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All Journal CaLLs : Journal of Culture, Arts, Literature, and Linguistics Emerging Science Journal Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya JURNAL BAHASA, SASTRA DAN PEMBELAJARANNYA Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Sorai: Jurnal Pengkajian dan Penciptaan Musik Puitika Loa : Jurnal Ketatabahasaan dan Kesusastraan Borneo Educational Journal (Borju) Journal of Education Research Media Bina Ilmiah Pelita: Jurnal Pengabdian kepada Masyarakat Jurnal Penelitian Multidisiplin Bangsa Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat
Arifin, M Bahri
Fakultas Ilmu Budaya Universitas Mulawarman
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Public Health Social Sciences Other

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AN ANALYSIS OF VIOLATION OF MAXIMS BY MAIN CHARACTERS IN THE AGE OF ADALINE MOVIE Wulandari, Fevi; Arifin, M. Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6579

Abstract

This thesis discussed two problems: analyzing the maxims violated by the main characters in The Age of Adaline movie and the reasons why the main characters violated the maxims in the movie. The researcher chose two main characters who were influential in building the story. This is research was conducted using a qualitative method of content analysis because it focused on understanding the phenomenon of language in depth. In this study, data collection was done by watching and reading dialogues in The Age of Adaline movie This result of this study showed that they were nineteen dialogues containing all types of maxims violated by main characters. In this study, the main characters violated the quantity of maxim more often in conversation because it provides more information than needed. The reasons for violating the maxims were saving face, protecting the answer, avoiding the discussion, pleasing the interlocutors, communicating self-interest and misleading counterparts. It was also revealed that the main characters most frequently violated the maxim to avoid discussion due to their dislike about certain topics such as identity and work which causes misunderstandings between the main characters. The reason the main character often uses was avoiding the discussion because in The Age of Adaline, the main character tried to avoid her true identity to avoid things that will make her identity known to everyone.
THE HERO’S JOURNEY OF MONSTER IN FRANKENSTEIN: OR MODERN PROMETHEUS NOVEL BY MARY SHELLEY Hajrah, Siti; Arifin, M. Bahri; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 3 (2022): Juli 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i3.6167

Abstract

ABSTRACTThis research focuses on the journey of Monster’s character as the hero in Frankenstein: or Modern Prometheus novel by Mary Shelley. The purposes of this research are to present the extent of plot connected to the hero’s journey of Monster and identify how Monster can be depicted as hero by Joseph Campbell theory. Monomyth or Hero’s Journey theory by Joseph Campbell was used as the main theory to find out the stages of hero’s journey in Monster’s character. The method used in this research is a qualitative method. The data source of this research is a novel entitled Frankenstein: or Modern Prometheus by Mary Shelley. The data are words, sentences, paragraphs, narrations and dialogue that contain the description of the plot and hero’s journey.There are two results of this research. Firstly, it is found that the plot pattern in this novel is connected to the hero’s journey theory. Secondly, it showed that the Monster’s character undergoes all the eleven stages which are in line with Campbell’s Monomyth. These eleven stages are, 1. the call to adventure, 2. refusal of the call, 3. supernatural aid, 4. the crossing of the first threshold, 5. the belly of the whale, 6. the road of trials, 7. atonement with the father, 8. apotheosis, 9. the ultimate boon, 10. refusal of the return and 11. freedom to live. Therefore, this research had concluded that the Monster can be depicted as a hero based on his journey that followed the theories of plot and hero’s journey. Key words:  Hero’s Journey, Plot, the Monster, Frankenstein or Modern Prometheus.  ABSTRAK Penelitian ini berfokus pada karakter monster sebagai pahlawan dalam novel Frankenstein: or Modern Prometheus karya Mary Shelley.Tujuan dari penelitian ini adalah untuk menyajikan sejauh mana plot yang berhubungan dengan perjalanan Monster dan mengidentifikasi bagaimana Monster dapat digambarkan sebagai pahlawan menurut teori Joseph Campbell. Teori Monomyth atau Perjalanan Pahlawan oleh Joseph Campbell digunakan sebagai teori utama untuk mengetahui tahapan perjalanan pahlawan dalam karakter Monster. Metode yang digunakan dalam penelitian ini adalah metode kualitatif. Sumber data penelitian ini adalah novel Frankenstein: or Modern Prometheus karya Mary Shelley. Data berupa kata-kata, kalimat, paragraf, narasi dan dialog yang memuat deskripsi plot dan perjalanan pahlawan. . Ada dua hasil dari penelitian ini. Pertama, ditemukan bahwa pola plot dalam novel ini terkait dengan teori perjalanan pahlawan. Kedua, ini menunjukkan bahwa karakter Monster mengalami kesebelas tahap yang sejalan dengan Campbell's Monomyth. Kesebelas tahapan tersebut adalah, 1. the call to adventure, 2. refusal of the call, 3. supernatural aid, 4. the crossing of the first threshold, 5. the belly of the whale, 6. the road of trials, 7. atonement with the father, 8. apotheosis, 9. the ultimate boon, 10. refusal of the return and 11. freedom to live. Oleh karena itu, penelitian ini menyimpulkan bahwa Monster dapat digambarkan sebagai pahlawan berdasarkan perjalanannya yang mengikuti teori plot dan perjalanan pahlawan.Kata Kunci: Perjalanan Pahlawan, Alur, Monster, Frankenstein or Modern Prometheus.
FIGURATIVE LANGUAGE IN SONG LYRICS IN ED SHEERAN’S DIVIDE ALBUM Yansyah, Heri; Arifin, M. Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 3 (2022): Juli 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i3.6227

Abstract

Song lyrics have messages to convey to their listener and cannot be interpreted in literary ways. The researcher uses figurative language to analyze the song lyrics. This research is focused on the types of figurative language and its meaning used in Ed Sheeran’s Divide album. This research is included in descriptive qualitative research which is the appropriate method for analyzing the figurative language. There are two research questions in this research. The first research question is “what are the types of figurative language found in song lyrics in Ed Sheeran’s Divide album?”. The second research question is “what are the meanings of figurative language found in song lyrics in Ed Sheeran’s Divide album?”. By using Perrine’s theory, the result of the research showed that the types figurative language in song lyrics in Ed Sheeran’s Divide album are metaphor and metonymy. Beside metaphor and metonymy, the researcher also found another types of figurative language; such as simile, hyperbole, personification, understatement, and irony. By understanding the figurative language, the researcher is able to recognize the meaning of the song lyrics that contain figurative language. Most of the song lyrics in Ed Sheeran’s Divide album are about gratitude of the singer life and his finding in love. Based on the meaning that already found, the singer or the song writer mostly plays with associative meaning in order to use figurative language in his song lyrics.
Illocutionary Act In Finding Dory Film Febrimadani, Rendis; Arifin, M. Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.8555

Abstract

ABSTRACTThis study aims to find out the illocutionary acts uttered by the characters in the Finding Dory film based on Searle's theory and to identify the function of illocutionary acts uttered by the characters in the Finding Dory film based on Leech's theory. This study was conducted to further discuss how the characters convey the meaning from the utterances or dialogues. The utterances or dialogues convey the meaning that has a function that can turn speech into action. The forms of illocutionary acts represented by the characters in Finding Dory film were analyzed using the illocutionary acts by Searle's theory and also identified the function of illocutionary acts. This study was descriptive qualitative because the data were the utterances of the characters in the Finding Dory film. there were three-step that the researcher followed to complete this study. The first step is for the researcher selected the utterances or dialogues by three characters, which are Dory, Marlin, and Nemo in the Finding Dory film that contains illocutionary acts and categorized them; then the researcher identified the function. The second step is the researcher presented the findings by using the descriptive method. The last step is for the researcher to conclude from the findings. In this research, the researcher reveals that a good conversation can be called successful if each character can understand the meaning of the utterances conveyed by each other. In the Finding Dory film, the researcher found three types of illocutionary acts; they are assertive, directive, and expressive, and thus, the three types of functions of illocutionary acts; are collaborative, competitive, and convivial by the character’s utterances or dialogues. Keywords: Illocutionary Acts, Functions of Illocutionary Acts, The Finding Dory film ABSTRAKPenelitian ini bertujuan untuk mengetahui tindak ilokusi yang terdapat dalam tuturan para tokoh dalam film Finding Dory yang dilandasi oleh teori Searle dan untuk mengidentifikasi fungsi tindak ilokusi tuturan para tokoh dalam film Finding Dory yang dilandasi oleh teori Leech. Penelitian ini dilakukan untuk membahas lebih jauh bagaimana para tokoh menyampaikan makna melalui tuturan atau dialog.Tuturan atau dialog yang disampaikan mengandung makna yang memiliki fungsi yang dapat mengubah tuturan menjadi suatu tindakan. Bentuk-bentuk tindak ilokusi yang diwakili oleh para tokoh dalam film Finding Dory dianalisis dengan menggunakan teori tindak ilokusi Searle dan juga mengidentifikasi fungsi tindak ilokusi. Penelitian ini bersifat deskriptif kualitatif Karenadatanya berupa tuturan-tuturan para tokoh dalam film Finding Dory. Ada tiga langkah yang peneliti lakukan untuk menyelesaikan penelitian ini. Langkah pertama peneliti memilih dialog ujaran dari tiga karakter, yaitu Dory, Marlin, dan Nemo dalam film Finding Dory yang termasuk tindak ilokusi dan mengkategorikannya; kemudian peneliti mengidentifikasi fungsinya. Langkah kedua, peneliti mempresentasikan temuannya dengan menggunakan metode deskriptif. Langkah terakhir adalah peneliti menarik kesimpulan dari temuan. Dalam penelitian ini, peneliti mengidentifikasi bahwa percakapan yang baik dapat dikatakan berhasil jika masing-masing karakter dapat memahami makna dari tuturan yang disampaikan oleh satu sama lain dalam film Finding Dory, peneliti menemukan tiga jenis tindak ilokusi, yaitu asertif, direktif, dan ekspresif, dan tiga jenis fungsi tindak ilokusi, yaitu kolaborasi, kompetitif, dan convivial berdasarkan tuturan atau dialog para tokoh. Kata Kunci: Tindak Ilokusi, Fungsi Tindak Ilokusi, film Finding Dory
WOMEN’S LANGUAGE FEATURES USED BY ELSA AND ANNA IN FROZEN II MOVIE Tombang, Nopita; Arifin, M. Bahri; Ariani, Setya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6359

Abstract

This study aims to find women’s language features used by Elsa and Anna in Frozen II movie using Lakoff’s theory. This research used the qualitative method. The data were generated from the movie and movie scripts in the form of utterances and conversations expressed by Elsa and Anna. The researcher generated the data from the movie and movie script in the utterances and conversation. The result of the study showed that there were 35 data that contained women’s language features in the movie. There were nine types of women’s language features found in the movie. The women’s language features were found in the movie are Lexical hedges or filler, tag question, rising intonation, and empty adjective, intensifier, hypercorrect, superpolite, avoidance of strong words, and emphatic stress. In this movie, lexical hedges or fillers are the dominant women’s language features were found in this research.
Politeness Strategies Used by the Main Characters in Christopher Robin (2018) Film Rachman, Khairur; Arifin, M. Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.8310

Abstract

This research focuses on the politeness strategies used by the main characters of Christopher Robin film. The objectives of this research are to find out the politeness strategies used by the main characters of the film and to explain the motivations of the main characters of the film in using the politeness strategies. This research is a qualitative research with content analysis approach. The data sources of this research are the screenplay of Christopher Robin film and the transcript of the dialogue done in the film. The data were taken from the dialogues and utterances from the main characters containing politeness strategies. All of the main characters of the film used politeness strategies. However, not all of the main characters used all of the types of politeness strategies. Christopher was the one who used the politeness strategies most because he was the character who had the utterances and dialogues most compared with the other main characters. Pooh, as the second main character, did not use any off record strategy to all other characters he interacted with. The last main character, Madeline, used the off record politeness strategy most, in contrast with Pooh, even with the fact that she had the least dialogues from all of the main characters. For the motivation in using politeness strategies, only Christopher had the two kinds of motivation in using politeness strategies: intrinsic payoffs and sociological variables circumstances; Pooh and Madeline only had one of those kinds: intrinsic payoffs.
ANALYSIS OF FLOUTING OF CONVERSATIONAL MAXIMS BY CHARACTERS IN THE HELP MOVIE Hamidah, Nurul; Arifin, M. Bahri; Ariani, Setya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 1 (2022): Januari 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i1.5100

Abstract

ABSTRACT This study focused on analyzing  flouting of maxim that was performed by characters and the reasons for characters flouting maxims in The Help movie. This study used a qualitative content analysis. The data source was from The Help movie’s script. The data were in the form of dialogues and utterances among characters that contained of flouting maxims. Through the analysis process, the researcher found 32 data containing of all flouting of maxim types: flouting of maxim of quantity, flouting maxim of quality, flouting of maxim of relevance, and flouting of maxim of manner. In addition, the characters flouted the maxims due to several reasons such as competitive, convivial, collaborative, and conflictive. Maxim of quality became the most frequent flouted type and mostly came together with conflictive through making sarcastic utterances. The characters gave sarcastic utterances because the interlocutors kept talking about the speaker’s dislike topic, such as getting marriage and downgrading the job.Key words: Cooperative Principle, Conversational Maxims, Flouting of Maxims ABSTRAKFokus penelitian ini adalah untuk menganalisa jenis penyimpangan maksim yang dilakukan oleh karatkter dan alasan mengapa mereka menyimpang maksim di film The Help. Penelitian ini menggunakan metode penelitian analisis kualitatif pada konten. Sumber data adalah dari naskah film The Help dan data dalam bentuk dialog dan ujaran antara karakter yang berisi penyimpangan terhadap maksim. Setelah menganalisa data, peneliti menemukan 32 data yang menunjukkan semua jenis maksim telah disimpangkan di film The Help, yaitu maksim kuantitas, maksim kualitas, maksim relevansi, dan maksim cara. Selain itu, karakter menyimpang maksim karna beberapa alasan, yaitu kompetitif, konvivial, kolaboratif, dan konfliktif. Maksim kualitas menjadi tipe yang paling sering disimpang dan hampir semua menggunakan konfliktif sebagai alasan dengan membuat ujaran sarkastik. Ujaran sarkastik dibuat untuk menyinggung lawan bicara karena mereka terus membahas topik yang tidak disukai oleh penutur, seperti menyuruh untuk cepat menikah dan merendahkan pekerjaan.Kata kunci: Prinsip kooperatif, maksim konvensional, pinyampangan maksim.
An Analysis of Repetition Used in Shawn Mendes' Selected Song Lyrics Lestari, Della Amelya Indah; Arifin, M. Bahri; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 4 (2021): Oktober 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i4.4743

Abstract

The objective of this research was to describe the types of repetitions in Shawn Mendes’ selected song lyrics to find their functions in the selected song lyrics that the researcher chooses for this study. This study employed a qualitative design with a stylistic approach that aims to the types and functions of repetitions in Shawn Mendes’ song lyrics. The result of this study shows that all nine types of repetitions were found in this study. There are forty-six alliterations, twenty-six assonances, twenty-one consonances, five refrains, four feminine rhymes, five masculine rhymes, two internal rhymes, eighteen end rhymes, and five approximate rhymes. And besides that, it is possible to have more than one type of repetitions and functions in one data. The most dominant repetition in this study is alliteration. After categorizing and interpreting the data, the researcher found three out of four functions of repetition found such as; to reinforce meaning, to emphasize certain words, and to link up or contrast words. And also based on the result mention above, the researcher can conclude that Shawn Mendes has a narrative style of writing because of the way he wrote his lyrics that has the repetition of persuasive lines that he often emphasized in his song lyrics.
AN ANALYSIS OF SYNTACTICAL DEVIATION IN ED SHEERAN'S SELECTED SONG LYRICS Gafur, Abdul; Arifin, M. Bahri; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 4 (2021): Oktober 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i4.4754

Abstract

The objectives of this research are to find out the types and the functions of syntactical deviation used in Ed Sheeran’s selected song lyrics. This analysis includes to qualitative method. This research used seven famous songs of Ed Sheeran as the source of data. The data were taken from the lines of the seven selected songs of Ed Sheeran that considered to have syntactical deviation. Through the findings of the analysis, there were 7 (seven) types of syntactical deviation namely double negation, omission, deviation of verb, deviation of preposition, deviation of article, anastrophe, and hypallage were employed in the selected songs of Ed Sheeran. The omission type was the most frequently used in the song lyrics of Ed Sheeran. Functionally, it is to indicate an omission of unnecessary words or information. It means that the lyrics of the song mostly omitted by Ed Sheeran, it is to make the song denser which means it talks a lot in a brief statement and also match with the melody or music. Otherwise, overgeneralization, deviation of noun, deviation of pronoun, and hysteron proteron were not found in the selected songs of Ed Sheeran, because those types of syntactical deviation cannot represent the motives that Ed Sheeran want to convey in his song lyrics.
An Analysis of Slang Words in IT Movie Munthe, Presly Rosalina; Arifin, M. Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.6663

Abstract

This research discussed slang words found in the movie entitled It directed by Andy Muschietti. This research aimed to find out the kinds of slang words and to know the function of slang words used in It movie. This research was conducted using a descriptive qualitative method. Regarding the research findings, there were two kinds of slang that have been found from twelve kinds of slang theory by Partridge. They are society slang and public house slang. Meanwhile, the next finding was the function of slang. The writer found that there were six functions of slang in It movie, namely to address, to form intimate atmosphere, to initiate relax conversation, to reveal anger, to humiliate, and to show intimacy. This research was expected to enrich the new English vocabulary used in daily conversation. The writer suggested the further researchers to analyze slang with another theory and use a poem, novel, advertisements, or song as the object of research.
Co-Authors Aan Komariah Abd. Rahman Abdul Basir Adung, Narsela Alfiansyah, Riska Amelia Ali Kusno Ali Kusno Amiruddin Amiruddin Anggreeni, Devi Indah Annisa Akhlak, Annisa Aprazaq, Fikri Yassaar Aprilia, Anissa Dwi Apriliani, Putri Salsabilah Aprillia Miftaqul Wijiningtias Arif Mazhuri Saputro Aryzona, Chandika Asnan Hefni Asnan Hefni Astuti, Risna Dwi Atillah, Widya Ayu Susana Azainil Azainil Azkiya, Ziyan Bibit Suhatmady Candra, Sutiwi Indriani Chris Asanti Chris Asanti, Chris Daynikita Merisabel DESI NATALIA, DESI Diding Nurdin, Diding Fahmi Shifa' Ushudur Fahrul Rozi Fatimah M. Febri Rhamadani, Siti Natasya Febrimadani, Rendis Fransiska Yuanita Gevorg T. Malashenko Gina Anggraeni Hajrah, Siti Hasyim, Sayid Ferhat Hutapea, Maria C. L. Ian Wahyuni Ibrahim, Zulfah Indah Sari Lubis Indah Sari Lubis Indah Sari Lubis, Indah Sari Inna N. Rykova Irhana, Amalia Jaya, Ferry Fitra Jonathan Irene Sartika Dewi Max Kenedi Wahyu Saputra Lestari, Della Amelya Indah Lili Abdullah Rozak M., Fatimah Macshury, Ajeng Irma Maria Teodora Ping, Maria Teodora Meydli Dwiayu Garaga Mikhail E. Kosov Mirawati Mirawati Mohammad Siddik Munthe, Presly Rosalina Mursalim Mursalim Mursalim Mursalim Nainggolan, Filipus Nainggolan, Olleta Vichi Nasrullah Nasrullah Nasrullah Nasrullah Nisyah, Khairun Nita Maya Valiantien Nurmala, Devi Nurul Hamidah, Nurul Olesya V. Dudnik Olga A. Grishina Pasande, Priskila Ekawati Anggana Pratiwi Sudirman, Eka Purwanti Puteri, Maharani Saskia Rachman, Khairur Rahayu, Famala Eka Sanhadi Rahayu, Fita Nur Rahman , Andika Rajja Rajja Rakhmad Syarif Rimadhani, Novia Rizky Ririn Setyowati Ririn Setyowati Rizkiyah, Muthiatur Rujina, Rujina Saferi Yohana Samperinding, Timorinda Sanhadi R., Famala Eka Sari, Mayang Hima Setya Ariani Singgih Daru Kuncara Siti Seliyanti Aneira Husain Solikhin, Nurul Hadi Solly Aryza Subli, Ach Sudirman, Khairul Sumantri, Wilis Haryo Sumual, Merciana S. Syahfitri, Novi Syaiful Arifin Syamsiar, Syamsiar Syamsul Rijal Tawakal, Alamsyah Tombang, Nopita Ulandari, Tri Vadim V. Ponkratov Vitaloca, Izzah Wahyudi, Rino Tri Wahyuni, Ian Wahyuni, Mery Wasis Sirutama Widyatmike Gede Mulawarman Wijaya, Angga Rinaldy Wilma Prafitri Winnugroho Wiratman, Manfaluthy Hakim, Tiara Aninditha, Aru W. Sudoyo, Joedo Prihartono Winora, Anisa Wulandari, Fevi Yahya, Masrur Yansyah, Heri Yofi Irvan Vivian Yofi Irvan Vivian, Yofi Irvan Yudista, Rensiana Yulinda Ari Wardani Yuni Kartika, Yuni Yusriansyah, Eka