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Perencanaan Kurikulum Merdeka Belajar Berbasis Teaching Factory dalam Meningkatkan Kesiapan Kerja Peserta Didik di SMK Negeri Rengel Agung Wahono; Ratna Suhartini; Puput Wanarti Rusimamto; Soeryanto Soeryanto
Jurnal Ilmiah Profesi Pendidikan Vol. 11 No. 1 (2026): Februari
Publisher : Fakultas Keguruan dan Ilmu Pendidikan, Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/jipp.v11i1.4456

Abstract

Pendidikan kejuruan bertujuan menyiapkan peserta didik agar memiliki kesiapan kerja yang selaras dengan kebutuhan dunia usaha dan dunia industri. Namun, tingginya tingkat pengangguran terbuka lulusan SMK menunjukkan masih adanya kesenjangan antara kompetensi yang diperoleh di sekolah dengan tuntutan dunia kerja. Kurikulum Merdeka Belajar hadir sebagai upaya untuk menghadirkan pembelajaran yang kontekstual, adaptif, dan berbasis kebutuhan industri, salah satunya melalui penerapan pendekatan Teaching Factory. Teaching Factory mengintegrasikan pembelajaran berbasis kompetensi dengan proses produksi nyata yang menyerupai kondisi kerja di industri, sehingga berpotensi meningkatkan kesiapan kerja peserta didik. Penelitian ini bertujuan untuk mendeskripsikan perencanaan Kurikulum Merdeka Belajar berbasis Teaching Factory dan dampaknya terhadap kesiapan kerja peserta didik di SMK Negeri Rengel. Penelitian menggunakan pendekatan kualitatif dengan desain deskriptif. Teknik pengumpulan data dilakukan melalui wawancara mendalam, observasi, dan dokumentasi, sedangkan analisis data menggunakan model analisis interaktif. Hasil penelitian menunjukkan bahwa perencanaan Kurikulum Merdeka Belajar berbasis Teaching Factory di SMK Negeri Rengel dilaksanakan secara bertahap dan kontekstual, penerapan Teaching Factory dalam Kurikulum Merdeka memberikan pengalaman belajar yang autentik bagi peserta didik, dan perencanaan dan implementasi Kurikulum Merdeka berbasis Teaching Factory berkontribusi positif terhadap peningkatan kesiapan kerja peserta didik.
An Interpretation of the Architecture of the Mohammed V Mausoleum in Avant-Garde Fashion Through Fabric Manipulation Techniques Adinka Putril Laksmi; Ratna Suhartini; Indarti Indarti
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This study interprets the architecture of the Mohammed V Mausoleum into avant-garde fashion by applying a combination of fabric manipulation techniques, namely applique, cording, and tucking. The research employed a practice-based design research approach using the Double Diamond model, consisting of Discover, Define, Develop, and Deliver stages. Data were collected through visual observation, design documentation, and expert judgment involving three fashion design experts using a Guttman scale instrument. The data were analyzed using descriptive quantitative analysis through percentage calculations and supported by interpretative visual analysis. The results show that architectural elements of the Mohammed V Mausoleum, particularly zellij geometric motifs, Moorish arches, wall ornaments, and monumental forms, were successfully translated into a three-piece avant-garde garment consisting of a hooded cape, bustier, and flared pants. Expert evaluation indicated that most indicators achieved 100%, while several aspects related to cording structure and final architectural embodiment achieved 66.7%. The applique and tucking techniques were effective in representing geometric ornamentation and arch structures, whereas the cording technique requires further refinement in line composition and motif proportion. This study demonstrates that Islamic architecture can serve as a relevant source of creative innovation in culturally inspired avant-garde fashion and fabric manipulation exploration.
The Transformation of Uzbekistan’s Juma Mosque Architecture into Avant-Garde Fashion Through Tucking and Gathering Ruffles Techniques Dira Dwi Pramudita; Ratna Suhartini
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study describes the application of Juma Mosque architecture in Khiva, Uzbekistan, as a source of inspiration for avant-garde fashion design through tucking and gathering ruffles techniques. The research employed a descriptive practice-based design approach using the Double Diamond model, consisting of Discover, Define, Develop, and Deliver stages. Data were collected through visual observation, design documentation, and expert judgment involving three design experts using a Guttman scale observation sheet. The data were analyzed using percentage calculations and descriptive interpretation. The results show that the tucking technique effectively represents the geometric ornamentation of the Juma Mosque through structured and consistent folds, while gathering ruffles successfully create volume and expressive visual effects but are less effective in directly representing the smooth dome silhouette. Expert assessment showed strong results in most indicators, including tucking suitability, avant-garde characteristics, volume formation, material selection, visual rhythm, balance, and conformity between the final product and the initial design. However, several aspects, such as dome silhouette representation, color suitability, and overall unity, still require further refinement. This study demonstrates that architectural forms can be translated into avant-garde fashion through fabric manipulation, producing a garment that combines conceptual inspiration, structural exploration, and visual aesthetics.
Co-Authors Abdul Hafidz ADILLA HANNY, NITA Adinka Putril Laksmi Agung Wahono Aidah, Luki Nur Ainur Rosidah Ainur Rosyida ALFIYA NUR ASNI, HAJAR Alhabsyi, Chodijah Ali Hasbi Ramadani Anita Susanti Annisa', Nurin Arie Wardhono Arpila, Regigs ASRINING PURI, SEKAR ATHUR ROFIAH, LULUK Aurelia Yunita Permatasari AVANDRI, AHMAD Ayuni, Icha Riga Azaroh, Binti BASMALAZUWARA HASBI NABIL, EMHA Dadang Supriyatno Damayanti, Putri Dermawan, Dodik dharmayanti, ni made lia Dinda Ayu Dwi Puspita Dira Dwi Pramudita EKO HARIADI Ekohariadi Fadhilah, Silmy Ni'mah Febriani, Ditha Ananda HARYUNINDA DANARDEWI, ALDIA Heru Arizal Hilmi, Mohamad Alfin I Gusti Putu Asto Buditjahjanto Ilham Ilham Ilmiyah, Mazidatul INDAH PERMATASARI, LINTANG Indarti Indarti Indarti Indarti Inty Nahari Irma Russanti ISTIGHFARI, FIRDITA Izzalinta Tika Gunawan Joko Sulistyono, Nanang Kartika Sari, Almassda Rizky Kholifah Tasyakuranti, Mauliddina Kunjung Ashadi Kurniarum, Santi Lathifaturrohmah, Lathifaturrohmah Lilik Anifah lilis Sulandari Lutfiyah Hidayati Luthfiyah Nurlaela Marniati Marniati Maspiyah Maspiyah MEIN KHARNOLIS Mein Kharnolis Muhammad Yusron Maulana El-Yunusi Nabilah, Fiqrotun NAILATUS SAADAH, LAILITA Nidia, Chanifathin Norma Hamidah Nugroho, Yuli Sutoto Nur Hidayati, Imania NUR SHOLIHAH, UMI Nurhayati, Indiyah Patria, Asidigisianti Peppy Mayasari, Peppy Prasetyono, Puguh PUJI LESTARI Puput Wanarti Rusimamto Puput Wanarti Rusimamto PurnamaSari, Surya Indah Putri Malinda Putri, Jane Fitria Ananda Rachmawardani, Rizmaningrum Rahayu, Imami Arum Tri Rahmadian, Reza Ramadhani, Bima Yatna Naugerah Ramdhani, Rommy Mochamad Raya Sulistyowati Renaissance Pasa, Revsi Rijanti, Tri Rintowati, Ariani Roezanda, Ananda Febiela Rohmawati, Fira Zulia Rosa Maharani Rusanti, Irma Saadah, Ayu Ummatus Sakti, Arya Sari, Fadlilah Indira Shafira Putri Herdianti Sintya Riska Dewi Soeryanto Soeryanto Soeryanto Soeryanto Suciati Suciati Suparji Suparji Supartini, Titin Suprapto Suprapto Syafitriani, Ellyza Nuzul Tri Rijanto TRIASARI, PIPIT Urip Wahyuningsih Urip Wahyuningsih Wahdiana, Dian WAHONO, AGUNG WARJU WENI ROSDIANA Wina Rosmalia Dewi Wiyanto, Theodorus Wulansari, Sih Yuhri Inang Prihatina Yulistiana Yulistiana Yuniati, Mita