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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Ulul Albab: Jurnal Studi Islam El-HARAKAH : Jurnal Budaya Islam DeKaVe Geoplanning : Journal of Geomatics and Planning Channel : Jurnal Komunikasi Mozaik Humaniora SINEKTIKA: Jurnal Arsitektur KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) Religious: Jurnal Studi Agama-Agama dan Lintas Budaya International Journal of Science and Applied Science: Conference Series Proceeding of International Conference on Art, Language, and Culture Journal of Architectural Research and Design Studies Proceeding Humaniora Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia J-ADIMAS (Jurnal Pengabdian kepada Masyarakat) Jantra Jurnal Berdaya Mandiri Budimas : Jurnal Pengabdian Masyarakat International Journal of Multi Discipline Science (IJ-MDS) Journal of Social Research Jurnal bahasa, sastra, seni, dan pengajarannya IBDA': Jurnal Kajian Islam dan Budaya BAHASTRA Jurnal Komunikasi Indonesia Al-Mabsut: Jurnal Studi Islam dan Sosial Jurnal bahasa, sastra, seni, dan pengajarannya
Titis Srimuda Pitana, Titis Srimuda
Architecture Study Program Of Sebelas Maret University, Indonesia
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The Symbolism of The Ruwat Banyu Panguripan Tradition: Culture and Religion Integration Perspective Ilafi, Afiliasi; Sudardi, Bani; Subiyantoro, Slamet; Pitana, Titis Srimuda
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 22 No. 2 (2024): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v22i2.12267

Abstract

This study aims to explore the symbols in the tradition of Ruwat Banyu Panguripan in the integration of culture and religion in commemorating the Islamic New Year in Pemalang Regency. Banyu panguripan literally means water of life. This tradition reflects a harmonious combination of cultural values and community beliefs correlated with the Islam adhered to. The Ruwat Banyu Panguripan ruwat tradition exists in the Pulosari District, especially at the Manunggal Jati Utama College. This study uses a qualitative approach with a qualitative descriptive method in collecting data through observation, interviews, and literature related to the tradition of Ruwat Banyu Panguripan. This research shows that the tradition of Ruwat Banyu Panguripan in Pulosari is not exclusively organized by the Wong Gunung Festival but also by the Manunggal Jati Utama College, which was formerly a member of the Prabasari Padepokan. The Ruwat Banyu Panguripan tradition aims to deliver each individual's wishes to God. In the process of Ruwat Banyu Panguripan, water intake comes from four directions of the compass (the west, west, south, and north). For several months, verses of the Qur'an were chanted by members of the College until, at the time of this unification, the Prophet's prayer was recited. It shows that preserving local culture is integrated with the routine of the Muslim community, specifically reading the Qur'an and praying to the Prophet in a clean and holy state.
Hiperrealitas Nostalgia dalam Video Klip Sakura Abadi Karya Diskoria Bersama Laleilmanino dan Neida Paramanandana, Satrya; Pitana, Titis Srimuda; Ardianto, Deny Tri
Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Vol 7, No 2 (2025): Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia
Publisher : ppjbsip

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/bahasa.v7i2.1489

Abstract

The trend of returning to the past or retro—particularly in the realm of music—has recently gained popularity on social media. This phenomenon has grown rapidly since the Covid-19 pandemic, with the 1980s being the chosen decade. One of the music groups that initiated this trend in Indonesia is Diskoria. This DJ duo has revived the creative pop genre of the 1980s in the present day, reproducing nostalgia in a way that can be enjoyed across generations. Sakura Abadi is one of Diskoria's music videos on YouTube that embodies this concept both in audio and visual aspects. This study aims to explore the hyperreality of nostalgia constructed by Diskoria through the music video and its impact on viewers, as reflected in the comments section. This research employs a netnographic method and is analyzed using Baudrillard’s concept of hyperreality and Boym’s theory of nostalgia. The findings reveal that Sakura Abadi is a pastiche of Fariz RM’s 1980 song Sakura and TVRI programs such as Selekta Pop and Aneka Ria Safari. The use of neon fonts, VHS recording effects, and fashion in the video also draw inspiration from 1980s pop culture. Meanwhile, YouTube users’ responses to the video show that they experience a sense of nostalgia, as if returning to the 1980s. Thus, it can be concluded that Sakura Abadi successfully evokes a hyperreality of nostalgia for its audience. Abstrak Tren kembali ke masa lalu atau retro, terutama di bidang musik belakangan populer di media sosial. Fenomena ini berkembang pesat sejak pandemi Covid-19 dan periode yang dipilih adalah dekade 1980-an. Salah satu grup musik yang memulai tren ini di Indonesia adalah Diskoria. Grup DJ ini menghidupkan kembali genre pop kreatif dari dekade 1980-an di masa kini dan mereproduksi nostalgia sehingga dapat dinikmati lintas generasi. Sakura Abadi adalah salah satu video klip musik karya Diskoria di YouTube yang mewakili konsep tersebut baik dari aspek audio maupun visual. Penelitian ini bertujuan untuk mengetahui tentang hiperrealitas nostalgia yang dibangun Diskoria melalui video klip tersebut dan dampaknya bagi penontonnya dalam kolom komentar. Penelitian ini menggunakan netnografi kemudian dianalisis dengan konsep hiperrealitas Baudrillard dan nostalgia Boym. Hasil penelitian menunjukkan bahwa Sakura Abadi merupakan pastische terhadap lagu Sakura karya Fariz RM (1980) dan program TVRI seperti Selekta Pop dan Aneka Ria Safari. Font neon, efek rekaman VHS dan fesyen dalam video klip tersebut juga mengadaptasi dari budaya populer dekade 1980-an. Sementara respons pengguna YouTube yang melihat video klip tersebut menunjukkan bahwa mereka merasakan nostalgia seperti kembali ke dekade 1980-an. Oleh karena itu, dapat disimpulkan bahwa Sakura Abadi berhasil menghadirkan hiperrealitas nostalgia bagi para penikmat video klip mereka.
Shapes of Javanese Keris as A Symbolic Sign: Transformation toward The Islamic Period Ariwibowo, Widodo; Purwasito, Andrik; Pitana, Titis Srimuda
el Harakah: Jurnal Budaya Islam Vol 19, No 2 (2017): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/el.v19i2.4057

Abstract

In articulating the visual elements of Keris we will find the concept of symbols, each of which corresponds to the typology of signs. The relationships among the trichotomy signs associated with the codes represent the horizon of the Javanese society regarding the Keris culture. All the Keris signs establish the abstracts relationship model that never has any function before being associated with the code. Principally, people who become the message recipient can perform decoding act by associating the signs with certain conventions. The expression articulation through the Keris elements is a symbol in the typology of signs. The Javanese society’s response or appreciation concerning the invented conventions needs to be investigated to conversely understand the system of signs production. The word kris, as an example, is semiotically classified into other words; keris, dhuhung, dhuwung, curiga, wangkingan, duwung, curiga, and katga, all of which refers to the same sign, which is the tipped stabbing weapons and covered in scabbard. This study found the cultural event of the ideological masking which represents certain period i.e. the deconstructive meanings on the luk of keris (kemba and rengkol) illustrated the ideological transformation from Hinduism to Islamic era. Dalam mengartikulasikan unsur visual Keris kita dihadapkan dengan konsep simbol, di mana setiap simbol sesuai dengan tipologi tanda-tanda. Hubungan antara trikotomi tanda-tanda yang terkait dengan kode mewakili cakrawala masyarakat Jawa tentang budaya Keris. Semua tanda-tanda Keris membangun hubungan abstrak model yang tidak akan pernah memiliki fungsi apapun sebelum dikaitkan dengan kode. Pada prinsipnya orang yang menjadi sasaran penyampaian pesan bisa melakukan decoding dengan cara mengaitkan tanda-tanda pada keris dengan konvensi-konvensi tertentu. Artikulasi ekspresi melalui unsur-unsur dalam Keris memanfaatkan simbol-simbol dalam tipologi tanda. Respons maupun apresiasi orang Jawa terkait dengan konvensi-konvensi yang telah diciptakan para leluhur perlu diketahui untuk melihat secara terbalik dalam sistem produksi tanda. Pemaknaan kata kris misalnya, secara Semiotis dapat diklasifikasikan berdasarkan beberapa kata referensial di antaranya keris, dhuhung, dhuwung, curiga, wangkingan, duwung, curiga, dan katga semua menunjukkan petanda yang sama yaitu senjata tikam yang berhulu dan berwarangka. Penelitian ini menemukan terjadinya peristiwa budaya berupa penopengan (masking) ideologi yang mewakili zaman tertentu, misalnya dekonstruksi pemaknaan bentuk luk keris (kemba dan rengkol) menggambarkan transformasi ideologi zaman Hindhu menuju zaman Islam.
Budaya Nomad dalam Pertarungan Wacana Musik Industri Indonesia Studi Kasus: Boy-Girl Band Nofer, Dolly; Pitana, Titis Srimuda; Susanto, Dwi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 47, No. 2
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Boy-girl band K-Pop music appearing in Indonesian music industry is a discourse contruction, teritorial or music life style which is brought by pop culture and Korean culture industry. The intrance of this music culture then cause a few problems which are the battle of discourse and the construction of the K-Pop music discourse itself, which does the culture migration for any purpose. For, this research is due to solve the problems, (1) boy-girl band as once of music life style discourse, (2) boy-girl band music discourse in battle arena of music life style, and (3) impact of K-Pop discourse construction through boy-girl band. The perspective which is used in discussing those problems are concepts of territori and discourse in Cultural Studies. The data used are aesthetic discourse—surrounds the K-Pop boy-girl band. The result of this research shows that K-pop boy-girl band is a battle arena of music life style in context popular culture, consumerism, and identity struggle of Korean culture. Then, it causes the impact to music discourse in Indonesian music industry, which internalizes K-pop values—locality is other subject in Indonesian music industry discourse.
Register role and function in the arena of sociocultural practice (critical study of sociocultural practice) Sujarwa, Sujarwa; Purwasito, Andrik; Habsari, Sri Kusuma; Pitana, Titis Srimuda
BAHASTRA Vol. 43 No. 1 (2023): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v43i1.342

Abstract

This paper is entitled "The Role and Function of the Register in the Arena of Sociocultural Practices". This theme was raised because in the arena of sociocultural communication practices there is a hidden peculiarity in the form of deception, which is often inconsistent between linguistic aspects and sociocultural behavior. The use of the register as a style of communication rhetoric is built not without reason but contains the motives, intentions, achievements to be achieved. This paper aims to reveal: the form of the register, the role and function of the register, as well as the symbolic meaning of the register in the arena of sociocultural communication practices in the cattle trade. For this reason, a qualitative descriptive method is needed, which attempts to substantially describe aspects of the meaning of the data with in-depth analysis related to the subject matter. In order to arrive at an in-depth interpretation, the following theoretical knowledge is used: sociocultural, sociolinguistic, capitalism, hegemony, hegemonic, and hermeneutic as a strategic method for understanding texts whose meaning must be interpreted. The results of the study indicate: there are forms of oratorical, deliberative, consultative, casual, intimate registers. The function of the register is to act as an instrument of conative and emotive manipulation to influence, weaken, subdue, and restrain hegemonic control or domination. The register has a symbolic meaning of feudalism relations in the form of a phenomenon in the arena of sociocultural communication practices influenced by the discourse on capitalist cultural domination.
Cultural Aesthetic Mediation as a Resilience Strategy: A Study of Representational Communication in the Betawi Cultural Village of Setu Babakan Ferdiansyah Ali; Sunarmi Sunarmi; Titis Srimuda Pitana; Budi Setiyono
Journal of Social Research Vol. 5 No. 1 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v5i1.2952

Abstract

Urbanization, globalization, and the intensification of cultural tourism have placed Betawi cultural arts in a vulnerable position amid changes in meaning, commodification, and shifts in aesthetic values. This study aims to explain how cultural aesthetics are mediated as a resilience strategy through representational practices in the Betawi Cultural Village (PBB) Setu Babakan. Using a phenomenological approach and representation theory, it examines how aesthetic experiences—in visual, narrative, and ritual forms—are created, negotiated, and interpreted by cultural actors, including government officials, local communities, and tourists. The analysis was conducted through field observations, in-depth interviews, visual documentation, and hermeneutic interpretations based on Bourdieu's theory of habitus, cultural capital, and the arena of cultural production. The results show that aesthetic mediation functions as a connecting mechanism between traditional values and the demands of the tourism industry, yielding three main processes: creative reproduction, representational transformation, and authenticity negotiation. These processes enable Betawi culture to survive and adapt without losing its essential dimensions of meaning. The findings contribute to the development of cultural tourism studies, cultural communication design, and representation theory in the context of Indonesian urban society.
The Islamization of Traditional Arts: Transformation of Reyog Ponorogo in the Context of Javanese Cultural Identity Muhammad Handri Aris Saputro; Warto Warto; Titis Srimuda Pitana
Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Vol. 9 No. 2 (2025)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/rjsalb.v9i2.40009

Abstract

Islamization has been one of the dominant discourses in the Ponorogo region, shaping various aspects of social and cultural life. The traditional art of Reyog Ponorogo represents a local cultural practice that cannot be separated from this discourse. This study aims to examine the influence of Islamization discourse on the traditions of Reyog Ponorogo. The research employs a qualitative method with a descriptive approach and a critical paradigm. Data were collected through in-depth interviews, observation, and documentation, and analyzed using the interactive model developed by Miles and Huberman. Michel Foucault’s discourse theory (1926–1984) serves as the primary analytical framework. The findings reveal that Islamization discourse in Ponorogo has significantly transformed the values embedded in Reyog Ponorogo and shaped public perceptions of traditional culture. This transformation is evident in the modification of song lyrics, costume design, ritual offerings, and the gemblak tradition. Furthermore, Islamization has influenced how Reyog Ponorogo is practiced within the broader context of cultural development and preservation. The study contributes to a deeper understanding of shifting cultural identity in Ponorogo and demonstrates the relevance of Foucault’s theory in analyzing the dynamics of religious discourse. The originality of this research lies in its application of Foucault’s discourse theory to the transformation of Reyog Ponorogo, a perspective that has not been systematically explored in previous studies.
Co-Authors A.A. Ketut Agung Cahyawan W Adi Putra Surya Wardhana Adi Surya Kusumo, Adi Surya Adityaningrum, Dewi Afiliasi Ilafi, Afiliasi Agnes Serfozo Ahmad Adib Masruri Alfian Setya Nugraha Ananda, Wildan Purbo Andrik Purwasito Andrik Purwasito Andrik Purwasito Andrik Purwasito Anita Dianingrum Ari Prasetyo Ari Prasetyo Aries Adenata Ariwibowo, Widodo Badriah, Maulida Nabilah Bani Sudardi Budi Setiyono Deny Tri Ardianto Desi Nur Aini Dewi Adityaningrum Dody Ariawan Dolly Nofer Dwi Aries Himawanto Dwi Purbo Cahyono Nuswantoro Dwi Susanto Ernawati, Nurul Erwin Herlian Fauzan Ali Ikhsan Faviansyah, Okta Arkana Ferdiansyah Ali Firmansyah, Yusuf Galih Putra Pamungkas Gatut Wicaksono Gunawan Gunawan Habsari, Sri Kusuma Haris Supratno Hikmawati, Hanifah Imam Abdul Majid Julianne Indah Rachmawati Julianne Indah Rachmawati Kamila, Aisyah Rahma Kirana Wahyu Kinanti, Kirana Wahyu Kusumaningdyah Nurul Handayani Made Suastika Majid, Imam Abdul Marlina, Avi Maya Andria Nirawati Mohamad Muqoffa Mohammad Masykuri Muhammad Handri Aris Saputro Muhayat, Nurul Musyawaroh Musyawaroh, Musyawaroh Nandariyah, Nandariyah Nofer, Dolly Nur Azizah Zuhriah Nurul Muhayat Pande Made Sukerta Paramanandana, Satrya Prasetyo, Alif Datu Pratama, Yuwanda Budi Pratiwi Anjar Sari Putri, Salsabila Adinda Rachmawati, Julianne Indah Roudhotul Munawaroh Septi Anggita Kriskartika Setyaningsih, Wiwik Situ Asih Slamet Subiyantoro Sri Kusuma Habsari Sri Yuliani Sugara, Badra Sujarwa Sujarwa Sujarwa Sujarwa Sujarwa, Sujarwa Sulistyaningati, Endah Sunarmi Sunarmi Sunarmi Sunarmi Susanto Susanto Susanto Susanto Susanto, Susanto Syamsul Hadi Syamsul Hadi Tri Joko Daryanto Triguna, IBG Yudha Virgie, Arrley Wakit Abdullah Rais Warto - Warto Warto Widodo Aribowo Widodo Ariwibowo Winny Astuti Wiwik Setyaningsih Zuhriah, Nur Azizah