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Journal : La Ogi : English Language Journal

An Analysis of Semiotic In Queen’s Song “Bohemian Rhapsody” Syamsu T; Andi Asrifan; Andi Sadapotto; Emy Nur Rahmayani; suleha .; abdul Kahar
La Ogi : English Language Journal Vol 9 No 1 (2023): January
Publisher : Prodi Pendidikan Bahasa Inggris, FKIP, LP3M Universitas Muhammadiyah Sidenreng Rappang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55678/loj.v9i1.844

Abstract

Analyzing data is an activity of thinking and recognizing data which is then described so that it becomes component signs. Regarding signs, in studying English several sciences need to be studied, one of which is semiotics. Semiotics is the study of signs contained in objects that have specific meanings. In this study the researcher wanted to analyze song from Band Queen, namely Bohemian Rhapsody, "Bohemian Rhapsody" is a song with various genre transitions, modulations, and tempos, changes to several genres and modulations that occur repeatedly in the song are closely related to how the structure is of the song is contained in it. This song has a hidden meaning and message, so the researcher wants to examine this song by using the theory from Roland Barthes which discusses connotation, denotation, and myth which are in line with the researcher's wishes. The method used in this research is the descriptive qualitative method. In this study, the researcher collected primary data obtained from the lyrics of the Bohemian Rhapsody song. This data includes themes, schemes, word meanings, and word stress in the lyrics of the Bohemian Rhapsody song. After the data were categorized according to Roland Barthes' theory, the data were then analyzed descriptively to answer this research question. After that, the researcher conducted a literature study by looking for references through literature both from books, document journals, and other related sources and other topics relevant to this research. The results of the study show that there are 7 parts of the stanza which are then interpreted using the Roland Barthes method, where almost every stanza discusses the feeling of regret experienced by the songwriter.
Co-Authors Abdul Kadir abdul Kahar aisa, Siti Amalia Amalia Andi Astinah Andi Karman, Andi Andi Nafisah, Andi Andi Riska Andreani Syafaruddin Andi Sadapotto Angga Nugraha AR, Trisnawati Ardika, Bagus Aslan Abidin, Aslan asma, Rasma Asrifan, Andi Aswadi Aswadi Aswadi Aswadi Asyanti Asyanti Buhari Buhari Bustamin Lamalla Damis, Dedy Suryadi Daniel Happy Putra Darmi, Darmi Desiani, Nur Fitria Eka Aprilia Bahrum Emy Emy Emy Nur Rahmayani Erwin, Muh Fenny Hasanuddin H. Agussalim Haeruddin Haeruddin Haeruddin Syarifuddin Hasan Hasan Hasnidar Hasnidar Hatimah, Huznul Idrus, Muhammad Ainun Ika Rama Suhandra Ince Nasrullah Irwan Irwan jamaluddin . Jamaluddin Ahmad Jumiati Lanta Jusman Tang Kamal, Kamal Karina Karina Karman, Andi Karman Kasau, M. Nursin R Kasman, Nuraini Kasman, Rosmini Khaeriyah Adri Khaeriyah Adri Khalik, Suhartini Khalik, Suhartini L., Syahrir Lanta, Jumiati M Nurzin M. Nurzin M., Usman M.Hijaz Tahir Mahmud, Nurlaelah Mardhatillah Muh Rais Rahmat Razak Muh. Rais Rahmat Razak Muhammad Hanafi Muhammad Hanafi Muhammad Nawir Muhammad Rais Rahmat Muhammad Rais Rasak Murdani, Elisa Mustanir, Ahmad Muthmainnah Muthmainnah Nadirah, Nadirah Nuraini K Nuraini Kasman Nurhalisa, Nurhalisa Nurzin Nurzin Pasyah, Nur Inayah’Tul Ma’wah Podding, Kamal Qais, Muhammad Hayat R. Kasau, M Nurzin Rais Rahmat Ramlan, Pratiwi Ramli, Ratu Bulkis Rasyid, Rustam Efendy Rifni Nikmat Syarifuddin Riski Monno Sari Rosmini Kasman Ryandi Ryandi Ryandi, Ryandi Saifullah Saifullah Saifullah Saifullah Saifullah Saifullah Saleh, Firman Sam Hermansyah Sari, Riski Monno Suardi Zain, Suardi Suardi, Sartika suci yanti Suhendra Suhendra Syahrir L Syamsunir, Syamsunir Syamsuriani Syamsuriani Syarifuddin, Haeruddin Syawalia, Laila T Syamsu Trisnawati Trisnawati Trisnawaty AR Umaira, Dinar Rahmatul Vargheese, K. J. yanti, suci Yulandari, Wanda Yusmah Yusmah Yusmah, Yusmah Zulkarnain Sulaiman