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All Journal E-JURNAL LINGUISTIK HUMANIS E-Journal of Linguistics Linguistika Jurnal Pendidikan Teknologi dan Kejuruan Linguistica RETORIKA: Jurnal Ilmu Bahasa Jurnal Kajian Bali Jurnal Arbitrer LINGUAL: Journal of Language and Culture Enthalpy : Jurnal Ilmiah Mahasiswa Teknik Mesin Journal of Language and Literature Aksara JURNAL PENDIDIKAN TAMBUSAI International Journal of Language and Literature LANGUA: Journal of Linguistics, Literature, and Language Education PROJECT (Professional Journal of English Education) International Journal of Linguistics and Discourse Analytics (ijolida) Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Randwick International of Social Science Journal Jurnal Penelitian Agama Hindu Devotion: Journal of Research and Community Service Interdisciplinary Social Studies CITIZEN: Jurnal Ilmiah Mulitidisiplin Indonesia Stilistika: Journal of Indonesian Language and Literature International Journal of English Learning and Applied Linguistics (IJELAL) ELITERATE : Journal of English Linguistics and Literature Studies Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Loquēla Sintaksis: Publikasi Para Ahli Bahasa dan Sastra Inggris Jurnal Pendidikan, Bahasa dan Budaya Ulil Albab Langua: Journal of Linguistics, Literature, and Language Education Aksara
I Nyoman Udayana
English Department, Faculty Of Humanities, Udayana University
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mechanical Engineering Public Health Social Sciences Other

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NASALIZATION IN BALINESE VERBS/PENASALAN VERBA BAHASA BALI I Nyoman Udayana
Aksara Vol 32, No 2 (2020): AKSARA, Edisi Desember 2020
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v32i2.643.339-348

Abstract

Abstract Balinese has two forms in relation to nasal pre xes. First, the initial segment of the verb root can be assimilated with the homorganic nasal and both coalesce. Second, the nasal pre x still assimilates with the rst segment of the verb root but forms a CC cluster. The data source of this study is Balinese dictionaries and analyzed by Optimality Theoretic (OT) so it was found that the af x nasal did not form a cluster with the rst segment of the verb root uniformly occurred in verbs where the rst segment is obstruent both voiced and voiceless while the one forming the cluster is the rst segment of a verb root which is realized by a sonorant. The rst phenomenon can be handled by the constraint * NC (obs) while the second one by violates linearity constraint, namely, Align-L (root) constraint. OT analysis also predicts that the ungrammaticality of an output verb structure ngmaang ‘to give’ due to fact that the correct underlying form baang is confused with its corresponding surface form. Keywords: nasalization, obstruent, sonorant, OT analysis Abstrak Bahasa Bali mempunyai dua bentuk dalam kaitannya dengan pre x nasal. Pertama, segmen awal dari akar verba bisa berasimilasi dengan nasal yang homorganik dan keduanya berkoalisi. Kedua, nasal pre ks masih berasimilasi dengan segmen pertama akar verba, tetapi membentuk klaster CC. Sumber data penelitian ini adalah Kamus Bahasa Bali dan dianalisis dengan Optimality Theoretic (OT) sehingga didapatkan bahwa nasal a ks yang tidak membentuk klaster dengan segmen pertama akar verba secara seragam hanya terjadi pada verba yang mana segmen pertamanya adalah obstruent, baik bersuara maupun tak bersuara sedangkan yang membentuk klaster adalah segmen pertama verba yang direalisasikan oleh segmen bertipe sonorant. Yang pertama bisa ditangani oleh konstrein *NC (obs), sedangkan yang kedua adalah secara jelas melangggar konstrein linieritas, yaitu Align-L (root). Analisis OT juga memprediksi ketidakgramatikalan bentuk-output verba ngmaang ‘memberi’ yang bentuk dasarnya yang benar adalah baang dikacaukan dengan bentuk output-nya. Kata kunci: penasalan, hambatan, sonoran, Analisis OT
EXPLORING THE PSYCHOLOGICAL NEEDS OF THE MAIN CHARACTER IN THE MOVIE GOOD WILL HUNTING Wimaguna, I Gde Tresnandika; Widiastuti, Ni Made Ayu; Udayana, I Nyoman
ELITERATE : Journal of English Linguistics and Literature Studies Vol 4, No 3 (2025): ELITERATE : Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eliterate.v4i3.74707

Abstract

This study aims to analyze and identify the fulfillment of basic psychological needs how this fulfillment shapes the types of motivation. The data were taken from the movie Good Will Hunting through the documentation method and note-taking technique. The data analyzed descriptively using qualitative research methods by applying Self-Determination Theory by Ryan and Deci (2017). Informal methods supported by narrative technique were used in presenting the data analyzed. The findings reveal that the fulfillment of the main character basic psychological needs autonomy (asserted through confronting fears and making authentic decisions), competence (realized by reframing challenges as growth opportunities), and relatedness (achieved through bonds of trust and vulnerability with Sean and Skylar) directly shapes his motivational landscape. His motivations transition dynamically from amotivation, characterized by disengagement and self-sabotage when needs are thwarted, through various forms of extrinsic motivation, culminating in intrinsic motivation driven by emotional liberation and self-determination as needs are met. The analysis underscores that psychological need fulfillment is foundational to motivational quality, facilitated by supportive relationships and self-reflection. Keywords: movie, motivation, basic psychological needs, types of motivation
Semiotic Analysis of Absurdism Through The Main Character in The Film Trainspotting Adam Brahimi Cooper; I Nyoman Udayana; Made Detriasmita Saientisna
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 2 (2025): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i2.6120

Abstract

This study is entitled Semiotic Analysis of Absurdism through the Main Character in the Film Trainspotting. The discussion touches upon the concept of absurdism and how it is reflected through signs in the film Trainspotting (1996), directed by Danny Boyle. The film portrays the life of Mark Renton, a heroin addict living in 1990s Scotland, who struggles to find meaning in an indifferent world. This research analysed the denotative and connotative signs that reflect the main character’s struggle with absurdism and how these signs portray the character’s responses to the absurd, whether through escape or rebellion. This study employed Roland Barthes’ (1991) theory of two-level semiotics to analyse the denotative and connotative meanings of signs, and Albert Camus’ (1955) theory of absurdism to interpret the character’s existential responses. This study uses a descriptive qualitative method. Data were collected by watching the film and analysing both verbal and non-verbal signs using Barthes’ semiotic framework. These findings indicate that Trainspotting contains strong elements of absurdism that can be uncovered through semiotic analysis.  
An Analysis of New Word Found on Twitter Using the Process of Word-Formation Rosmilinda Rinche; I Nyoman Udayana; Made Detriasmita Saientisna
Sintaksis : Publikasi Para ahli Bahasa dan Sastra Inggris Vol. 2 No. 5 (2024): September : Publikasi Para ahli Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/sintaksis.v2i5.1051

Abstract

This paper concerns the analysis of New Word Found on Twitter Using the Process of Word-Formation. The aim of this study is to analyze word-formation on words that have just appeared on social media, especially Twitter. The research used in this analysis is a qualitative research method. Source of research data in the study came from the Twitter app found in captions, comment fields, and retweet quotes. When collecting the data, the researchers used several steps, first searched the data in the Twitter app from captions, comment fields, and retweet quotes. Then, collect data containing word formation and classify the data by type. The data is collected and researchers analyze the type and process of word-formation. The results of this study indicate that there are 5 types of word-formation processes found on Twitter. They were derivation, abbreviation, blending, acronyms, and clipping. Of these types, abbreviations were the most common word-formation on Twitter.
Japanese Clause Relativization Strategy Pradhana, Ngurah Indra; Udayana, I Nyoman; Artawa, Ketut; Purnawati, Ketut Widya
Randwick International of Social Science Journal Vol. 6 No. 3 (2025): RISS Journal, July
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v6i3.1214

Abstract

This study is entitled Japanese Clause Relativization Strategy. The purpose of this study is to describe the structure, strategy, and previous functions of relative clauses in Japanese. The theory used in analyzing the formulation of problems related to relative clauses in this study refers to the theory developed by Dixon (2010) in his book entitled "Basic Linguistic Theory 2". This study summarizes the analysis in micro linguistics, namely syntax. Syntactically, the antecedent in the Japanese relative clause is positioned at the end. In Japanese relative clauses, there are no relative markers. Only antecedents that are attached directly to the predicate are part of the relative clause. The function of the relative clause is to explain nouns or noun phrases which in Japanese are called hishuushokumeishi. This research is included in qualitative research. The data analyzed in this study came from the media and publications from the site https://www.sukasuki.org/koran-sukasuki. This study produced several points, including that Japanese relative clauses precede the nouns that are described or known by the previous term. The basic structure of relative clauses in Japanese always begins with a clause that describes and ends with the noun being described. Antecedents in Japanese can be nouns, noun phrases, or particles such as no and koto. There are no conjunctions such as "yang" in Indonesian or "who/which" in English. In this study, pseudo-conjunctions such as ni kan suru and to iu were found. Predicates in Japanese relative clauses can be verbs, verbs conjugated with hojodoushi, nouns, and can also be adjectives.
Negative Politeness Strategies Applied in the Movie Charlie’s Angels 2019 Yolanda, Thalia; Udayana, I Nyoman; Mulyana, Novita
Devotion : Journal of Research and Community Service Vol. 3 No. 7 (2022): Devotion: Journal of Research and Community Service
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36418/dev.v3i7.162

Abstract

This research is a pragmatic study of the use of negative politeness strategies. This study aims to identify negative politeness strategies used by characters in films and to analyze why characters in films use negative politeness strategies in their speech. This study will use a qualitative method in utilizing the study of negative politeness strategies by describing the problem as clearly as possible. The data will be taken from a film called Charlie's Angels 2019. The theory that will be used in this research is the theory proposed by Brown and Levinson's negative politeness strategy in 1992. The results of this study conclude that there are ten strategies proposed by Brown and Levinson as a way to direct, does not assume or presuppose, and does not force and fulfill the other wishes of the listener. The negative politeness strategy has several sub-strategies that have different goals. They use strategies related to the context of the conversation and the situation.
Translation Techniques In Bilingual Beauty Product Advertisements Primayani, Ni Putu Rahayu; Maharani, Sang Ayu Isnu; Udayana, I Nyoman
Citizen : Jurnal Ilmiah Multidisiplin Indonesia Vol. 5 No. 4 (2025): CITIZEN: Jurnal Ilmiah Multidisiplin Indonesia
Publisher : DAS Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53866/jimi.v5i4.932

Abstract

The growth of the beauty industry has led to the increased use of bilingual advertisements to reach a broader audience. However, the differences in cultural and linguistic contexts between the source and target languages of the advertisements often lead to shifts in meaning. In this context, it is the translator's responsibility to act as a bridge to fill this gap. This research aims to identify and analyse the translation techniques used in bilingual beauty product advertisements and to examine how these techniques reflect translation equivalence. This research employs a qualitative method using the theory of translation techniques by Molina and Albir (2002) and the concept of translation equivalence by Nida and Taber (1969). The data were collected from bilingual beauty product advertisements sourced from the official YouTube channel of Maybelline New York. Data were collected through documentation and note-taking techniques and then analysed by comparing English and Indonesian subtitle transcripts to identify the applied translation techniques and the type of equivalence achieved. The results were presented with a formal method through the use of table and informal method to describe the analysis. The findings revealed that eleven out of eighteen translation techniques were used, discursive creation, borrowing, linguistic compression, modulation, amplification, literal translation, linguistic amplification, reduction, transposition, adaptation, and generalization. The application of these techniques primarily achieved dynamic equivalence. Meanwhile, formal equivalence was achieved when the source and target language structures closely aligned.
Subtitling Strategies of Indonesian Subtitles Applied in “Wonka” Movie Gusti Ayu Komang, Putri Kencana Pebi Anitasari; I Made Rajeg; I Nyoman Udayana
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 3 (2025): Desember : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i3.6676

Abstract

The advances in the movie industry have led to the rapid rise of streaming platforms, becoming increasingly popular among people. With countries around the world constantly producing movies, subtitles play an essential role in making films more accessible to a broader audience. Subtitling strategies can be defined as a translation practice involving the display of written text, usually at the bottom of the screen, to convey the original dialogues of the speakers and the information contained in the soundtrack. This study uses data from the lk21 website and analyzes it using Gottlieb’s subtitling strategies theory, which consists of ten specific methods for audiovisual translation: Expansion, Paraphrase, Transfer, Imitation, Transcription, Deletion, Dislocation, Condensation, Decimation, and Resignation. A descriptive qualitative approach was adopted in this study with observation, classification, and note-taking of each subtitle, suitable for the research, and describing the subtitling strategies applied in the movie. The findings show that seven strategies were applied in the Indonesian subtitles, namely paraphrase, transfer, condensation, imitation, deletion, dislocation, and expansion. Among them, paraphrase emerged as the most frequently used strategy, likely because figurative or culture-specific expressions in the source text often required adaptation to preserve their meaning for Indonesian viewers. On the other hand, expansion was identified as the least applied strategy, suggesting that the original dialogues rarely demanded additional explanation. Overall, the strategic use of these methods contributed to producing subtitles that were coherent, culturally adapted, and highly accessible to the target audience.
Address Terms Used by The Characters in Barbie: Princess Charm School Movie Andryani, Gusti Ayu Made Terry; Udayana, I Nyoman; Maharani, Sang Ayu Isnu
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini, berjudul Istilah Sapaan yang Digunakan oleh Karakter dalam Film Barbie: Princess Charm School, mengeksplorasi penggunaan istilah sapaan dalam film untuk merujuk pada orang yang diajak bicara. Istilah-istilah ini mencerminkan hubungan sosial antara pembicara dan pendengar, menunjukkan keakraban, rasa hormat, atau perbedaan kekuasaan. Penelitian ini bertujuan untuk mengidentifikasi jenis-jenis istilah sapaan yang digunakan oleh karakter dalam film Barbie: Princess Charm School, dan untuk menganalisis fungsi istilah sapaan yang digunakan oleh karakter dalam film Barbie: Princess Charm School. Pengumpulan data menggunakan dokumentasi, observasi, dan teknik pencatatan, sementara metode kualitatif dan teknik analisis konten digunakan untuk analisis data. Penelitian ini menerapkan teori Wardhaugh tentang jenis-jenis istilah sapaan dan teori Chaika tentang fungsi-fungsinya, yang didukung oleh teori Holmes tentang konteks situasi. Selain itu, metode informal digunakan dalam menyajikan analisis. Hasil penelitian ini menunjukkan bahwa terdapat lima jenis istilah sapaan: Nama Depan (FN), Gelar plus Nama Belakang (TLN), Gelar saja (T), Nama Panggilan (PN), dan yang terakhir adalah Istilah Kekerabatan (KT). Namun, tidak ada data yang menunjukkan penggunaan Nama Belakang (LN). Penelitian ini juga menemukan semua penggunaan fungsi istilah sapaan seperti keakraban, rasa hormat, dan perbedaan kekuasaan. Dapat dilihat bahwa untuk menunjukkan keakraban, karakter menggunakan istilah sapaan FN, PN, dan KT. Untuk menunjukkan perbedaan kekuasaan, karakter menggunakan istilah sapaan FN, TLN, dan T. Untuk menunjukkan rasa hormat, karakter menggunakan istilah sapaan T.
The Changing of ‘Sor Singgih Basa’ in Balinese Root Based on the Internal Modification: Morpho-Phonology Study Okasunu, I Gusti Ayu Sundari; Dewi, Komang Yuly Sintia; Udayana, I Nyoman
Journal of Language and Literature Vol 23, No 2 (2023): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v23i2.5895

Abstract

This research investigates the relationship between phonology and morphology in influencing the changing Balinese speech level, namely ‘singgih’ (high) and ‘sor’ (low). The analysis focuses on utilizing the internal modification of a formal morphological element (root) in Balinese that creates a pattern of alternation apophony for vowel and consonant mutation, which lead to the transformation of speech level. Qualitative data analysis, including internal structure diagrams and observation, is used to analyze the data. There are 54 words found in the data findings using the documentation method from Balinese dictionary. The analysis results are (1) the alternate vowels and the mutation of consonant distinguished the level of the word without changing the meaning; (2) most of the alternation vowels change from [+low, +back] vowel into [+high] vowel, namely umlaut process; (3) the consonant mutation corresponds with the phonological sets of the consonant in initial position or phoneme addition in the middle position. Thus, this study has enriched and enlarged the linguistics documentation for the umlaut and ablaut existence in the Austronesian language.
Co-Authors Adam Brahimi Cooper Agustia, Km Tri Sutrisna Aksar, Prinob Aminur Aminur Andryani, Gusti Ayu Made Terry Audrey Valeri Bagus Teresna Binaning Artha Dewa Ayu Made Gandariani Dewi, Komang Yuly Sintia Gita Maharani Kristina Kattu Gusti Ayu Komang, Putri Kencana Pebi Anitasari Gusti Ngurah Surya Permadi Pinatih Sargunawan Hariawati, Ni Nyoman I Gusti Agung Istri Aryani I Gusti Ayu Gede Sosiowati I Gusti Ngurah Parthama I Ketut Artawa I Ketut Darma Laksana I Ketut Sudewa I Made Budiarsa I MADE DWI KARDIASA I Made Madia, I Made I MADE RAJEG I Made Winaya I Nyoman Aryawibawa I Nyoman Sedeng I Putu Dion Ari Saputra I Putu Pebri Pranata I Wayan Arka I WAYAN PASTIKA I Wayan Simpen Ida Ayu Gede Laksemi Dewi Ida Ayu Ika Sarita Dewi Ida Ayu Kartika Lestari Ida Ayu Vivin Indah Sari S. Ida Bagus Rai Putra Irma Setiawan, Irma Ketut Widya Purnawati La Yani Luh Gde Titah Madriyanthi Utama Luh Putu Ratna Sari Made Detriasmita Saientisna Made Sri Satyawati Mahyuni Mahyuni Mahyuni, - Michelia Kanzha Novera Mulawarman Mulawarman Ngurah Parthama, I Gusti Ni Kadek Arik Sintya Dewi Ni Kadek Lestya Adnya Suari Ni Kadek Yuniantari Ni Ketut Sri Rahayunu Ni Luh Ketut Mas Indrawati Ni Luh Sutjiati Beratha Ni Made Ayu Widiastuti Ni Putu Dewi Cahyaningsih Ni Putu Era Puspita Yanthy Ni Putu Yunick Cahyani Ni Wayan Manik Septianiari Putri Ni Wayan Sukarini Ningrat, Ni Kadek Dwi Pradnya Novita Mulyana Novita Mulyana, Novita Nyoman Agus Trimandala Okasunu, I Gusti Ayu Sundari Pradhana, Ngurah Indra Primayani, Ni Putu Rahayu Putu Ayu Diah Damayanti Putu Gede Budiartha Putu Lirishati Soethama Putu Sandra Putri Astariani Putu Sandra Putri Astariani Ridho Saputra Rosmilinda Rinche Samhuddin Samhuddin, Samhuddin Sang Ayu Isnu Maharani Tita Anggara Tri Wulandari Utama, Luh Gde Titah Madriyanthi Utami, Ni Wayan Dina Sari Wikandina Putri, Ni Made Wimaguna, I Gde Tresnandika Yana Qomariana Yolanda, Thalia Yosef Demon