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THE OPPRESSION TOWARDS BLACK FEMALE CHARACTERS AS MAID IN THE HELP NOVEL BY KATHRYN STOCKETT Dominilla, Abigail Flavia; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3152

Abstract

This research analyzed the oppression issue that happened in The Help novel. The oppression mostly happened to the two main black female characters in the novel, namely Aibileen Clark and Minny Jackson. The purpose of this research is to analyze how the kinds of oppression happened through the postcolonial feminism perspective. To provide deeper analysis, qualitative research is used as the research method. By the analysis, it was found that Aibileen got four kinds of oppression, which are exploitation, marginalization, powerlessness, and cultural imperialism. Whereas Minny Jackson got all the kinds of oppression towards her. These oppressions can be seen through the narration, dialogue, action, thoughts, and physical appearance of the characters. Both of them got the oppression because as the third world women, they were shaped to be inferior towards Miss Hilly, Miss Leefolt as their masters and Leroy as Minny’s husband. Based on the analysis, the researchers concluded that black women experienced double oppression than the first world women, considering not only through their gender but also race and class. Penelitian ini menganalisis masalah penindasan yang terjadi dalam novel The Help. Penindasan sebagian besar terjadi pada dua karakter perempuan kulit hitam utama dalam novel, bernama Aibileen Clark dan Minny Jackson. Tujuan dari penelitian ini adalah untuk menganalisa bagaimana jenis – jenis penindasan terjadi melalui sudut pandang feminism poskolonial. Untuk memberikan analisa yang lebih dalam, penelitian kualitatif digunakan sebagai metode penelitian. Melalui analisa, telah ditemukan bahwa Aibileen mendapatkan empat jenis penindasan, yakni eksploitasi, marginalisasi, ketidakberdayaan, dan imperialisme budaya. Sedangkan Minny Jackson mendapatkan semua jenis penindasan disebabkan. Penindasan ini dapat dilihat melalui narasi, dialog, aksi, pikiran, dan penampilan fisik karakter. Keduanya mendapatkan penindasan karena sebagai perempuan negara ketiga, mereka ditentukan untuk menjadi bawahan terhadap Miss Hilly dan Miss Leefolt sebagai majikan mereka dan Leroy sebagai suami Minny. Berdasarkan analisa, peneliti menyimpulkan bahwa perempuan kulit hitam mengalami penindasan ganda daripada perempuan negara pertama, menimbang tidak hanya melalui jenis kelamin tetapi juga melalui ras dan kelas mereka.
An ecocriticism analysis of human-nature relationship in the film Jungle Cruise (2021) Puspita, Tiara Yessy; Kuncara, Singgih Daru
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 1 (2026): Januari 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i1.22187

Abstract

This research mainly focused on the representation of nature and the human-nature relationship in the film Jungle Cruise (2021), which was directed by Jaume Collet-Serra through the characters that involved with nature around them by using ecocriticism theory by Glotfelty and Garrard. The researcher used qualitative research in the form of explanations and descriptions. This film focused on the journey of Frank, Lily, and McGregor in the Amazon to find the legendary tree “The Tears of the Moon”. The data used in this research were the dialogues and actions of the characters that represented the ecocriticism. The data were collected by repeatedly watching the Jungle Cruise, focusing on the dialogue, scenes, and highlighting the events that indicated. This research used an ecocriticism approach to identify the representation of nature and the human-nature relationship. The analysis of this data showed Jungle Cruise film represents nature through wilderness, dwelling, and animals, and the human-nature relationship through the coexistence, provision, and nature exploitation.
Co-Authors Agus Kastama Putra Ali, Saheriah Ananda, Hairani Alfi Anggarwani, Nidya Anjar Dwi Astuti, Anjar Dwi Annisa, Awaliah Nur Apriliani, Feby Aries Utomo, Aries Arifin, M Bahri Armyla Armyla Auliya, Salsabila Gina Bahtiar Bahtiar Biatrik, Desy Cahyarani, Alya Chris Asanti Chris Asanti, Chris Dewi Nurhayati Dianto, Julia Dina Friskaliana Diyan Puspa Wahyuni Dominilla, Abigail Flavia Edo Edryananda Eko Hardanto erna wati Fatimah M Fatimah M. Gunawan, Ryanshan Hafiz Naufal Anshoor Hardiantoro, Baruna Haryanti, Regzi Sri Hasanah, Sa'adatil Hera Erliani Imelda Intan Safitri Indah Sari Lubis Indah Sari Lubis Indah Sari Lubis, Indah Sari Jonathan Irene Sartika Dewi Max Kumala Sari Kurniasari, Erna Pitri Latifah, Siti Noor Lusi, Monica M. Natsir M. Natsir M., Fatimah Madula, James Maghfirah, Monika Dwi Manalu Yerico Calvin Margiana, Ruspika Marselina Mistin Asmiaty Mubarok, Ahmad Much. Eko Wahyu Rianto Mudmainah, Dewi Muhajir, Fatimah Muhammad Alim Akbar Nasir Nasrullah Nasrullah Nisah, Septiana Hairul Nita Maya Valiantien Novita Sari Nurman, Muniralizah NURUL AZIZAH Pertiwi, Hanna Prabowo, Dio Chandra Pratama, Zumaidil Arif Purnawati, Novita Diah Purwanti Puspita, Tiara Yessy Rabbiyani, Sari Rahayu, Famala Eka Sanhadi Rahmah, Nor Rahmatillah, Yusrina Ramadhan, Jalo Patra Ririn Setyowati Rizakiah, Syarifah Rizkianty, Lana Rasita Safa Rohmah, Henny Romlah, Imas Rosianah, Rosianah Rozzan, Alya Rusmini Rusmini Sabiela, Nur Laili Saferi Yohana Sagita Octavia Samantha, Rey Al Hendaweyah Santi Rahmawati Sari, Noor Laila Sari, Putri Indah Sari, Yuli Eka Purnia Setya Ariani Silalahi, Selvy Risma Asmianty Sili, Surya Soffan Soffa Sofyan, Fitria Sudirman, Eka Pratiwi Syaputri, Yoshsyta Eka Ahdiyat Virzinia Theodorick Ardavid Manullang Togatorop, Sonia Truman AM, Yohanes Valentine, Always Happy Woolyanto, Vincent Yofi Irvan Vivian, Yofi Irvan Yunadi, Akbar Yunita, Ira Alifia Yusriansyah, Eka Zamrud Whidas Pratama