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All Journal Cakrawala Pendidikan Gorga : Jurnal Seni Rupa Harmonia: Journal of Research and Education Indonesian Journal of Conservation Abdimas Jurnal Pendidikan dan Kajian Seni Arty: Jurnal Seni Rupa Catharsis Eduarts: Journal of Arts Education The Journal of Educational Development Edumaspul: Jurnal Pendidikan Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Lentera Pendidikan Pusat Penelitian LPPM UM Metro International Journal for Educational and Vocational Studies JURNAL PERSPEKTIF PENDIDIKAN Community Development Journal: Jurnal Pengabdian Masyarakat Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran Jurnal Locus Penelitian dan Pengabdian Edukasia: Jurnal Pendidikan dan Pembelajaran Science and Education Journal Proceeding Seminar Nasional IPA Arty: Jurnal Seni Rupa Eduarts: Jurnal Pendidikan Seni
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Character Education Values in Banyumulek Pottery of Lombok: From the Perspectives of the Pancasila Student Profile and Ethnopedagogy Kemala Dewi, Nurul; Haryanto, Eko; Syakir, Syakir; Naam, Muh. Fakhrihun
EDUKASIA Jurnal Pendidikan dan Pembelajaran Vol. 6 No. 2 (2025)
Publisher : LP. Ma'arif Janggan Magetan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62775/edukasia.v6i2.1496

Abstract

This study aims to analyze the character education values embedded in Banyumulek pottery of Lombok from the perspective of the Pancasila Student Profile and Ethnopedagogy. This research adopts a qualitative approach. Data collection was conducted through relevant literature reviews, observation and interviews. Data analysis employed a inductive-deductive approach. In general, an inductive approach was employed to address the research objectives by interpreting the data and explaining the findings through existing theories and literature; specifically, a deductive approach was utilized to outline the six-dimensional theory and validate its application to Banyumulek pottery. The findings reveal that six dimensions of the Pancasila Student Profile are reflected in Banyumulek pottery of Lombok, namely: 1) The Faith dimension, demonstrated through the belanger stage, obedience to Allah SWT.; 2) The Global Diversity dimension, expressed through mutual respect; 3) The Mutual Cooperation dimension, evident in the spirit of helping one anothers; 4) The Independence dimension, reflected in the self-reliance of artisans in creating pottery; 5) The Critical Reasoning dimension, indicated by the persistence in preserving pottery; and 6) The Creativity dimension, seen in the efforts to innovate by creating new pottery designs. This study offers a connection between traditional crafts and the framework of modern education.
ORNAMEN BERBASIS LINGKUNGAN PADA GERABAH BANYUMULEK LOMBOK Dewi, Nurul Kemala; Haryanto, Eko; Syakir, Syakir; Na’am, Muh. Fakhrihun
Proceeding Seminar Nasional IPA 2025
Publisher : LPPM UNNES

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Abstract

Perkembangan gerabah pada saat ini lebih banyak ditujukan sebagai benda pajangan atau cenderamata. Beragam kreasi dihasilkan, dan satu hal menarik adalah dimanfaatkannya bahan- bahan alam sebagai ornamen atau hiasan. Penelitian ini bertujuan untuk menganalisis penggunaan ornamen berbasis lingkungan pada gerabah Banyumulek Lombok. Penelitian ini menggunakan jenis penelitian kualitatif. Pengumpulan data dilakukan dengan observasi dan dokumentasi. Teknik pengambilan sampel menggunakan purposif sampling yaitu gerabah berornamen ramah lingkungan sebanyak lima buah, yaitu ornamen teknik relief, teknik toreh, teknik anyaman, teknik lubang dan teknik mosaik cangkang telur. Ornamen berbasis lingkungan perlu dikembangkan dan dikreasikan lebih lanjut pada gerabah Banyumulek Lombok.
Creative Process of Children's Drawing in the Padhang Njingglang Learning Community with the Happy Memory Activation Method Sidyawati, Lisa; Hartono, Hartono; Syakir, Syakir; Prasetyo, Anang
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

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Abstract

Education is the leading force in human life, according to Kant's statement that humans can only become human through education. Humanistic education empowers individuals by fostering intellectual, emotional, and spiritual development. Art education, particularly within this community, serves as a tool to balance these aspects, promoting harmonious personality development. The Padhang Njingglang Community, founded by Anang Prasetyo in Tulungagung in 2008, targets children who are often overly reliant on digital technology and exhibit behavioral issues such as a lack of politeness and reduced engagement in traditional play. The role of the Padhang Njingglang Community is essential in addressing behavioral challenges among Generation Alpha children through humanistic art education. The community employs the "Happy Memory Activation" method, encouraging children to recall and express happy memories through drawing. This method helps children build self-confidence, enhance creativity, develop emotional awareness, and foster positive character traits. Research on this community is necessary because it emphasizes arts education and spiritual aspects, so it needs to be explored further. The study employs a qualitative phenomenology approach, utilizing data from interviews, observations, and children’s artworks to deeply understand the impact of this educational model.  Findings suggest that when combined with humanistic principles, art can be a transformative medium for childhood education, providing emotional and psychological benefits that extend into adulthood. The Padhang Njingglang Community exemplifies how integrating art into education can effectively address the unique challenges of modern childhood, especially in the digital age.
Penerapan peraturan presiden republik indonesia nomor 21 tahun 2016 tentang bebas visa kunjingan ke indonesia terhadap 169 negara Syakir, Syakir
Jurnal Locus Penelitian dan Pengabdian Vol. 1 No. 10 (2022): Jurnal Locus Penelitian dan Pengabdian
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/locus.v1i7.7

Abstract

Dari mulai diberlakukannya kebijakan bebas visa kunjungan sementara pada tanggal 10 Maret 2016 jumlah kunjungan wisatawan mancanegara mengalami peningkatan yang signifikan. Bebas visa kunjungan sementara ini diatur dalam Peraturan Presiden No.21 tahun 2015, dengan jumlah 169 negara penerima fasilitas bebas visa ini. Kemudahan yang diberikan Pemerintah Indonesia ini memunculkan adanya terhadap Indonesia seperti dampak positif dan dampak negatif. Adapun tujuan penelitian ini untuk mengetahui, memahami serta mendeskripsikan implikasi dari kebijakan bebas visa kunjungan sementara berdampak di Indonesia. Metode yang di gunakan dalam penelitian ini adalah deskriptif analisis yaitu penelitian yang berusaha untuk menggambarkan, menguraikan serta mengklarifikasi tentang permasalahan yang berkaitan dengan kebijakan bebas visa kunjungan sementara serta pengaruhnya terhadap Indonesia dengan menganalisa data yang terkait. Adapun hasil dari penelitian ini adalah dengan letak geografis wilayah Indonesia yang sangat strategis serta kemudahan yang diberikan bagi beberapa negara penerima fasilitas bebas visa kunjungan sementara ini membuat lalu lintas wisatawan mancanegara yang berkunjung ke Indonesia semakin ramai. Akan tetapi terdapat negara – negara yang termasuk dalam negara yang mendapat bebas visa kunjungan akan tetapi tidak pernah melintas atau melakukan kunjungan wisata ke Indonesia. Fasilitas bebas visa kunjungan sementara yang bertujuan untuk kunjungan wisata banyak disalahgunakan oleh para wisatawan mancanegara ini. berdasarkan Pembahasan yang dimulai dari Bab I hingga Bab III penulis dapat menarik kesimpulan bahwa Pemerintah RI melalui Kementerian Pariwisata menargetkan jumlah wisatawan mancanegara yang datang ke Indonesia pada tahun 2019 sebanyak 20 juta. Berdasarkan data perlintasan orang asing dengan mempergunakan fasilitas bebas visa kunjungan, diketahui bahwa sejak diberlakukannya Peraturan Presiden No.21 Tahun 2016 tentang Bebas Visa Kunjungan, mengalami kenaikan, dengan rincian pada tahun 2017, jumlah kedatangan orang asing ke Indonesia berjumlah 9.789.364 orang apabila dibandingkan dengan tahun 2015 sejumlah 4.952.977 orang maka terdapat kenaikan sebanyak 4.836.387 orang atau 97 %. Seiring dengan meningkatnya jumlah wisatawan asing yang datang, juga membawa peningkatan secara nominal terhadap jumlah pelanggaran yang dilakukan oleh orang asing dari subyek negara bebas visa kunjungan
Aesthetic Study of the function of Damar Kurung Crafts Gresik District Hidayati, Anita; Syakir, Syakir; Sugiarto, Eko
Edumaspul: Jurnal Pendidikan Vol 7 No 2 (2023): Edumaspul: Jurnal Pendidikan
Publisher : Universitas Muhammadiyah Enrekang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33487/edumaspul.v7i2.6813

Abstract

Damar Kurung adalah lampion kayu berbentuk segi empat dengan sudut menyerupai segi tiga di bagian atasnya dan keempat sisinya berhiaskan lukisan. Merupakan akulturasi budaya Jawa, Thionghoa, Arab.. Pembuat Damar Kurung terakhir di Gresik adalah Sriwati Masmundari (Januari 1904 – 25 Desember 2005). Damar kurung pernah diambang kepunahan, namun Tahun 2017 oleh Menteri Pendidikan dan Kebudayaan ditetapkan sebagai warisan budaya tak benda (WBTB). Adapun tujuan penelitian ini adalah untuk mengetahui estetika kerajinan Damar Kurung dari segi fungsi. Keterkaitan antara seni tradisi dengan tradisi lain sehingga dapat tetap eksis.Penelitian ini menggunakan penelitian multidisiplin dengan pendekatan antropologi dan budaya. Teknik pengumpulan data dengan observasi, wawancara dan dokumentasi. Wawancara, 10 sample narasumber masyarakat Gresik, Budayawan komunitas Mata Segar dan 2 Guru di Sekolah Dasar Negeri 4 Petrokimia Gresik dan Taman Kanak-Kanak Insanuz- Ziyan..Teknik analisis data dengan cara reduksi data, mengolah data, dan penarikan kesimpulan. Validasi data dengan ketekunan pengamatan dan triangulasi data. Hasil yang didapatkan fungsi awal Damar Kurung adalah sebagai penerang/ lampu, dengan adanya perkembangan zaman maka muncul fungsi lain. Fungsi tersebut: (1) Damar kurung sebagai Ikon Kabupaten Gresik, (2) Damar kurung sebagai fungsi estetik, (3) Kerajinan Damar Kurung Sebagai Identitas Masyarakat Kabupaten Gresik, (4) Damar kurung sebagai fungsi Informasi,(5) Damar kurung sebagai muatan lokal dalam dunia pendidikan. Kata Kunci: Damar kurung, Estetika fungsi, Ikon.
FREKUENSI PENGGUNAAN SMARTPHONE UNTUK TUJUAN BELAJAR BAHASA INGGRIS PADA MAHASISWA STMA TRISAKTI SEMESTER PERTAMA Syakir, Syakir; Suhendar, Bagus
JURNAL LENTERA [PENDIDIKAN PUSAT PENELITIAN LPPM UM METRO] Vol 6, No 1 (2021): Jurnal Lentera Pendidikan Pusat Penelitian LPPM UM Metro
Publisher : LPPM UM Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24127/jlpp.v6i1.1679

Abstract

Developing The Gorga Batak Toba Mobile Book: A Digital Innovation for Fine Arts Practice and Education in Indonesian Higher Education Azis, Adek Cerah Kurnia; Astuti, Tri Marhaeni Pudji; Syakir, Syakir; Haryanto, Eko
Jurnal Kependidikan : Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran, dan Pembelajaran Vol. 11 No. 4 (2025): December (IN PROGRESS)
Publisher : LPPM Universitas Pendidikan Mandalika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jk.v11i4.17563

Abstract

This study aims to develop mobile-book teaching materials for the Nusantara Ornaments course, focusing on Toba Batak Gorga as an effort to transform the digital learning ecosystem in higher education. The research employs a research and development (R&D) method using the 4-D model—Define, Design, Develop, and Disseminate. Data were collected through observations, interviews, document analysis, and questionnaires, and were analyzed using a developmental research approach. Product trials were conducted with Fine Arts students at Universitas Negeri Medan (small group, n = 120) and students at Universitas Negeri Padang, Universitas Negeri Semarang, and Universitas Muhammadiyah Makassar (large group, n = 240). Expert validation covered four domains: cultural heritage content, learning media, visual communication design, and language (Indonesian and Toba Batak). In the Define stage, the needs analysis emphasized integrating the philosophy of Gorga with contemporary digital design techniques. The Design stage produced responsive prototypes featuring high-resolution visuals and structured learning flows, while the Develop stage incorporated interactive features to support hybrid learning. Validation results showed an overall average score of 75.85% (“Good” category), consisting of 75.86% from cultural heritage expert I, 73.79% from cultural heritage expert II, 79.14% from the design expert, and 74.61% from the linguist. These findings confirm that the developed mobile book aligns with the 4-D development procedures and meets the criteria of an innovative learning medium that provides flexible access, supports both in-class and out-of-class learning, and promotes cultural preservation by transforming the knowledge of Toba Batak Gorga into accessible digital resources. The dissemination plan includes implementation guidelines for lecturers and a mechanism for continuous improvement informed by cross-cultural learning analytics across universities in Indonesia.
Madihin in transition: performance, hybridity, and cultural transformation in banjarese oral art Zakia Sani, Muhammad Budi; Wadiyo, Wadiyo; A Sayuti, Suminto; Syakir, Syakir
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 20 No. 2 (2025)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v20i2.7235

Abstract

Madihin is a traditional Banjarese oral performance art that combines rhythmic improvisation, poetic verses, humor, and the beating of the tarbang (frame drum). More than mere entertainment, Madihin historically functioned as a medium of advice, social commentary, and community bonding. However, in the context of modernization and globalization, both its functions and modes of presentation have been reshaped. This study aims to analyze the continuity and transformation of Madihin by focusing on its changing functions, performance forms, and cultural significance in contemporary society. Employing a qualitative approach, data were collected through interviews with prominent pamadihinan (performers), field observations, and documentation analysis. The findings reveal that Madihin has shifted from its traditional role as a vehicle of moral counsel and communal entertainment to a more diverse medium encompassing education, tourism promotion, and even political communication. Performance innovations such as Madihin hip-hop and Madihin dangdut illustrate how this oral tradition adapts to popular cultural trends while preserving its improvisational core and symbolic values. At the same time, the challenges of regeneration among younger generations highlight the fragile continuity of this art. This research demonstrates that the sustainability of Madihin relies on its capacity for innovation without losing its cultural identity, offering broader insight into how oral performance traditions negotiate relevance, identity, and authenticity in the face of social and cultural change.
Innovation in tradition: the shifting function of Acehnese wedding stage from marriage reception to customary ritual as a mechanism of cultural inheritance Lindawati, Lindawati; Syakir, Syakir; Ponimin, Ponimin; Sugiarto, Eko
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 20 No. 2 (2025)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v20i2.7723

Abstract

The Acehnese wedding stage has undergone changes in terms of shape and decoration, which is also accompanied by a shift in its function. This research aims to explore the shifting functions of the Acehnese wedding stage, which is typically used during wedding receptions but is now also employed in several traditional events, serving as an educational medium. The method used in this research is a descriptive-analytical approach with a qualitative orientation. Research data were collected through in-depth interviews with auction business owners and traditional leaders, observation of Acehnese wedding ceremonies, and documentary studies. Data were analyzed through the stages of reduction, data presentation, verification, and conclusion drawing. The research findings identified that there are three main functions of Acehnese wedding stages: first, as a reinforcement of cultural identity in rituals such as circumcision and seven months of pregnancy; second, as a socio-political representation that symbolizes local pride in welcoming guests of honor and other public contexts; and third, as an educational instrument in museums and tourism settings for cultural preservation and transmission. The findings highlight Aceh's cultural resilience by positioning the wedding stage not       only as a passive visual culture but as an active medium that adapts to contemporary realities. These findings form the basis of recommendations for policymakers in designing cultural preservation strategies that are adaptive and contribute significantly to the survival of traditional cultural heritage for future generations.
Co-Authors A Sayuti, Suminto A.A. Ketut Agung Cahyawan W Agus Cahyono Anang Prasetyo Anifah, Dian Putri Anita Hidayati Arba, Syafaatunnisa Arif , Fiyanto Azis, Adek Cerah Kurnia Azqiya, Durotul Bagus Suhendar Bandi Sobandi Belinda, Citra Budiharti Budiharti Dewi, Nurul Kemala Diantoro, Diantoro Dini Anggraheni Dwi Budi Harto Dwi Retno Sri Ambarwati Dwiningtyas, Ratih Eko Haryanto Eko Sugiarto Fiqkri, Muhammad Ibnu Gagas Prakoso Gunadi Gunadi Guntara, Miko Handary, Zulhilmi Hanifaratri, Anindya Saskia Hanriwibawa, Degi Harry Prasetyo, Harry Hartono Hartono Hedianti, Galuh Fatma I Gusti Ngurah Antaryama Ikram, Fadhli Dzil Isa, Badrul Ismiyanto, Ismiyanto Jamhari Jamhari Kemala Dewi, Nurul Kumalasari, Ucik Kusnanto, R. Angga Bagus Laksono Trisnantoro Lestari Raharjo, Evi Dwi Lindawati Lindawati Luthfiana, Eva Nida M Ibnan Syarir Maemonah, Maemonah Majid, Maghfur Imam Abdul Mardi Mardi Mawardi, Muhammad Fitri Moh. Fathurrahman Mufida, Dedek Anisya Muh. Ibnan Syarif, Muh. Ibnan Muhammad Jazuli Mujahirin Tohir, Mujahirin Mujiyono Mujiyono Murtiyoso, Onang Na:am, Muh Fakhrihun Naam, Muh. Fakhrihun Na’am, Muh. Fakhrihun Norhadi, Sigit Pamadhi, Hajar Pertiwi, Dian Ika Ponimin Prambudi, Djuli Djati Pratama Bayu Widagdo, Widagdo Purwanto Purwanto Rahman, Handy Tevanda Richard Junior Kapoyos Riskhana, Riskhana Sa’iidah, Alfu Sambira, Zefanya Sanjaya, Bangkit Sari, Yofita Setiyawati, Yuli Sidyawati, Lisa Soesanto Soesanto Sri Iswidayati Subekti, Dwi Wahyu Suharto Suharto Suhendar, Bagus Surya Adi, Adinda Suyudi, Danang Syarifah, Dini Tjetjep Rohendi Rohidi, Tjetjep Rohendi Totok Sumaryanto, Totok Tri Marhaeni Pudji Astuti Umul Aiman Verayanti R., Sri Wadiyo Wadiyo Wahyuari, Wahyuari Wardoyo, Dwi Yanti, Meipur Yohanis Devriezen Amasanan Zakia Sani, Muhammad Budi Zakiyati, Nur Muaffah