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Pengaruh Komposisi Campuran Limbah Filter Rokok dan Serbuk Kayu Terhadap Kemampuan Redam Material Komposit Mulawarman, Mulawarman; Udayana, I Nyoman; Samhuddin, Samhuddin; Aksar, Prinob; Aminur, Aminur
Enthalpy : Jurnal Ilmiah Mahasiswa Teknik Mesin Vol 9, No 3 (2024): Enthalpy: Jurnal Ilmiah Mahasiswa Teknik Mesin
Publisher : Teknik Mesin Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55679/enthalpy.v9i3.49022

Abstract

Waste is a residual production material that contains substances capable of causing pollution and health disturbances. One of the waste types frequently encountered is cigarette filter waste and wood powder waste, both of which are managed minimally. This research aims to determine the influence of the composition of a mixture of cigarette filter waste and wood powder waste on sound absorption in composite materials. The method involved preparing the necessary tools and materials, then creating composites with fractions (65%, 20%: 10%, 15%), (60%, 20%: 13%, 7%), and (55%, 20%: 15%, 10%). Subsequently, sound absorption testing was conducted using the direct method following ISO 11654 standards. Results from the sound absorption testing at a frequency of 500 Hz showed the highest sound intensity value in the fraction (65%, 20%: 10%, 15%) at 104,833 dBa and the lowest in the fraction (55%, 20%: 15%, 10%) at 93,333 dBa. The highest sound absorption coefficient value was found in the fraction (55%, 20%: 15%, 10%) at 0,202, while the lowest was in the fraction (65%, 20%: 10%, 15%) at 0,104. As the volume of acoustic material from cigarette filter waste and wood powder waste increased, the sound absorption coefficient also increased. The best sound absorption coefficient value was observed in the fraction (55%, 20%: 15%, 10%) at 0,202
Canonical Versus Non-Canonical Passives in Indonesian Udayana, I Nyoman; Aryawibawa, I Nyoman; Madia, I Made
Jurnal Arbitrer Vol. 11 No. 4 (2024)
Publisher : Masyarakat Linguistik Indonesia Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/ar.11.4.430-440.2024

Abstract

While many studies have explored passive constructions in Indonesian, there is still a significant gap in research focusing on distinguishing passive clauses and categorizing them into canonical and non-canonical forms. This study aims to address this gap by identifying different types of passive clauses in Indonesian and classifying them into these two categories. The primary objectives are to establish clear criteria for validating the existence of canonical and non-canonical passive forms and to provide evidence supporting their distinction. To achieve these aims, we first analyze markers on Indonesian verbs, particularly the prefixes di-, ter-, and unmarked (zero) forms. The data used for this analysis consists of naturally occurring expressions and clauses sourced from the Leipzig Corpora. This data is examined through the lens of the (non)-canonical theory of passivization. The findings indicate that the di- marker on verbs predominantly signals canonical passive constructions. However, there are cases where the di- form shifts to non-canonical usage, especially when the agent is obligatorily present and cannot be syntactically demoted to an oblique role. In contrast, the ter- form and the unmarked form, which can denote either a bare active (BA) or a bare passive (BP) construction, consistently represent non-canonical passive constructions.
Decoding the Plot of “The Ice Palace” (1920) by F. Scott Fitzgerald Ida Ayu Gede Laksemi Dewi; I Nyoman Udayana; I Made Rajeg
Loquēla (Journal of Linguistics, Literature, and Education) Vol. 2 No. 2 (2024): Loquēla (Journal of Linguistics, Literature, and Education)
Publisher : Smart Edu Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61276/loqula.v2i2.40

Abstract

F. Scott Fitzgerald's "The Ice Palace" remains a seminal work of American literature, delving into themes of identity, cultural displacement, and the search for belonging. This study aims to dissect and analyze the intricate plot structure of "The Ice Palace," employing a qualitative method to uncover deeper insights into Fitzgerald's storytelling techniques and thematic undercurrents. Drawing five essential components of plot, the research scrutinizes each narrative element, tracing the protagonist's journey from exposition to resolution. Utilizing content analysis of the story, the study reveals how Sally Carrol Happer's experience in the Northern environment, particularly her harrowing ordeal in the ice palace, leads to a profound realization of her true self. The resolution, marked by Sally Carrol's decision to return to the South, highlights the thematic emphasis on embracing one's identity and finding fulfillment in authenticity. Through close examination of plot dynamics, this research offers fresh perspectives on Fitzgerald's narrative craftsmanship and thematic resonance in "The Ice Palace."
THE SEMANTIC ROLE OF AGENTIVE PASSIVES FOUND IN ENGLISH NOVELS Luh Putu Ratna Sari; I Nyoman Sedeng; I Nyoman Udayana
International Journal of Language and Literature Vol. 5 No. 3 (2021)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/ijll.v5i3.59791

Abstract

This study entitled The Semantic Role of Agentive Passives Found in English Novels that focuses on what the semantic role of agentive passive in English novels played. The data were taken from five English novels entitled; the adventures of Pinocchio, charlotte’s web, a wrinkle in time, Peter and wendy, and The land of the stories; beyond the kingdoms. This study used the documentation method to collect the data and applied the qualitative method to analyze the data. The theory that was applied in this study was the theory of semantic role proposed by Kroeger (2005) and the theory of agentive passive by Quirk (1972). Based on the analysis, all the semantic role were found in agentive passive; patient, theme, recipient, beneficiary, agent, instrument, location, source, experiencer, stimulus, goal, path, and accompaniment. However in the agentive passive without expressed agent, the semantic roles of agent were never found
RESTRICTIVE AND NON RESTRICTIVE RELATIVE CLAUSE IN JOHN GRISHAM’S ROGUE LAWYER Ni Putu Yunick Cahyani; I Nyoman Sedeng; I Nyoman Udayana
International Journal of Language and Literature Vol. 5 No. 3 (2021)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/ijll.v5i3.61245

Abstract

This study entitled Restrictive And Non Restrictive Relative Clause In John Grisham’s Rogue Lawyer that focuses on what the types of the relative pronoun and its modify. The data were taken from a novel by John Grisham entitled; Rogue Lawyer. The documentation method was used in order to collect the data. In analyzing data, the descriptive qualitative method applied in this study. The theory that was applied in this study was the theory Quirk et. al. (1985) in his book A Comprehensive Grammar of The English Language. Based on the analysis, all the relative pronoun found in the novel; who, whose, whom, which ,that and zero pronoun. However in the non-restrictive relative clause that found in the novel mostly used the separation marker comma.
Poliandri Sebuah Refleksi Ajaran Bhakti dan Śraddhā dalam Kakawin Kreṣṇā Pancawiwāha Wikandina Putri, Ni Made; Sudewa, I Ketut; Udayana, I Nyoman
Jurnal Penelitian Agama Hindu Vol 9 No 1 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i1.3752

Abstract

Kakawin Kreṣṇā Pancawiwāha tells the story of Dewi Kresna's marriage to Panca Pandawa, which is interesting to study because the concept of marriage in this text has shifted. The marriage that is supposed to be between a man and a woman is told differently in this text, where a woman marries five men at the same time, known as polyandry. The polyandrous marriage narrated in the Kakawin Kreṣṇā Pancawiwāha text is actually not merely the main purpose, but a symbolic one that has meaning in it. The purpose of this paper is to reveal the symbolic meanings of polyandry that have relevance to Hindu religious teachings. This research is an analytical descriptive research with a textual approach that uses the text of Kakawin Kreṣṇā Pancawiwāha as the main data source. The method used in the data collection stage is literature study with translation, listening, and note-taking techniques. In the analysis stage, the analytical descriptive method was used, assisted by interpretative techniques based on the working principles of semiotic theory. The result found is that the phenomenon of polyandry in the Kakawin Kreṣṇā Pancawiwāha text is a symbol that contains religious philosophical values for Hindus to reflect the teachings of Bhakti (devotion) and Śraddhā (belief). The implementation of the teachings of Bhakti (devotion) is realized by the attitude of Satya Laksana (loyal to the righteous actions) to Guru Rupaka (parents) as a reflection of the teachings of Guru Bhakti. Symbolic polyandry as a concept of Śraddhā, is realized by the reflection of the teachings of Karmaphala Sraddha (belief in the existence of karma) which has a reciprocal relationship with Punarbhawa Sraddha (belief in the existence of repeated births). The mythology found states that polyandry is an existence of life that has implications for the improvement of Bhakti and Śraddhā.
Women’s Language Features Used by Female Main Character in Superhero Movie Ridho Saputra; I Nyoman Udayana; I Nyoman Sedeng
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 8: Juli 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i8.1940

Abstract

This study focused on analyzing women’s linguistic features used by the female main character in “Captain Marvel” movie. The theory used in this study is proposed by Lakoff, in which there are ten linguistic features of women’s speech. The data were collected by using observation and documentation methods. The descriptive qualitative approach is used to interpret the data and describe it in the form of words and sentences. The findings indicated that there were eight women linguistic features used by Carol Danvers as the female main character in the movie, such as rising intonation (10), lexical hedges or fillers (9), hypercorrect grammar (9), emphatic stress (7), tag questions (5), intensifiers (2), empty adjectives (1), and superpolite forms (1). Meanwhile, precise color terms and avoidance of strong swear words were not found in the utterances. The finding shows that the most dominant feature was rising intonations, while the least frequently emerged features were super polite forms and empty adjectives. The dominant use of rising intonation in the movie reflects the character’s personality. Therefore, it can be concluded that Carol Danvers used rising intonation because she is a bold character who is assertive, especially when stating her opinion
Figurative Language Used in Mariah Carey’S Song Lyrics in Butterfly Album Audrey Valeri; I Nyoman Sedeng; I Nyoman Udayana
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 9: Agustus 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i9.2176

Abstract

This undergraduate thesis entitled “Figurative Language Used in Mariah Carey’s Butterfly Album” is appealing to be discussed since figurative language is a relevant topic to the consistency of being used in literary work and song is an applicable object to be analyzed. This undergraduate thesis aimed to identify the types of figurative language and to explain the meaning of figurative language implied in Butterfly Album by Mariah Carey. The data of this thesis were taken from the album named Butterfly by Mariah Carey. The documentation method alongside with note-taking technique was used in this undergraduate thesis to collect the data. The qualitative method was used in this undergraduate thesis to analyze the data that has been collected. The data that have been analyzed were presented in the informal method alongside the descriptive technique. This undergraduate thesis used the theory stated by Knickerbocker and Reninger in the book Interpreting Literature (1963) and Leech in the book entitled Semantics: The Study of Meaning (1981) This undergraduate thesis identified types of figurative language in The Butterfly Album by Mariah Carey, those are simile, metaphor, synecdoche, metonymy, hyperbole, irony, and paradox. Furthermore, the types of meaning found in the album are conceptual, connotative, and affective.
Error Analysis of English by 8-th Grade Students at SMPN 4 Baturiti Gusti Ngurah Surya Permadi Pinatih Sargunawan; I Nyoman Aryawibawa; I Nyoman Udayana
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 10: September 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i10.2252

Abstract

Thesis with the title Error Analysis of English by 8th-grade student in SMPN 4 Baturiti. This thesis aims to analyze the repeated errors made by SMPN 4 Baturiti students to find the types of errors in their writing, the causes of students in error writing, Writing in English is not easy even though the students have learned this before. They still find some problems in writing and cannot write the sentences in right structure. They still need more knowledge to understand the basics. The students still write sentences by using Indonesian rules and also still miss in grammar knowledge. The data used in the study was taken from descriptive writing test by the students in SMPN 4 Baturiti, Tabanan. The eight grade student was chosen because they already know how to make a descriptive text and they have learned it before. This school has four classes of eighth-grade (8A-8D). In this study, the writing data were taken from students in 8B. In collecting data, this thesis uses qualitative methods. In collecting data there are four steps used, namely first, selecting data properly, identifying errors, then classifying data based on its type, and finally evaluating the data found. In analyzing the data, the theory of error analysis was used by Ellis (1997). The results of the analysis show the types of errors found in the writing of SMPN 4 Baturiti students. Errors found in youth writing are grouped and categorized into four types: Omission. There are five omission errors. These errors were found and analyzed with a syntactic structure perspective.
Non Verbal Signs of Marshmello Feat Bastille’s Music Video “Happier” Ni Putu Era Puspita Yanthy; I Nyoman Udayana; Ni Ketut Sri Rahayunu
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 10: September 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i10.2255

Abstract

The title of this study is non verbal signs in Marshmello feat Bastille’s music video “Happier”. This study focused on the analysis of the non-verbal signs found in Marshmello feat Bastille’s music video “happier”. There are two aims of this study. First, it is to identify non-verbal signs in the music video. Second, it is to analyze and explain the non verbal signs found in the music video. The data in this study were in the form of image taken from snapshot of the music video. In this study, there were ten image snapshots that will be discussed. In this study, the method to collect the data were documentation. The data relating with the image snapshots were analyzed qualitatively based on the theory of verbal and non-verbal signs by Dyer. It is also supported by the theory of color meaning by Oleson. The result shows that almost all the non-verbal elements and can be found in the music video. Only three elements which are national and racial, cropping, and special effects were not used in the music video. It shows that the music video doesn’t use any racial stereotypical nor it used any special effects and cropping technique to make the music video more dynamics and draw the attention to certain part of the body.
Co-Authors Adam Brahimi Cooper Aksar, Prinob Aminur Aminur Andryani, Gusti Ayu Made Terry Audrey Valeri Bagus Teresna Binaning Artha Dewa Ayu Made Gandariani Dewi, Komang Yuly Sintia G. Gunawan Gita Maharani Kristina Kattu Gusti Ayu Komang, Putri Kencana Pebi Anitasari Gusti Ngurah Surya Permadi Pinatih Sargunawan Hariawati, Ni Nyoman I Gusti Agung Istri Aryani I Gusti Ayu Gede Sosiowati I Gusti Ngurah Parthama I Ketut Artawa I Ketut Darma Laksana I Ketut Sudewa I Made Budiarsa I MADE DWI KARDIASA I Made Madia, I Made I MADE RAJEG I Made Winaya I Nyoman Aryawibawa I Nyoman Sedeng I Putu Dion Ari Saputra I Putu Pebri Pranata I Putu Pebri Pranata I Wayan Arka I WAYAN PASTIKA I Wayan Simpen Ida Ayu Gede Laksemi Dewi Ida Ayu Ika Sarita Dewi Ida Ayu Kartika Lestari Ida Ayu Vivin Indah Sari S. Ida Bagus Rai Putra Irma Setiawan, Irma Ketut Widya Purnawati Km Tri Sutrisna Agustia La Yani La Yani Konisi Luh Gde Titah Madriyanthi Utama Luh Putu Ratna Sari Made Detriasmita Saientisna Made Sri Satyawati Mahyuni Mahyuni Mahyuni Mahyuni, - Michelia Kanzha Novera Ngurah Parthama, I Gusti Ni Kadek Arik Sintya Dewi Ni Kadek Arik Sintya Dewi Ni Kadek Lestya Adnya Suari Ni Kadek Yuniantari Ni Ketut Sri Rahayunu Ni Luh Ketut Mas Indrawati Ni Luh Sutjiati Beratha Ni Made Ayu Widiastuti Ni Made Sri Satyawati Ni Putu Dewi Cahyaningsih Ni Putu Era Puspita Yanthy Ni Putu Yunick Cahyani Ni Wayan Manik Septianiari Putri Ni Wayan Manik Septianiari Putri Ni Wayan Sukarini Ningrat, Ni Kadek Dwi Pradnya Novita Mulyana Nyoman Agus Trimandala Okasunu, I Gusti Ayu Sundari Pradhana, Ngurah Indra Primayani, Ni Putu Rahayu Putu Ayu Diah Damayanti Putu Gede Budiartha Putu Lirishati Soethama Putu Sandra Putri Astariani Putu Sandra Putri Astariani Ridho Saputra Rosmilinda Rinche Samhuddin Samhuddin, Samhuddin Sang Ayu Isnu Maharani Tita Anggara Tri Wulandari Utama, Luh Gde Titah Madriyanthi Utami, Ni Wayan Dina Sari Wikandina Putri, Ni Made Wimaguna, I Gde Tresnandika Yana Qomariana Yolanda, Thalia Yosef Demon