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AN ANALYSIS OF MAIN CHARACTERS IN WARM BODIES FILM USING JUNG THEORY OF ARCHETYPES Rizakiah, Syarifah; Sili, Surya; Kuncara, Singgih Daru
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 2, No 4 (2018): Oktober 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (242.357 KB) | DOI: 10.30872/jbssb.v2i4.1029

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ABSTRACTThe collective unconscious concept of Jungian critic contains archetypes that are unique part of the theory of human personality. The archetypes can be found in R and Julie character in Warm Bodies film. The purpose of this study is to find out some archetypes based on Jungian critics that related to both characters. Analytical psychology theory by Carl G Jung was used as the main theory to find out the archetypes that related to both characters. This study is categorized as literary criticism since this study is emphasized on the analysis of literary work. The primary data of this study are collected from Jonathan Levine’s Warm Bodies film. The result of this study is showed there were six archetypes found in the film. They were persona, shadow, anima, animus, hero, and self-archetypes. Keywords: Jungian psychoanalysis, archetypes, Warm Bodies film ABSTRAKKonsep kumpulan bawah sadar dari kritik Jung mengandung pola dasar yang merupakan bagian yang unik dari teori kepribadian manusia. Pola dasar ini dapat di temukan di dalam karakter R dan Julie dalam film Warm Bodies. Tujuan dari penelitian ini untuk menemukan beberapa pola dasar bedasarkan dari kritik jung yang terkait dengan kedua karakter. Psikologi analisis teori dari Carl G Jung digunakan sebagai teori utama untuk menemukan pola dasar yang terkait dengan kedua karakter. Penelitian ini di kategorikan sebagai kritik sastra sejak penelitian ini menekankan pada Analisa dari kerja sastra. Data utama dari penelitian ini di kumpulkan dari film Jonathan levine Warm Bodies. Hasil dari penelitian ini menunjukkan bahwa ada 6 pola dasar yang ditemukan di dalam film. 6 pola dasar itu adalah persona, shadow, anima, animus, hero, dan pola dasar self. Kata kunci : psikoanalisis Jung, pola dasar, film Warm Bodies
THE REFLECTION OF REJECTION AS SEEN IN HELEN’S CHARACTER OF BESIDE MYSELF BY ANN MORGAN Sari, Kumala; Kuncara, Singgih Daru; Lubis, Indah Sari
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 2, No 3 (2018): Edisi Juli 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (243.56 KB) | DOI: 10.30872/jbssb.v2i3.1148

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ABSTRACTRejection issue is one of the realities in society that can be reflected in literary work. It happens when one individual does not accept other individual and not showing any kindness such as loving and caring. Someone that was rejected by other people usually being excluded and ignored by others. Meanwhile in social life, people need to be accepted and acknowledged by others so they will feel appreciated. Rejection unconciously happened in our society. One of the literary works that represent rejection issue is a novel by Ann Morgan entitled Beside Myself. The rejection issue in that novel can be analyzed through Helen’s character. This research belonged to qualitative research with content analysis as its data analysis technique. This research focused on rejection issue that appeared in Helen’s character through the narrations and dialogues of the characters in the novel. This research used IPARTheory from Ronald P.Rohner as the reference in analyzing Helen’s character. The result of this research showed that Helen received all the rejection acts from the people around her, especially her mother. Helen has eight out of nine rejection effects as the result of being rejected by people around her.  Keywords: Acceptance, Rejection, IPARTheory, Beside Myself novel  ABSTRAKIsu penolakan merupakan salah satu kenyataan di masyarakat yang dapat direfleksikan dalam karya sastra. Isu ini terjadi bila seseorang tidak menerima seorang yang lainnya dan tidak menunjukkan keramahan terhadap orang tersebut, seperti rasa cinta dan kepedulian. Seseorang yang ditolak oleh orang lainnya biasanya dikucilkan dan diabaikan oleh orang lain. Sementara, dalam kehidupan bermasyarakat, manusia butuh untuk diterima dan diakui oleh manusia lainnya sehingga mereka akan merasa dihargai. Isu penolakan ini secara tidak sadar telah terjadi di kehidupan masyarakat kita. Salah satu karya sastra yang merepresentasikan mengenai isu penolakan adalah novel karya Ann Morgan berjudul Beside Myself. Isu penolakan tersebut dapat di analisis melalui karakter Helen. Penelitian ini adalah penelitian kualitatif dengan menganalisis isi novel sebagai teknik analisanya. Penelitian ini fokus pada isu penolakan yang muncul dalam karakter Helen yang dapat diketahui melalui narasi dan percakapan para tokoh di dalam novel. Penelitian ini menggunakan IPARTheory dari Ronald P.Rohner sebagai acuan dalam menganalisa karakter Helen. Hasil dari penelitian ini menunjukkan bahwa Helen menerima semua tindakan penolakan dari orang-orang di sekitarnya, terutama ibunya. Helen memiliki delapan dari sembilan efek penolakan sebagai hasil penolakan dari orang-orang disekitarnya. Kata Kunci: Penerimaan, Penolakan, IPARTheory, novel Beside Myself
THE DEPRESSION SYMPTOMS OF VIRGINIA WOOLF AS THE AUTHOR PORTRAYED IN MRS DALLOWAY NOVEL Margiana, Ruspika; Kuncara, Singgih Daru; Lubis, Indah Sari
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3132

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The purpose of this research was to find the depression symptoms of Virginia Woolf as the author portrayed in the characters Septimus Warren Smith and Clarissa Dalloway in Mrs Dalloway novel. It could be seen from the analysis of the data from biographical information of Virginia Woolf, narrations and utterances of the major characters Septimus and Clarissa. In order to determine the depression symptoms, Beck’s cognitive theory of depression was used in this research. This research belonged to qualitative method. The data sources were Mrs Dalloway novel and the biographies of Virginia Woolf. The data were the biographical information of Virginia Woolf, narrations and utterances in the novel refers to Woolf’s depression symptoms portrayed in the characters Septimus and Clarissa. The finding showed the depression symptoms of Virginia Woolf as were portrayed in Septimus such as negative expectation, self blame and self criticism, paralysis of the will, avoidance, escapist, and withdrawal wishes, suicidal wishes, loss of appetite, sleep disturbance, loss of libido, and hallucination.Meanwhile, the depression symptoms that were portrayed in Clarissa such as dejected mood, negative feeling toward self, low self evaluation, delusion of worthlessness, and suicidal wishes.
THE FUNCTIONS OF DIRECTIVE SPEECH ACTS OF MALEFICENT CHARACTER IN MALEFICENT MOVIE Biatrik, Desy; Natsir, M.; Kuncara, Singgih Daru
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 3 (2020): Juli 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i3.2869

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ABSTRACT The objectives of this study were to identify the types of directive speech acts and functions of language existed in Maleficent’s utterances. There were two theories used in order to fulfill the two objectives of this study. Searle’s (1979) types of directives helped the writer to identify types of directives speech acts uttered by Maleficent. While Jakobson’s (1960) functions of language helped to identify functions of language existed in each directive of Maleficent. This study was a qualitative research due to the fact of using words as its data taken from Maleficent movie script. As the method in analysing data, this study used conversation analysis in which taking account not only the utterances of Maleficent, but also the actions involved within. As the results, there were five types of directive speech acts and three functions of language found in the utterances of Maleficent in Maleficent movie script. The five types of directive speech acts were commanding, inviting, forbidding, requesting, and suggesting. Of all these five types, commanding was the most uttered and effective type by Maleficent regarding her role as the Moors’ protector who gave her the authority to command other people. Meanwhile, the three functions of language in Maleficent’s directives were expressive, conative, and referential. 
DECONSTRUCTION PERSPECTIVE TOWARD THE CHARACTERS IN GILMAN’S THE YELLOW WALLPAPER SHORT STORY Romlah, Imas; Kuncara, Singgih Daru; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 2 (2019): April 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (217.496 KB) | DOI: 10.30872/jbssb.v3i2.1787

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This research concerned on the deconstruction of characters in Gilman’s The Yellow Wallpaper short story in which the aim was to describe deconstruction toward the characters of the story. The method in this research was qualitative. Then for the data in this research were quotations such as words, texts, or narrations that were obtained from The Yellow Wallpaper short story. Furthermore, for the analysis, this research was focused to analyze the story by using Derrida’s deconstruction theory. In this research, the researcher analyzed three characters through binary oppositions in which arising the opposite views of the previously fixed views. The findings showed that there were ten characteristics of the narrator that were opposite each other, six from John and two from Jennie. From the fixed views, the narrator was considered as an isolated woman, inferior and weak woman, mad woman, even imaginative woman, however after they were deconstructed the narrator precisely was also proven as a free woman, superior woman, strong woman, normal woman, even realistic woman. Then John who was considered as a bad husband, superior and strong man, apparently after the characteristics were deconstructed he was also a very good husband, inferior man and weak man. Likewise, Jennie who was originally considered a good and perfect woman, apparently she could be considered as a bad woman. Penelitian ini berkonsentrasi pada dekonstruksi dari karakter-karakter yang ada didalam cerpen The Yellow Wallpaper-nya Gilman yang mana tujuannya adalah untuk menggambarkan dekonstruksi terhadap karakter-karakter dari cerita tersebut. Metode dalam penelitian ini adalah kualitatif. Kemudian, untuk data dalam penelitian ini adalah kutipan-kutipan seperti kata-kata, teks-teks, atau narasi-narasi yang diambil dari cerpen The Yellow Wallpaper. Selanjutnya, untuk analis, penelitian ini difokuskan untuk menganalisa cerita tersebut dengan menggunakan teori dekonstruksinya Derrida. Didalam penelitian ini, peneliti menganalisis tiga karakter melalui oposisi-oposisi biner yang mana memunculkan pandangan-pandangan yang sebaliknya dari pandangan yang sudah ditetapkan sebelumnya. Temuan-temuan penelitian menunjukkan bahwa ada sepuluh karakteristik dari narrator yang saling berkontradiksi, enam dari John, dan dua dari Jennie. Berdasarkan pandangan-pandangan yang sudah ditetapkan, narrator dianggap sebagai seorang perempuan yang terkekang dan terpenjara, inferior dan lemah, perempuan gila, bahkan perempuan pengimajinasi, namun setelah mereka semua didekonstruksi ternyata narrator juga justru terbukti sebagai seorang perempuan yang bebas, superior dan kuat, perempuan normal, bahkan perempuan yang realistis. Kemudian John yang dianggap sebagai seorang suami yang jahat, superior dan kuat, ternyata setelah didekonstruksi dia juga terbukti sebagai seorang suami yang baik, inferior dan lemah. Begitupun juga, Jennie yang mana sebelumnya dianggap sebagai seorang perempuan yang baik dan sempurna, ternyata setelah didekonstruksi dia bisa menjadi dianggap sebagai seorang perempuan yang jahat.
DISCRIMINATION TOWARDS AFRICAN-AMERICAN WOMEN AS PORTRAYED IN HIDDEN FIGURES FILM Haryanti, Regzi Sri; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 4 (2019): Oktober 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1102.362 KB) | DOI: 10.30872/jbssb.v3i4.2259

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This research analyzed the discrimination issue that happened in Hidden Figures film. The discrimination in the film mostly happened to three main characters in the film, Dorothy Vaughan, Mary Jackson and Kathrine Goble. The purposes of this study are to reveal and explain the types of discrimination that happened to these three African-American women and to understand their responses against it. The researcher used mimetic approach and descriptive qualitative method in this research. The data in this research derived from utterances, actions, and explanation of a situation that has relation to the research questions. Based on the analysis, the researcher found that there were only race/color discrimination and gender discrimination that happened in the story. The discrimination in this film was done by white people against African-American people. The analysis also showed that at first, the victims responded to the discrimination by withdrawal, followed by resign acceptance, and ended by verbal confrontation. In the film, the analysis shows that after verbal confrontation, white people no longer discriminated African-American people for their race or gender. Penelitian ini menganalisis masalah diskriminasi yang terjadi di dalam film Hidden Figures. Diskriminasi di dalam film ini, sebagian besar terjadi kepada tiga karakter utama dalam film yaitu, Dorothy Vaughan, Mary Jackson dan Kathrine Goble. Tujuan dari penelitian ini adalah untuk mengungkapkan dan menjelaskan jenis-jenis diskriminasi apa saja yang terjadi kepada ketiga wanita Afrika-Amerika tersebut dan untuk memahami tanggapan mereka terhadap diskriminasi tersebut. Peneliti menggunakan pendekatan mimetik dan metode deskriptif kualitatif untuk melaksanakan penelitian ini. Data di dalam penelitian ini berasal dari ujaran, tindakan, dan deskripsi akan situasi yang berkaitan dengan rumusan masalah. Berdasarkan hasil analisis, peneliti menemukan bahwa hanya terdapat diskriminasi ras / warna kulit dan diskriminasi jenis kelamin yang terjadi dalam film. Diskriminasi di dalam film ini dilakukan oleh orang kulit putih terhadap orang-orang Afrika-Amerika. Hasil analisis juga menunjukkan bahwa pada awalnya, para korban menanggapi diskriminasi dengan cara menghindari situasi, lalu diikuti dengan penerimaan terhadap diskriminasi, dan diakhiri dengan konfrontasi secara lisan. Di dalam film tersebut, hasil analisis menunjukkan bahwa setelah konfrontasi secara lisan, orang kulit putih tidak lagi membeda-bedakan orang Afrika-Amerika berdasarkan ras atau jenis kelamin mereka.
WOMAN'S ROLE IN THE CIVIL WAR ERA PORTRAYED IN MARMEE'S CHARACTER IN LITTLE WOMEN MOVIE Mudmainah, Dewi; Kuncara, Singgih Daru; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 3 (2019): Juli 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (183.65 KB) | DOI: 10.30872/jbssb.v3i3.2004

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ABSTRACT This research analyzed Little Women movie which is adapted from a novel with the same title written by Louisa May Alcott in the 19th century. This research focused on Marmee’s roles and related to the setting of the movie to be discussed further. The character’s role is explained thoroughly by using Tiffany K. Wayne’s theory of triple role. This research used mimetic approach and deals with descriptive method to analyse the data qualitatively.The result of this research is Marmee’s character experienced one out of three roles that proper with Tiffany’s triple role theory. This role is reproductive role where it was shown in many scenes during the story. The reproductive activities shown by Marmee were she cared for her daughters, she looked after them, educated them and cooked for them where these represents as reproductive role according to Tiffany and it proved that Marmee is capable to handle all things without the existence of her husband in that era. The two other roles missing are productive and community management role. These roles are not seen towards the character because Marmee did not work in the story and she chose to be a housewife rather than did voluntarily activity or earned money.ABSTRAKPenelitian ini menganalisis film Little Women yang diadaptasi dari sebuah novel dengan judul yang sama yang ditulis oleh Louisa May Alcott pada abad ke-19. Penelitian ini berfokus pada peran Marmee yang terkait dengan setting (keadaan/latar belakang) film yang akan dibahas lebih lanjut. Peran karakter dijelaskan secara menyeluruh dengan menggunakan teori triple role oleh Tiffany K. Wayne. Penelitian ini menggunakan pendekatan mimetik dan metode deskriptif untuk menganalisis data secara kualitatif. Hasil dari penelitian ini adalah karakter Marmee mengalami satu dari tiga role (peran) yang sesuai dengan teori triple role, Tiffany. Role (peran) ini adalah reproductive role (peran reproduksi) di mana ia ditampilkan dalam banyak adegan selama cerita. Aktivitas/kegiatan reproduksi yang diperlihatkan oleh Marmee adalah ia perhatian pada putrinya, ia merawat mereka, mendidik mereka dan memasak untuk mereka di mana ini semua merupakan peran reproduksi menurut Tiffany dan itu membuktikan bahwa Marmee mampu menangani semua hal meskipun tanpa keberadaannya suami nya di era itu. Dua role (peran) lain yang hilang adalah productive role (peran produksi) dan community management role (peran dalam manajemen di masyarakat). Dua peran (role) ini tidak terlihat pada karakter Marmee dikarenakan Marmee tidak bekerja dalam cerita dan dia memilih untuk menjadi ibu rumah tangga daripada melakukan kegiatan sukarela di masyarakat seperti halnya menjadi volunteer.
CHARACTER ANALYSIS OF JACE WAYLAND IN THE MORTAL INSTRUMENTS: CITY OF BONES NOVEL THROUGH HIERARCHY OF HUMAN NEEDS THEORY OF ABRAHAM MASLOW Latifah, Siti Noor; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 1 (2019): Januari 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (197.875 KB) | DOI: 10.30872/jbssb.v3i1.1498

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ABSTRACTThe objective of this research was to show the process of Jace, the character in The Mortal Instruments: City of Bones novel, in fulfilling his need through Abraham Maslow’s theory about hierarchy of human needs and to describe about his character based on his need. This data used descriptive qualitative research because the data were found in the form of dialogue and narration that will explained about the character. The researcher used The Mortal Instruments: City of Bones novel as the source data. The steps of data collection were reading the novel The Mortal Instruments: City of Bones and understanding about the dialogue and narration that had been shown, then identified the data based on the theory of human needs. Last, the data were arranged based on the research questions. From the finding of this analysis, Jace had fulfilled four needs of human needs by Abraham Maslow. They are physiological need, safety need, love and belongingness need, and esteem need. Meanwhile Jace could not fulfill the last need of self-actualization need because there are some characteristic that he could not get. They are clear perception or reality, acceptance, problem centered, humility and respect, and sense of humor. From analysis based on his needs, it was found that he showed many characters through the needs that he had fulfilled. Keywords: hierarchy of human needs, character, The Mortal Instruments: City of Bones novel  ABSTRAKTujuan dari analisis ini adalah untuk memperlihatkan proses Jace, karakter dalam novel The Mortal Instruments: City of Bones, dalam memenuhi kebutuhannya melalui teori Abraham Maslow tentang tingkatan kebutuhan-kebutuhan manusia dan menjelaskan tentang karakternya berdasarkan kebutuhannya. Analisis ini menggunakan metode penelitian deskriptif kualitatif karena data ditemukan dalam bentuk dialog dan narasi yang akan menjelaskan tentang karakter. Peneliti menggunakan novel The Mortal Instruments: City of Bones sebagai sumber data. Langkah-langkah dalam pengumpulan data adalah membaca novel The Mortal Instruments: City of Bones dan memahami tentang dialog dan narasi yang telah diperlihatkan, kemudian mengidentifikasi data berdasarkan teori kebutuhan-kebutuhan manusia. Terakhir data disusun berdasarkan pertanyaan dari penelitian. Dari analisis ini, Jace telah berhasil memenuhi empat kebutuhan dari kebutuhan-kebutuhan manusia yang dijelaskan oleh Abraham Maslow. Diantaranya kebutuhan fisiologi, kebutuhan akan rasa aman, kebutuhan akan rasa sayang dan memiliki, dan kebutuhan penghargaan. Sementara itu, Jace tidak bisa memenuhi kebutuhan terakhir yaitu kebutuhan aktualisasi diri karena ada beberapa karakteristik dari kebutuhan tersebut yang tidak bisa dipenuhi. Diantaranya pemikiran yang jelas atau kenyataan, penerimaan, pemecah masalah, rendah hati dan menghormati, dan memiliki rasa humor. Dari analisi berdasarkan kebutuhan-kebutuhan Jace, ditemukan bahwa Jace memperlihatkan banyak karakter melalui kebutuhan-kebutuhan yang sudah terpenuhi.  Kata kunci: hierarki kebutuhan manusia, karakter, novel The Mortal Instruments: City of Bones
HISTORIOPHOTY IN THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE Woolyanto, Vincent; Kuncara, Singgih Daru; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 2, No 1 (2018): Edisi Januari 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (602.401 KB) | DOI: 10.30872/jbssb.v2i1.852

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ABSTRACT The object of this research was to find the historiophoty in The Chronicles of Narnia: the Lion, the Witch and the Wardrobe and the purpose of this research was to find how historiophoty interpreted in the historical events of The Chronicles of Narnia: the Lion, the Witch and the Wardrobe. This research used qualitative method as research design and library research as the method of data collection. This research showed that historiophoty could be used to interpret World War II as a setting and Christianity concept related to the author personal experienced. The researcher showed that there were ten historical events on The Chronicles of Narnia: the Lion, the Witch and the Wardrobe.  Keywords: historiophoty, World War II, Christianity, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe film  ABSTRAK Objek dari penelitian ini adalah untuk menemukan historiophoty di The Chronicles of Narnia: the Lion, the Witch and the Wardrobe dan tujuan dari penelitian ini adalah untuk menemukan bagaimana historiophoty diinterpretasikan didalam sejarah The Chronicles of Narnia: the Lion, the Witch and the Wardrobe. Penelitian ini menggunakan metode kualitatif dan penelitian perpustakaan sebagai metode pengumpulan data. Penelitian ini menunjukkan kalau historiophoty dapat digunakan untuk menginterpretasikan Perang Dunia kedua sebagai latar dan konsep Kristiani terkait dengan kehidupan pribadi sang penulis. Peneliti menunjukkan bahwa ada sepuluh kejadian sejarah di The Chronicles of Narnia: the Lion, the Witch and the Wardrobe. Kata kunci: historiophoty, Perang Dunia II, Kristiani, film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe 
ANALYSIS OF THE MAIN CHARACTER NEEDS IN LIFE OF PI MOVIE USING MASLOW’S THEORY Truman AM, Yohanes; Kuncara, Singgih Daru; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 1, No 1 (2017): Edisi Januari 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (341.826 KB) | DOI: 10.30872/jbssb.v1i1.669

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This research focuses on analyzing the Hierarchy of Needs manifested in the main character. Two questions were designed to discuss this topic. The first question is about the Needs manifested by the main character in the movie. The second question is about the desire of the main character in fulfilling his Needs. This research used descriptive qualitative method to explain and describe the data carefully in answering the questions. The data in this research were in written form taken from the dialogue and narration of the movie. This research uses Maslow’s theory. it is appropriate theory to this research. This research examines the elements of the hierarchy of needs through the main character. Keywords:  Life of Pi, Maslow, hierarchy of need.
Co-Authors Agus Kastama Putra Ali, Saheriah Ananda, Hairani Alfi Anggarwani, Nidya Anjar Dwi Astuti, Anjar Dwi Annisa, Awaliah Nur Apriliani, Feby Aries Utomo, Aries Arifin, M Bahri Armyla Armyla Auliya, Salsabila Gina Bahtiar Bahtiar Biatrik, Desy Cahyarani, Alya Chris Asanti Chris Asanti, Chris Dewi Nurhayati Dianto, Julia Dina Friskaliana Diyan Puspa Wahyuni Dominilla, Abigail Flavia Edo Edryananda Eko Hardanto erna wati Fatimah M Fatimah M. Gunawan, Ryanshan Hafiz Naufal Anshoor Hardiantoro, Baruna Haryanti, Regzi Sri Hasanah, Sa'adatil Hera Erliani Imelda Intan Safitri Indah Sari Lubis Indah Sari Lubis Indah Sari Lubis, Indah Sari Jonathan Irene Sartika Dewi Max Kumala Sari Kurniasari, Erna Pitri Latifah, Siti Noor Lusi, Monica M. Natsir M. Natsir M., Fatimah Madula, James Maghfirah, Monika Dwi Manalu Yerico Calvin Margiana, Ruspika Marselina Mistin Asmiaty Mubarok, Ahmad Much. Eko Wahyu Rianto Mudmainah, Dewi Muhajir, Fatimah Muhammad Alim Akbar Nasir Nasrullah Nasrullah Nisah, Septiana Hairul Nita Maya Valiantien Novita Sari Nurman, Muniralizah NURUL AZIZAH Pertiwi, Hanna Prabowo, Dio Chandra Pratama, Zumaidil Arif Purnawati, Novita Diah Purwanti Puspita, Tiara Yessy Rabbiyani, Sari Rahayu, Famala Eka Sanhadi Rahmah, Nor Rahmatillah, Yusrina Ramadhan, Jalo Patra Ririn Setyowati Rizakiah, Syarifah Rizkianty, Lana Rasita Safa Rohmah, Henny Romlah, Imas Rosianah, Rosianah Rozzan, Alya Rusmini Rusmini Sabiela, Nur Laili Saferi Yohana Sagita Octavia Samantha, Rey Al Hendaweyah Santi Rahmawati Sari, Noor Laila Sari, Putri Indah Sari, Yuli Eka Purnia Setya Ariani Silalahi, Selvy Risma Asmianty Sili, Surya Soffan Soffa Sofyan, Fitria Sudirman, Eka Pratiwi Syaputri, Yoshsyta Eka Ahdiyat Virzinia Theodorick Ardavid Manullang Togatorop, Sonia Truman AM, Yohanes Valentine, Always Happy Woolyanto, Vincent Yofi Irvan Vivian, Yofi Irvan Yunadi, Akbar Yunita, Ira Alifia Yusriansyah, Eka Zamrud Whidas Pratama