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All Journal Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Gorga : Jurnal Seni Rupa Jurnal Edukasi dan Penelitian Informatika (JEPIN) Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Aksara: Jurnal Ilmu Pendidikan Nonformal Madani : Indonesian Journal of Civil Society Virtuoso: Jurnal Pengkajian dan Penciptaan Musik JPKM (JURNAL PENGABDIAN KEPADA MASYARAKAT) UNTAN Wahana Dedikasi : Jurnal PkM Ilmu Kependidikan LOSARI: Jurnal Pengabdian Kepada Masyarakat Prima Abdika: Jurnal Pengabdian Masyarakat Jurnal Kajian Pembelajaran dan Keilmuan Journal Of Human And Education (JAHE)
Imam Ghozali
Pendidikan Seni Pertunjukan, Fakultas Keguruan Dan Ilmu Pendidikan, Universitas Tanjungpura
Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Public Health Social Sciences Transportation Other

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BENTUK PENYAJIAN DAN STRUKTUR MUSIK TATUNG PANGALANGOK NEK ITAPM PADA PERAYAAN CAP GO MEH Yanuar Dwi Adi Prabowo; Imam Ghozali; Nurmila Sari Djau
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 6 (2021): Juni 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i6.47501

Abstract

AbstractThis research is motivated by the uniqueness of the Pangalangok Nek Itapm tatung group. Tatung art is a tradition of the Chinese community, but in the Pangalangok Nek Itapm group all members are of the Dayak ethnicity. This study uses a descriptive-exploratory method, with an anthropological approach. Data obtained from interviews, observations, and documentation. The data validity technique used source triangulation and observation extension. The data in this study were analyzed using Miles and Huberman's theory. The results of this study indicate that the uniqueness lies in the special rituals and forms of presentation. The special ritual of the Panglangok Nek Itapm group uses a unique dish, namely using a sacred dish, namely blood, ancak, pahar, kalangkang, plain poek, native chicken eggs, tumpi', saba', tangkin, rice, and chicken, in This presentation is rarely encountered in special rituals in other tatung groups. In the form of its presentation Pangalangok Nek Itapm has a costume and dress that uses hornbill head, ruai feathers as head decoration, keris as a sword to be stabbed into the body of the tatung, deer antlers to hang on the neck as a unique decoration of the Pangalangok Nek tatung group Itapm.Keywords: Presentation Form, Tatung Pangalangok Nek Itapm Group
RAGAM POLA TABUHAN KESENIAN ZIKIR SALAI DI DESA TRIMANDAYAN KECAMATAN TELUK KERAMAT KABUPATEN SAMBAS Welli Aprian; Imam Ghozali; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 6 (2021): Juni 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i6.47404

Abstract

AbstractThe background of this research is to study the technique of playing a membrane musical instrument and the variation of the beat patterns of Zikir Salai in Trimandayan Village, Teluk Keramat District, Sambas Regency. The purpose of this study was to describe the technique of playing membrane musical instruments and to concern the various rhythmic patterns of Zikir Salai in Trimandayan Village. The method used was descriptive analytic with a musicological approach. The data in this research were in the form of rebana and gedomba 'musical instrument playing techniques, and the beat pattern of the Zikir Salai in Trimandayan Village. The participants in this study were the artist figures who knew about this art. Data collection was done by observing, interviewing, and documenting, checking the validity of the data by extending observations and triangulating sources. The data analysis technique used was the analisys content technique of Moleong's (1991) model. Based on the data analysis Rebana and Gedomba’ had two kinds of sound “dung” and “cang”, there were five beat patterns one basict beat, two basic beat, tandak beat, keroncong beat, and dangdut beat, there are also rhythmic development of every basic beats and also techniques expansion and tone color “dung” on dangdut beat. Finally researcher hopes this research can stimulate the interest to learn traditional art especially Zikir Salai in Trimandayan Vilage Teluk Keramat District on Sambas Regency.Keywords: Pattern of beat, Traditional Art, Zikir Salai.
POLA TABUHAN TEBAH GENDANG DAYAK IBAN SEBARUK DI KECAMATAN SEKAYAM KABUPATEN SANGGAU Harry Fandinus; Imam Ghozali; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 8, No 9 (2019): September 2019
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (286.042 KB) | DOI: 10.26418/jppk.v8i9.35760

Abstract

AbstractThe uniqueness Tebah Gendang of Iban Sebaruk Dayak tribe in Sekayam District Sanggau regency. This study aims to analyze the beats patterns and the technique of playing Tebah Gendang. This study was conducted using the descriptive-analytic method in the form of qualitative research. The approach used in conducting the study was musicology. The researcher acted as the research instrument. The data were gathered from the public figure in the community and the kendang craftsmen and players, of which they were collected using observation, interviews, and documentary study techniques. The data were validated by sources triangulation and technique triangulation and. were analyzed by adapting the technique from Miles and Huberman such as data reduction, data presentation, and verification. The findings show that there are eight patterns of tebah gendang beats; they are tebah pekak ayam, babi makan belaut, tungkat tebuh betung, pelebar, gendang nait, kuntau, ngajat and banong belit. In addition, there are two sounds produced (“dup” and “pak”), which were formed from being hit using the palm. This artistry is unique because it has a variety of different beat patterns with other musical instruments. Based on the results, it is necessary to study further to make it material in learning local musical instruments. Keywords: Tebah Gendang, Musicology, Dayak Iban Tribe of Sebaruk
GLOKALITAS SAPE’ SEBAGAI KEARIFAN LOKAL KALIMANTAN BARAT Yudhistira Oscar Olendo; Zakarias Aria Widyatama Putra; Mastri Dihita Sagala; Christanto Syam; Imam Ghozali
Jurnal Kajian Pembelajaran dan Keilmuan Vol 7, No 1 (2023): APRIL 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jurnalkpk.v7i1.63992

Abstract

Local ethnic culture like sape’ provides solid local wisdom value for West Kalimantan people. Hence, in the rapid development of smart society 5.0, sape’ as local wisdom faces stagnant situation as it is urged to view it as culture glocalization. The purpose of this study was to identify sape’ in the landscape of West Kalimantan’s local wisdom. In addition, this study aimed to explain sape’ glocalization from the view of digitalization. This study was conducted through qualitative approach. The method of this study was existential phenomenology. The instrument of this study were unstructured observations and depth interview. The participant were practitioner, artist, and 5 sape’ musicians. Data analysis technique was conducted through Van Kaam phenomenology: 1) grouping; 2) elimination; 3) thematic portray; 4) validation; 5) textural description; 6) structural description and; 7) textural-structural phenomenon description. This study found that the phenomenon of sape’ as local ethnic culture had influenced local wisdom to glocalization. This means that sape’ excitement was created by local cultural performance from the visual landscape of digitalization (glocalization). Sape’ glocalization as West Kalimantan local wisdom became new concept of Indonesia heritage as it needs to be considered as UNESCO recognition. Moreover, this considers as the future work for researchers, reviewers, and sape’ musicians to conduct more studies about local culture and global culture.
DYNAMICS OF TRADITIONAL MUSIC IN SOCIETY: A CASE STUDY ON THE STRATEGY OF SILOTUANG HERITAGE IN JAGOI VILLAGE BENGKAYANG REGENCY Mastri Dihita Sagala; Zakarias Aria Widyatama Putra; Imam Ghozali; Yudhistira Oscar Olendo
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to describe the existence, dynamics, and strategies of the inheritance of traditional Silotuang music in Jagoi Village, Bengkayang Regency. Using a qualitative approach with case studies, this research reveals that Silotuang remains an important part of various traditional ceremonies and music festivals in the village. However, the socio-cultural dynamics have brought changes to the number of players, the form of the instruments, and the frequency of Silotuang performances. The inheritance strategy implemented so far includes extracurricular activities at school and involvement in the festival. Data were obtained through participant observation, in-depth interviews, and documentation. Data analysis using the interactive Miles and Huberman model, which includes data collection, data condensation, data presentation, and data verification. The validity of the data uses source and technique triangulation accompanied by prolonged observation. The result of this study highlights the importance of Silotuang as a cultural identity and urges continuous efforts from various parties to preserve it. roader efforts in preserving traditional music so that Silotuang remains a cultural heritage that is preserved and sustainable are the hope for further research, and developing the Silotuang instrument in the real of multidisciplinary sciences and creative product development.
Co-Authors Achmadi Achmadi Ade Elbani Ade Mirza Afrizal - Agustina Listiawati Aktris Nuryanti, Aktris Alhadiansyah Aline Rizky Oktaviari ALINE RIZKY OKTAVIARI SATRIANINGSIH Andi Arif Wahyono Andi Ihwan Arianda yarso Asep Nursangaji Asfar Muniir Asfar Muniir Asfar Muniir Asfar Muniir Asfar Munir Aswandi - Aufa Zahra Bistari Chiristianli Yery Silaban Chiristianly Yeri Silaban Chiristianly Yery Silaban Chiristianly Yery Silaban Chiristianly Yery Silaban Christanto Syam Christianly Y Deplo Supoyo Dwi Oktariani Dwi Zulfita Edy Suasono Elly Suharlina Erni Djun Astuti Eva Dolorosa Fitri Imansyah Geovani Risa Krisanta Grandena, Egi Putri Gregorian Imanuel Hadary, Ferry Hamdani - Harry Fandinus Herry Sujaini Imma Fretisari Ismawartati - Ismunandar Ismunandar Kensiwi Kameswari Mastri Dihita Sagala Mastri Dihita Sagala Mastri Dihita Sagala Mastri Dihita Sagala Mastri Dihita Sagala Mega Cantik putri Aditya Mega Cantrik Putri Aditya Meiran Panggabean Memet Agustiar Mochammad Meddy Danial Muanuddin - Muhammad Yusuf Muhsin Muhsin Ningsih, Kurnia Nurhayaningsi Nurhayaningsi Nurmainah - Nurmila Sari Djau Nurmila Sari Djau Nurmila Sari Djau Nurmila Sari Djau Priyo Saptomo Purwaningsih - Rachmawati Rahmidiyani - Ratna Herawatiningsih Regaria Tindarika Riduansyah - Rommy Patra Setia Budi Sholva, Yus Silvia Uslianti Siti Hadijah Siti Halidjah Stepanus Sahala Sitompul Surachman - Sy. Hasyim Azizurrahman Syaifurrahman Syaifurrahman Syamswisna , Uti Asikin Vivi Bachtiar Welli Aprian Wendy Windhu Putra Witarsa - Yanuar Dwi Adi Prabowo Yohanes Gatot Sutapa Yudhistira Oscar Olendo Yuline - Yulis Jamiah Zakarias Aria Widyatama Zakarias Aria Widyatama P Zakarias Aria Widyatama Putra Zubaidah R