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The Representation of Campbell's Monomyth in Mission: Impossible Dead Reckoning Part One (2023) Film Helfina Devianti; Singgih Daru Kuncara
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.19051

Abstract

This study aimed to determine the representation of monomyth in the Mission: Impossible Dead Reckoning Part One film through the character Ethan Hunt using Campbell’s hero’s journey theory. This study also analyzed the plot and Ethan’s characterization to find out whether the plot in the modern film is related to Campbell’s hero’s journey theory. This study also focused on Ethan’s journey as the main character who goes through various events according to Campbell’s hero’s journey. The data source in this study is the Mission: Impossible Dead Reckoning Part One film. The story in this film was relevant to the modern world, exploring the dangers of out-of-control AI technology. The data taken in this study were dialogues, monologues, and events that represent the hero’s journey experienced by Ethan as the main character. The data collection technique was watching the film repeatedly, looking at the transcription of the film, highlighting important events, and taking notes for the analysis. This study used a structuralism approach that concentrates more on identifying and describing the structures in the hero’s journey. The analysis of this data showed that Mission: Impossible - Dead Reckoning Part One successfully represents the monomyth through the character of Ethan by using Campbell’s hero’s journey theory. The analysis of the plot and Ethan’s characterization in this film showed that although this film is modern, Campbell’s hero’s journey theory is still relevant and applicable, even though the story has a different context from traditional myths or legends.
THE STRUGGLES OF WOMEN TOWARD GENDER INEQUALITY PORTRAYED IN ENOLA HOLMES: THE CASE OF THE MISSING MARQUESS NOVEL BY NANCY SPRINGER Julia Dianto; Singgih Daru Kuncara
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9, No 2 (2025): April 2025
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i2.11090

Abstract

Gender inequality is a phenomenon that has never been separated from everyday life in the past until now. Women are considered as weak, helpless, and inferior to men, giving rise to gender inequality in everyday life. Gender inequality gives rise to the struggle of women to get equality with men in various fields of everyday life. This study aims to identify gender inequality experienced by female characters in Enola Holmes: The Case of the Missing Marquess Novel by Nancy Springer and analyzed how women struggle in dealing with gender inequality that occurs by using Judith Lorber's theory regarding gender inequality and women's struggles. This research is qualitative research conducted with a feminist approach. The data source used in this study is Enola Holmes: The Case of the Missing Marquess Novel by Nancy Springer. The data collected was in the form of dialogues and narrations that contain gender inequality and women's struggles. Based on data analysis, the researcher found gender inequality and women’s struggle that occurred in various fields, such as educational fields, economic fields, marriage life, sexual exploitation and violence, and political fields through several characters in the novel, such as Enola Holmes, Eudoria Holmes, and other female characters. The results of this study showed how the forms of gender inequality experienced by women have led to women's struggles to achieve equality, which will also have an effect on gender inequality and women's struggles in the future.
An ecocriticism analysis of human-nature relationship in the film Jungle Cruise (2021) Tiara Yessy Puspita; Singgih Daru Kuncara
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 1 (2026): Januari 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i1.22187

Abstract

This research mainly focused on the representation of nature and the human-nature relationship in the film Jungle Cruise (2021), which was directed by Jaume Collet-Serra through the characters that involved with nature around them by using ecocriticism theory by Glotfelty and Garrard. The researcher used qualitative research in the form of explanations and descriptions. This film focused on the journey of Frank, Lily, and McGregor in the Amazon to find the legendary tree “The Tears of the Moon”. The data used in this research were the dialogues and actions of the characters that represented the ecocriticism. The data were collected by repeatedly watching the Jungle Cruise, focusing on the dialogue, scenes, and highlighting the events that indicated. This research used an ecocriticism approach to identify the representation of nature and the human-nature relationship. The analysis of this data showed Jungle Cruise film represents nature through wilderness, dwelling, and animals, and the human-nature relationship through the coexistence, provision, and nature exploitation.
Co-Authors Agus Kastama Putra Ali, Saheriah Ananda, Hairani Alfi Anggarwani, Nidya Anjar Dwi Astuti, Anjar Dwi Annisa, Awaliah Nur Apriliani, Feby Aries Utomo, Aries Arifin, M Bahri Armyla Armyla Auliya, Salsabila Gina Bahtiar Bahtiar Biatrik, Desy Cahyarani, Alya Chris Asanti Chris Asanti, Chris Dewi Nurhayati Dina Friskaliana Diyan Puspa Wahyuni Dominilla, Abigail Flavia Edo Edryananda Eko Hardanto erna wati Fatimah M Fatimah M. Gunawan, Ryanshan Hafiz Naufal Anshoor Hardiantoro, Baruna Haryanti, Regzi Sri Hasanah, Sa'adatil Helfina Devianti Hera Erliani Imelda Intan Safitri Indah Sari Lubis Indah Sari Lubis Indah Sari Lubis, Indah Sari Jonathan Irene Sartika Dewi Max Julia Dianto Kumala Sari Kurniasari, Erna Pitri Latifah, Siti Noor Lusi, Monica M. Natsir M. Natsir M., Fatimah Madula, James Maghfirah, Monika Dwi Manalu Yerico Calvin Margiana, Ruspika Marselina Mistin Asmiaty Mubarok, Ahmad Much. Eko Wahyu Rianto Mudmainah, Dewi Muhajir, Fatimah Muhammad Alim Akbar Nasir Nasrullah Nasrullah Nisah, Septiana Hairul Nita Maya Valiantien Novita Sari Nurman, Muniralizah NURUL AZIZAH Pertiwi, Hanna Prabowo, Dio Chandra Pratama, Zumaidil Arif Purnawati, Novita Diah Rabbiyani, Sari Rahayu, Famala Eka Sanhadi Rahmah, Nor Rahmatillah, Yusrina Ramadhan, Jalo Patra Ririn Setyowati Rizakiah, Syarifah Rizkianty, Lana Rasita Safa Rohmah, Henny Romlah, Imas Rosianah, Rosianah Rozzan, Alya Rusmini Rusmini Sabiela, Nur Laili Saferi Yohana Sagita Octavia Samantha, Rey Al Hendaweyah Santi Rahmawati Sari, Noor Laila Sari, Putri Indah Sari, Yuli Eka Purnia Setya Ariani Silalahi, Selvy Risma Asmianty Sili, Surya Siswahyudianto Soffan Soffa Sofyan, Fitria Sudirman, Eka Pratiwi Syaputri, Yoshsyta Eka Ahdiyat Virzinia Theodorick Ardavid Manullang Tiara Yessy Puspita Togatorop, Sonia Truman AM, Yohanes Valentine, Always Happy Woolyanto, Vincent Yofi Irvan Vivian, Yofi Irvan Yunadi, Akbar Yunita, Ira Alifia Yusriansyah, Eka Zamrud Whidas Pratama