence, and the efforts made by the Kijang Berantai Tanjidor Music Group in maintaining its existence. The research method used is the descriptive qualitative method. Data collection was carried out using observation techniques, and direct interviews with sources, namely Mr. Herbi, Mr. Wilda, and Mr. Irham. Explore information about the development, history, organizational structure, regeneration, and also the efforts made in maintaining the existence of the Tanjidor Kijang Berantai Music Group from its inception until now
Pembelajaran Seni Musik Berbasis Game Online (Kajian Fenomenologis Pendidikan Common Ground) Putra, Zakarias Aria Widyatama; Olendo, Yudhistira Oscar
JURNAL PENA EDUKASI Vol 11, No 1 (2024): April 2024
Publisher : Smart Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54314/jpe.v11i1.1430

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Abstract: Music learning in the 21st century combines the concepts of music theory and practice in the frame of creativity, critical thinking, collaboration, and communication, which are integrated in the digitalization era. It is necessary to investigate more deeply the learning of music in the digitalization era, especially online games, in terms of phenomena and literacy studies so that it can dismiss the negative stigma of the presence of online games on students. Various theories and research, such as literacy studies obtained as well as analyzing the phenomenon of learning music and online games, have an understanding that the construction of online games can be adapted into music teaching materials. It is hoped that the results of this phenomenon, that the music materials designed in online games can be adjusted at the education level (elementary, junior high, and high school) so that they can be remembered and increase the memory of music learning materials (common ground).  Keywords: common ground; music learning; online games  Abstrak: Pembelajaran seni musik di abad 21 menggabungkan konsep teori musik dan prak-tinya dalam bingkai kreativitas, berpikiri kritis, kolaborasi, dan komunikasi yang mana hal tersebut terintegrasi dalam era digitalisasi. Perlu diselediki lebih mendalam akan pembelajaran seni musik di era digitalisasi khususnya game online secara fenomena dan kajian literasinya, sehingga dapat menepis stigma negatif kehadiran game online pada peserta didik. Berbagai teori dan penelitian sebagai kajian literasi yang didapat serta analisis fenomena pembelajaran seni musik dan game online mendapatkan kesepahaman bahwa konstruksi game online dapat diadaptasi dalam materi ajar seni musik. Menjadi harapan akan hasil fenomena ini, bahwasanya materi-materi seni musik yang didesain dalam game online dapat disesuaikan pada jenjang pendidikan (SD, SMP, dan SMA) sehingga dapat dikenang dan meningkatkan daya ingat akan materi pembelajaran seni musik (common ground). Kata kunci: common ground; game online; pembelajaran seni musik
Dayak Traditional Music Extracurricular Learning Strategy at SMP Negeri 03 Pontianak Oktaviani, Oktaviani; Olendo, Yudhistira Oscar; Putra, Zakarias Aria Widyatama
Jurnal Pendidikan Sosiologi dan Humaniora Vol 15, No 2 (2024): Edisi Oktober 2024
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/j-psh.v15i2.83027

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SMP Negeri 03 Pontianak's traditional music extracurricular programme has achieved a great deal. The traditional music processed and prepared for the province level competition is performed by a Dayak instrument group. The success of the Festival Lomba Siswa Seni Nasional (FLS2N) number one achievement is inextricably linked to the learning methodologies used by educators. The purpose of this study is to present the learning technique for Dayak traditional music extracurricular activities at SMP Negeri 03 Pontianak. The research technique employed was descriptive, combining a case study and qualitative approach. Data were gathered by observation, in-depth interviews with two experts, and documentation. Data validity was achieved using source triangulation procedures and member checks in the last stage, which involved data analysis via condensation, distribution, verification, and conclusion drafting. The study found that four learning styles are used during the Dayak traditional music instruction process: expository, demonstration, problem-based, and collaborative. Furthermore, the teacher's function as a motivator is to encourage students' success in achieving their goals by providing excitement and arousing students' confidence in their ability to win. The implication of this research is that it can provide additional references for cultural arts teachers to have special strategies in order to obtain the desired goals and achievements.
ANALISIS MELODI GAMBUS PADA MUSIK IRINGAN TARI JEPIN SIKANNANG DI DESA SIKANNANG KABUPATEN SAMBAS Riska Amalia; Yudhistira Oscar Olendo; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 10 (2023): OkTOBER 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i10.69618

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The Jepin or Zapin dance represents an example of the adaptation and acculturation process between Islam and local culture that has grown and developed uniquely in Sambas. This research is motivated by the lack of public awareness regarding the arts in Sambas, particularly the Jepin Sikannang dance. The aim of this study is to describe, notate, and analyze the gambus melodies in the musical accompaniment of the Jepin Sikannang dance in Sikannang Village, Sebawi Sambas Regency. The research methodology employed is descriptive and qualitative, supported by a musicological approach. Data collection techniques involve observation, interviews, and documentation, using tools such as observation guidelines, interview guidelines, cameras, sound recorders, and field notes. Data validation is achieved through source triangulation and careful observation. In playing the gambus instrument in the musical accompaniment of Jepin Sikannang, the rhythm and melodic structure serve as an accompaniment to the vocal melody. Based on the analysis, the musical accompaniment of Jepin Sikannang uses the key of Eb=C, employing the C harmonic minor scale consisting of la, si, do, re, mi, fa, sol, and la. The analysis of gambus melodic motifs in the Jepin Sikannang music is guided by 7 theories according to Prier. This research is expected to enhance the knowledge of the younger generation in studying the Jepin Sikannang dance in Sikannang Village, Sebawi Sambas Regency
MANAJEMEN PRODUKSI SANGGAR TARI DAN MUSIK BOUGENVILLE DI KOTA PONTIANAK Wildan Aprian Pratama; Nurmila Sari Djau; Yudhistira Oscar Olendo
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 12 (2021): Desember 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i12.51178

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ABSTRACTThis research aims to describe the management of Bougenville Dance and Music Galerry in Pontianak City. Bougenville Dance and Music Center is an art center that still exists in Pontianak City. This research is qualitative descriptive research. The subject of this study was Bougenville Dance and Music Center in Pontianak City. The research focused on the study of the exposure of the production management of the galerry. The data was obtained with hands-on observation techniques, in-depth interviews, and documentation studies. The data is analyzed with qualitative descriptive analysis techniques. The validity of data obtained through triangulation through the source stage, namely checking data from various sources. The source is the result of observations, interviews, and documentation about bougenville Dance and Music Art Center in Pontianak City. This study obtained the following results; (1) Bougenville Dance and Music Arts Center uses a form of family organization and openness, (2) management applied in the galerry using traditional management, (3)The management function at Bougenville Dance and Music Arts Center is on planning, organizing, implementing, and supervising. .Keywords: Management, Art Production, Bougenville Dance and Music Gallery
BENTUK PENYAJIAN DAN FUNGSI MUSIK RITUAL MUANG PANYAKIT PADI SUKU DAYAK KANAYATN DESA AMPANING Kathleen Renatha Callista; Yudhistira Oscar Olendo; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 11, No 9 (2022): SEPTEMBER 2022
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v11i9.58606

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This research is motivated by the uniqueness of the ritual Muang Panyakit Padi which lies in the form of presentation and function of music in the ritual. Therefore researchers document the form of presentation and function of music in the ritual Muang Panyakit Padi in the form of writing and pictures. The research method used is descriptive method in the form of qualitative research and an anthropological approach. Data obtained from interviews, observations, and documentation. The data validity technique used source triangulation and observation extension. Based on data analysis, it was concluded that the ritual Muang Panyakit Padi is a ritual that aims ask to God(Jubata) for help so that the rice to be harvested is protected from all diseases. Traditionally this ritual is performed once a year before the rice harvest. This tradition is packaged in the form of a nyangahatn(prayer) that involves many groups, namely the Tuha Tahutn (the organizer), shamans, and the local community. This tradition also includes a praise event in the form of pencak silat accompanied by ensemble music. The musical ensemble consists of Dau, Agukng, and Tuma'. The function of music in the ritual Muang Panyakit Padi has a function as (1) As Accompaniment Music, (2) cultural continuity, (3) entertainment, (4) means of communication, (5) means of education, (6) sociological means
ANALISIS MELODI VOKAL BELENGGANG DALAM UPACARA BAYAR NIAT PADA MASYARAKAT DAYAK BELANGIN DI DESA PAKURAYA KECAMATAN KUALA BEHE KABUPATEN LANDAK Jesica Yosepina Echi; Yudhistira Oscar Olendo; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 2 (2021): Februari 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i2.45293

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AbstractThis research is motivated by the lack of interest of the younger generation in the traditional arts which are a hereditary heritage of ancestors and the need for efforts to study and preserve the traditional of music. One of the traditional arts that is almost extint and began to be unknown by the people themselves the purpose of this thesis is to describe. Analysis of the Vocal Melody in the Ceremony of Paying Intetions in the Belangin Dayak Community in PakuRaya Village, Kuala Behe District, Landak Regency. The method used is descriptive method with a qualitative form through ethnomusicology approach. The research data are (1) Shackles Vocal Performance in the Intention of Paying Rituals (2) Belenggang Vocal Instruments (3) Analysis of Shackles Vocal themes, motifs, bars, scale, notes, tempo, dynamics, and phrases. The results of the study are: 1) There is a technique in bringing the Vocal Shackles and the meaning of the words 2) Ringing Vocal Notation, using musical notes in the form of sheet music.Keywords: Pay Intention, Vocal Shackles, Vocal Instruments
MAKNA SIMBOL PROPERTI TARI JEPIN RAJUT SEMPURONG DALAM MASYARAKAT DESA SERIMBU KECAMATAN AIR BESAR Yamas Yamas; Regaria Tindarika; Yudhistira Oscar Olendo
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 2 (2021): Februari 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i2.44726

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AbstractThis study aims to describe the meaning of the symbol for the property ofthe Jepin Rajut Sempurong dance in the Serimbu Village community, AirBesar sub-district, Landak district. The property of Jepin Sempurongdance consists of three materials, that is rattan, cloth dan rope, the threematerials are formed into one unit. Rattan is interpreted as symbol of thecircle of brotherhood in the life of the serimbu village community, clothis interpreted as an intermediary or protector in a community life, ropeis interpreted as a binder in community life. So it can be concluded thatthe meaning of the symbol of the property of the jepin rajut sempurongdance in the serimbu village community is a circle of brotherhood insociety that must always be protected and tied so that it is not easilydivided.Keyword: Meaning Symbol, Property, Jepin Rajut Sempurong Dance
Co-Authors Adek Cerah Kurnia Azis Adhiyakam, Figur Adlika, Nur Meily Adril Tarrega Riadh Agustina Agustina Agustina ALINE RIZKY OKTAVIARI SATRIANINGSIH Apdanil Syukri Arif Dermawan Asfar Muniir Asfar Muniir Asfar Muniir Asfar Muniir Asfar Muniir, Asfar Asfar Munir Azis, Adek Cerah Kurnia Chairil Effendy Christanto Syam Christianly Y Christianly Yeri Silaban Christianly Yery Silaban Christianly Yery Silaban Daniel Daniel Daniel Daniel Deden Ramdani Deplo Supoyo Dewantara, Jagad Aditya Diecky Kurniawan Indrapraja Dirna, Fitrah Cyntha Djau, Nurmila Sari Dwi Oktariani Efriani Efriani Efriani Efriani Elpalina, Srimutia Erwin Susanto Firdaus Irawan Fitrah Cyntha Dirna Fitria Arifiyanti FItria Arifiyanti Geovani Risa Krisanta Grandena, Egi Putri Husni Syahrudin Imam Ghozali Imam Ghozali Imma Fretisari Indra Utama Ismunandar Ismunandar Iwan Ramadhan Jati, Adyatmaka Jesica Yosepina Echi jian, Julianus Kathleen Renatha Callista Kiki Andriani Martono Martono Mastri Dihita Sagala Mega Cantik putri Aditya Mualimin Mualimin Mualimin Mualimin Muazidin, Muhammad Zainul Muhammad Agus Hardiansyah Muhammad Fachrurrozi Bafadal Nurizki, Elvin Nurmila Sari Djau Nurmila Sari Djau Nurmila Sari Djau Oktaviani oktaviani Prabowo Dhanurianto Rahayu Rahayu Regaria Tindarika Regaria Tindarika Riska Amalia Sela Heliza Silaban, Chiristianly Yeri Silaban, Chiristianly Yery Srimutia Elpalina Sulistyarini, Sulistyarini Suriyanisa Suriyanisa Suriyanisa, Suriyanisa Syukri, Apdanil Thomy Sastra Atmaja Utama, Indra Wildan Aprian Pratama Yamas Yamas Zakarias Aria Widyatama P Zakarias Aria Widyatama Putra