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Nilai Sosial Dalam Novel 50 Riyal: Sisi Lain Tkw Indonesia Di Arab Saudi Karya Deni Wijaya Marta Sihombing; Alifiah Nurachmana; Patrisia Cuesdeyeni; Linggua Sanjaya Usop; Yulina Mingvianita
PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA Vol. 2 No. 1 (2023): Mei : PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/mateandrau.v2i1.222

Abstract

The Novel 50 Riyals: The Other Side of Indonesian TKW in Saudi Arabia by Deni Wijaya is a work about the life of Muslim converts who work as TKW. In this novel it is quite interesting to study further scientifically the lives of women working abroad. Therefore, the writer is interested in studying the social values ​​contained in the novel 50 Riyals: The Other Side of Indonesian TKW in Saudi Arabia. The aims of this study were (1) to describe the social value of the main character's affection in the novel 50 Riyals on the Other Side of Indonesian TKW in Saudi Arabia by Deni Wijaya, (2) to describe the social value of the main character's social responsibility in the novel 50 Riyals on the Other Side of Indonesian TKW in Saudi Arabia. Saudi Arabia by Deni Wijaya, and (3) describing the social value of harmony in the life of the main character in the novel 50 Riyals The Other Side of Indonesian TKW in Saudi Arabia by Deni Wijaya. This research uses a descriptive qualitative research type. The data was taken from reading the novel 50 Riyals: The Other Side of Indonesian TKW in Saudi Arabia by Deni Wijaya. Data collection techniques in this study were carried out using the reading and note-taking method, and then identified and analyzed based on the theory of sociology of literature. This study discusses the social values ​​contained in the novel 50 Riyals: Another Side of Indonesian TKW in Saudi Arabia by Deny Wijaya. The researcher found: (1) there were 10 data of social values ​​of affection, 2 data of devotion, 4 data of kinship, 1 data of caring, and 4 data of loyalty. (2) the value of social responsibility as much as 10 data including, a sense of belonging to each other as much as 3 data, empathy as much as 1 data, and discipline as much as 6 data. (3) there are 9 data on social harmony values, 7 data on tolerance, and 2 data on democracy.
Analisis Aspek Kepribadian Tokoh Utama Dalam Novel Trauma Karya Boy Candra, Implikasinya Terhadap Pembelajaran Sastra Di SMA Tiroi Lumbanraja; Alifiah Nurachmana; Patrisia Cuesdeyeni; Linggua Sanjaya Usop; Stefani Ratu Lestariningtyas
PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA Vol. 2 No. 1 (2023): Mei : PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/mateandrau.v2i1.230

Abstract

The purpose of this study is to describe the 3 aspects of personality proposed by Sigmund Freud, namely the id, ego, and superego contained in the main character of Boy Candra's novel Trauma and their implications for learning literature in high school. The method used in this research is descriptive qualitative research method. The data used in this study are quotes that are included in the 3 aspects of personality in Boy Candra's novel Trauma. The results of this study indicate that (1) Id in the main character, Kimara, originates from the instinct of curiosity about what actually happened. (2) The ego in the kimara character always realizes the demands of the id. The ego in the Kimara character always acts as a conveyer of reality, that is, when the instinct of curiosity exists, the ego will always act. (3) Kimara's superego is based on moral values. (4) This research has implications for learning literature in high school, namely analyzing the content and language of the novel, interpreting the author's view of life in the novels they read.
Pelatihan Penulisan Artikel Ilmiah Untuk Guru-Guru Di Kota Waringin Timur Misnawati Misnawati; Petrus Poerwadi; Alifiah Nurachmana; Patrisia Cuesdeyeni; Linggua Sanjaya Usop; Lazarus Linarto; Paul Diman; Yuliati Eka Asi; Albertus Purwaka; Nirena Ade Christy; Stefani Ratu Lestariningtyas; Indra Perdana; Ibnu Yustiya Ramadhan; Syarah Veniaty
Community : Jurnal Pengabdian Pada Masyarakat Vol 3 No 2 (2023): Juli : Jurnal Pengabdian Pada Masyarakat
Publisher : LPPM Sekolah Tinggi Ilmu Ekonomi - Studi Ekonomi Modern

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51903/community.v3i2.369

Abstract

This training aims to enhance the ability of teachers in East Waringin Timur City to write scholarly articles, enabling them to contribute more effectively to the educational development in the region. In an effort to achieve this goal, the outreach team will undertake various activities, including interviews with teachers, curriculum analysis, surveys, literature research, and communication with schools. This study will provide a deeper insight into the needs and expectations of teachers regarding scholarly article writing, as well as facilitate the development of a Scholarly Article Writing training program tailored to the local educational context. It is expected that the results of this outreach will bring about positive benefits in improving the quality of education in East Waringin Timur City.
Tindak Tutur Penolakan Ekspresif dalam Bahasa Dayak Maanyan Paju Epat di Desa Sababilah Marchiananda Putri; Albertus Purwaka; linggua Sanjaya Usop; Indra Perdana; Misnawati Misnawati
Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora Vol. 1 No. 1 (2023): Februari: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/atmosfer.v1i1.139

Abstract

Rejection is a speech delivered by the interlocutor as a rejection reaction to the speech spoken by another person. Rejection utterances will be threatening and slap the speaker's face if delivered with impolite sentences. This research was conducted to find out the forms of speech acts of refusal in the Dayak Maanyan language. Based on the research, the research results obtained by the researcher are (1) There are five forms of speech acts of refusal in Ma'anyan Dayak language in residential areas, namely: (a) expressive refusal speech acts using the word puang 'no' in Ma'anyan language (b ) expressive refusal speech acts using reasons in Ma'anyan language, (c) expressive refusal speech acts using thank you in Ma'anyan language, (d) expressive refusal speech acts using praise in Ma'anyan language, (e) expressive refusal speech acts using criticism in Ma'anyan. This is caused by the context spoken by the interlocutor. The most frequent speech acts are caused by the influence of the age of the interlocutor and also the topic of conversation triggers rejection.
Nilai-Nilai Religius Dalam Novel Buya Hamka Karya Ahmad Fuadi Alfiyah Alfiyah; Linggua Sanjaya Usop; Misnawati Misnawati; Alifiah Nurachmana; Paul Diman
Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora Vol. 1 No. 1 (2023): Februari: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/atmosfer.v1i1.142

Abstract

The aim of this research is to (1) describe the religious values in the form of belief values in the novel "Buya Hamka" by Ahmad Fuadi, (2) describe the religious values in the form of worship values in the novel "Buya Hamka" by Ahmad Fuadi, (3) describe the religious values in the form of spiritual values in the novel "Buya Hamka" by Ahmad Fuadi, (4) describe the religious values in the form of knowledge values in the novel "Buya Hamka" by Ahmad Fuadi, (5) describe the religious values in the form of practice values in the novel "Buya Hamka" by Ahmad Fuadi. This research is a qualitative descriptive study with a literary sociology approach that focuses on the aspect of religious values. The data source for this research is the novel "Buya Hamka" by Ahmad Fuadi. The data collection technique in this study is done by reading, searching for data, taking notes, and classifying the data. The results of the research on religious values in the novel "Buya Hamka" by Ahmad Fuadi include: (1) religious values in the form of belief values with 11 data, consisting of data about belief in Allah, belief in the Prophet, and belief in predestination, (2) religious values in the form of worship values with 34 data, consisting of data about prayer, fasting, pilgrimage, supplication, remembrance of God, and reading the Qur'an, (3) religious values in the form of spiritual values with 15 data, consisting of data about the feeling of prayers being answered or receiving Allah's help, the feeling of humility during prayer, reliance on Allah, and gratitude, (4) religious values in the form of knowledge values with 7 data, consisting of knowledge about the content of the Qur'an, knowledge about the pillars of Islam, and knowledge about Islamic law, and (5) religious values in the form of practice values with 16 data, consisting of data about willingness to help, giving charity, forgiveness, and patience.
Nilai Edukatif Dalam Film Dua Garis Biru Karya Gina S. Noer Sintya Putri Wulandari; Albertus Purwaka; Patrisia Cuesdeyeni; Linggua Sanjaya Usop; Alifiah Nurachmana
Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora Vol. 1 No. 1 (2023): Februari: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/atmosfer.v1i1.144

Abstract

The purpose of this study is to describe the representation of social values ​​in the sack. The problem explored in this research is social values ​​in the form of spiritual values ​​which include (1) truth values (2) honesty values (3) toughness values (4) caring values. The method and approach used in this research is a qualitative descriptive approach. Qualitative descriptive approach is used to describe the education values ​​in the film Dua Garis Biru by Gina S. Noer. Data analysis of this research was carried out by collecting data with the method of observing and recording, identifying data, classifying data, and describing data. The results of this study indicate that the educational values ​​contained in the film Dua Garis Biru by Gina S. Noer with several forms of value are as follows: (a) the educational value of honesty in the film is the most dominant, there are 15 forms of the value of honesty. (b) the educational value of toughness in the film shows 15 forms of toughness value. (c) the educational value of caring in the film shows 13 forms of caring value. (d) religious educational values ​​in the film show 8 forms of religious values.
Alih Kode Dan Campur Kode Dalam Film Imperfect The Series 2 Yang Disutradarai Oleh Naya Anindita Felicia Kurnia Apatama; Indra Perdana; Linggua Sanjaya Usop; Albertus Purwaka; Misnawati Misnawati
Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora Vol. 1 No. 1 (2023): Februari: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/atmosfer.v1i1.145

Abstract

The purpose of this study is to describe the forms of code switching and code mixing in Film Imperfect The Series 2 and to describe the causes of code switching and code mixing in Film Imperfect The Series 2. This research is a qualitative descriptive study. The data sources in this study were eight episodes of the film Imperfect The Series 2 . The form of data is in the form of words, sentences, and an event related to the form of code switching, and code mixing and the causes of its occurrence . The data in this study were collected by observing and note-taking techniques. Based on the results of the analysis, it can be concluded that overall in the eight episodes of the film Imperfect The Series 2 , there are 5 code switching data and 167 code mixing data. The forms of code switching found were internal code switching with 1 data and external code switching with 4 data. The forms of code mixing found were word forms with 119 data, phrase forms with 27 data and baster forms with 21 data. The cause of the occurrence of code switching found is that there are 2 data on the opponent's factor, 1 data on the presence of a third speaker and 2 data on the main factor/topic of conversation. The causes of code mixing were found to be the speaker factor with 51 data, the language factor with 112 data, and the desire to explain and interpret there were 4 data.
POLA-POLA BILIGUALISME MAHASISWA PBSI FKIP UNIVERSITAS PALANGKA RAYA Alifiah Nurrachmana; Ibnu Yustiya Ramadhan; Stefani Ratu Lestariningtyas; Linggua Sanjaya Usop; Paul Diman
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 3 No. 2 (2023): Juni: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/enggang.v3i2.12201

Abstract

Bilingualism is a linguistic phenomenon which includes more than one language as communication tool. All of college students in PBSI FKIP UPR (Study of Indonesian Language and Literature from Faculty of Teacher Education and Training in University of Palangka Raya) came from various social backgrounds which make them bilingualists, where they are used to speak in other languages than Indonesian language as mother tounge, which are code-mix or code-switch. In this research, researchers found many reasons for this bilingualism phenomenon in all college students of PBSI FKIP UPR. The results of this research show: 1) There are 2 (two) bilingualism patterns which are diglossic bilingualism patterns, and not-diglossic bilingualism patterns. 2) Factors of choosing and using language of bilingualistic college students depend on the listener, and conversation topics and situations. 3) Challenges for college students of PBSI FKIP UPR as bilinguialists that they are often to experience miscommunications in formal, nonformal, and semiformal situations while communicating, more impacted by family environment, followed by friendship and college environment.
Ekranisasi dalam Novel Ibu, Doa Yang Hilang Karya Bagas Dwi Bawono ke Film Just Mom yang Disutradarai oleh Jeihan Angga dan Implikasi terhadap Pembelajaran Sastra di SMK Negeri 3 Palangka Raya Rina Mustika Dwi Listiani; Alifiah Nurachmana; Linggua Sanjaya Usop; Yuliati Eka Asi; Stefani Ratu Lestariningtyas
PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA Vol. 3 No. 1 (2024): Mei : PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/mateandrau.v3i1.1973

Abstract

The aim of this research is to describe: (1) the ecranization of the plot in the novel Ibu, Doa Yang Lost by Bagas Dwi Bawono to the film Just Mom directed by Jeihan Angga, (2) the ecranization of the characters in the novel Ibu, Doa Yang Lost by Bagas Dwi Bawono to the film Just Mom directed by Jeihan Angga, (3) the adaptation of the setting in the novel Ibu, Doa Yang Lost by Bagas Dwi Bawono to the film Just Mom directed by Jeihan Angga, (4) the implications of research results for literature learning at SMK Negeri 3 Palangka Raya. The approach used in this research is a qualitative descriptive method which describes using words, phrases, sentences and paragraphs regarding plot exranization, character exranization, setting setting and the implications of research results for literature learning at SMK Negeri 3 Palangka Raya with an independent learning curriculum. using teaching modules set in class. The results of the research regarding the ecranization process that occurred from the novel Ibu, Doa Yang Lost by Bagas Dwi Bawono to the film Just Mom, directed by Jeihan Angga, are as follows. 1) Excreation of the plot in the novel Ibu, Doa Yang Sembilan by Bagas Dwi Bawono into the film Just Mom directed by Jeihan Angga, there are 80 research data with 38 results of plot reduction, 39 results of plot additions, and 3 results of changes to various plots. 2) Excreation of the characters in the novel Ibu, Doa Yang Sembilan by Bagas Dwi Bawono into the film Just Mom directed by Jeihan Angga, there are 23 research data with 13 results of reducing characters, 7 results of adding characters, and 3 results of changing various characters. 3) Excreation of the setting in the novel Ibu, Doa Yang Sembilan by Bagas Dwi Bawono to the film Just Mom directed by Jeihan Angga, there are 20 research data with 13 reductions in the setting, 5 additions to the setting, and 2 changes to various settings. 4) This research can have implications for literature learning in SMK/MAK class Other Literature, namely Drama Texts.
Diskriminasi Sosial Pada Tokoh Utama Dalam Film Rio The Survivor Disutradai Oleh Yudie Oktav Dinna Juniary; Alifiah Nurachmana; Linggua Sanjaya Usop; Hartini Hartini; Bainah Bainah; Dila Dila
Bhinneka: Jurnal Bintang Pendidikan dan Bahasa Vol. 1 No. 2 (2023): Bhinneka
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/bhinneka.v1i2.615

Abstract

This research discusses social discrimination among characters in the film Rio The Survivor directed by Yudie Oktav. Therefore, the aim of this research is to: (1) describe the representation of dialogue containing social discrimination in the film Rio The Survivor directed by Yudie Oktav, (2) describe the representation of the causes of social discrimination in the film Rio The Survivor directed by Yudie Oktav, (3 ) describes the implications of social discrimination on drama learning in high school. This research uses a qualitative research method with a descriptive approach and data is taken from the film Rio The Survivor directed by Yudie Oktav in the form of screenshots of film footage and dialogue between characters which contain social discrimination. The results of research on social discrimination on the main character in the film Rio The Survivor directed by Yudie Oktav show that (1) social discrimination which includes direct discrimination: limiting a certain area, such as housing, type of work, public facilities, and indirect: the act of blocking someone/ certain groups, races/ethnicities relate freely, hinder the rules/procedures followed which contain discriminatory bias and result in harm to the main character, a child living with HIV/AIDS, (2) the cause of social discrimination in the film Rio The Survivor directed by Yudie Oktav is caused by due to the lack of public knowledge about HIV/AIDS, (3) The results of this research have implications for Drama Learning in Class XI SMA, especially in competency identifying characterization, dialogue and setting in drama performances.
Co-Authors Agroy Gloria Albertus Purwaka Albertus Purwaka Albertus Purwaka Alfiyah Alfiyah Alifiah Nurachmana Alifiah Nurrachmana Andi Indah Jayanti Andia Misy Anwarsani Anwarsani Arianto Wibowo Arifin, Ardian Asti Riana Sari Bainah Bainah Cakranegara, Pandu Adi Christian Adi Saputra Cristiena Cristiena Dan Yudistira Y Darlan, Saiffullah Daryana Debie Darbania Devina Putri Dhani Susilowati Diah Puspita Ayu Dila Dila Dinna Juniary Dwi Nurlita Febriyanti Edi Edi Efendi Efendi Elmi Khoirina Elnawati Elnawati Elva Febri Erenda Felicia Kurnia Apatama Hana Pertiwi Hartini Hartini Ibnu Yustiya Ramadhan Ibnu Yustiya Ramadhan Icha Fina Fanesha Indah Rahmawati Indra Perdana Indra Perdana Indra Perdana Indra Perdana Indra Perdana Isti Rahayu Istikharoh Istikharoh Ita Sasmita Ivan Qoriul Amrin Kardalimah Kardalimah Kharisma Devi L. Akbar Hardin Laura I.M.F Simanjuntak Lazarus Linarto Lazarus Linarto Lazarus Linarto Lazarus Lonarto Lestari Lestari Levi Alkausar Lisa Lisa Lusyanae Lusyanae M. Hafidz Rahman Marchiananda Putri Marni Nining Marta Sihombing Mas'ud Muhammadiah Maulana Abdul Arifin Melinda Febriani Melinda Melinda Misnawati Misnawati Misnawati Misnawati Misnawati Misnawati Misnawati Nabila Salwa Nanda Welisa Peronika Nani Hidayati Nirena Ade Christy Nirena Ade Christy Nita, Lisa Afria Noraida Novian Fikri Fadilah NUR RAHMAWATI Nurlita Feblian Ocviarissa Rivera Olga Dona Retsi Palentina Partisia Cuesdeyeni Patrisia Cuesdeyeni Patrisia Cuesdeyeni Patrisia Cuesdeyeni Paul Diman Paul Diman Paul Diman Paul Diman Petrus Poerwadi Petrus Poerwadi Petrus Purwadi Proyekta Oktorina Puteri Nur Syifa N.A Rahel Julia Andina Raihan Fauzi Rania Rania Ratna Lisa Regian Sini Repi Repi Rina Mustika Dwi Listiani Rizaldi Kurniawan Rojali Rojali Ruliyani Ruliyani Saputri Nakalelu Sintya Putri Wulandari Siti Rahmawati Stefani Ratu Lestariningtyas Stefani Ratu Lestariningtyas Stefani Ratu Lestariningtyas Stefani Ratu Lestariningtyas1 Sudaristi Oktaviani Sugeng Santoso Sumiati Sumiati Sumiati Sumiati Suryanata Suryanata Syarah Veniaty Syarah Veniaty Syarah Veniaty Tepi Kaesih Tiffany Ramadina P Tiroi Lumbanraja Umega Umega Usop, Tari Budayanti Wahidin Yesni Nopi Yola Veronica Yoyong Yoyong Yuliana Fitri Yuliani Yuliani Yuliati Eka Asi Yuliati Eka Asi Yulina Mingvianita Yulina Mingvianita Zainal Arifin Zulham Rasidin Indrarrobbika