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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Sendratasik Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Jurnal Pendidikan Sosiologi dan Humaniora Gorga : Jurnal Seni Rupa Jurnal Antropologi: Isu-Isu Sosial budaya JURNAL IQRA´ Eduscience : Jurnal Ilmu Pendidikan Etika Demokrasi JURNAL PENA EDUKASI Academy of Education Journal ETNOREFLIKA: Jurnal Sosial dan Budaya Tonika: Jurnal Penelitian dan Pengkajian Seni Handep: Jurnal Sejarah dan Budaya Ideas: Jurnal Pendidikan, Sosial dan Budaya Reswara: Jurnal Pengabdian Kepada Masyarakat Madani : Indonesian Journal of Civil Society Wahana Dedikasi : Jurnal PkM Ilmu Kependidikan Jurnal Pendidikan PKn Prima Abdika: Jurnal Pengabdian Masyarakat Journal of Education Research Jurnal Kajian Pembelajaran dan Keilmuan Indonesian Journal of Educational Development (IJED) Jurnal Mebang Journal Of Human And Education (JAHE) International Journal of Learning and Instruction (IJLI) Mamangan Social Science Journal Innovative: Journal Of Social Science Research Jurnal Ilmu Sosial, Humaniora dan Seni Wacana: Journal of the Humanities of Indonesia TACET Jurnal Pendidikan dan Kajian Seni
Yudhistira Oscar Olendo
Pendidikan Seni Pertunjukan, FKIP, Universitas Tanjungpura
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Public Health Social Sciences Other

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PEMANFAATAN SOFTWARE CUBASE 5 SEBAGAI MEDIA PEMBUATAN MUSIK DIGITAL BAGI MAHASISWA SENI MUSIK PRODI PENDIDIKAN SENI PERTUNJUKAN UNIVERSITAS TANJUNGPURA Geovani Risa Krisanta; Imam Ghozali; Yudhistira Oscar Olendo
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 10 (2021): OKTOBER 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i10.49775

Abstract

AbstractThis study aims to describe the use of features in Cubase 5 software as a medium for making digital music. Describes how to optimize the use of features in Cubase 5 software to support creativity in digital music creation for Music Arts Students in the Performing Arts Education Study Program, Tanjungpura University. Describes the benefits of Cubase 5 software for Music Arts Students in the Performing Arts Education Study Program, Tanjungpura University. This study uses descriptive methods in the form of qualitative and qualitative approaches. The source of data in this study is Rosidin. Wildan Naraya Dirgantara. Ranma Yustistio. Data collection techniques in the form of observation, interviews and literature study. The technique of testing the validity of the data used is source triangulation. The result of this study is that the Cubase 5 software has benefits in its use for Music Arts Students of the Performing Arts Education Study Program, Tanjungpura University related to subjects that require creativity such as arrangement, basic composition, advanced composition and dance accompaniment music for dance students.Keywords: Utilization, Cubase 5, Software
ANALISIS POLA TABUHAN BERUAS PADA MUSIK IRINGAN TARI JEPIN LANGKAH BISMILLAH DI KELURAHAN SIANTAN HILIR KECAMATAN PONTIANAK UTARA Rahayu Rahayu; Yudhistira Oscar Olendo; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 4 (2021): APRIL 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i4.46329

Abstract

AbstractThe background of this research is to analyze the beruas wasp pattern of the jepin dance accompaniment of bismillah steps. There is a peculiarity in the wasp pattern. The problems in this research are how is Beruas playing technique, and how the analysis of the Beruas beating patterns on the accompaniment of Jepin Langkah Bismillah dance. The method in this research is the descriptive method in the form of qualitative research. The approach used is the musicology approach. The source of data in the study were sources. The data in this research are the results of interview, observations, documentation results and a diary book regarding the Analysis of Beruas Beating Patterns on the accompaniment of Jepin Langkah Dance. Techniques of data collection in this research are observation, interview, and documentation. The validity test of the data in this research is through the extension of observations and triangulation. The technique of data analysis in this research is done qualitatifvely. The result of this research is there are four Beruas beating patterns on the accompaniment of jepin langkah bismillah dance, which consist of the opening beating pattern, the lampas beating pattern, the sitting takhto beating pattern, and the standing takhto beating pattern.Keywords: Beating Pattern, Beruas, The Accompaniment of Jepin Langkah Bismillah.
PENGUASAAN PESERTA DIDIK KELAS IX TERHADAP LAGU NASIONAL DI SMP NEGERI 10 PONTIANAK Adril Tarrega Riadh; Nurmila Sari Djau; Yudhistira Oscar Olendo
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 10 (2023): OkTOBER 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i10.70783

Abstract

National songs play a crucial role in shaping Indonesia's national identity. At SMP Negeri 10 Pontianak, a noticeable number of students showed limited mastery of these songs. This school, established since 1979 and led by Ibu Rozani Nofelinda, S.Pd, M.Pd, functions with various curricula for different grades. The study utilized qualitative methods, such as observations and interviews. The findings highlighted that many students lacked adequate mastery of national songs. Factors impacting their proficiency include personal interest, motivation, teaching techniques, and external environment. The institution's vision emphasizes excellence, discipline, environmental mindfulness, faith, and devotion. Despite the national songs' curriculum not being mandatory, it was introduced to bolster students' nationalism, especially considering the decline in this practice during the two-year remote learning due to the pandemic. The results underscore that only a portion of the students excels in these national songs, indicating a pressing need for improved methods to foster and sustain national pride through mastery of these songs.
STRUKTUR PENYAJIAN TARI JEPIN RAJUT SEMPURONG DI DESA SERIMBU KECAMATAN AIR BESAR KABUPATEN LANDAK Kiki Andriani; Regaria Tindarika; Yudhistira Oscar Olendo
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 6 (2021): Juni 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i6.47097

Abstract

AbstractThis research is motivated because of the uniqueness of the jepin rajut sempurong dance in terms of dance movements, accompaniment music, dance gender, property, floor patterns, as well as clothing and make-up. This research uses descriptive methods, qualitative research forms and a choreographic approach. Sources of research data in the form of observations, interviews, and documentation of sources, namely Rahmani Hassan, Muslimin and Dedi. The technique of testing the validity of the data uses triangulation of sources with data analysis techniques that are structured and analyzed systematically. Based on the data analysis, it is concluded that the structure of the presentation of the jepin rajut sempurong Dance is serimbu village. Jepin rajut sempurong is a spectacle dance in serimbu village, this dance is performed by 9 dancers, 1 male dancer as a perfect dance, the musical instruments used to accompany thisdance are lute and tambourine, kompang and rhyme rhyme, jepin rajut sempurong dance uses rope properties, this dance uses a vertical and circular floor pattern, this dance uses a vertical and circular floor pattern, this dance uses realist make-up,clothes worn by female dancers with a traditional bay shirt, black cloth pants, skullcap, and cloth, songket.Keywords: Presentation structure, Jepin Rajut Sempurong dance
BENTUK PENYAJIAN DAN FUNGSI MUSIK NAGA YAYASAN PANCA BHAKTI PADA PERAYAAN CAP GO MEH Firdaus Irawan; Yudhistira Oscar Olendo; Christianly Yery Silaban
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 11, No 3 (2022): Maret, 2022
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v11i3.53700

Abstract

This research is motivated by the uniqueness of the Naga performance which lies in the form of the Naga music’s presentation and function. Therefore, the researcher documents the form of presentation and the function of dragon music by writing and pictures. The method of this research was a descriptive method in the form of qualitative research and ethnomusicological approach. The techniques of data collection were observation, interviews and documentation studies. The technique of data validity testing was by extended the observations and triangulate sources. Based on the data analysis, it was concluded that the form of presentation and the function of the Dragon Music of Panca Bhakti Foundation at the Cap Go Meh Celebration in Pontianak City is traditional music played by a group of people or ensemble, consist of one Loukou player (Drum), two Chem players / Chep-chep (cymbal) and two Tang Lou players (Flat Gong). The Dragon Music on Panca Bhakti Foundation at the Cap Go Meh Celebration in Pontianak City has a function as (1) accompaniment music, (2) to entertain, , (3) a Cultural Continuity, (4) a Symbolic Function, (5) an Education Function, and (6) As a Contribution to Social Integration. Keywords: The form of Presentation and the Function, Dragon Music
ANALISIS POLA TABUHAN KESENIAN ZIKIR MAULID PADA PASAL HABIBUN DI DESA MEKAR SEKUNTUM KECAMATAN TEBAS KABUPATEN SAMBAS Prabowo Dhanurianto; Nurmila Sari Djau; Yudhistira Oscar Olendo
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 8 (2021): AGUSTUS 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i8.48543

Abstract

AbstractThe background of the research is to preserve the art of remembrance of the maulid by describing, notating, and analyzing the various patterns of wasps in the art of remembrance of the maulid in the pasal habibun in Mekar Sekuntum Village, Tebas District, Sambas Regency. The purpose of the study is to describe the analysis of the pattern of wasps in the art of remembrance of maulid in the pasal habibun. The method used is descriptive analysis and uses a musicological approach. The research data is in the form of various wasps patterns and analysis of wasps patterns in the art of remembrance maulid. The resource persons in this research are Halimi and Baizuri who play an active role and know about this art. The data collection tool is the researcher as the main instrument and uses auxiliary instruments in the form of observation sheets and interview guidelines. The data analysis technique analysis techniques. he results showed that there were five kinds of wasp patterns used, namely the Tanjidor, 2:1/Keroncong, Sorong Dayung, Gantung, Shalawat. The research is expected to stimulate the growth of interest in studying traditional arts.Keywords: Analysis, Wasp pattern ,Maulid recitation, Pasal Habibun.
ANALISIS MUSIK IRINGAN TARI RADDAT LIHATLAH BULAN DI DESA BEKUT KECAMATAN TEBAS KABUPATEN SAMBAS Erwin Susanto; Yudhistira Oscar Olendo; Christianly Yeri Silaban
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 5 (2021): MEI 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i5.46730

Abstract

Abstract The background of this research is to analyze the structure of the vocal melody and the wasp pattern of tahar raddat, look at the moon. There is a uniqueness in the poetry and wasp pattern of tahar wasps. Both from the textual aspect, namely the musical aspect, as well as from the contextual aspect, namely the aspect of the performing arts. The problem in this research is how the structure of the raddat vocal melody, look at the moon and how the wasp pattern of raddat wasps looks at the moon. The method in this research is descriptive method with qualitative research form. The approach used is the musicology approach. Data collection techniques in this study are observation, interviews, and documentation. This research data collection tool the researcher as the main instrument.This research describes the structure of the vocal melody and describes the wasp pattern of tahar. The surong dayong wasp pattern uses a 4/4 bar, the ngimbai wasp pattern uses a 4/4 bar and the scale used in the vocal melody is the c / natural minor scale and uses the 4/4 rhythm. Tahar has two sound colors, namely the Dung sound color and the Cang sound color. Keywords: Analysis, Raddat take a look at the moon, Vocal, Wasp pattern.
RAGAM POLA PUKULAN ALAT MUSIK SENGGAYUNG DI DESA PANGKALAN BUTON KABUPATEN KAYONG UTARA Sela Heliza; Yudhistira Oscar Olendo; Christianly Yery Silaban
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 8 (2021): AGUSTUS 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i8.48944

Abstract

AbstractThis research is based on the variety of striking patterns of the Senggayung musical instrument which is unique in its various striking patterns. The research problem, how is the technique of playing the Senggayung musical instrument and how is the pattern of the Senggayung musical instrument. The aim of this research is to describe the technique of playing the Senggayung musical instrument and to describe the various patterns of striking the Senggayung musical instrument. Research methods, descriptive research and musicalological approaches. The research data, the technique of playing the Senggayung musical instrument and the striking pattern of the Senggayung musical instrument. Data collection techniques, namely observation, interviews, and documentation. Data validity test, source and technique triangulation. The data were analyzed by examining and describing the playing techniques and the various patterns of playing the Senggayung musical instrument. The Senggayung musical instrument is played by hitting other Senggayung musical instruments. Has two sound colors, namely "Dung" and "Kit". The various patterns of striking the Senggayung musical instrument include striking patterns for the Anjing Nyalak, Mogak, Pempuruk Tiduk, Hujjan Deras, Tentaer, Pangpangkut, Antu Bangkit, Anak Dare Ngirak, and Katak Raong.Keywords: Punch pattern, Senggayung, Pangkalan Buton Village
Memahami Maniamas dari tinjauan aksiologi musikal dalam ritual Nyobeng di desa Hli-buie Kalimantan Barat Putra, Zakarias Aria Widyatama; Olendo, Yudhistira Oscar
Imaji: Jurnal Seni dan Pendidikan Seni Vol. 22 No. 2 (2024): October
Publisher : FBSB UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/imaji.v22i2.71508

Abstract

Peranan Maniamas dalam ritual Nyobeng perlu dikaji secara lebih mendalam akan tinjauan aksiologi musikalnya Peranan tersebut terwujud dalam simbol komunikasi, musik Maniamas sebagai suatu yang sakral dan terjaga, pola permainan musik Maniamas, dan karakteristik Maniamas dalam ritual Nyobeng. Semua peranan tersebut ditinjau dari aksiologi musikal pada musik Maniamas. Peneliti menggunakan metode kualitatif dengan jenis semiotika, etnografi, dan etnomusikologi. Perwujudan komunikasi musik Maniamas ditampilkan dalam signifikansi hubungan dengan Tuhan atas ucapan syukur atas hasil ngayau (lampau) dan hasil panen (sekarang). Konteks musik Maniamas sebagai instrumen sakral ditunjukan dengan bunyi-bunyian atas Maniamas hanya boleh dimainkan ketika terjadi prosesi ritual. Pola permainan dan karaktersitik musik Maniamas sebagai pengiring ritual Nyobeng memiliki keunikan pada instrumen gutang dan sibakng.
The Transition of Limited Face-to-Face Learning After Covid-19 Pandemic at Islamic Private Junior High Schools Pontianak Husni Syahrudin; Iwan Ramadhan; Nur Meily Adlika; Muhammad Agus Hardiansyah; Yudhistira Oscar Olendo; Fitria Arifiyanti
Jurnal Iqra' : Kajian Ilmu Pendidikan Vol. 7 No. 2 (2022): Jurnal Iqra' : Kajian Ilmu Pendidikan
Publisher : Institut Agama Islam Ma'arif NU (IAIMNU) Metro Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25217/ji.v7i2.1802

Abstract

The article aimed to analyze the limited face-to-face learning strategy during the Covid-19 pandemic at Islamic Private Junior High Schools Pontianak. With the limited implementation of face-to-face learning, schools were required to design learning strategies that in accordance with the conditions of learning implementation during the Covid-19 pandemic. As has been applied at this school from the results of this study, both in the school environment, teaching and learning activities and the availability of various health protocol facilities as a strategy for implementing face-to-face learning during the pandemic. The research used descriptive qualitative with data collection techniques incuded observation, interviews and documentation. The limitations of face-to-face learning at Islamic Private Junior High Schools Pontianak were the number of years of study at school, the lack of interaction and the implementation of assessments which had better transformation. Meanwhile, Islamic Private Junior High Schools Pontianak had merely once a week for learning implementation, so schools must maximize learning strategies. Keywords: Limited Face-to-Face Learning, Learning After Covid 19, Transition Learning Online
Co-Authors Adek Cerah Kurnia Azis Adhiyakam, Figur Adlika, Nur Meily Adril Tarrega Riadh Agustina Agustina Agustina ALINE RIZKY OKTAVIARI SATRIANINGSIH Apdanil Syukri Arif Dermawan Asfar Muniir Asfar Muniir Asfar Muniir Asfar Muniir Asfar Muniir, Asfar Asfar Munir Azis, Adek Cerah Kurnia Chairil Effendy Christanto Syam Christianly Y Christianly Yeri Silaban Christianly Yery Silaban Christianly Yery Silaban Daniel Daniel Daniel Daniel Deden Ramdani Deplo Supoyo Dewantara, Jagad Aditya Diecky Kurniawan Indrapraja Dirna, Fitrah Cyntha Djau, Nurmila Sari Dwi Oktariani Efriani Efriani Efriani Efriani Elpalina, Srimutia Erwin Susanto Firdaus Irawan Fitrah Cyntha Dirna Fitria Arifiyanti FItria Arifiyanti Geovani Risa Krisanta Grandena, Egi Putri Husni Syahrudin Imam Ghozali Imam Ghozali Imma Fretisari Indra Utama Ismunandar Ismunandar Iwan Ramadhan Jati, Adyatmaka Jesica Yosepina Echi jian, Julianus Kathleen Renatha Callista Kiki Andriani Martono Martono Mastri Dihita Sagala Mega Cantik putri Aditya Mualimin Mualimin Mualimin Mualimin Muazidin, Muhammad Zainul Muhammad Agus Hardiansyah Muhammad Fachrurrozi Bafadal Nurizki, Elvin Nurmila Sari Djau Nurmila Sari Djau Nurmila Sari Djau Oktaviani oktaviani Prabowo Dhanurianto Rahayu Rahayu Regaria Tindarika Regaria Tindarika Riska Amalia Sela Heliza Silaban, Chiristianly Yeri Silaban, Chiristianly Yery Srimutia Elpalina Sulistyarini, Sulistyarini Suriyanisa Suriyanisa Suriyanisa, Suriyanisa Syukri, Apdanil Thomy Sastra Atmaja Utama, Indra Wildan Aprian Pratama Yamas Yamas Zakarias Aria Widyatama P Zakarias Aria Widyatama Putra