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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Sendratasik Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Jurnal Pendidikan Sosiologi dan Humaniora Gorga : Jurnal Seni Rupa Jurnal Antropologi: Isu-Isu Sosial budaya JURNAL IQRA´ Eduscience : Jurnal Ilmu Pendidikan Etika Demokrasi JURNAL PENA EDUKASI Academy of Education Journal ETNOREFLIKA: Jurnal Sosial dan Budaya Tonika: Jurnal Penelitian dan Pengkajian Seni Handep: Jurnal Sejarah dan Budaya Ideas: Jurnal Pendidikan, Sosial dan Budaya Reswara: Jurnal Pengabdian Kepada Masyarakat Madani : Indonesian Journal of Civil Society Wahana Dedikasi : Jurnal PkM Ilmu Kependidikan Jurnal Pendidikan PKn LOSARI: Jurnal Pengabdian Kepada Masyarakat Prima Abdika: Jurnal Pengabdian Masyarakat Journal of Education Research Jurnal Kajian Pembelajaran dan Keilmuan Indonesian Journal of Educational Development (IJED) Jurnal Mebang Journal Of Human And Education (JAHE) International Journal of Learning and Instruction (IJLI) Mamangan Social Science Journal Innovative: Journal Of Social Science Research Jurnal Ilmu Sosial, Humaniora dan Seni Wacana, Journal of the Humanities of Indonesia TACET Jurnal Pendidikan dan Kajian Seni
Yudhistira Oscar Olendo
Pendidikan Seni Pertunjukan, FKIP, Universitas Tanjungpura
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ANALISIS MUSIK IRINGAN TARI RADDAT LIHATLAH BULAN DI DESA BEKUT KECAMATAN TEBAS KABUPATEN SAMBAS Erwin Susanto; Yudhistira Oscar Olendo; Christianly Yeri Silaban
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 5 (2021): MEI 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i5.46730

Abstract

Abstract The background of this research is to analyze the structure of the vocal melody and the wasp pattern of tahar raddat, look at the moon. There is a uniqueness in the poetry and wasp pattern of tahar wasps. Both from the textual aspect, namely the musical aspect, as well as from the contextual aspect, namely the aspect of the performing arts. The problem in this research is how the structure of the raddat vocal melody, look at the moon and how the wasp pattern of raddat wasps looks at the moon. The method in this research is descriptive method with qualitative research form. The approach used is the musicology approach. Data collection techniques in this study are observation, interviews, and documentation. This research data collection tool the researcher as the main instrument.This research describes the structure of the vocal melody and describes the wasp pattern of tahar. The surong dayong wasp pattern uses a 4/4 bar, the ngimbai wasp pattern uses a 4/4 bar and the scale used in the vocal melody is the c / natural minor scale and uses the 4/4 rhythm. Tahar has two sound colors, namely the Dung sound color and the Cang sound color. Keywords: Analysis, Raddat take a look at the moon, Vocal, Wasp pattern.
RAGAM POLA PUKULAN ALAT MUSIK SENGGAYUNG DI DESA PANGKALAN BUTON KABUPATEN KAYONG UTARA Sela Heliza; Yudhistira Oscar Olendo; Christianly Yery Silaban
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 8 (2021): AGUSTUS 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i8.48944

Abstract

AbstractThis research is based on the variety of striking patterns of the Senggayung musical instrument which is unique in its various striking patterns. The research problem, how is the technique of playing the Senggayung musical instrument and how is the pattern of the Senggayung musical instrument. The aim of this research is to describe the technique of playing the Senggayung musical instrument and to describe the various patterns of striking the Senggayung musical instrument. Research methods, descriptive research and musicalological approaches. The research data, the technique of playing the Senggayung musical instrument and the striking pattern of the Senggayung musical instrument. Data collection techniques, namely observation, interviews, and documentation. Data validity test, source and technique triangulation. The data were analyzed by examining and describing the playing techniques and the various patterns of playing the Senggayung musical instrument. The Senggayung musical instrument is played by hitting other Senggayung musical instruments. Has two sound colors, namely "Dung" and "Kit". The various patterns of striking the Senggayung musical instrument include striking patterns for the Anjing Nyalak, Mogak, Pempuruk Tiduk, Hujjan Deras, Tentaer, Pangpangkut, Antu Bangkit, Anak Dare Ngirak, and Katak Raong.Keywords: Punch pattern, Senggayung, Pangkalan Buton Village
Memahami Maniamas dari tinjauan aksiologi musikal dalam ritual Nyobeng di desa Hli-buie Kalimantan Barat Putra, Zakarias Aria Widyatama; Olendo, Yudhistira Oscar
Imaji: Jurnal Seni dan Pendidikan Seni Vol 22, No 2 (2024): October
Publisher : FBSB UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/imaji.v22i2.71508

Abstract

Peranan Maniamas dalam ritual Nyobeng perlu dikaji secara lebih mendalam akan tinjauan aksiologi musikalnya Peranan tersebut terwujud dalam simbol komunikasi, musik Maniamas sebagai suatu yang sakral dan terjaga, pola permainan musik Maniamas, dan karakteristik Maniamas dalam ritual Nyobeng. Semua peranan tersebut ditinjau dari aksiologi musikal pada musik Maniamas. Peneliti menggunakan metode kualitatif dengan jenis semiotika, etnografi, dan etnomusikologi. Perwujudan komunikasi musik Maniamas ditampilkan dalam signifikansi hubungan dengan Tuhan atas ucapan syukur atas hasil ngayau (lampau) dan hasil panen (sekarang). Konteks musik Maniamas sebagai instrumen sakral ditunjukan dengan bunyi-bunyian atas Maniamas hanya boleh dimainkan ketika terjadi prosesi ritual. Pola permainan dan karaktersitik musik Maniamas sebagai pengiring ritual Nyobeng memiliki keunikan pada instrumen gutang dan sibakng.
THE USE OF INTEGRATED LEARNING MODEL IN INDONESIAN LANGUAGE: AN ANALYTICAL STUDY OF THE EFFECTIVENESS OF LEARNING PROCESS IN THE MERDEKA CURRICULUM ERA Christanto Syam; Chairil Effendy; Martono Martono; Yudhistira Oscar Olendo; Zakarias Aria Widyatama Putra
Indonesian Journal of Educational Development (IJED) Vol. 4 No. 4 (2024): February 2024
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/ijed.v4i4.3520

Abstract

The usage of multiple learning approaches from the remains of the 2013 curriculum cannot be abandoned, especially in the period of Merdeka curriculum. This study builds teacher activities on integrated learning approaches, specifically in Indonesian language acquisition with short story writing material. The relevance of utilizing this model is considered as biased and not in line with the features of learning in the current period. The goal of this study is to demonstrate the efficacy of using an integrated learning in the Merdeka curriculum era. This research is revealed using a qualitative descriptive strategy. In the Merdeka curriculum age, the utilization of an integrated learning strategy for short story writing content is still relevant and aligned with student product objectives. Furthermore, the integrated learning model used by the instructor is effective and efficient, as indicated by the preparation for the organized learning evaluation and alignment with the learning objectives. It should be a source of worry and adaptation for other Indonesian language instructors who wish to continue working with integrated learning models that have the features of learning models in the Merdeka curriculum period.
The Transition of Limited Face-to-Face Learning After Covid-19 Pandemic at Islamic Private Junior High Schools Pontianak Husni Syahrudin; Iwan Ramadhan; Nur Meily Adlika; Muhammad Agus Hardiansyah; Yudhistira Oscar Olendo; Fitria Arifiyanti
Jurnal Iqra' : Kajian Ilmu Pendidikan Vol. 7 No. 2 (2022): Jurnal Iqra' : Kajian Ilmu Pendidikan
Publisher : Institut Agama Islam Ma'arif NU (IAIMNU) Metro Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25217/ji.v7i2.1802

Abstract

The article aimed to analyze the limited face-to-face learning strategy during the Covid-19 pandemic at Islamic Private Junior High Schools Pontianak. With the limited implementation of face-to-face learning, schools were required to design learning strategies that in accordance with the conditions of learning implementation during the Covid-19 pandemic. As has been applied at this school from the results of this study, both in the school environment, teaching and learning activities and the availability of various health protocol facilities as a strategy for implementing face-to-face learning during the pandemic. The research used descriptive qualitative with data collection techniques incuded observation, interviews and documentation. The limitations of face-to-face learning at Islamic Private Junior High Schools Pontianak were the number of years of study at school, the lack of interaction and the implementation of assessments which had better transformation. Meanwhile, Islamic Private Junior High Schools Pontianak had merely once a week for learning implementation, so schools must maximize learning strategies. Keywords: Limited Face-to-Face Learning, Learning After Covid 19, Transition Learning Online
Peningkatan Keterampilan Bermain Sape’ Melalui Metode Demonstrasi Pada Siswa-Siswi Kelas VII G SMPN 5 Pontianak jian, Julianus; Olendo, Yudhistira Oscar; Muniir, Asfar
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 2 No. 4 (2024): Januari - Februari
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v2i4.1719

Abstract

This research was motivated by the students' practice scores on the technical material for playing the Sape' musical instrument in class VII G SMPN 5 PONTIANAK under the minimum completeness criterion of 75%.
GLOKALITAS SAPE’ SEBAGAI KEARIFAN LOKAL KALIMANTAN BARAT Yudhistira Oscar Olendo; Zakarias Aria Widyatama Putra; Mastri Dihita Sagala; Christanto Syam; Imam Ghozali
Jurnal Kajian Pembelajaran dan Keilmuan Vol 7, No 1 (2023): APRIL 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jurnalkpk.v7i1.63992

Abstract

Local ethnic culture like sape’ provides solid local wisdom value for West Kalimantan people. Hence, in the rapid development of smart society 5.0, sape’ as local wisdom faces stagnant situation as it is urged to view it as culture glocalization. The purpose of this study was to identify sape’ in the landscape of West Kalimantan’s local wisdom. In addition, this study aimed to explain sape’ glocalization from the view of digitalization. This study was conducted through qualitative approach. The method of this study was existential phenomenology. The instrument of this study were unstructured observations and depth interview. The participant were practitioner, artist, and 5 sape’ musicians. Data analysis technique was conducted through Van Kaam phenomenology: 1) grouping; 2) elimination; 3) thematic portray; 4) validation; 5) textural description; 6) structural description and; 7) textural-structural phenomenon description. This study found that the phenomenon of sape’ as local ethnic culture had influenced local wisdom to glocalization. This means that sape’ excitement was created by local cultural performance from the visual landscape of digitalization (glocalization). Sape’ glocalization as West Kalimantan local wisdom became new concept of Indonesia heritage as it needs to be considered as UNESCO recognition. Moreover, this considers as the future work for researchers, reviewers, and sape’ musicians to conduct more studies about local culture and global culture.
Penguatan Profil Pelajar Pancasila melalui Pelatihan Penggunaan Tumbuhan sebagai Pewarna Alami Tenun Kebat Dayak Iban Zakarias Aria Widyatama Putra; Sulistyarini Sulistyarini; Efriani Efriani; Jagad Aditya Dewantara; Yudhistira Oscar Olendo
Prima Abdika: Jurnal Pengabdian Masyarakat Vol. 4 No. 4 (2024): Volume 4 Nomor 4 Tahun 2024
Publisher : Program Studi Pendidikan Guru Sekolah Dasar Universitas Flores Ende

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37478/abdika.v4i4.4723

Abstract

To realise an evolved Indonesia that is self-sufficient and has a personality, the education vision begins with organising P5 as an integrated aspect of the Merdeka Curriculum. The Pancasila Student Profile Strengthening Project (P5) will give opportunity for students to enhance their character via learning experiences in the surrounding environment. This workshop aims to achieve the same purpose as Indonesian education: to provide students and elementary school children with hands-on experience using plants as natural dyes for Dayak Iban Kebat Weaving in Sungai Utik. The purpose of this activity is to preserve and protect Dayak Iban culture, particularly through the weaving method. The training technique employs a contextual approach, combining demonstration and practice. The lecturer was a Kebat weaving practitioner, and the training participants consisted of five youngsters from Sungai Utik. The assessment instrument utilised was a questionnaire completed by youngsters about their understanding of the usage of plants as natural colours. The instruction resulted in the 5 participants being able to use engkerbai laut, engkerbai kayo’ and renggat kikat plants as natural dyes for weaving yarn in the colours red and navy blue. They learnt the natural dyeing process firsthand by observing, selecting, sifting, and removing the boiling water to obtain colours suitable for use on woven yarns. This training is vital for improving P5, as it allows children to be actively involved in learning about and experiencing the natural dyeing process, which at the very least strengthens character and individuality while also providing cultural preservation space.
From Beauty to Identity: Cultural Value Betangas Tradition in Sambas Malay Society Iwan Ramadhan; Muhammad Agus Hardiansyah; Yudhistira Oscar Olendo; Mualimin Mualimin; Indra Utama
Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 25 No 2 (2023): December
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jantro.v25.n2.p173-182.2023

Abstract

The purpose this research is to determine the significance of the Betangas tradition's values, meanings, and processions among the Sambas Malay population in West Kalimantan province. The examine method used is a qualitative research method with a descriptive research type. The examine approach employed is qualitative using a descriptive study design. The Betangas tradition is generally carried out when there is a wedding celebration, especially in the Sambas area. The purpose of the Betangas tradition is being replaced by grooming equipment for the bride and groom when approaching the wedding. This is because Betangas have the goal of reducing excessive body odor and cleansing the body of both the bride and groom who will carry out the wedding and the special assumptions of the Sambas people. This study obtained results in the meaning of Betangas as a form of gratitude to Allah Subhanahu Wa Ta'alla for the Sambas Malay community, who are mostly Muslim and as a request for the two bride and groom to live a household life. While the function of the Betangas procession is to reduce sweating and cleanse the body's unpleasant odor caused by human sweat. Generally, the Betangas tradition is carried out for the bride and groom, but it is possible that anyone can carry out this tradition. The Betangas tradition is carried out from generation to generation and is still strong in the Sambas region in the Sambas Malay community as local wisdom that is still alive amidst the currents of globalization.
BENTUK PAKAIAN ADAT BUNDO KANDUANG DI BATIPUAH BARUAH TANAH DATAR Srimutia Elpalina; Agustina Agustina; Christanto Syam; Adek Cerah Kurnia Azis; Fitrah Cyntha Dirna; Yudhistira Oscar Olendo
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i2.49536

Abstract

Clothing can be categorized into several types, such as everyday wear, workwear, festive attire, and traditional costumes. Everyday wear is used for daily activities at home or in society. Workwear is worn when someone is working, like teacher's attire or office clothing. Festive attire is specifically for celebration events, such as birthdays or weddings. On the other hand, traditional costumes are worn during customary ceremonies and hold sacred values. The traditional costume of "bundo kanduang" in Minangkabau carries philosophical and cultural significance for the community. It represents the position and role of a "bundo kanduang" in the Minangkabau traditional society. A "bundo kanduang" is an esteemed woman within a clan, responsible for domestic affairs in the community. The term "bundo kanduang" is often used as a synonym for women, yet its interpretation varies in the society of West Sumatra. There are three versions of the term: the story of "kaba" the perspective of women in West Sumatra, and the view of the Minangkabau traditional community. The traditional costume of "bundo kanduang" in Minangkabau has distinctive elements, such as "tingkuluak" (headpiece), "baju kuruang basiba" (upper garment), "kodek" (skirt), "salempang" (sash), jewelry, and footwear. Each part of the attire symbolizes specific meanings and signifies the role and responsibility of a "bundo kanduang" within her community. This research employs a qualitative descriptive method through observation, interviews, and documentation. The findings indicate that the traditional costume of "bundo kanduang" in Batipuah Baruah, Tanah Datar, possesses unique characteristics and profound cultural significance in Minangkabau's heritage. In conclusion, the preservation of the traditional costume of "bundo kanduang" is vital to safeguard the cultural richness of Minangkabau. With the passage of time, changes in the form of traditional attire can alter the meanings and symbols embedded within it. Therefore, documenting and inventorying the forms of traditional clothing is crucial for understanding and preserving this cultural heritage.Keywords: shapes, traditional clothes, bundo kanduang, women. AbstrakPakaian memiliki beberapa kategori, seperti pakaian sehari-hari, pakaian kerja, pakaian pesta, dan pakaian adat. Pakaian sehari-hari digunakan dalam aktivitas sehari-hari di rumah atau di tengah masyarakat. Pakaian kerja dipakai ketika seseorang sedang bekerja, seperti pakaian guru atau pakaian kantor. Pakaian pesta adalah pakaian khusus untuk acara perayaan, seperti ulang tahun atau pernikahan. Sedangkan pakaian adat adalah pakaian tradisional yang dipakai dalam upacara adat dan memiliki nilai sakral. Pakaian adat bundo kanduang di Minangkabau memiliki makna filosofi dan nilai budaya masyarakat yang mengenakannya. Pakaian ini menggambarkan posisi dan peran seorang bundo kanduang dalam masyarakat adat Minangkabau. Bundo kanduang adalah seorang wanita yang dituakan dalam suatu suku, yang memegang pimpinan urusan domestik dari suatu kaum dalam lingkungan masyarakat adat. Istilah bundo kanduang sering digunakan sebagai kata ganti untuk kaum wanita, namun pengertian bundo kanduang dalam masyarakat Sumatera Barat bervariasi. Terdapat tiga versi istilah bundo kanduang, yaitu versi cerita kaba, versi kaum wanita Sumatera Barat, dan versi masyarakat adat Minangkabau. Pakaian adat bundo kanduang di Minangkabau memiliki bentuk yang khas, seperti tingkuluak, baju kuruang basiba, kodek, salempang, perhiasan, dan alas kaki. Setiap bagian pakaian memiliki simbol dan makna tertentu yang menggambarkan peran dan tanggung jawab seorang bundo kanduang dalam kaumnya. Penelitian ini menggunakan metode kualitatif deskriptif dengan observasi, wawancara, dan dokumentasi. Hasil penelitian menunjukkan bahwa pakaian adat bundo kanduang di Batipuah Baruah, Tanah Datar memiliki karakteristik yang unik dan memiliki makna mendalam dalam budaya Minangkabau. Kesimpulannya, pelestarian pakaian adat bundo kanduang penting untuk menjaga kekayaan budaya Minangkabau.Kata Kunci: bentuk, pakaian adat, bundo kanduang, perempuan. Authors:Srimutia Elpalina : Universitas Negeri PadangAgustina : Universitas Negeri PadangChristanto Syam : Universitas TanjungpuraAdek Cerah Kurnia Azis : Universitas Negeri MedanFitrah Cyntha Dirna : Sekolah Menengah Atas Negeri 2 Indralaya UtaraYudhistira Oscar Olendo : Universitas TanjungpuraReferences:Amir, M. S. (2007). Masyarakat Adat Minangkabau Terancam Punah. Jakarta: PT. Mutiara Sumber Widya.Amrida, A. (2012). œBentuk Pakaian Adat Bundo Kanduang di Batipuah Baruah Tanah Datar. Hasil Wawancara Pribadi: 5 November 2012. Tanah Datar.Anwar, R., Sastra, A. I., & Zebua, E. (2019). Pakaian Pangulu di Nagari Gunuang Kota Padangpanjang Provinsi Sumatera Barat. Gorga: Jurnal Seni Rupa, 8(2), 332-336.Azis, A. C. K., Lubis, S. K., Kartono, G., & Daulay, M. A. J. (2023). Digitalisation of Teaching Materials for Toba Batak Ethnic Decorative Variety with Procreate Media Based on p-Books and e-Books. Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran, 9(3), 782-793.Chaer, Abdul/ (199)). Pengantar Semanti Bahasa Indonesia. Jakarta: Rineka Cipta.Couto, Nashbary. (2009). Seni Rupa Teori dan Aplikasi. Padang: UNP Press.Dahrizal, Musra (Mak Katik). (2012). œBentuk Pakaian Adat Bundo Kanduang di Batipuah Baruah Tanah Datar. Hasil Wawancara Pribadi: 1 Desember 2012. Kota Padang.Daryusti, D. (2006). Hegomoni Penghulu dan Perspentif Budaya. Jakarta: Penerbit Pustaka.Efi, Agusti. (2006) Benda Budaya Alat Kebesaran Minangkabau: Lambang dan Makna. Disertasi. Tidak diterbitkan.Elpalina, S., Agustina, A., Azis, A. C. K., & Syukri, A. Bentuk Pakaian Adat Panghulu Di Batipuah Baruah Tanah Datar. Gorga: Jurnal Seni Rupa, 12(1), 167-173.Hakimy, Idrus. (2001). Rangkaian Mustika Adat Basandi Syarak di Minangkabau. Bandung: PT. Remaja Rosdakarya.Naim, Mochtar. (2006). Tiga Menguak Tabir: Perempuan Minangkabau di Persimpangan Jalan. Jakarta: Hasanah.Nurhaida. (2012). œBentuk Pakaian Adat Bundo Kanduang di Batipuah Baruah Tanah Datar. Hasil Wawancara Pribadi: 5 November 2012. Tanah Datar.Putra, Z. A. W., Olendo, Y. O., & Sagala, M. D. (2023). Kajian Kritik Seni: Transformasi Bentuk Penyajian Musik Tradisional Krumpyung Kulon Progo di Era Multimedia. Jurnal Sendratasik, 12(2), 146-156.
Co-Authors Adek Cerah Kurnia Azis Adhiyakam, Figur Adlika, Nur Meily Adril Tarrega Riadh Agustina Agustina Agustina Aline Rizky Oktaviari ALINE RIZKY OKTAVIARI SATRIANINGSIH Apdanil Syukri Arif Dermawan Asfar Muniir Asfar Muniir Asfar Muniir Asfar Muniir Asfar Muniir Asfar Muniir, Asfar Asfar Munir Azis, Adek Cerah Kurnia Chairil Effendy Chiristianly Yery Silaban Christanto Syam Christianly Y Christianly Yeri Silaban Christianly Yery Silaban Christianly Yery Silaban Daniel Daniel Deden Ramdani Deplo Supoyo Dewantara, Jagad Aditya Diecky Kurniawan Indrapraja Dirna, Fitrah Cyntha Dwi Oktariani Efriani Efriani Efriani Efriani Efriani Efriani Elpalina, Srimutia Erwin Susanto Firdaus Irawan Fitrah Cyntha Dirna Fitria Arifiyanti FItria Arifiyanti Geovani Risa Krisanta Grandena, Egi Putri Husni Syahrudin Imam Ghozali Imam Ghozali Imma Fretisari Indra Utama Indra Utama Ismunandar Ismunandar Iwan Ramadhan Jati, Adyatmaka Jesica Yosepina Echi jian, Julianus Kathleen Renatha Callista Kiki Andriani Martono Martono Martono Martono Mastri Dihita Sagala Mastri Dihita Sagala Mastri Dihita Sagala Mastri Dihita Sagala Mega Cantik putri Aditya Mega Cantrik Putri Aditya Mualimin Mualimin Muazidin, Muhammad Zainul Muhammad Agus Hardiansyah Muhammad Fachrurrozi Bafadal Nurizki, Elvin Nurmila Sari Djau Nurmila Sari Djau Nurmila Sari Djau Nurmila Sari Djau Oktaviani oktaviani Prabowo Dhanurianto Rahayu Rahayu Regaria Tindarika Regaria Tindarika Riska Amalia Sagala, Mastri Dihita Sela Heliza Silaban, Chiristianly Yeri Silaban, Chiristianly Yery Srimutia Elpalina Sulistyarini, Sulistyarini Suriyanisa Suriyanisa Syukri, Apdanil Thomy Sastra Atmaja Wildan Aprian Pratama Yamas Yamas Zakarias Aria Widyatama P Zakarias Aria Widyatama Putra