Article Per Year (5 Year)
p-Index From 2021 - 2026
6.827
P-Index
This Author published in this journals
All Journal E-Journal Home Economic and Tourism Jurnal Pendidikan Teknologi dan Kejuruan Gorga : Jurnal Seni Rupa Edutech Jurnal Ilmiah Universitas Batanghari Jambi Jurnal Penelitian Pendidikan IPA (JPPIPA) Pendas : Jurnah Ilmiah Pendidikan Dasar Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni JURNAL PengaMAS JURNAL PENDIDIKAN TAMBUSAI Jurnal Ilmiah Dikdaya Jurnal Teknologi Informasi dan Pendidikan Jurnal Pendidikan dan Keluarga Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Jurnal Ilmiah Profesi Pendidikan At-Tajdid : Jurnal Pendidikan dan Pemikiran Islam Jurnal Riset dan Inovasi Pembelajaran Journal of Community Service Pesona. Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Sainteks: Jurnal Sain dan Teknik The Indonesian Journal of Computer Science
Novrita, Sri Zulfia
Universitas Negeri Padang
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Physics Public Health Social Sciences Other

Published : 92 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 92 Documents
Search

 6   7   8   9   10 
Proses Pembuatan Ekstrak Warna Alam di Rumah Batik Jajak Lilin Kecamatan Enam Lingkung Kabupaten Padang Pariaman Gustia Putri, Fany; Zulfia Novrita, Sri
Jurnal Pendidikan Tambusai Vol. 8 No. 1 (2024): April 2024
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v8i1.13929

Abstract

Batik bagi Bangsa Indonesia bukan sekedar hiasan pada kain atau pakaian, namun lebih jauh dari itu batik merupakan jati diri, namun sebagai warisan budaya yang masih dibudidayakan hingga saat ini. Penelitian ini membahas tentang pewarnaan alam pada batik di Rumah Batik Jajak Lilin Kecamatan Enam Lingkung Kabupaten Padang Pariaman Provinsi Sumatera Barat yang bertujuan untuk mendeskripsikan bahan alam yang digunakan, resep dan proses pembuatan ekstrak warna alam. Penelitian ini menggunakan metode deksriptif kualitatif dengan jenis data primer dan sekunder. Informan dalam penelitian ini berjumlah 6 orang, 1 sebagai triangulasi yaitu pimpinan dan pemilik rumah batik. Teknik pengumpulan data melalui observasi, wawancara dan dokumentasi. Teknik analisis data yaitu reduksi data, penyajian data dan kesimpulan. Hasil dalam penelitian ini menggunakan 3 jenis bahan alam yaitu daun tarum, kulit jengkol dan gambir.Bahan tambahannya yaitu TRO/rinso untuk menghilangkan zat penghalang pada kain yang akan diwarnai, lalu bahan untuk fiksasi yaitu tawas, kapur dan tunjung. Resep pembuatan ekstrak daun tarum yaitu daun tarum sebanyak 1 kg direndam dengan air sebanyak 5 liter, daun tarum difermentasi dan menyusut dan terjadi endapan yang disebut pasta, endapan tersebut ditambahkan dengan air sebanyak 5 liter untuk 1 kg pasta., lalu bahan alam kulit jengkol sebanyak 1 kg direbus dengan air sebanyak 3 liter, rebus sampai volume menyusut hingga setengah dari volume awal yaitu 1,5 liter dan bahan alam gambir sebanyak 1 kg direbus dengan air sebanyak 12 liter, rebus sampai volume menyusut setengah dari volume awal yaitu 6 liter. Proses pembuatan ekstrak dengan menghitung zat yang dibutuhkan yaitu daun tarum dengan vlot 1:5 daun yang sudah tua di ekstraksi dengan cara fermentasi selama 3 hari, selanjutnya dilakukan proses aerasi yaitu dengan menuangkan rendaman daun tarum ke wadah lainnya dari ketinggian sampai berbusa, diamkan larutan kembali selama 2 hari sampai terjadi endapan berbentuk pasta lalu dilarutkan dengan air sebanyak 5 liter untuk penggunaan ekstrak warna alam daun tarum, ekstrak disimpan di dalam wadah tertuup, untuk ekstraksi kulit jengkol dengan vlot 1:3 dengan cara kulit jengkol dihancurkan sedikit agar getahnya keluar, kulit jengkol direndam semalaman lalu direbus sampai volumenya menyusut setengah dari volume awal yaiu 1,5 liter, dinginkan ekstrak dan simpan dalam wadah tertutup, lalu untuk ekstraksi gambir dengan vlot 1:12 gambir direbus sampai volumenya menyusut setengah dari volume awal yaitu 6 liter, ekstrak di dinginkan dan disimpan diwadah tertutup.
Pengaruh Mordan Tunjung Terhadap Hasil Pencelupan Kain Katun Mengunakan Ekstrak Daun Nangka (Artocarpus Heterophyllus L) Wahyuni, Riza; Zulfia Novrita, Sri
Jurnal Pendidikan Tambusai Vol. 8 No. 1 (2024): April 2024
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v8i1.13930

Abstract

Dampak negatif penggunaan pewarnaan sintetis terhadap lingkungan dan memanfaatkan tumbuhan dilingkungan sekitar sebagai pewarna alami yang lebih ramah lingkungan. Penelitian ini bertujuan mendeskripsikan nama warna (hue), gelap terang (value), kerataan warna dan mendeskripsikan hasil perbedaan tanpa mordan dan mordan tunjung terhadap hasil pencelupan ekstrak daun nangka. Penelitian eksperimen memakai data primer yang bersumber dari 18 penelis yang terdiri dari 3 dosen ahli dan 15 mahasiswa terdidik. diolah dan dianalisis dengan menggunakan uji mann whitney dengan SPSS versi 26. Hasil yang diperoleh pada pencelupan tanpa mordan tanpa menghasilkan warna light Brown kategori, terang dengan kerataan warna yang rata, mordan tunjung menghasikan warna Olive kategori tidak terang dengan kerataan warna yang sangat rata. uji mann whitney pada gelap terang warna (value) adalah nilai signifikan < taraf signifikasi = 0.000 < 0.05 yaitu .000b. dengan hasil bahwa Ha diterima Ho ditolak. Dimana Ha menunjukan bahwa terdapat perbedaan yang signifikan antara gelap terang warna. Hasil analisis dari uji mann whitney pada kerataan warna pada proses pencelupan tanpa mordan dan mordan memperoleh nilai signifikan 0.938b yang mana lebih besar dari taraf signifikan yaitu 0.05, artinya tidak terdapat perbedaan kerataan pada hasil pencelupan kain katun mengunakan ekstrak daun nangka.
Pengetahuan tentang Zero Waste Pattern pada Mahasiswa Tata Busana PKK FPP-UNP Suci Rahmawati; Puji Hujria Suci; Sri Zulfia Novrita; Puspaneli Puspaneli
Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora Vol. 2 No. 4 (2024): November : Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humanior
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/atmosfer.v2i4.999

Abstract

Textile waste is one of the 2nd largest types of waste in the world. The increasing amount of textile waste will have an impact on the environment. There has not been much development of clothing with Zero Waste techniques in Indonesia, and students as social beings also play an important role in environmental renewal through waste reduction. The purpose of this research is to understand the level of knowledge of fashion students about Zero Waste Pattern based on the level of cognitive knowledge, namely knowledge, understanding, application, analysis, synthesis and evaluation. The method in this research is descriptive quantitative with one variable, namely knowledge about Zero Waste Pattern. The research sample was 78 respondents of active Fashion Cosmetology students of the Family Welfare Education Study Program at Padang State University, class of 2019-2022. Data collection using a questionnaire with the Gutman Scale. The results showed that the knowledge of fashion students about Zero Waste Pattern was measured based on six knowledge indicators, namely: knowledge, understanding, application, analysis, synthesis and evaluation. The results showed that the Knowledge Indicator percentage was 56.41%, the Understanding Indicator percentage was 62.82% (high category), the Application Indicator percentage was 64.10%, the Analysis Indicator percentage was 57.69%, the Synthesis Indicator percentage was 80.77% and the Evaluation Indicator percentage was 74.36%. So, it can be concluded that the Fashion Management Students' Knowledge of Zero Waste Pattern is at a “high” level with an average percentage of 79.49%.
CRITICAL THINKING SKILLS IN LEARNING PHYSICS: A BIBLIOMETRIC ANALYSIS USING VOSVIEWER Sefriani, Rini; Rahmadani, Ade Fitri; Jalinus, Nizwardi; Refdinal, Refdinal; Novrita, Sri Zulfia; Widyastuti, Rini
AT-TAJDID Vol 7, No 2 (2023): JULI-DESEMBER 2023
Publisher : Universitas Muhammadiyah Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24127/att.v7i2.3028

Abstract

Validitas Modul Dasar Fashion Design Konsep Kolase pada Mata Pelajaran Dasar-Dasar Keahlian Busana Kelas X Tata Busana SMKN 2 Bukittingi Karlina, Nora; Novrita, Sri Zulfia
Jurnal Ilmiah Universitas Batanghari Jambi Vol 24, No 3 (2024): Oktober
Publisher : Universitas Batanghari Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33087/jiubj.v24i3.5016

Abstract

This research aims to produce learning media in the form of modules that are valid and can be used as a learning resource for students in learning collage making material. This research is research and development known as Research and Development (R&D) using the 4-D model. Modelmini has 4 stages, namely, the definition, design, development and disseminate stages. The type of data in this research is primary data. The data collection techniques used in this research were observation, interviews and questionnaires. This module was tested for validity by 4 media and material expert validators. By calculating the module assessment score from the questionnaire given and categorizing it according to the interpretation obtained. Based on the results of the material expert's validity test on the Basic Fashion Design module, a score of 93% was obtained in the very valid category, the media expert's validity test on the basic fashion design module obtained a score of 85% in the very valid category.
Mentawai Natural Environment Ornament Transformation on Batik Art Tatoo Motivation Based on Local Wisdom: Ecotourism Efi, Agusti; Budiwirman; Yusmerita; Novrita, Sri Zulfia; Aryati, Yulia; Mutia, Gabila Heira
Jurnal Penelitian Pendidikan IPA Vol 9 No SpecialIssue (2023): UNRAM journals and research based on science education, science applic
Publisher : Postgraduate, University of Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/jppipa.v9iSpecialIssue.5838

Abstract

The people of the Siberut Mentawai islands still maintain various arts and practice the culture and customs of their ancestors. They have natural environment ornaments including tattoos and Jaraik, which is a symbol of the greatness of the Sikerei (Shaman) house in the Mentawai tribe.  Along with the progress and development of the Mentawai area, traditional culture began to shift, therefore it is necessary to carry out conservation and development efforts. So, the purpose of this research is the efforts to preserve and produce creative art products based on local wisdom by transforming tattoos, jaraik, and other Mentawai natural environments in batik art and uniting various elements of visual cultural arts as supporting elements. The method used is research and development adopting the 4 D steps with four stages of development design, development, and deployment. In addition, the study also conducted studies of art and aesthetics, design and fashion as well as analysis of market tastes. So, the outputs of this research are; prototypes of batik art innovation products based on local Mentawai culture that are market-worthy; and scientific articles in reputable international journals. Focus Group Discussion (FGD) and product feasibility tests were carried out by experts and product exhibitions which were used as Mentawai branding.  
Pengembangan Eco Print sebagai Peluang Bisnis Fashion Ramah Lingkungan di Nagari Matua Hilia Rizki Syafril; Tri Kurniawati; Sri Zulfia Novrita; Bintang Pratama Putra; Putri Maisuri; Zahra Ayuni Yasmin
ABDI: Jurnal Pengabdian dan Pemberdayaan Masyarakat Vol 7 No 3 (2025): Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat
Publisher : Labor Jurusan Sosiologi, Fakultas Ilmu Sosial, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/abdi.v7i3.1214

Abstract

Program Kemitraan Masyarakat (PKM) ini dilaksanakan di Nagari Matua Hilia, Kecamatan Matur, Kabupaten Agam, Sumatera Barat, dengan fokus pada pemberdayaan ekonomi keluarga melalui pengembangan teknik ecoprint sebagai peluang bisnis fashion ramah lingkungan. Latar belakang kegiatan ini adalah ketergantungan ekonomi masyarakat pada sektor pertanian tradisional, rendahnya tingkat pendidikan, serta belum optimalnya pemanfaatan sumber daya lokal untuk usaha kreatif. Mitra utama program adalah kelompok PKK Nagari Matua Hilia yang memiliki potensi namun menghadapi keterbatasan keterampilan dan akses pasar. Metode pelaksanaan meliputi koordinasi dengan pemerintah nagari, pelatihan pembuatan dan pengembangan produk ecoprint, pelatihan pemasaran, pembentukan wadah usaha, serta pemilihan Duta Ecoprint untuk sosialisasi berkelanjutan. Kegiatan ini mengintegrasikan pendekatan pelatihan, pendampingan, kolaborasi dengan dinas terkait, dan strategi pemasaran berbasis e-commerce, media sosial, serta pameran. Hasil yang dicapai pada tahap ini meliputi peningkatan keterampilan anggota PKK dalam produksi ecoprint, terbentuknya produk awal yang memiliki nilai seni dan ramah lingkungan, serta meningkatnya kesadaran akan peluang pasar lokal dan ekspor. Dampak program mencakup pemberdayaan perempuan, diversifikasi produk, peningkatan pendapatan, dan penguatan identitas budaya lokal. Program ini menunjukkan bahwa pengembangan ecoprint berbasis sumber daya lokal dapat menjadi strategi efektif untuk menggerakkan ekonomi kreatif pedesaan secara berkelanjutan, sekaligus mendukung pelestarian lingkungan dan pencapaian indikator kinerja perguruan tinggi.
The Effect of Mordan Alum, Tunjung, and Betel Lime on the Ecoprint Outcomes of Star Fruit on Semi-Wool Materials Sari, Diah Permata; Nelmira, Weni; Novrita, Sri Zulfia; Zamil, Ilham
Gorga : Jurnal Seni Rupa Vol. 14 No. 2 (2025): Gorga: Jurnal Seni Rupa (On Going)
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i2.68301

Abstract

This research is based on the use of star fruit leaves as an ecoprint  motif using hammering  techniques assisted by mordan and fixation. The purpose of this study is to describe the direction of the color name, determine the clarity of the shape of the motif, the color resistance to washing, and describe the influence of the use of alum, tunjung, and betel lime. The type of data is in the form of primary data with data collection techniques using research instruments in the form of questionnaires consisting of three teaching staff and 15 students. The data analysis technique with the Friedman K-Related Sample Test uses the SPSS program version 31.0. The direction of the color name is generated using the Colorblind Assistant application. The direction of the ecoprint color  name uses star fruit leaves on semi-wool material. Mordan alum produces  Golden Sundance color, Dark Brown tunjung mordan,  and olive color betel lime mordan. The result of the clarity of the shape of the leaf motif on the alum and tunjung mordans produces a clear motif shape while the betel lime mordan produces a very clear motif shape on semi-wool materials. The color fade resistance to the washing of star fruit leaf ecoprint wuluh mordan alum at 1 wash 50% stated unchanged and 50% stated slightly changed, mordan tunjung 1 time wash 94.44% stated unchanged and betel lime mordan 1 wash 100% stated unchanged. The results of the best color fade resistance to washing are shown by betel lime mordan.
Effectiveness of Project-Based Learning in Textile Dyeing Course to Improve Work Readiness as Entrepreneurs in the Digital Era Sri Zulfia Novrita; Nizwardi Jalinus; Ridwan; Rijal Abdullah; Weni Nelmira; Adriani
Jurnal Penelitian Pendidikan IPA Vol 11 No 7 (2025): July
Publisher : Postgraduate, University of Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/jppipa.v11i7.11616

Abstract

Student work readiness in facing the world of digital entrepreneurship is still an obstacle that requires a more effective learning approach. This study aims to examine the effectiveness of project-based learning model on students' work readiness in digital era entrepreneurship. By using pre-test and post-test design, 40 students were prepared to be tested at the beginning and at the end who were taught using a project-based learning model. Students participated in the learning process for one semester with real-world projects relevant to the digital fashion industry. The t-test results indicate a significant difference between pretest and posttest scores (t-calculated = 38.561 > t-table = 1.990; sig. < 0.05), indicating a significant improvement in digital work readiness. This improvement includes technical skills, creativity, digital literacy, collaboration, and business management skills based on technology. Additionally, project-based learning was proven to enhance students' motivation and engagement in the learning process. These findings reinforce the effectiveness of PjBL as an approach responsive to the demands of Industry 4.0. This study concludes that the project-based learning model is effective in preparing competent graduates in digital entrepreneurship and can be adopted as an adaptive and applicable vocational learning strategy in the era of digital transformation.
The Effect of Dyeing Temperature on The Color and Color Fastness of Sicerek Leaves (Clausena Excavata Burm. F) on Roberto Cavali Fabric Siti Aisyah Nabila; Samuel Martin Pradana; Adriani; Sri Zulfia Novrita; Hadiastuti; Vina Oktaviani
SAINTEKS : Jurnal Sain dan Teknik Vol. 8 No. 01 (2026): Maret
Publisher : Universitas Insan Cendekia Mandiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37577/sainteks.v8i01.1063

Abstract

The industry produces synthetic dye waste that has the potential to damage the environment, so that more environmentally friendly natural dye alternatives are needed. One of the plants that has the potential to be used as a source of natural dyes is the sicerek leaf (Clausena excavata Burm. F), because sicerek leaves contain flavonoid compounds that can produce color. This study aims to analyze the color names and color fastness to washing on Roberto Cavali's fabrics whose writings use sicerek leaf extract at various dyeing temperatures. The method used is the experimental method. Identification of color names was carried out by involving 18 panelists as respondents and supported by the use of the Colorblind Assistant application to assist in color determination. Meanwhile, color fastness to washing was tested using a gray scale and a staining scale according to SNI ISO standards. Data analysis used is descriptive statistical analysis and simple linear regression tests. The results of the study show (1) Differences in dyeing temperatures produce different color names, RGB values ??and hexadecimal codes at various dyeing temperatures. (2) The dyeing temperature does not have a significant effect on color fastness based on gray scale testing as proven by a simple linear regression test with a Sig. value. 0.351 > 0.05 which indicates that there is no difference or is not significant. Meanwhile, testing using a coloring scale at temperatures of 30?C, 60?C and 90?C shows a value of 4-5 with a good category for various types of multifiber including wool, acrylic, polyester, nylon, cotton and acetate. (3) The dyeing temperature of 90?C is the most optimal temperature in producing color and color fastness.
Co-Authors Abdullah, MT, Dr. Rijal Adriani Adriani ADRIANI ADRIANI Adriani Adriani Agusti Efi Ali Djamhuri Almagita, Rachmy Bunga Alvina Alvina Ambiyar, Ambiyar Andriani, Rika Anisa Anggraeni, Anisa Annisa Prima Asmar Yulastri Asrah Rezki Fauzani Auriga, Resthi Cynara Bintang Pratama Putra Budiwirman Cahya, Nana Dwi Debi Novita Delmasari, Pujiana Dewi, Siska Miga DIAH PERMATA SARI, DIAH PERMATA Diva, Rahmatul Ernawati Ernawati Farida Farida Fatihaturahmi Fatihaturahmi Febian Vebyola Febri yanti Fitri, Wike Diansyah Ganefri Giatman Gusmira, Gusmira Gustia Putri, Fany Gustiani, Nurulita Gustina Gustina Hadaf, Alifa Hadiastuti Hafizah, Ovi Muara Halimul Bahri Hanim, Fadillah Hansi Effendi Hardanti, Elvi Hasriawati, Leli Hurahmi, Intah Mifta Idzni Hanifati Ilfira Gusti Jamhari Jamhari Karlina, Nora KARMILA, IIN Khairani, Faizathul Khalishah Rezky Muharrani Lilik Suheri Lucy Fridayati Mailani Pratiwi Mala, Mariati Meilina, Eighteen Mela Maha Revianti Melda Mahniza mita yani Muharrani, Khalishah Rezky Mulyana, Annisa Murni Astuti Muskhir, Mukhlidi Mutia, Gabila Heira Nana Dwi Cahya Nindika Gustri Yudi Nizwardi Jalinus Nurfadhila, Dinda Emilya Oktarina, Rahmi Oktarizaldi, Nada Oktaviani, Vina Ovi Muara Hafizah Pradana, Samuel Martin Puji Hujria Suci Pujiana Pujiana Pujiana, Pujiana Puput Novitasari, Puput Purnamawati, Sischa Puspa, Puspaneli Puspaneli Puspaneli Puspaneli Puspaneli Puspaneli PUSPANELI, PUSPANELI Putri Maisuri Putri Ramadani Putri Vanisha Putri, Fanny Eka Putri, Lolita Aida Rafikah Husni Rahmadani, Ade Fitri Rahman, Doni Rahmiati Rahmiati Ramelawati, Ramelawati Refdinal, Refdinal Reni Fitria Resfi Norma Kuwala Ridwan Rika Syafitri Rina Susanti Rini Widyastuti Samuel Martin Pradana Sari Nurhardini Sari, Yani Novita Sefriani, Rini Siti Aisyah Nabila Sri Setiya Dewy Suci Rahmawati Sulityowati, Dwi Oktarina Syafriani, Selly Syafril, Rizki Syahril Syukraini Putri, Afifi Takhwil, Annissah Siti Tri Kurniawati Vina Oktaviani Wahyuni, Riza Weni Nelmira Wulan Dari, Ponda Tiara Yasnidawati Yasnidawati Yenni Idrus Yolanda Pratama Isfi Yudi, Nindika Gustri Yulia Aryati Yusmerita Yusmerita Yusmerita Yusmerita Yusmerita Zahra Ayuni Yasmin Zamil, Ilham Zulmardi Zulmardi Zulmi, Yuliya