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All Journal Humaniora Politika: Jurnal Ilmu Politik Hexagone KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Analisa Jurnal Pendidikan Ilmu Sosial Kajian Linguistik dan Sastra Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan ProTVF ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Aksara Madaniyah: Terciptanya Insan Akademis Berkualitas Dan Berakhlak Mulia Manuskripta Ranah: Jurnal Kajian Bahasa Kandai Jurnal Madah Jurnal Bahtera - Jurnal Pendidikan Bahasa Sastra dan Budaya Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan SCAFFOLDING: Jurnal Pendidikan Islam dan Multikulturalisme LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal Pembelajaran Sastra IBDA': Jurnal Kajian Islam dan Budaya Arif: Jurnal Sastra dan Kearifan Lokal Analisa: Journal of Social Science and Religion Jurnal SMART (Studi Masyarakat, Religi, dan Tradisi) Javanologi: International Journal of Javanese Studies Jurnal Sosial, Politik dan Budaya (SOSPOLBUD) Proceeding of International Conference on Humanity Education and Society Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Aksara Indonesian Language Education and Literature Ranah: Jurnal Kajian Bahasa
Bani Sudardi
Universitas Negeri Sebelas Maret
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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NILAI-NILAI KITAB TARJAMAH SABIL AL-‘ABID ‘ALA JAWHARAH AL-TAWHID PADA MASYARAKAT PESANTREN KETURUNAN JAWA DI SELANGOR Mohd Taufik Arridzo bin Mohd Balwi; Bani Sudardi
IBDA` : Jurnal Kajian Islam dan Budaya Vol 15 No 2 (2017): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (617.61 KB) | DOI: 10.24090/ibda.v15i2.1336

Abstract

Muhammad Salih Ibn ‘Umar Semarang is one of the scholars from Java who lived during the colonialism of Netherlands in 19 th century un- til the early of 20 th century (1820-1903). He wrote a lot of religious books in Pegon Javanese language. One of his books is the book of Tarjamah Sabil al-‘Abid ‘ala Jawharah al-Tawhid . The book elaborates the principles of one God conception in terms of ahlu Sunnah wa al-Jamaah . Although Muhammad Salih bin ‘Umar Semarang has never been in Malay Peninsula, but his books including Tarjamah Sabil al-‘Abid ‘ala Jawharah al-Tawh id has entered Malay Peninsula and been read as well as been learned by the societies of Malay Peninsula especially the descendants of Javanese society. The book gives sufficient and thoughtful knowledge regarding one God conception. The targeted readers and learners of Tarjamah Sabil al-‘Abid ‘ala Jawharah al-Tawhid are the ordinary Islamic community, especially the Javanese descendants. Therefore, this paper discusses some principles elaborated in the book that influence the faith of Javanese descendants who live in Malay Peninsula based on Ahlu al- Sunnah wa al-Jamaah principles.
The Concept of Ukhuwah Wathoniah in the 12 Gurindam Poems by Raja Ali Haji Mhd Halkis; Bani Sudardi
IBDA` : Jurnal Kajian Islam dan Budaya Vol 20 No 1 (2022): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1030.451 KB) | DOI: 10.24090/ibda.v20i1.6668

Abstract

This study explains the values of ukhuwah wathoniah in the poem Gurindam 12 by Raja Ali Haji. Researchers used a literature review method with three steps. First the exploration of Malay cultural texts related to ukhuwah wathoniah, and data collection through the internet, libraries, and scientific dialogues with experts. The second, uncover the meanings of the essential phrases found in Gurindam 12. The third, constructs the values found. The study's results found that the values of ukhuwah wathoniah in Gurindam 12 contain fundamental values, practical operational values, and reflective meta-values. The fundamental values in building ukhuwah wathoniah are; knowledge, nobility, language, the goal is happiness and glory. In practical operational values, one can understand textual and contextual issues, issues of humanity and unity, and issues of justice and welfare. The Meta-Reflective Approach Gurindam 12 values can be reflected in building nationalism in the era of Industry 4.0. In conclusion, the values of ukhuwah wathoniah are relevant to understanding the phenomenon of the Unitary State of the Republic of Indonesia as a country. This originated from a sense of togetherness of nations in the post-colonial archipelago of the Dutch East Indies and continues to grow to achieve common goals. Cultural works reflect the creativity of generations in their time. Thus, Raja Ali Haji's Gurindam 12 complements the Language Manual, which was used as a guide in the Sumpah Pemuda (Youth Oath) of October 28, 1928, to promote Malay as the national language of Indonesia. The rise and fall of Indonesia-Malaysia relations can be understood in the context of ukhuwah wathoniah and ukhuwah Islamiah.
THE REFLECTION OF TRANSITIONAL SOCIETY OF MYTILENE AT THE END OF THE ARCHAIC PERIOD (8TH – 5TH CENTURY B.C.) A STUDY ON SAPPHO’S “ODE TO ANAKTORIA” Lydia Kanelli Kyvelou Kokkaliari; Bani Sudardi
Analisa: Journal of Social Science and Religion Vol 2, No 01 (2017): Analisa Journal of Social Science and Religion
Publisher : Balai Penelitian dan Pengembangan Agama Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4645.193 KB) | DOI: 10.18784/analisa.v2i01.414

Abstract

This article discusses Sappho’s “Ode to Anaktoria” (fragment 16) poem as a ‘marginal’ product of an aristocratic intellectual in the transitional society of Mytilene at the end of the Archaic Period (8th-5th century B.C.). The research method is a kind of media analysis. The mean of “media” in this paper related to “A means by which something is communicated or expressed” It is laso relate to the intervening substance through which sensory impressions are conveyed or physical forces are transmitted. Media also means as a substance in which an organism lives or is cultured. On the other hand, media is a material or form used by an artist, composer, or writer; We interpreted Ode to Anaktoria  in the means as the terms of media above. Sappho (born 610, died 570 B.C.) is a renowned Greek lyric poetess and musician and is greatly admired in all ages for the beauty of her writing style. Plato’s 16th epigram dedicated to her reads “Some say there are nine Muses; but they should stop to think. Look at Sappho of Lesbos; she makes a tenth”. Sappho is additionally ranked among the Nine Lyric Poets esteemed by the scholars of Hellenistic Alexandria as worthy of critical study. “Ode to Anaktoria” is read through the historic-political concept of hegemony as suggested by Gramsci. In this view, the moment of “hegemony” or of cultural leadership is systematically upgraded precisely in opposition to the mechanistic and fatalistic concepts of economism. Sappho’s fragment 16 does not only indicate defiance to androcentric (epic) categories; she suggests nonnormative, thus new, ways of contemplating life (lyric).
ESKATOLOGI ISLAM DALAM SYAIR IBARAT DAN KHABAR KIAMAT Islamic Eschatology in Syair Ibarat and Khabar Kiamat Novi Setyowati; Nuraini Isti Kusumah; Partini Partini; Puput Puji Lestari; Umi Amanah; Bani Sudardi; Roch Aris Hidayat
Jurnal SMART (Studi Masyarakat, Religi, dan Tradisi) Vol 3, No 2 (2017): Jurnal SMaRT Studi Masyarakat, Religi, dan Tradisi
Publisher : Balai Penelitian dan Pengembangan Agama Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1064.739 KB) | DOI: 10.18784/smart.v3i2.524

Abstract

Eschatology is a doctrine of theology concerned with the end of the world or end times. It is futuristic, that is to say, a doctrine directed to the future. Islam has pillars that everyone must have or often referred to as the pillars of faith. One of which is the belief in things that will happen in the future, especially life after death. Discussion about life after death is included in eschatology. This study is intended to describe the content of classical Malay texts; Syair Ibarat and Khabar Kiamat. The study of this text is done by approaching the eschatological concepts contained in the text. The findings are that this poem contains eschatological concepts, namely (1) death, (2) barzakh (a period or state between death and resurrection), (3) kiamat (doomsday), (4) resurrection day, (5) mahsyar (6) heaven, and (7) hell. The study of the concept of eschatology in the classical Malay texts of Syair Ibarat and Khabar Kiamat is a means to convince human beings about life after death.
Pragmatic Study of Discourse Hegemony on the Enactment of Dhalang Trah in Ruwatan Ceremony: A Critical Discourse Analysis Approach Efendi, Agus; Purwasito, Andrik; Sudardi, Bani; Abdullah, Wakit
Komunitas Vol 8, No 2 (2016): September 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v8i2.6754

Abstract

This study applies qualitative research with Critical Discourse Analysis (CDA) of Fairclough (1995) and the criticism on the ideological dissection of social opacities. The data collection encompasses the interactive and non-interactive techniques which involve the techniques of in-depth interviewing, observation and content analysis. Results of the analysis reveal that units of language use reflected from the texts and contexts of the ruwat puppeteer based genealogy's enactment can be traced from the use of modalities, the phrase ‘mboten kalilan’ (impermissible, unable) in the decree of dhalang ruwat can be further extend to express the word ‘unable’ and ‘able to’, other aspects such as politeness, metaphors, ethos which is classified into the verbal and non-verbal discourse are the devices of discursive enactment of the elite power of dhalang trah. The findings conclude that there is arising symptoms of social inequality narrowing the role and significance of the non-ruwat puppeteers. The hegemonic practice such as the discursive enactment of dhalang trah (descendent of Ki Lebdajiwa) is determined by certain associations which try to normalize certain condition. The argument which refers to the enactment of Ki Lebdajiwa and his descendants as the holder of power is enacted through transactional form, where power is centered on one point.
Critiques on the Ideologies of Contemporary Bedhayan Dances Sawitri, Sawitri; Sudardi, Bani; Abdullah, Wakit; Chaya, Nyoman
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.7497

Abstract

This present paper provides a descriptive analysis toward a traditional court dance called Bedhaya, one of the cultural products of the Javanese community in Surakarta which evolved into its modern version Bedhayan due to the flow of global culture. By applying the theories of hermeneutics, ideology, aesthetics and Semiotics, the data are inferred according to the purposed questions. The inquiry is directed to infer the factors encompassing Bedhaya dance such as its emergence and the development, relationship with the existence and its role in the society, the relationship with systems within the society or with various interests. The results as inferred from the data obtained views in looking at the development on the classical dance of Bedhaya into Bedhayan left worthy of critical assessments. The reality of Bedhayan dance in the view of art as an ideology, from the outside, appears that the choreograhers/artists can freely express their creative ideas in the context of the fight agains the classical culture which is strongly enacted by the myths and power of the rulling king. However, it should be noted that Bedhayan dance artists which have managed to bring the classical bedhaya dance out of the walls of the Kraton also in essence always work in the confines of the iron curtain of a creativity called ‘ideology’. Whether consciously or not, being forced or sincere in living it, these choreographers actually fall into the life orientation which solely  concerns the fulfillment of material needs.
Social Criticism in the Text Scripture of Dharmasonya Aryanto, Aris; Sudardi, Bani; Purwasito, Andrik; Wakit, Abdullah
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.8340

Abstract

This study took a closer look at the socio-condition of the Javanese people in Surakarta at the time Dharmasonya (Ds) text was produced through a perspective of critical-sociological studies. The present Ds text was read through seeing the historical life of the Islamic religion. The main objective of this study was to probe socio-cultural life of the society in the age the Ds text was produced. The data source used was the translation of Ds text by Suratmin which was issued by the Ministry of Education and Culture. To obtain the objectives, study on the Ds text was compared with other similar ancient texts of the same themes produced in the same time; these texts were Serat Wedhatama by KGPAA Mangkunegara IV (1853-1881) and Serat Tjemporet by R.Ng. Ranggwarsita. The data was analyzed through perspectives of Hermeneutic and Semiotics methods. The result shows that in Ds text, social criticism was an attempt to resist against the dynamic circumstances faced by the society at the time wherein the social status and nobility became people’s life concern. Such circumstance has apparently been used at least by a stream of Islamic group to write religious text in literary form, since religious doctrine was considered as one of the powerful weapons to control the society. Thus, most people would forcefully obey and submit to the teachings of Islam based on the Sharia law.
Between Economic Burden and Cultural Dignity: Belis in the Marital Custom of the NTT Society Rodliyah, Siti; Purwasito, Andrik; Sudardi, Bani; Abdullah, Wakit
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.8672

Abstract

The indigenous marital system giving belis ‘bride price’ practiced by the East Nusa Tenggara (NTT), Indonesia, is one of the Nusantara marital custom phenomena that  today has developed and raised issues of both pros and cons which deserves critical scrutiny from Cultural studies and Anthropological perspective. Both perspectives facilitate the critical standpoint of the NTT society’s mindset summarized in the cultural or customary marriage rules requiring a marriage with belis. This study revealed that in the attitude towards belis, the East Nusa Tenggara women agreed and taken for granted the construction of their reality and power production through various discourses. Current practice of belis raises the economic capitalism up to the identity contestations. Lately, the essence and value of belis have changed and are likely to be more commercial. Even some may view it as mere a symbol and customary fixtures, such as in the region of Lamaholot imposing the elephant tusks, and the Allor society with their Moko as the payment methods of belis.  Belis has left biggest challenge for the communities who are not able to afford higher bride-price objects, this consequently lead to a more emerging unlawful marriages as a resistance against the unresolved poverty problems.
Construction of Self-Identity: “Blusukan” as the Strategy of Campaigning for Surakarta City Mayor Election Gama, Betty; Sudardi, Bani; Abdullah, Wakit; Wijaya, Mahendra
Politika: Jurnal Ilmu Politik Vol 12, No 2 (2021)
Publisher : Magister Ilmu Politik, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/politika.12.2.2021.222-235

Abstract

In political communication, “blusukan” (impromptu visit) is called door to door campaign, in which candidates conduct face-to-face communication by visiting the people directly. This situation creates personal intimacy in the sense of there is no physical distance and formal protocolary distance. People can see the personality of their candidate leaders closely. This face-to-face communication meeting can be interpreted that the candidates "nguwongke" (humanizing), putting the people not onto the context of profit-loss-based rational relation (between the electorate and the elected), but putting them as partners inseparable from the successful candidate leader. This study is based on fieldwork in Surakarta during the mayor election, applied in-depth interviews with politicians. While in ancient times the leader conducted "blusukan" to know his people’s condition, “blusukan” during the campaign for Mayor Election is conducted to socialize or to introduce the couples to the people. Having known the candidates, people are expected to think of whether or not they will elect them.
THE REFLECTION OF TRANSITIONAL SOCIETY OF MYTILENE AT THE END OF THE ARCHAIC PERIOD (8TH – 5TH CENTURY B.C.) A STUDY ON SAPPHO’S “ODE TO ANAKTORIA” Kokkaliari, Lydia Kanelli Kyvelou; Sudardi, Bani
Analisa: Journal of Social Science and Religion Vol 2, No 1 (2017): Analisa: Journal of Social Science and Religion
Publisher : Balai Penelitian dan Pengembangan Agama Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18784/analisa.v2i01.414

Abstract

This article discusses Sappho’s “Ode to Anaktoria” (fragment 16) poem as a ‘marginal’ product of an aristocratic intellectual in the transitional society of Mytilene at the end of the Archaic Period (8th-5th century B.C.). The research method is a kind of media analysis. The mean of “media” in this paper related to “A means by which something is communicated or expressed” It is laso relate to the intervening substance through which sensory impressions are conveyed or physical forces are transmitted. Media also means as a substance in which an organism lives or is cultured. On the other hand, media is a material or form used by an artist, composer, or writer; We interpreted Ode to Anaktoria  in the means as the terms of media above. Sappho (born 610, died 570 B.C.) is a renowned Greek lyric poetess and musician and is greatly admired in all ages for the beauty of her writing style. Plato’s 16th epigram dedicated to her reads “Some say there are nine Muses; but they should stop to think. Look at Sappho of Lesbos; she makes a tenth”. Sappho is additionally ranked among the Nine Lyric Poets esteemed by the scholars of Hellenistic Alexandria as worthy of critical study. “Ode to Anaktoria” is read through the historic-political concept of hegemony as suggested by Gramsci. In this view, the moment of “hegemony” or of cultural leadership is systematically upgraded precisely in opposition to the mechanistic and fatalistic concepts of economism. Sappho’s fragment 16 does not only indicate defiance to androcentric (epic) categories; she suggests nonnormative, thus new, ways of contemplating life (lyric).
Co-Authors Abdul Rasyad Abdullah, Wakid Afiliasi Ilafi Afiliasi Ilafi Afiliasi Ilafi Afiliasi Ilafi Afiliasi Ilafi, Afiliasi Agus Efendi Ana Mulyono Andrik Purwanto, Andrik Andrik Purwasito Aris Aryanto Asep Yudha Wirajaya Asep Yudha Wirajaya Asep Yudha Wirajaya Betty Gama Dwi Listyorini Dwi Sulistyorini Dwi Susanto Elis Suryani Nani Sumarlina Endang Tri Irianingsih Handayani, Sri Herry Nur Hidayat Istadiyantha Istadiyantha Istadiyantha Istadiyantha Istadiyantha Istadiyantha Istadiyantha Istandiyantha Istandiyantha Kokkaliari, Lydia Kanelli Kyvelou Lia Sukmawati Lydia Kanelli Kyvelou Kokkaliari Mahendra - Wijaya Mahendra Wijaya Mahendra Wijaya Mahendra Wijaya Mohd Balwi, Mohd Taufik Arridzo bin Mohd Taufik Arridzo Mohd Taufik Arridzo bin Mohd Balwi Mohd Taufik Arridzo, Mohd Taufik Mugiyatna Mugiyatna Mugiyatna, Mugiyatna Muhammad Halkis Mulyono, Ana Murtini Murtini Naini, Margarita Olegovna Nanang Rizali nfn Supana Niyoko - Niyoko Novi Setyowati Nuraini Isti Kusumah Nyoman Chaya Nyoman Chaya Nyoman Chaya, Nyoman Pande Made Sukerta Partini Partini Pawestri, Wening Pradanta, Sukmawan Wisnu Puji Darmoko Puput Puji Lestari Rangga Saptya Mohamad Permana Roch Aris Hidayat Saefullah, Muhammad Iqbal Sahid Teguh Widodo Sahid Teguh Widodo Sawitri Sawitri Sawitri Sawitri Sawitri Siti Rodliyah, Siti Situ Asih Slamet Subiyantoro Sri Kusumo Habsari Sukmawan Wisnu Pradanta Sunarmi Sunarmi Supana Supana Supana Supana Titik Wijanarti Titis Srimuda Pitana Titis Srimuda Pitana Titis Srimuda Pitana Titis Srimuda Pitana, Titis Srimuda Tri Indri Hardini Triatmo, Bambang Triguna, IBG Yudha Umi Amanah Undang Ahmad Darsa Wakid Abdullah Wakit Abdullah Wakit Abdullah Rais Warto - Warto Warto Warto Warto Wening Pawestri Wibowo, Prasetyo Adi Wisnu