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All Journal TEKNIK Transmisi: Jurnal Ilmiah Teknik Elektro TRANSIENT: Jurnal Ilmiah Teknik Elektro Journal of Politic and Government Studies Jurnal Buana Informatika Jurnal Teknologi Informasi dan Ilmu Komputer Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya MUDRA Jurnal Seni Budaya QALAMUNA: Jurnal Pendidikan, Sosial, dan Agama JPPUMA: Jurnal Ilmu Pemerintahan dan Sosial Politik Universitas Medan Area Otoritas : Jurnal Ilmu Pemerintahan JWP (Jurnal Wacana Politik) Midwifery Journal: Jurnal Kebidanan UM. Mataram Sorai: Jurnal Pengkajian dan Penciptaan Musik International Journal of Cultural and Art Studies (IJCAS) International Journal of Visual and Performing Arts Jurnal Desentralisasi Abdimas: Jurnal Pengabdian Masyarakat Universitas Merdeka Malang Visual Heritage: Jurnal Kreasi Seni dan Budaya Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Journal La Lifesci Prosiding Simposium Nasional Rekayasa Aplikasi Perancangan dan Industri Sewagati Socio-political Communication and Policy Review Dinamika Kerajinan dan Batik: Majalah Ilmiah
Budi Setiyono
Departemen Teknik Elektro, Fakultas Teknik, Universitas Diponegoro, Jl. Prof. Sudharto, SH, Kampus UNDIP Tembalang, Semarang 50275, Indonesia
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#Nazarpemilu: promoting faith-based populist political communication in the Indonesian presidential election 2024 Putri, Nur A. Dwi; Setiyono, Budi; Yuwono, Teguh; Erowati, Dewi
Otoritas : Jurnal Ilmu Pemerintahan Vol. 14 No. 3 (2024): (December 2024)
Publisher : Department of Government Studies, Universitas Muhammadiyah Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/ojip.v14i3.15847

Abstract

We promise to our God the victory of the presidential candidate we support, that is the essence of #nazarpemilu. Promoting of populist political communication that occurred on the social media platform X during the 2024 Indonesian presidential election campaign. The hashtag is a fascinating trend as it combines elements of religion and the election, and it did not originate from the elites but rather from the supporters.Using a content analysis approach this study aims to explore the role of #Nazarpemilu in shaping faith-based populist political communication during the 2024 Indonesian presidential election campaign on the social media platform X.. We found first, #Nazarpemilu contains various hopes and promises from supporters to their God for the victory of the presidential candidate they support. Second, the involvement of some political actors in the hashtag affiliated with parties with Islamic ideologies. Third, some identified messages contain strategies to persuade other users to vote for the supported presidential candidate and strategies to push the movement into the offline realm. Fourth, this hashtag has an exposure effect on other users. Fifth, this hashtag is also tainted by the activities of pro-Prabowo-Gibran candidate pair buzzer activities countering the hashtag with a reversed narrative. Base on this findings that populist content shared by users that appeals to faith-based in the form of hashtags can play an effective role in spreading populist political communication on the social media platform X and have implications for voters mobilization.
Etnomusikologi Indonesia: Menyoal Representasi, Menemukan Relevansi Setiyono, Budi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 15 No. 2 (2022)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i2.4874

Abstract

The discipline of Ethnomusicology in Indonesia still has problems related to issues of representation, relevance and contribution to benefit. This paper will discuss how efforts are being made to realize the discipline of Indonesian Ethnomusicology and offer more relevant paths. The discussion is qualitatively based on a general review of the historical setting of the emergence of representation issues in the Ethnomusicology discipline, considering the urgency of the representation issue in the context of Ethnomusicology in Indonesia and trying to read the Indonesian context to be able to offer a more relevant style of discipline. Questioning representation is an important matter in the discipline of Ethnomusicology in Indonesia, but there is work that needs to be done more hastily. Designing scientific disciplines that can help answer socio-political and cultural issues, such as issues of tolerance, radicalism, conflicts between groups, issues of ecology, economy and culture itself will be more able to make ethnomusicology more beneficial.
Pengembangan Kain Tapis sebagai Produk Unggulan Daerah Lampung Hartono, Lili; Guntur, Guntur; Rustopo, Rustopo; Setiyono, Budi
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol. 41 No. 2 (2024): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v41i2.8008

Abstract

Kain tapis merupakan salah satu seni tradisi yang diangkat menjadi produk unggulan daerah Lampung. Berbagai pengembangan telah dilakukan untuk mendorong kain tapis menjadi produk industri kreatif berbasis budaya lokal yang mampu bersaing pada pasar global. Metode penelitian yang digunakan deskriptif kualitatif. Teknik pengumpulan data yang digunakan adalah kajian pustaka, wawancara, observasi, dan analisis dokumen. Analisis data penelitian menggunakan metode interaktif melalui pengumpulan, reduksi, sajian data, dan penarikan kesimpulan. Tujuan dari penelitian ini yaitu mengidentifikasi serta menganalisis secara mendalam pengembangan produk kain tapis Lampung dengan metode ATUMICS. Berdasarkan hasil penelitian yang dilakukan, telah terjadi banyak perubahan dan perkembangan pada kain tapis pada aspek teknik, fungsi, material, motif, konsep penciptaan, dan produk yang dihasilkan. Melalui pengembangan yang dilakukan kain tapis mampu bersaing dalam industri kreatif yang kompetitif dan menciptakan produk sesuai kebutuhan pasar sehingga mendorong meningkatnya perekonomian daerah, sekaligus penopang keberlangsungan seni tradisi pada era globalisasi
Growth Response and Yield of Several Industrial Potato (Solanum tuberosum L.) Varieties in Highland and Medium-Altitude Environments Setiyono, Budi; Suliansyah, Irfan; Zainal, Aprizal
Journal La Lifesci Vol. 6 No. 6 (2025): Journal La Lifesci
Publisher : Newinera Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37899/journallalifesci.v6i6.2901

Abstract

The potato processing industry in Indonesia continues to face high market demand, while domestic production remains insufficient (reaching only 1.22 million tons in 2023), resulting in dependence on imported raw materials. The expansion of industrial potato cultivation in medium-altitude regions offers considerable potential due to land availability; however, it is constrained by high-temperature stress, requiring varieties that are both tolerant and high yielding. This study aimed to evaluate the growth response and yield performance of three industrial potato varieties Ventury Agrihorti (local), Atlantik (introduced), and Bliss/Chitra (introduced) under two contrasting altitude conditions: medium altitude (600 masl) and high altitude (1500 masl). The experiment employed a Split Plot Design, with observations covering growth parameters, yield components, and tuber quality indicators, including tuber specific gravity (SG). The results revealed a significant interaction between altitude and variety on several parameters, such as plant height, specific leaf weight, number of tubers, and tuber weight per plant. At medium altitude (600 masl), the Atlantik variety demonstrated the best performance, achieving a productivity of 40.39 t/ha with the highest tuber weight. However, Atlantik produced a high proportion of oversize tubers (41.97%), which does not meet industry grading standards. Conversely, at high altitude (1500 masl), Bliss/Chitra showed superior yield performance with a productivity of 42.96 t/ha, followed by Ventury at 38.46 t/ha. Ventury and Bliss/Chitra also excelled in tuber size distribution, producing the majority of tubers (approximately 94–95%) within the Normal category (Ø 4.5–9 cm), which aligns with industrial processing requirements in both altitude conditions. The specific gravity (SG) values of all three varieties ranged from 1.08 to 1.09, indicating compliance with the minimum quality threshold for potato processing industries (>1.08).
From Da’wah to Spectacle: Negotiating Sacred Space and Ritual Meaning in The Commodification of Sekaten Nugroho, Mukhlis Anton; Sunarto, Bambang; Setiyono, Budi
Wawasan: Jurnal Ilmiah Agama dan Sosial Budaya Vol 10 No 2 (2025)
Publisher : the Faculty of Ushuluddin, UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/jw.v10i2.46339

Abstract

Abstract: This study examines how the Sekaten ritual in Surakarta has shifted from an Islamic da’wah-centred ceremony into a commodified cultural festival shaped by mass tourism and urban entertainment. Using a qualitative socio-cultural design grounded in cultural ethnography, the research draws on participatory observation conducted during the 2023–2025 celebrations at the alun-alun (town square), the Grand Mosque, the night market, and Bangsal Pagongan (theatre ward), alongside purposive interviews with abdi dalem (palace retainers), mosque administrators, vendors, and festival attendees. The analysis applies cultural transformation theory (Nasukah & Winarti, 2021), Lefebvre’s theory of the social production of space (Lefebvre, 1991), and ritual commodification theory (D. Picard & Robinson, 2006) to trace how shifts in actors, spatial organisation, and symbolic interpretation reorient the ritual’s meanings. Findings indicate that municipal institutions and market stakeholders are increasingly governing Sekaten through the dominance of the night market, commercial stages, and sponsorships, while traditional custodianship by the Kraton (palace) and Masjid Agung is becoming more marginal. Sacred elements, such as the Gamelan Sekaten (traditional music), Miyos Gangsa (ritual procession), and ritual symbols including nginang (chewing betel nut) and janur (decorated palm leaves), persist; yet, they often operate as aesthetic markers within a spectacle economy rather than as central media of religious pedagogy. This reconfiguration produces spatial secularisation as the alun-alun transitions from a sacred zone into a consumerist arena, and public participation shifts from spiritual aspiration towards leisure-oriented consumption, particularly among younger visitors. This study advances debates on religion, space, and heritage governance by demonstrating that ritual changes in contemporary Java reflect negotiated struggles over symbolic power—rather than mere cultural decline. It advocates for participatory preservation strategies that sustain both ritual meaning and physical form amid tourism-driven urban development.
Tapis Cloth Transformation: Process and Product Innovation to Increase the Competitiveness of Lampung's Creative Industry Hartono, Lili; Guntur, Guntur; Rustopo, Rustopo; Setiyono, Budi
Mudra Jurnal Seni Budaya Vol 41 No 1 (2026)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v41i1.3179

Abstract

Tapis cloth, with its unique and distinctive aesthetic value, has great potential to be developed into a culture-based creative industry. This study aims to analyze innovations in Lampung tapis cloth, especially in the manufacturing process and the resulting products, in order to encourage the development of the creative industry in Lampung. The main objective of this study is to identify and analyze innovations made in tapis cloth. This research is descriptive qualitative. Data collection used interview techniques, observation, and document analysis, with interactive data analysis methods. Innovations in the process and products of Lampung tapis cloth have a positive impact on the development of the tapis cloth industry in Lampung. With the use of more diverse materials and manufacturing techniques, such as wolfis cloth, velvet, and mixed decorative threads, as well as the application of ikat weaving and embroidery techniques, tapis cloth products become higher quality and more competitive. Innovations in tapis cloth products are carried out in aspects of the types and shapes of products made increasingly diverse. In addition, innovations in motifs that refer to old motifs with the addition of variations and modifications, as well as the creation of new motifs inspired by Lampung culture, make tapis cloth products increasingly unique and attractive. Innovations in the process and products of Lampung tapis cloth can encourage the development of the creative industry in Lampung Province.
The Exhuma: Spiritual semiosis and ritual logic in the final sequence Pitaloka, Devanka Diaz Ayu; Setiyono, Budi; Setiawan, Aris
International Journal of Culture and Art Studies Vol. 10 No. 1 (2026): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v10i1.24219

Abstract

While film semiotics has extensively examined narrative structure, genre conventions, and audience affect, it has paid limited attention to how spiritual meaning is structurally produced within specific cinematic sequences in Asian horror cinema. This study addresses this gap by analyzing the final ritual sequence of Exhuma (2024) to examine how spiritual semiosis is constructed through the relational organization of signs rooted in East Asian cosmology. Employing a qualitative semiotic and intertextual approach, the study operationalizes Roland Barthes’ framework of denotation, connotation, and myth alongside Julia Kristeva’s concept of intertextuality to trace how ritual signs generate cosmological meaning. The final sequence is selected as a bounded unit of analysis for its narrative and spiritual culmination, which concentrates the densest configuration of elemental symbolism, bodily enactment, and verbal articulation. The findings demonstrate that the sequence is structured as a coherent ritual process consisting of cognitive recognition of elemental composition, verbal articulation of cosmological principles, and embodied enactment. At the mythic level, this configuration naturalizes a worldview in which spiritual disturbance is resolved through relational balance among elemental forces, corresponding to the operative logic of Wu Xing. Rather than making empirical claims about audience reception, this study proposes an analytical reading grounded in structural cosmological affinity, through which the film’s spiritual logic may be interpreted across cultural contexts. By integrating semiotics and intertextuality within a cosmological framework, the study contributes a model for understanding Asian horror cinema as a site of spiritual semiosis articulated through cinematic form.
Co-Authors Achmad Abdul Jabbar Aghus Sofwan Agung Imam Rahmanto, Agung Imam AHMAD IMRON Ahmad Nur Ihsan Aini, Qonita Qurratu Akbar, Muhamad Rizqi Akbar, Muhammad Royan Akhpriyani Trisnawati Al Fadli, Muhammad Hanifudin Al Vandy Reactor Muhammad Albab, Muhamad Edwin Alfrian Dwi Vamiko Ananto Bilowo, Ananto Andhika Dwipradipta Andreas Surya, Andreas Anggita P. Septiani Aprizal Zainal Arbye S Arif Widagdo Arif, Didik Khusnul Arif, Muhammad Riv’an Arifyanto, Aziz Nur Aris Setiawan Aris Triwiyatno Aristya Panggi Wijaya Azhar Rosad Alfauji, Azhar Rosad Bagas Adi Luhung, Bagas Adi Bambang Nur Cahyono Bambang Sunarto Bayu Bagas Wara, Bayu Bagas Bayu Gigih Prasetyo Berlianta Syiamora Dekrita, Berlianta Syiamora Bimo, Margilang Cahyanti, Anifah Putri Catur Ardy Bayu Pamungkas Cosa Pamungkas Prabaswara Darjat Darjat Darmaji, Darmaji Dewi Erowati, Dewi Dini Yasa Istiqomah Dista Yoel Tadeus Ditya Satriya Nugroho Hadi Diyah Amiati Rochmana, Diyah Amiati Dwi Ratna Sulistyaningrum Dwirahayu, Rio Ebtian Apriantoro Edo Herwinantyo, Edo Erwin Adriono Erwin Nashrullah Esa Apriaskar Ezufatrin Ezufatrin, Ezufatrin Fadilah, Aldi Nur Fahmi Rezza Djuliandri, Fahmi Rezza Fahmida, Dianti Shobri Febrian, M. Haikal Fergy Romadhany Fitriyah Fitriyah Fitriyah Fitriyah Frans Scifo Ganis Rama Pradika Gunawan, Fransiskus Allan Gunawan, Khoe Happy Gunawan, Ricky Andrean Fernanda Guntur Guntur Hadyan Gilang K, Hadyan Gilang Hafidz Aly Hidayat Hartono, Lili Herawati, Nunik Herliyana Rosalinda I Ketut Suada Irfan Suliansyah Iwan Setiawan Jamaludin, Teten Jan Pieter Candra Siahaan, Jan Pieter Candra Juan Maurice, Juan Juningtyastuti Juningtyastuti Jusagemal Aria EL Kamila, Nelly Rifda Kevin Adelin, Kevin Kristifolus, Willybrodus Gabriel Kurniawan Nur Aryadi, Kurniawan Nur Kushandajani . Laras Dwi Kawuri Larasaty Ekin Dewanta, Larasaty Ekin Lubis Lubis, Lubis Lukitosari, Valeriana Lukman Hanafi Lutfi Nur Rachmad Mastuti, Arum Moch. Akbar Ramadhan A.F Mohamad hijrah saputro Mohammad Adhitama Muarif Fandhi A, Muarif Fandhi Muhamad Iqbal Muhammad Adnan Muhammad Asrofi, Muhammad Muhammad Danang Nuralamsyah Muhammad Fadli Nasution Muhammad Manshur, Muhammad Muhammmad Abbie Hamzah Muhtar Muhtar Muhtar Muhtar Munawar Agus Riyadi Nugraha, Satria Indra Nugroho, Mukhlis Anton Nur Hidayat Sardini Ohanna, Jasti Oka Danil Saputra Olief Ilmandira Ratu Farisi Pambudi, Ricko Dwi Panjaitan, Charlie Alexander Paramitha, Dyah Ayu Risky Pardomuan, Andre Pitaloka, Devanka Diaz Ayu Praptiandari Raras Puspitasari, Praptiandari Raras Pratama, Syahrizal Yudha Edhi Pravitasari, Chyntia Dewi Candra Prestian Rindho S. Puguh Gambiro Purwoko . Putra, Florian Destito Putri, Nur A. Dwi R. Imbang Danandjojo, R. Imbang R. Rizal Isnanto Radhitya Pujosakti, Radhitya Rafdito Harisuryo, Rafdito Rahmat Rizeki, Rahmat Reimansyah, Muhammad Fajri Nur Rg Setiawan S Rizkia, Ayu Putri Rochim, Basten Bastory Rohmat Hidayat Rosdiana Fajar Mardhika, Rosdiana Fajar Rosyida, Melina Rousyan Faikar Rustopo Rustopo Ruzianto, Rega Sakti Sanjoyo, Bandung Arry Saputra, Bangun Sari, Angie Permata Sarwanto Sarwanto Satrio Jat, Dio Scenda Bernados Purba Selamat Marylin Manroe Sinaga, Selamat Marylin Manroe Septiawan, Dhany Setiawan Romadhan Shevchenko, Julianto Bimo Silvano, Kennaldo Soegianto, Theophil Henry Solichul Huda, Solichul Sonya Fitri Situmorang, Sonya Fitri Sudjadi Sudjadi Sulistyowati . Sumardi . Sumardi, S Sunarmi Sunarmi Supriyadi Surgani, Fatamorgana Surya Wisnurahutama TATAG TAUFANI ANWAR, TATAG TAUFANI Teguh Yuwono Tejawijaya, Dennis Tito Tuesnadi, Tito Tri Bagus Susilo Trias Andromeda Turtiantoro Turtiantoro Utomo, Daryono Budi Vega Pradana Rachim Veriningrat Wijaya, Veriningrat Viadinugroho, Raden Aurelius Andhika Wafdulloh, Yoga Wahyudi Wahyudi Wahyudi, W Wicaksono, Muhammad Isaldi Widaningrum, Lidya Widianto, Muhammad Y. H. Widianto, Muhammad Yusuf Hakim Winahyu, Raden Rara Kartika Kusuma Wirandika, Ardaffa Firezha Yoga Adi Candra, Yoga Adi Yonatan Riyaneka Putra Yuandhica AP Yulfiani Fikri Yuli Christyono Yulius Krisna Deva Purusha, Yulius Krisna Deva Yustian Bayu Prihandika, Yustian Bayu Yusuf Yusuf Yuwanto .