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All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Gorga : Jurnal Seni Rupa Harmonia: Journal of Research and Education Panggung Gondang: Jurnal Seni dan Budaya Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni JURNAL PENDIDIKAN TAMBUSAI Journal on Education International Journal of Educational Dynamics (IJEDS) Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni International Conference on Languages and Arts Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Jurnal Pendidikan dan Kebudayaan Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Science and Environmental Journals for Postgraduate Jurnal Manajemen Pendidikan dan Ilmu Sosial (JMPIS) Jurnal Ilmiah Wahana Pendidikan Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra YASIN: Jurnal Pendidikan dan Sosial Budaya Proceeding International Conference on Malay Identity Populer: Jurnal Penelitian Mahasiswa Langgam International Journal of Social Science Education, Art and Culture Journal of Creative Student Research Student Scientific Creativity Journal Jurnal Bintang Pendidikan Indonesia Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Seniman: Jurnal Publikasi Desain Komunikasi Visual Cendikia: Jurnal Pendidikan dan Pengajaran Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Law and Economics Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Panggung E-JURNAL AKUNTANSI International Martial Arts and Culture Journal.
Indrayuda Indrayuda
Universitas Negeri Padang
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Continuity and Changes in Gandang Sarunai's Music Performance in Alam Surambi Sungai Pagu Society's Socio-Cultural Activities, South Solok Regency, West Sumatra Marzam, Marzam; WS, Hasanuddin; Indrayuda, Indrayuda; Maestro, Esy
Humanus Vol 22, No 1 (2023)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v22i1.112775

Abstract

This article discusses the continuity and change of gandang sarunai music performances in socio-cultural activities of the Alam Surambi Sungai Pagu community, South Solok, West Sumatra. The data were derived from the results of research compiled based on qualitative methods, utilizing literature study techniques, observation, interviews, and documentation techniques. The results of the study show that there has been a change in the performance of gandang sarunai music both in terms of venue and in terms of musical aspects of gandang sarunai nowadays. While the continuity of music is maintained, even when compared to the performances of gandang sarunai music during the time of Raja Alam of Surambi Sungai Pagu led the region administratively; gandang sarunai music has been used by all levels of society in their various socio-cultural activities nowadays. In the past, gandang sarunai music was only shown by and for the King's family. Nowadays, gandang sarunai music is used not only in the royal family's environment. Most people have also used gandang sarunai music in their various socio-cultural activities.
Peran Sinergitas Ekosistem Budaya Terhadap Marginalisas Seni Pertunjukan Indrayuda, Indrayuda
Proceeding International Conference on Malay Identity The 2nd International Seminar on Language, Literature, Education, Arts and Culture
Publisher : Jurusan Sejarah, Seni, dan Arkeologi, FKIP, Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Banyak kasus marginalisasi budaya dewasa ini di berbagai daerah, khususnya budaya tradisi seperti seni pertunjukan tradisi. Keberadaannya kurang dipelihara dan jarang mendapat tempat di dalam berbagaai kegiatan tradisi yang membudaya di dalam suatu masyarakat. Pengakuan masyarakat terhadap keberadaan seni pertunjukan tradisi sudah mulai luntur. Padagilirannya seni pertunjukan tersebut jarang digunakan dan difungsikan oleh masyarakat pemiliknya. Sebagai warisan budaya tak benda, seni pertunjukan tidak lagi dibudayakan seperti biasanya oleh pemiliknya. Ditengarai persoalan ini disebabkan kurang berperannya sinergitas ekosistem budaya di daerah tersebut. Ekosistem budaya tidak berjalan sebagaimana mestinya, sehingga berdampak pada pertumbuhan dan perkembangan seni pertunjukan tersebut. Artikel ini memfokuskan persoalan tidak berperannya sinergitas ekosistem budaya yang berdampak pada keterpinggirannya seni pertunjukan tradisi. Padagilirannya diasumsikan bahwa hubungan ekosistem berpengaruh terhadap kehidupan seni pertunjukan tradisi di suatu daerah.
Kebertahanan dan Keberlanjutan Tari Pisau Dua dalam Masyarkat yang Berubah di Desa Tanjung Eran Kecamatan Pino Aysah Nur Rahma; Indrayuda Indrayuda
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.241

Abstract

This study aims to describe and analyze the survival and sustainability of the Dua Dua Dance in the community in Tanjung Eran Village. This type of research is qualitative research with a descriptive method. The main instrument of this research is the researcher and is assisted by supporting instruments such as stationery and cameras. Data were collected through literature studies, observations, interviews and documentation. The steps of analyzing data are data collection, data reduction, data modeling, and drawing conclusions. The results of the study show that the survival and sustainability of the Knife Dance in Tanjung Eran Village, Pino District is still ongoing to this day through the Elan Sakti College taught by Datuk Ardin. The survival of the Dua Dua Dance can be seen in terms of the form of movement, costumes and rituals that have not changed from the past to the present. The ritual is to prepare offerings containing (black chicken/beetle chicken and brown rice), then prepare a complete betel nut containing (lime, betel, areca nut), prepare a basket of rice filled (rice, lime, white thread, needles, glasses filled with salt chili) and a bowl of Situngkat Guru White Cloth 1 piece per person and 3 colors of yarn (yellow, black,  white). The offerings that were prepared were used before becoming a member and after mastering the Pisau Dua dance is still carried out without any change at all. In terms of performing the Pisau Dua dance at an event, there is a procedure carried out by the dancer, namely bathing using lime. It is this resilience that makes sustainability in people's lives so that the Pisau Dua dance can be used in traditional ceremonies such as marriage ceremonies.
Kajian Bentuk Gerak dan Tujuan Serangan Silek Taralak di Perguruan Talago Biru Maninjau Kecamatan Tanjung Raya Resha Gustina Putri; Indrayuda Indrayuda
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 6 (2024): November : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i6.379

Abstract

This study aims to describe the shape of the silek taralak movement in Maninjau, Tanjung Raya District. The type of research used is qualitative research with a descriptive method of analysis. The instruments used are their own lamps with supporting instruments such as stationery, cameras, and mobile phones. Data was collected by means of literature studies, observations, interviews, and documentation. The steps used to analyze the data are data collection, data reduction, data presentation, and conclusion drawn. The results show that Silek Taralak aims to create complete control over the opponent through fast, precise, and devastating attacks, by maximizing the impact on the vital areas of the opponent's body. Each attack technique in Silek Taralak is specifically designed to attack the vital parts of the opponent's body with the aim of disabling or controlling them. Attacks are generally focused on the heartburn, right rib, back, elbow, neck, and shoulder, using various techniques such as punches, locks, fractures, and slams. Techniques such as Elo suok and Masuak kida attack heartburn and ribs, while Ampai breaks the opponent's hands and elbows. There are also attacks that emphasize locks and slams, such as Tangkok smoked and Kungkuang karo, which lock the opponent's neck and hands before knocking them down or slamming them. In addition to offensive attacks, defensive techniques such as Tapiak raok and Gelek function to deflect the opponent's attacks, followed by effective counterattacks.
Perempuan Dalam Tari Galombang Kreasi: Kajian Perubahan Peran Dan Fungsi Terhadap Posisi Penari Husna Febri Andika Putri; Indrayuda Indrayuda
Populer: Jurnal Penelitian Mahasiswa Vol. 2 No. 3 (2023): September : Jurnal Penelitian Mahasiswa
Publisher : Universitas Maritim AMNI Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58192/populer.v2i3.1293

Abstract

This study aims to describe and describe 1) the causes of changes in the role and function of dancers' positions by using women in Galombang Kreasi dance. 2) the role and function of female dancers in Galombang Kreasi dance performances. This type of research is qualitative research with descriptive methods. The instrument of this study is the researcher himself and assisted by supporting instruments such as stationery and cameras. Data collection techniques are carried out by means of literature studies, observations, interviews and documentation. The steps of analyzing or analyzing are data reduction, data presentation and inferring data. The results showed that the Galombang Kreasi dance is usually performed by men who can number up to dozens of people and then divided into two groups, where each group seems to be a group of bodyguards. Galombang Kreasi dance has a little element of pencak silat in its movements, so that when it is performed there will be a little martial arts attraction in the series of dances performed, in contrast to pasambahan dance which highlights elegance in every movement and can also be performed by women. The combination of these two dances serves to welcome and pay homage to the bride and groom, also paving the way for a line of virgins carrying carano offerings containing traditional betel. In addition, this new creation of traditional dance also serves as a fence for the entrance of the ninik mamak troupe that accompanies the journey of the bride and groom.
The Impact of Extracurricular Activities on Dance Skills of Students of SMP Negeri 34 Kerinci Hestilia, Wina; Indrayuda
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 1 (2024): February
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i3.62

Abstract

The purpose of this study was to describe the impact of extracurricular activities on the dancing skills of students at SMP Negeri 34 Kerinci. This type of research is a qualitative research with descriptive method. The object of research is students of SMP Negeri 34 Kerinci. The research instrument is the researcher himself. The results of the study showed that students' dancing skills were seen from their lack of self-confidence when doing dance exercises in extracurricular activities. This can be seen from as long as students get new teaching material, they seem to try and practice it well, students seem to try and practice dancing and always want to try, such as students' interest in the material to be studied, besides that students actively ask questions when they are not clear and don't understand. the results of the evaluation of dance extracurricular activities at SMP Negeri 34 Kerinci proved that out of the 34 people tested, 20 students got an A (very good) grade, 10 students got a B (good) and 4 students got a C (fair). From the results of the overall evaluation, the teacher held a meeting with the school principal so that students who got the highest score (Very Good) were included to take part in the Kerinci Regency FLS2N next year, and had the opportunity to take part in inter-school competitions such as Expo and Pensi. This shows that SMP Negeri 34 Kerinci is progressing.
Eksistensi Tari Persembahan Makan Sirih Sebagai Budaya Tradisi Baru Masyarakat Kabupaten Siak Sri Indrapura Provinsi Riau Sari, Maya Novita; Indrayuda
JURNAL MANAJEMEN PENDIDIKAN DAN ILMU SOSIAL Vol. 6 No. 1 (2024): Jurnal Manajemen Pendidikan dan Ilmu Sosial (Desember 2024 - Januari 2025)
Publisher : Dinasti Review

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/jmpis.v6i1.4062

Abstract

Penelitian ini bertujuan untuk menganalisis dan mendeskripsikan tentang keberadaan/eksistensi, proses pelaksanaan tradisi Tari Persembahan makan sirih sebagai budaya tradisi baru di masyarakat Kabupaten Siak Sri Indrapura Provinsi Riau dan mengapa masyarakat masih mempertahankan tradisi Tari Persembahan makan Sirih. Jenis penelitian ini menggunakan metode kualitatif dengan metode deskriptif analisis. Instrumen penelitian ini adalah peneliti sendiri dan dibantu dengan alat tulis, kamera dan handphone. Data dikumpulkan melalui studi pustaka, observasi, wawancara dan dokumentasi. Teknik penjamin keabsahan data menggunakan kriteria keterpercayaan, keterlibatan, ketergantungan dan kepastian. Langkah-langkah menganalisis data adalah pengumpulan data, reduksi data, penyajian data dan menyimpulan data. Hasil penelitian menunjukkan bahwa  eksistensi Tari Persembahan makan sirih sebagai budaya tradisi baru masyarat Kabupaten Siak Sri Indrapura Provinsi Riau terdiri dari 2 aspek, yaitu aspek peran dan aspek kegunaan. Aspek peran Tari Persembahan Makan Sirih adalah untuk pembinaan minat dan bakat bagi pemuda pemudi melayu. Sedangkan aspek kegunaan Tari Persembahan Makan Sirih adalah ini juga memiliki kegunaan untuk menyambut tamu kehormatan.  Bentuk pelaksanaan tradisi Tari Persembahan Makan Sirih adalah Tari Persembahan Makan Sirih versi dulu yang sangat sederhana, untuk gerakan pada Tari Persembahan Makan Sirih diambil dari gerakan yang sudah ada yaitu dari gerakan Tari Menjunjung Duli dari kerajaan Siak. Alasan Masyarakat Mempertahankan Tari Tradisi Makan Sirih Bagi Masyarakat Kabupaten Siak Sri Indrapura Provinsi Riau adalah menjaga identitas bangsa, tetapi juga memperkaya khazanah budaya dunia.
Dampak Pelatihan Tari terhadap Rasa Percaya diri Siswa di SMAN 4 Pariaman Nashiwa Natania Salsabilla; Indrayuda Indrayuda
Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Vol. 2 No. 2 (2024): September : DHARMA ACARIYA NUSANTARA : Jurnal Pendidikan, Bahasa dan Budaya
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jdan.v2i2.1238

Abstract

This study aims to find out how dance training has an impact on students' confidence at SMAN 4 Pariaman. This type of research is qualitative research with a descriptive method. The research instrument is the researcher himself and is assisted by supporting instruments such as stationery and cameras. Data were collected through literature studies, observations, interviews and documentation. The steps to analyze data are data collection, data reduction, data presentation and data verification. The results of the study showed that there was an increase in students' confidence when participating in dance training in dance extracurricular activities at SMAN 4 Pariaman which was influenced by optimistic, objective and responsible indicators. From the optimistic indicator, it can be seen that students have more willingness and do certain activities, students when they get new material, they look very eager to try and practice it well. From the objective indicators of impartial, fair and open students, students are able to make good friends with anyone and are also able to be fair to their peers. And from the responsibility indicator, being able to complete the tasks given and keep the promises according to the agreement, students who have tasks given by their coach always complete them on time and always follow whatever directions the coach tells them to do. So it can be concluded that the dance training carried out is able to increase students' confidence.
Pergelaran Maarak Kapalo Ameh : Wujud Pelestarian Budaya Melalui Penerapan P5 dan Kearifan Lokal di SMA Negeri 1 Matur Sari, Indah Novita; Agustina; Indrayuda; Elida
JURNAL MANAJEMEN PENDIDIKAN DAN ILMU SOSIAL Vol. 6 No. 2 (2025): Jurnal Manajemen Pendidikan dan Ilmu Sosial (Februari - Maret 2025)
Publisher : Dinasti Review

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/jmpis.v6i2.4313

Abstract

Penelitian ini bertujuan untuk menjelaskan dan mendeskripsikan implementasi pelestarian  budaya melalui penerapan program P5 dan kearifan lokal di kelas X SMA Negeri 1 Matur, prosesi acara Maarak Kapalo Ameh sebagai kearifan lokal masyarakat Matur dan nilai-nilai yang terkandung pada acara maarak kapalo ameh sebagai kearifan lokal masyarakat Matur. Jenis penelitian ini adalah penelitian kualitatif dengan metode studi kasus. Informan penelitian ini adalah kepala sekolah, waka kesiswaan dan guru. Instrumen penelitian ini adalah peneliti sendiri dan dibantu dengan tulis, perekam suara, dan kamera. Pengambilan sampel menggunakan teknik snowball sampling. Data dikumpulkan melalui tahap persiapan, survey lapangan, teknik observasi dan teknik wawancara  Langkah-langkah menganalisis data adalah pengumpulan data, reduksi data, penyajian data dan penarikan kesimpulan. Hasil penelitian menunjukan bahwa tradisi Maarak Kapalo Ameh di SMA Negeri 1 Matur berhasil dilakukan melalui penerapan Program Penguatan Profil Pelajar Pancasila (P5) yang berbasis kearifan lokal dengan memperkenalkan budaya lokal kepada siswa dan memperkuat nilai-nilai kebangsaan dan religius melalui aktivitas kolaboratif. Nilai-nilai budaya yang terkandung dalam Maarak Kapalo Ameh mencakup dimensi sosial, spiritual, dan edukatif. Dimensi sosial tercermin dari kolaborasi yang terjalin selama persiapan dan pelaksanaan acara, sedangkan dimensi spiritual menunjukkan hubungan mendalam antara tradisi dan kehidupan masyarakat. Nilai edukatif berkontribusi pada pembentukan karakter siswa, menjadikan mereka lebih sadar akan pentingnya menjaga keberlanjutan budaya lokal. Integrasi kearifan lokal dalam pendidikan formal dilakukan melalui Maarak Kapalo Ameh dan Program P5 yang merupakan strategi yang efektif dalam melestarikan budaya. Pendekatan ini tidak hanya mempertahankan tradisi lokal tetapi juga memperkuat karakter pelajar sebagai generasi penerus yang memiliki kesadaran budaya. Diharapkan hasil penelitian ini dapat menjadi inspirasi bagi sekolah lain untuk mengembangkan program serupa sebagai bagian dari upaya pelestarian budaya nasional.
Perkembangan Tari Asaik Dilihat Dari Aspek Kegunaan dan Fungsi di Desa Paling Serumpun Kecamatan Hamparan Rawang Kota Sungai Penuh Intan Milanda; Indrayuda Indrayuda
Journal of Creative Student Research Vol. 1 No. 5 (2023): Oktober : Journal of Creative Student Research
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jcsrpolitama.v1i5.2506

Abstract

This study aims to describe the development of Asaik Dance which is seen from the aspects of use and function in the past and present in the most cognate village, Hamparan Rawang District, Sungai Penuh City. This type of research is qualitative research with descriptive methods. The main instruments in this study are the researchers themselves and are assisted by supporting instruments such as, stationery, video and photo cameras, tape recorders. Data collection techniques are carried out by means of observation, interviews, and documentation. The steps to analyze the data are data that has been successfully collected from the results of observations, interviews and reduced documentation and then presented and verified. The results showed that the development of Asaik Dance was seen from the aspects of usefulness and function in the past and in the present, nothing has changed, such as the use of dance for traditional medicine, namely medicine, which serves to overcome the problem of ghaib disease, or non-medical diseases. Although Islam has developed, this dance is still used and functioned as in the past.
Co-Authors Abdullah, Nagoor Meeara Afiatri Gelurena Afifah Asriati Agustina Ahmad Damhuri Aksara, Anggi Al-Syurgawi, Dahlia Amellia, Marisa Angge Pratiwi Vitri Anugrah Prima Insani Ardipal Ardipal Ariep Bijaksana Aysah Nur Rahma Ayu Nara Sati Aziz, Nur Azizah Abdul Bunga Lovesky Bunga Maharani Bunga Naselia Chelina Dewi Dara Ardilla Darmawati Darmawati Darmawati Darmawati Dede Putri Perdani Della Natasia Gunita Piska Dendi Chairi Desfiarni Desfiarni Dewi Fiolinda Dibba Gazwami Diye Chania Dwi Witri Anggraini Efriyanti, Dian Rahma Eke Febrianti Elida Ella Miftah Aulia Endang Nuryani Esy Maestro Eva Pauziah Fadhila Saktia Feby Try Rahmanda Fingki Novi Arsita Fitrah Hayati Fitri, Levina Frisilia Yulisianti Fuby Candani Fuji Astuti Fuji Astuti Gusnia hadi, Harisnal Hafizatul Ismi Hana Shilfia Iraqi Handayani, Bella Fitri Hasanuddin WS Helfira Helfira Hendri Yusuf Herlinda Mansyur Hestilia, Wina Hidayatunnisa Hidayatunnisa Husna Febri Andika Putri I Made Sukartha Idol Fatria Ildiea Fitri Indah Novita Sari Indri Mayangsari Intan Milanda Intan Sani Ashari Junita Fitri Kassim, Rezian-na Muhammed Lanifa, Rani Lidya Indrawati Liza Azoni Lola Murnianti Maidilla Siska Putri Mardiana - Marzam Marzam Marzam Marzam Maya Endah Rahayu Meisa Adila Meizul Ofriananda Mia Fahmiati Miftahul Rizka Mohd. Effindi Samsudin Muhammad Afif Nashiwa Natania Salsabilla Nawai, Nasru Syazwan Nela Majesti Nerosti Nia Putri Jelita Nia Rahmadani Niken Ayu Astuti Nindi Aulia Safira Ningsih, Lisa Wahyu Nor, Mohad Anizu Mohd Novelis, Puput Nurhana Nurhana Nurul Annisa Syafwan Nurul Intan Pratiwi Oktania, Rahma Pebrina Sapitri Poppy Lisafri Yolanda Prihan Pangemba Puti Aryanti Soleha Putri Amriana Putri Aulia Rahmawati Putri Novrialni Putri Yunengsih Quinta Dianda Voneline Radisma Suziyanti Rahim, Mohamad Rahizam Abdul Rahmat Adriyanto Rahmat Hidayat Rahmi Ul Fadhilah Raju Gunawan Rama Dona E Rana Arisma Valeves Rani, Destia Ranti Lestari Raudhatul Fadillah Regia Amelia Putri Resha Gustina Putri Reza Trinanda Rini Suardi Rita Syofyan Rizka Annisa Rizka Janarsi Samsuddin, Mohd Effindi Samsudin, Hazim Sandika Sadema, Ayu Sari, Maya Novita Sari, Nurima Sevi Sovia Shamsuddin, Mohd Effindi Bin Shapie, Muhamad Nizam Mohamad Shinta Jayanti Silvani, Shindy Siti Aisyah Jasmin SITI KHODIJAH Sri Muryenti Suci Okta Rahmadani Susi Evanita Susi Evanita Susmiarti Syafitri, Mahdalena Syahrel Syahrel Syofyan, Rita Tiara Virginia Aulia Tulus Handra Kadir Tuttriana Tuttriana Ukie Winaranti Vincent Parnabas Virginia Aulia, Tiara Viska Nanggita Vuja Syafrianti Alhidayah Wahyuni, Irfi Sri Widya Novitri Wilya Aryana Putri Wina Hestilia Wina Hestilia Windi Novrianti Yeni Yeni Yoni Sesilia Yos Sudarman Yosi Dwi Zulniati Yusman, Ahmad Fauzan Zora Iriani Zul Asri Zul Fahmi