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Journal : Langgam International Journal of Social Science Education, Art and Culture

Symbols and Values in the Traditional Wedding Ceremony Baralek Kosik in Sungai Aur District, West Pasaman Regency, West Sumatra Province Syafitri, Yesi; Efi, Agusti
LANGGAM: International Journal of Social Science Education, Art and Culture Vol 1 No 3 (2022): LANGGAM: International Journal of Social Science Education, Art and Culture (Sept
Publisher : Master Program of Social Science Education of Universitas Negeri Padang, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (264.321 KB) | DOI: 10.24036/langgam.v1i03.11

Abstract

The traditional wedding Baralek is the result of the culture and traditions of the people in Sungai Aur District, West Pasaman Regency, West Sumatra Province. This study aimed to explain the Baralek Adat Kosik in Sungai Aur District. Baralek Adat Kosik is one of the traditional weddings prevailing in Nagari Sungai Aur. This study used a qualitative method. Research data were collected from several informants, such as ninik mamak, puti adat, and community leaders. This research was focused on: the procession of the ceremony Baralek Adat Kosik, the traditional symbols in the Baralek Adat Kosik as a means of cultural activity in the ceremony Baralek Adat Kosik in Nagari Sungai Aur, and the values ​​contained in the ceremony Baralek Adat Kosik in Nagari Sungai Aur. The findings of this study were that the procession of Baralek Adat Kosik in Sungai Aur District had a series of processions of Duduk Ninik Mamak, Koun-Koun, Bokayu, slaughter Kambiang, Bokureh Cooking, Monyambut Marapulai, Baarak Tamat Kaji, Tamat Kaji, Baarak Gadang, and Monutup Olek. In the traditional ceremony Baralek Kosik, there are several traditional symbols, namely, Kambiang, Marawa, Carano, Tabie, Bokayu, Manyirak Bareh dan Kunyit, Caranobaki, Anak Daro and Marapulai’s Umbrella, Khatam Al-Quran, Dike-e, Nasi Sojamba Kunyik, and Ayam Panggang Soikuo. These traditional symbols contain sacred values, religious values, moral values, entertainment values, and social values. All this is summarized in the procession Baralek, custom symbols, and values contained in Baralek Kosik custom.
The Implementation Of The Randai Dance At Sman 1 Basa Ampek Balai Kecamatan Basa Ampek Balai, Pesisir Selatan Regency Zulmayelti, Zulmayelti; Yahya, Yahya; Efi, Agusti
LANGGAM: International Journal of Social Science Education, Art and Culture Vol 1 No 1 (2022): LANGGAM: International Journal of Social Science Education, Art and Culture (Marc
Publisher : Master Program of Social Science Education of Universitas Negeri Padang, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (185.271 KB) | DOI: 10.24036/langgam.v1i01.18

Abstract

This study aims to get an overview of the process of implementing the Randai Dance at SMA Negeri 1 Basa Ampek Balai, Pesisir Selatan Regency. Using a qualitative approach as a research method. The analysis used is descriptive analysis with a logical, empirical approach as evidence to justify the researcher's belief or vice versa to build an analysis or conclusion. The researcher obtained the data as the main instrument through an interview with key informants, field notes, recording devices, and cameras. The research location is SMA Negeri 1 Basa Ampek Balai, Pesisir Selatan Regency. In contrast, research informants, in this case, vary based on the accuracy of the selection of key informants who master the problem with the snowball sampling technique. The results showed that the organizational communication process at SMA Negeri 1 Basa Ampek Balai Pesisir Selatan Regency was understood by various kinds of reasoning, ranging from complex understanding to superficial understanding. Organizational communication here seems to have many obstacles to the effect on the implementation of the Randai Dance.
The Influence Of Inter-Ethnic Student Social Interaction At SMAN 4 Batam Yona Martin; Agusti Efi
LANGGAM: International Journal of Social Science Education, Art and Culture Vol 3 No 1 (2024): LANGGAM: International Journal of Social Science Education, Art and Culture (Marc
Publisher : Master Program of Social Science Education of Universitas Negeri Padang, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/langgam.v3i1.84

Abstract

This research is motivated by the existence of diverse ethnicities among students at SMA Negeri 4 Batam which have a positive or negative influence on students. This study aims to identify and analyze the impact of inter-ethnic student social interaction at SMAN 4 Batam and to explain the teacher's role in the social interaction of inter-ethnic students at SMAN 4 Batam. The approach used is qualitative with the type of case study research. The research informants were determined using a purposive sampling technique with the following criteria: Teachers, Students, and Student Assistants at SMAN 4 Batam. Data validity tests include credibility, transferability, dependability, and confirmability tests. Data analysis used the interactive analysis model Miles and Huberman. The results of the study show that the impact of inter-ethnic student social interaction is solidarity between the same ethnic groups, and stereotypes towards different ethnic groups. The teacher's role in inter-ethnic student interactions is to unite students in study groups, hold fashion show competitions, and encourage the use of Indonesian. This research is motivated by the existence of diverse ethnicities among students at SMA Negeri 4 Batam which have a positive or negative influence on students. This study aims to identify and analyze the impact of inter-ethnic student social interaction at SMAN 4 Batam and to explain the teacher's role in the social interaction of inter-ethnic students at SMAN 4 Batam. The approach used is qualitative with the type of case study research. The research informants were determined using a purposive sampling technique with the following criteria: Teachers, Students, and Student Assistants at SMAN 4 Batam. Data validity tests include credibility, transferability, dependability, and confirmability tests. Data analysis used the interactive analysis model Miles and Huberman. The results of the study show that the impact of inter-ethnic student social interaction is solidarity between the same ethnic groups, and stereotypes towards different ethnic groups. The teacher's role in inter-ethnic student interactions is to unite students in study groups, hold fashion show competitions, and encourage the use of Indonesian.
Traditional Zapin Dance at Studio Tengku Buang Asmara Student, Siak District Fitri, Aulia Annisa; Efi, Agusti
LANGGAM: International Journal of Social Science Education, Art and Culture Vol 4 No 3 (2025): LANGGAM: International Journal of Social Science Education, Art and Culture (Sept
Publisher : Master Program of Social Science Education of Universitas Negeri Padang, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/langgam.v4i3.73

Abstract

Zapin art in the Siak district was originally brought by Arab traders and used as a means of entertainment among students of recitation in the Siak royal environment, after the son of the sultan Abdul Jalil Alamuddin Syah (1766-1780) married Syarif Uthman bin Syarif Abdul Rahman Syahbuddin namely the Arabs then entered the palace environment and then acculturated with the local culture and became a means of entertainment among the palace then grew rapidly to the villages and Zapin associations were formed based on the names of the villages. Traditional Zapin dance is a dance movement that is more visible in footwork and more subtle in hand movements. Sanggar Tengku Buang Asmara is a place for artistic creativity that plays an important role in efforts to preserve the traditional Zapin dance. Zapin Dance Tradition during the sultanate period had rules and various flowers that must be followed and danced by the dancers. The purpose of this study is to understand the background, the form of presentation and to analyze the characteristics of the traditional Zapin dance in Siak district. This research was conducted in order to study, understand and preserve the Zapin dance tradition of the Siak kingdom. This qualitative research uses a descriptive analytical method, with a discussion of the historical background of the early arrival of Zapin art in the Siak kingdom. The Zapin dance tradition during the imperial era was only danced by 2 (two) male dancers whose position as the two dancers were parallel to the syaf and accompanied by Malay song music.
Co-Authors ADRIANI ADRIANI Agus Irianto Agustina Agustina Agustina Agustina Agustina Agustina Aidil Dewi Angriani Ambiyar, Ambiyar Ami Zola Anggun Yodansi Anni Faridah Apri Marlina Aprianti, Viki Ardipal Ardipal Astari Ayuni Atika Dwi Putri Aulia Annisa Fitri Aulia, Tiara Ayu Puspita Sari Azzahra, Ridawati Budiwirman Budiwirman Budiwirman Budiwirman, Budiwirman Budiwirman, Budiwirman Bunga Naselia DARMANSYAH . Daryusti Daryusti - Derisa Derisa Desmaleni, Rahayu Dian Eka Oktavia Efrashia, Tiara Husnun Elida elida elida Elpalina, Srimutia Elsa Pitaloka Erianjoni Erianjoni Ezriani, Ezriani Fadhillah, Fadhillah Fauziah, Qori Febrina, Suci Ferdian, Feri Fitri, Aulia Annisa Fitrisia, Azmi Freddy Antara Friyatmi Friyatmi Gita Noveri Eza Gusrini, Esi Gustina Gustina Hadiastuti, Hadiastuti Handri Arni Harmawan, Violintikha HARYONO Hurahmi, Intah Mifta Ida Ayu Putu Sri Widnyani Idha, Muhammad Trio Idris Ilham Zamil Indah Wulandari Indah Wulandari Joel Franky Situmeang Kasman Rukun Khairani, Kiki Kiki Khairani Lasmi, Ami Lasmi, Lasmi Lestari, Mia Febria Lorenzo, Naufal Lufri Lufri Mansyera Pratama, Vischa Mariana Heristian Mariana Heristian Marna, Jean Elikal Martin, Yona Mayang Yulasna Mega Kencana Meifitriadi Meifitriadi Mia Febria Lestari Mitra Lusiana Muhammad Agus Muljanto Muhammad Ridho Muharika Dewi Mutia, Gabila Heira Nita Sahara Nofiyanti Nofiyanti Nofiyanti Nofiyanti, Nofiyanti Novrita, Sri Zulfia Nur Amelia Sari Nur Amelia Sari Nurhizrah Gistituati Nurul Inayah Hutasuhut Oktaviani, Melsa Putra, Gilang Oritaliano Putri, Atika Dwi Putri, Yuzia Eka Rahman, Doni Rahmi, Fathiah Rahmiati . Rendi Rezki Reni Fitria Reska Mayefis Retno Desti Dwi Rezki Datmi Rezki, Rendi Ridawati Azzahra Ririn Amaliah Putri Sarah Rizal Arifin Lubis Rochanawati, Ida Roni Sarwani Ruth Meliani Tatubeket Sarah, Ririn Amaliah Putri sari, Mutia Selvia Frety Yunia Enjelina Setiawati, Erlin Shaheed Fikar Sofrina Zulida Fatma SYAFITRI, YESI Syafrizal Syafrizal Tiara Aulia Tiara Husnun Efrashia Umaroh, Aufa Vinna Aulya Wahyu Eka Saputra Wakhinuddin Wakhinuddin Wati, Lulu Fajar Yadona, Putri Yahya Yahya Yenni Idrus Yetti, Silvia Yona Martin Yudistira, Sukma Yulasna, Mayang Yulia Aryati Yuliana Dewi Yuliana Yuliana Yuliarma, Yuliarma Yumielda , Vivi Destri Yunus, Rona Rahayu Yusman, Ahmad Fauzan Yusmerita Yusmerita Yusmerita Zola, Ami Zulmayelti, Zulmayelti