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Journal : IRJE (Indonesian Research Journal in Education)

The Inter-Ethnic Student Social Interactions: The Case Study of a Public Senior High School in Batam Martin, Yona; Efi, Agusti
Indonesian Research Journal in Education |IRJE| Vol. 7 No. 1 (2023): IRJE |Indonesian Research Journal in Education|
Publisher : Universitas Jambi, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/irje.v7i1.27039

Abstract

Various ethnic students have triggered social interaction forms, like looking for friends during break time to go to the cafeteria or sitting relaxed in the school park. Likewise, students tend to choose the optional extracurricular activities based on their friends because they are reluctant to get involved in an activity if their fellow friends are not in the group. This research aimed to identify forms of social interaction of students of different ethnicities at a public senior high school in Batam. It used qualitative with a case study approach. The participants were the student assistant principal, the English teacher, and students at a public senior high school in Batam. Data analysis used the interactive analysis model. The research results showed the associative social interaction forms were seen during extracurricular activities, collaboration in study groups, and classroom cleaning competitions. Meanwhile, the dissociative social interaction was used when the use of local languages during conflicts and disputes over student council elections.   
Istano Basa Pagaruyung: The Functional Values of the Building Toward its Residents, The Social Community, and Educational Elements Yumielda , Vivi Destri; Efi, Agusti
Indonesian Research Journal in Education |IRJE| Vol. 7 No. 2 (2023): IRJE |Indonesian Research Journal in Education
Publisher : Universitas Jambi, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/irje.v7i2.28298

Abstract

Istano Basa Pagaruyung has a function from a Minangkabau perspective. . As a Minangkabau heir, it is obliged to study the culture and function of this perspective, especially for students. However, as time went by, there were changes in the social culture of the Minangkabau people, who started to abandon the Rumah Gadang architectural style, so it influenced the knowledge of the Minangkabau people themselves regarding cultural values, especially the construction of Istano Basa Pagaruyung as a Minangkabau cultural heritage. It is due to socio-cultural changes in society. 
The Changes from Suntiang Pasumandan to Suntiang Panari at the Tuah Sakato Art Studio Idha, Muhammad Trio; Efi, Agusti
Indonesian Research Journal in Education |IRJE| Vol. 8 No. 1 (2024): IRJE |Indonesian Research Journal in Education
Publisher : Universitas Jambi, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/irje.v8i1.32632

Abstract

This research aimed to describe the form of Suntiang Pasumandan, analyze changes in the function of Suntiang Pasumandan into Suntiang Panari (dancers) at Tuah Sakato Art Studio, analyzing the types of materials used in making Suntiang Pasumandan and Suntiang Penari at Tuah Sakato Art Studio. This research was qualitative. In collecting the data, the researchers used observation, interviews, documents, and literature studies. The steps of analyzing data were data reduction, data presentation, data verification, and conclusions. The results showed that the changes from Suntiang Pasumandan to Suntiang Panari at Tuah Sakato Art Studio came from two aspects. The first aspect was commercial needs. It was about whether the dancers' headdresses were good at Tuah Sakato Art Studio. The second aspect was the change in the function of use. Suntiang Pasumandan was used in cultural activities as a headdress in traditional marriage processions, supported by the rules that apply in the traditional procession.
Cultural Identity: The Symbols, Meaning, and Interpretation of Bakar Tongkang Tradition Gusrini, Esi; Agustina; Efi, Agusti; Fitrisia, Azmi
Indonesian Research Journal in Education |IRJE| Vol. 8 No. 1 (2024): IRJE |Indonesian Research Journal in Education
Publisher : Universitas Jambi, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/irje.v8i1.33192

Abstract

This research looked at the background, history, and meaning related to this ritual and how culture plays an essential role in shaping the community identity. The Bakar Tongkang Ritual is a way for the Chinese community to express gratitude, honor their ancestors, and maintain their cultural identity. It also serves as a symbol of unity, commitment, and a way to connect with their faith and spirituality. It highlights the importance of symbols, meaning, and interpretation in ritual and how these elements are paramount in the overall cultural experience. The research method used a qualitative approach through observation, in-depth interviews, and documents. The results indicated a detailed exploration of the Bakar Tongkang ritual, its historical context, its significance in culture, and the related meanings. It underscores the importance of rituals in preserving cultural heritage, fostering unity, and expressing gratitude.
The Study of Motifs, Functions, and Philosophical Meanings of Maha Sri Bijawangsa Laut Tribe of Indragiri Hilir Regency Yadona, Putri; Efi, Agusti; Haryono; Budiwirman; Elida
Indonesian Research Journal in Education |IRJE| Vol. 8 No. 2 (2024): IRJE |Indonesian Research Journal in Education|
Publisher : Universitas Jambi, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/irje.v8i2.29096

Abstract

This study aimed to analyze the motifs, functions, and philosophical meanings of the Maha Seribija Wangsa Songket of the Laut tribe. This study used a descriptive qualitative method with a cultural approach through document analysis, and the data analysis was performed using thematic analysis techniques. The results of the study are: (1) The Maha Seribija Wangsa Songket motif is a unified form consisting of the boat (Jalo), the compass point (Matu Meno), the anchor, the wave (Gelumbang), and the shell (Tengan) motif. The attributes of the Songket are the ladders, cross dice, service marks, Bengkong, and guide stick. (2) The functions of the Maha Seribija Songket of the Laut tribe leader include the coronation of the president, king, and sultan of the Laut tribe; the coronation of the vice president, ministers, patih, commander, laksmana, and formal ceremonies for the Laut tribe. (3) The philosophical meaning of the Maha Seribija Wangsa Songket includes the existence of the Laut tribe people in the middle of the sea and the coast, the direction of the Laut tribe in living their lives, the history of the Laut people who helped maintain the glory of the Malay Kings, the long, unbroken history of the Laut tribe people from the past until now, shellfish as the main livelihood of the Laut tribe people.
Learning from the Cultural Legacy: Traditional Learning Strategy of Basandi Syara’ and Syara’ Basandi Kitabullah in the Ulu Ambek Dance Ridho, Muhammad; Daryusti; Efi, Agusti; Agustina
Indonesian Research Journal in Education |IRJE| Vol. 9 No. 01 (2025): IRJE |Indonesian Research Journal in Education|
Publisher : Universitas Jambi, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/irje.v9i01.31705

Abstract

This research analyzes Ulu Ambek dance’s presentation and explores the adat’s symbolic meaning: "basandi syara’, syara’ basandi kitabullah." The study employs a qualitative approach with a descriptive method. The data is collected through literature review, observation, interviews, and documentation. The findings indicate that the Ulu Ambek dance symbolizes various social and cultural values, such as intergenerational relationships and respect for elders. The dance movements include sambah, which reflects obedience and the relationship between humans and the creator. The dance features two movement patterns: malalu (attack) and ambek (defense). The five main movements in Ulu Ambek are Ambek Sampiang, Ambek Cincin, Ambek Gewang Baju, Ambek Deta, Ambek Urek Tunggang. Additional movements present today serve to embellish the dance. There is no physical contact between dancers, distinguishing it from silek.
Co-Authors ADRIANI ADRIANI Agus Irianto Agustina Agustina Agustina Agustina Agustina Agustina Aidil Dewi Angriani Ambiyar, Ambiyar Ami Zola Anggun Yodansi Anni Faridah Apri Marlina Aprianti, Viki Ardipal Ardipal Astari Ayuni Atika Dwi Putri Aulia Annisa Fitri Aulia, Tiara Ayu Puspita Sari Azzahra, Ridawati Budiwirman Budiwirman Budiwirman Budiwirman, Budiwirman Budiwirman, Budiwirman Bunga Naselia DARMANSYAH . Daryusti Daryusti - Derisa Derisa Desmaleni, Rahayu Dian Eka Oktavia Efrashia, Tiara Husnun Elida elida elida Elpalina, Srimutia Elsa Pitaloka Erianjoni Erianjoni Ezriani, Ezriani Fadhillah, Fadhillah Fauziah, Qori Febrina, Suci Ferdian, Feri Fitri, Aulia Annisa Fitrisia, Azmi Freddy Antara Friyatmi Friyatmi Gita Noveri Eza Gusrini, Esi Gustina Gustina Hadiastuti, Hadiastuti Handri Arni Harmawan, Violintikha HARYONO Hurahmi, Intah Mifta Ida Ayu Putu Sri Widnyani Idha, Muhammad Trio Idris Ilham Zamil Indah Wulandari Indah Wulandari Joel Franky Situmeang Kasman Rukun Khairani, Kiki Kiki Khairani Lasmi, Ami Lasmi, Lasmi Lestari, Mia Febria Lorenzo, Naufal Lufri Lufri Mansyera Pratama, Vischa Mariana Heristian Mariana Heristian Marna, Jean Elikal Martin, Yona Mayang Yulasna Mega Kencana Meifitriadi Meifitriadi Mia Febria Lestari Mitra Lusiana Muhammad Agus Muljanto Muhammad Ridho Muharika Dewi Mutia, Gabila Heira Nita Sahara Nofiyanti Nofiyanti Nofiyanti Nofiyanti, Nofiyanti Novrita, Sri Zulfia Nur Amelia Sari Nur Amelia Sari Nurhizrah Gistituati Nurul Inayah Hutasuhut Oktaviani, Melsa Putra, Gilang Oritaliano Putri, Atika Dwi Putri, Yuzia Eka Rahman, Doni Rahmi, Fathiah Rahmiati . Rendi Rezki Reni Fitria Reska Mayefis Retno Desti Dwi Rezki Datmi Rezki, Rendi Ridawati Azzahra Ririn Amaliah Putri Sarah Rizal Arifin Lubis Rochanawati, Ida Roni Sarwani Ruth Meliani Tatubeket Sarah, Ririn Amaliah Putri sari, Mutia Selvia Frety Yunia Enjelina Setiawati, Erlin Shaheed Fikar Sofrina Zulida Fatma SYAFITRI, YESI Syafrizal Syafrizal Tiara Aulia Tiara Husnun Efrashia Umaroh, Aufa Vinna Aulya Wahyu Eka Saputra Wakhinuddin Wakhinuddin Wati, Lulu Fajar Yadona, Putri Yahya Yahya Yenni Idrus Yetti, Silvia Yona Martin Yudistira, Sukma Yulasna, Mayang Yulia Aryati Yuliana Dewi Yuliana Yuliana Yuliarma, Yuliarma Yumielda , Vivi Destri Yunus, Rona Rahayu Yusman, Ahmad Fauzan Yusmerita Yusmerita Yusmerita Zola, Ami Zulmayelti, Zulmayelti