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Journal : Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris

Code Mixing Used by Yuki Kato in Bicara Cinta on Puella Id Youtube Channel Anggelliya, Ni Putu Cahya; Matradewi, Ni Ketut Widhiarcani; Sosiowati, I Gusti Ayu Gde
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 13 No. 2 (2024): Agustus 2024
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v13i2.9750

Abstract

Code-mixing gives an understanding of a mix of two languages or more by the multilingual. This study aims at defining the types and the factors causing the code-mixing used by Yuki Kato in a Youtube video. A mixed method was applied, with both qualitative and quantitative methods used in the study. The data is all of the words, phrases, or sentences that include the use of mixed codes in English and Indonesian Language, which was collected from one episode of Bicara Cinta on the PUELLA ID Youtube Channel. The code-mixing theory from Hoffman (1991) was used to analyze the data, including the types of code-mixing and the factors that caused the code-mixing. The analysis has identified 93 data on the use of code-mixing by Yuki Kato, including three types of code-mixing which are intra-sentential with 80 data found (86,02%), intra-lexical with 10 data found (10, 75%), and involving a change of pronunciation with 3 data found (3,23%). Six out of seven factors were applied in the code-mixing by Yuki Kato. The code-mixing produced by Yuki Kato is caused by several factors, those are talking about particular topic with 46 data found (49,46%), being emphatic about something with 35 data found (37,63%), intention of clarifying the speech content for the interlocutor with 7 data found (7,53%), repetition used for clarification with 2 data found (2,15%), interjection with 2 data found (2,15%), and quoting somebody else with only 1 data found (1,08%). There is no code-mixing caused by expressing a group identity. Keywords: Code-mixing, Codes, Youtube Channel
Women’s Language Style of Understanding Used in Pitch Perfect Movie. Eka Putri, A.A. Sg. Istri Adisti; Aryani, I Gusti Agung Istri; Sosiowati, I Gst. Ayu Gede
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 1 (2025): Februari 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v14i1.9945

Abstract

The title of this article is Women’s Language Style of Understanding Used in Pitch Perfect Movie. The article focuses on the language style used by women in movies, specifically understanding, and the function of understanding applied in the movies. This article uses Tannen's theory about women's language style of understanding that was presented by the main characters in Pitch Perfect movies as the data, also the function of understanding that using Holmes’s theory. This study discusses the language style that is used by women in movies, especially understanding, and also the function of understanding applied in the movies. This article used the movie script of Pitch Perfect movie as the main data, and findings showed that women characters often show their understanding towards each other. The data was collected using documentation and note-taking methods from the script and movie website. The study uses the descriptive qualitative method to analyze the types of women’s language styles and their functions. The results are presented in a descriptive way. The result found three (3) findings on women's language style of understanding. The language function used to express understanding were expressive and directive. The women characters in the movie used verbal and nonverbal communication to express their understanding toward each other. This study provides insights into how women use language to express their emotions and the different functions of the language they use to communicate with others. Keywords: Women’s Language Styles, Language Function, Understanding, Movie
Co-Authors Aeniaska, Nanda Putri Agus Yuda Renanda Sanditha Anak Agung Gde Bagus Rama Putra Anak Agung Sagung Shanti Sari Dewi Anggelliya, Ni Putu Cahya Arya Prawira Kusuma David Samuel Latupeirissa Dewa Ayu Dian Astawa Putri Efraim Aero Eka Putri, A.A. Sg. Istri Adisti Gres Rewung Kadmaerubun Gusti Ayu Indah Lestari I Gede Bagus Ariwangsa Rahmastra I Gede Pariasa I Gusti Agung Istri Aryani I Gusti Ayu Mahatma Agung I Gusti Ayu Mahatma Agung I Ketut Artawa I Ketut Darma Laksana I Ketut Oka Ribawa I Komang Sumaryana Putra I Komang Sumaryana Putra I Made Budiarsa I Made Exis Wijaya I MADE RAJEG I Made Sena Darmasetiyawan I Made Winaya I Nengah Sudipa I Nyoman Arya Wibawa I Nyoman Udayana I WAYAN PASTIKA I Wayan Simpen Ida Ayu Made Puspani Ida Bagus Putra Yadnya Kadek Adi Eka Wijaya konflik Sri Purnami Luh Ayu Deviana Sintya Luh Putu Laksminy Made Diah Padmawati Made Dody Aryawan Made Ratna Dian Aryani Made Sri Satyawati Matradewi, Ni Ketut Widhiarcani Miina Norvik Ni Kadek Diah Darmayani Ni Ketut Sri Rahayuni Ni Ketut Widhiarcani Matradewi Ni Luh Kade Yuliani Giri Ni Luh Ketut Mas Indrawati Ni Luh Nyoman Seri Malini Ni Luh Putu Yurikayani Ni Made Ayu Aprilia Gayatri Ni Made Ayu Widiastuti Ni Made Utari Handayani Ni Nyoman Astrini Utami Ni Nyoman Ayu Sanjiwani Ni Putu Alma Meyla Putri Ni Putu Devi Lestari Ni Putu Intan Gustianingsih Ni Putu Santi Ashari Rahayu Ni Wayan Evitayani Ni Wayan Sukarini Nissa Puspitaning Adni Putu Ayu Asty Senja Pratiwi Putu Gita Andriyani Putu Indry Prabhaswari Putu Laksminy, Luh Putu Lirishati Soethama Putu Rara Enika Sarash Putu Wahyu Widiatmika Putu Weddha Savitri S.A.I. Maharani Suarnanda, Ni Kadek Dea Nirmala Taopan, Talita Kum Tri Wulandari Widiatmika, Putu Wahyu Wulandari, Putu Gita Putri