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Bayu Setiawan
Mahasiswa Jurusan Perencanaan Wilayah dan Kota, Fakultas Teknik, Universitas Diponegoro
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Journal : ANDHARUPA

 1 
REPRESENTASI SOSIO-KULTURAL MASYARAKAT BUDAYA AREK DALAM BONEKA WAYANG GATHOTKACA KRODHA PADA WAYANG JEKDONG Ayuswantana, Alfian Candra; Atmaji, Lutfi Tri; Setiawan, Bayu
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 10 No. 01 (2024): March 2024
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v10i01.8040

Abstract

AbstrakSeni wayang kulit Jekdong adalah warisan budaya komunitas budaya Arek yang telah berkembang sesuai dengan dinamika dan karakter budaya Arek. Boneka wayang kulit Jekdong memiliki fitur khas yang membedakan jenis wayang kulit lainnya di Pulau Jawa. Keunikan bentuk ini tidak lain adalah cerminan dari nilai-nilai lokal budaya Arek. Boneka tokoh Gathutkaca Krodha dianggap salah satu tokoh yang paling sesuai untuk mewakili seni wayang Jekdong. Gathutkaca Krodha adalah sosok yang populer karena intensitasnya yang sering ditampilkan dalam berbagai pertunjukan boneka Jekdong. Tujuan penelitian ini adalah untuk menelisik lebih dalam cara-cara masyarakat budaya Arek mencerminkan karakter budaya yang dimilikinya pada wujud visual boneka wayang Jekdong. Penelitian ini berfokus pada rupa visual boneka wayang Gathutkaca Krodha yang dianalisis berdasarkan komponen sindrom atau ciri-ciri rupa boneka wayang Jekdong dan didukung oleh teori semiotika Pierce dan Barthes dalam penelusuran pemaknaannya. Hasil penelitian menunjukkan bahwa penampilan wayang Gathutkaca Krodha mencerminkan karakteristik budaya agraris-pesisir rakyat jelata dengan menampilkan instrumen alat pertanian dan kecenderungan untuk mendekati bentuk kelugasan visual realis-naturalistik untuk mengkomunikasikan karakater sosok Gathutkaca. Kata Kunci: Arek, Gathutkaca Krodha, semiotika, wayang Jekdong AbstractJekdong Leather Puppet Art is a cultural heritage of the Arek cultural community that has developed in accordance with the dynamics and character of the Arek culture. Jekdong wayang kulit puppets have distinctive features that make distinctions from other types of wayang kulit on the island of Java. The peculiarities of this form of form are nothing but a reflection of local values of Arek culture. Gathutkaca Krodha's puppet figure is considered one of the most suitable figures to represent the Jekdong puppet art. Gathutkaca Krodha is a popular figure because of its intensity which is often shown in various Jekdong puppet shows. The purpose of this study is to explore more deeply the ways in which the Arek cultural community reflects the cultural character it has in the visual form of the Jekdong puppet. This study was analyzed by identifying the visual form based on the components of the syndrome or the visual characteristics of Jekdong puppet puppets, and supported by the theory of semiotics in the search for meaning. The results of the study show that the appearance of the Gathutkaca Krodha puppet puppet reflects the characteristics of the agrarian culture of the common people by displaying agricultural tool instruments and the tendencies to approach realis-naturalistic visual form to communicate the Gathutkaca figure.  Keywords: Arek, Gathutkaca Krodha, Jekdong puppet doll, semiotic
Co-Authors Abdul Ghofur Abdullah Achmad Fauzi Adhitia, Dimas Adiningrum , Maheswari Aditya Rahman Yani Airlangga, Eka Mas Tommy Aji, Restu Ismoyo Akhmad Syarief Alek Al Hadi Alfian Candra Ayuswantana Ali Rokhman, Ali ali, yusuf Alimuddin, Ahmad Noor Amandafira, Lailatul Azijah Andry Setiawan Andy Nugraha Angelia Hartati Sinambela, Fitri Apit Fathurohman Ardiah Juita Armansyah Armansyah Arvianti, Armita Astuti, Geovani Ayu Atmaji, Lutfi Tri Aufa Ramadhasari, Aulia AYU RAHMAWATI Azlan, Mohd Azzah, Zafirah Lifia Bakti Viyata Sundawa Bayu Wibisono, Aryo Budi Setiawan Chidtian, Aileena Solicitor Costa Rica El Daniar, Aninditya delonix, yudha Denok Kurniasih Diana Aqidatun Nisa Dini, Annisa Djoko Santoso Enjellita , Rissa Fadliyanur Fahrunnisa, Fahrunnisa Fauzi, Ah Sulhan Fauzi, Reza Mehdi Fitri , Anisa Gadis Cantik Bunga Tunjungwangi Hanafi, Aprinaldi Haqi, Muamar Harpendya, Ganes Herwina, Nevlin Cresentia Hidayat, Eri R Humaicha Mahira, Nafisa Ilham, M. Muslimin Indah Ramadhani, Wahyu Indarto Indarto Iqbal, Muhammad Raihan Ivan Sebastian Jinan, Rifa Fatma Joko Tri Nugraha Jumaryadi, Yuwan Juni Risma Saragih, Herlina Kholek, Abdul Kurniasari, Nurul Sandra Kusuma, Ade Lamijo, Lamijo Larasaty, Karunia M Faisal, Pebi Wahyudin M. Imron Mas’ud Mahardika Suryanto, Kristian Maheswari, Made Ruby Candra Marsa, Anantya Masa, Amin Padmo Azam Masdanur, Fadli Masnuna, Masnuna Maulana, Fajar Muhammad Nizar Ramadhan Munawaroh, Fadilah Musthofa Kamal N Nelfiyanti Nafisah, Jauharotun Nastiti, Ratna Andriani Ngudi Wiyatno, Tri Padoran , Jenita Nice Pradana, Jimmy Putra Pramesti, Rizka Sintya Prastyo, Yudi Pratiwi, Ambar Pujo Widodo, Pujo Pungky Febi Arifianto Puri Dewanggi, Amisha Nindi Putri, Widya Lestari Putut Pamilih Widagdo, Putut Pamilih Qisty, Fauziah Nauri Rachmat Setiawibawa Rahmadhanty, Erica Paramita Raihan, Muhammad Raihan Iqbal Ramadhan, Fahri Ratna Kusumawardani, Ratna Ridlo, M Harun Rosyid Ririn Puspita Tutiasri Risma Saragih, Herlina Juni Risma, Nafiatul Samongilailai, Jerlianus Samudera, Elang Santoso, Bilgies Diva Saputra, Dani Sari, Ika Juwita Shabrina Aulia Putri Sitinjak, Halomoan Freddy Slamet . Slameto, Ginanjar Hari Soetrisno, Ade Latifa Sri Rum Giyarsih Sri Wulandari Sudarsono, Djayeng Tirto Sukendro, Achmed Sumardjijati, Sumardjijati Suryanta, Dhanu Syamsunasir, Syamsunasir Symonsz, Domenique Issabell Nhatassa Talitha, Shakira Uksan, Arifuddin Utama, Anang Puji Wahyu Santoso Wibawati, Kholifatul Asysyifaa Nur Widyaningrum , Trianik Widyaningrum Widyasari Widyasari, Widyasari Widyastuti , Tia Sandy Widyastuti Wulandari, Sri Yeremia Alexander Abraham Hutagaol, Kennedy Yuvina, Yuvina Zaelany, Andy Ahmad Zahra , Aji Arinda Zahro, Mir’atuz